Tag Archives: silk

textile detective continued…

Now that the holidays are over, and the sun is back out after some very much needed rain, I’m back to finish off the mystery of the silk fabric from the obi I was deconstructing here.
As you may or may not recall, there was a question as to whether the sateen silk backing of this obi was a cloth woven of silk and paper which would have been very rare. I sent a bit to my friend Velma who makes shifu and she pointed out that she could not detect any “seeds” in the weft threads as she unwove them. The seeds would be where “the strips are joined in one continuous thread by tearing a small tab of paper from the connecting strip above two threads. This tab is rolled in the same direction you intend to spin the thread creating the “seed”. This seed is one of the most notable characteristics of paper thread, and forms a unique pattern in the final woven cloth.” See here for attribution of this explanation and more about shifu.

I too had unwoven a bit more of the weft and looked at it more closely seeing that the fiber did actually look more like a cotton or hemp than paper. I did another burn test on the warp just to make sure and it really did smell like cellulose and not protein fiber-confirmed!

I also received back a reply from the Kyoto Shibori Museum who sent me the following interesting reply:
“It looks like an obi made a long time ago.The Japanese embroidery is very beautiful, and I think it’s hard to see anything like this now. The red stamp part is usually stamped with the weight of the fabric, the name of the manufacturer, the place of origin, etc., but it cannot be identified here. The kanji woven into the silk can be read as KAMI GO. It could be the name of the manufacturer/weaver or the title given to this particular obi.
KAMI means God and GO is the name of an ancient Chinese country. Japanese kimono is also called GOHUKU, but it means the kimono that GO people came to when the shape of the kimono came from China to Japan.

The best guess at a date would be late Meiji- early Showa. So around 100 years old.

I have been wondering what fabric I would use for the January Moon of the Month Circle. To begin the year and the Moon of the Month Circle, I will be sending both moons using this beautiful obi silk lining. Can’t wait to get to the vat and make them!

A couple more projects claimed the workspace in December. first, a not so auspicious
t-shirt quilt I have been threatening/promising to make for my son trevor going on ten years now! When he went off to college and cleaned out his dresser, there were a lot of favorite t-shirts going back even to co-op preschool days. There were memories from music camps, summer camps, marching bands, favorite pokemon,surf and skate brands, and even their own rock band from when they were kids. I had cut out the graphics and backed them with a lightweight fusible and there they sat, stacked and ready to go. Over time he added a few more from college music groups, shinkendo, and Japan. As I cleared out some of the workspace I decided that THIS was the year I would finish it. I spent two days stitching them together, backing, quilting (by machine), and self binding it. Done! It’s a fun ride from preschool through college in addition to being a utilitarian quilt made with recycled fabrics. The first photo he sent me of its use had a big fluffy cat sitting on it- success!

The other project is still ongoing but I think I solved a dilemma that had been plaguing me for a while. I made this piece -a bit of an ode to fabric scraps and stitches and wasn’t sure if or how I wanted to back it. I always like the back of a stitched work-maybe just out of my own curiosity. But this has sat there feeling a bit unfinished and finally it ended up sitting next to some lovely old red lining silk. The jacquard pattern woven into the very very fine red silk are beautiful cranes with florals and vines. This auspicious pattern was probably for a wedding kimono lining or some other important kimono lining. It’s a full bolt but disassembled and stitched back into a continuous length. I decided I didn’t want to cut it to fit the width of my piece- it would ruin the full pattern. So I decided to stitch it into a tube at the proper width to stitch the lining to the back of my piece. This way, should someone ever want to reuse this beautiful silk, all you would have to do would be to unstitch it. Kind of like a kimono. Something from the Amuse Boro Museum rings in my head at times like this.

2015 Asakusa, Japan Amuse Boro Museum
i imagine sericulturist feeding the kaiko, the silkworms spitting this thread, the dyers dying the thread, the pattern designer graphing out the pattern for the loom cards, the weavers weaving… imagine what the silkworm provided!

The sun has come out here and is drying the outdoor workspace after all the rain. The snow has covered our local mountains and the new year begins with this wonderful view and hope for a year of drought recovery. About a million poppy seeds and bachelor buttons have sprouted in every nook and cranny in the backyard!

Case of the textile detective…

Here I have to tell a little of the back story to this old obi. Previously I had blogged about taking Ann Wasserman’s online workshop on quilt repair and restoration (see her blog here). I had found her online while doing some research on the crazy quilt I named Ida Belle. (while I was editing this post, Ann put up a new blog post about her latest repair/conservation quilt-a wool crazy quilt. You can see a video of her talking about it here.) In getting to know Ann a bit via email, we discovered we were quite harmonious when it came to cloth and textiles. Even Jude’s name came up as we were both early enthusiasts of Spirit Cloth (currently in wordlessly watching mode until after the New Year). In our conversations, she mentioned that she had some Japanese silk fabric that had been gifted to her many years ago and that she had no idea what to do with it or even what it was. She sent some images and asked me to look at it.

From the images she sent me, my guess was that it was an obi. It had a couple of areas of highly embroidered florals over some shibori along with large lengths of blank undecorated areas. There was what appeared to be a fold line down the center and the length of the piece indicated that it was an obi. At this point, Ann asked me if I would “adopt” it and do what I thought was best with the piece. I agreed, thinking that it would serve as a nice sample of shibori with beautiful embroidery for future in person workshops (hoping I get back to that eventually!). As you can probably guess, someone like Ann is often given and asked to “adopt” a fair amount of textiles but this one was outside of her particular realm.

When it arrived here, I looked it over and took a few of my own photos. I noticed a couple of things right away. First off, the shibori work is really very sophisticated. It impresses me that way where the the use of dyes fades into the background to give the very subtle feeling of distance. The silk used here is chirimen. Shibori techniques used are kanoko (fawn spot), boshi (capped resist), and makiage (stitched motif). I had a couple of questions so I also sent an email to the director of the Kyoto Shibori Museum. (Their latest youtube video is wonderful!) It’s obvious that the shibori was done with the final embroidery in mind. The embroidery! Wow… very beautiful nihon shishu.
I noticed that this shishu has a fairly high “loft”. I asked another friend, Mary Alice in Houston, who teaches this form of Japanese embroidery (you can find her online here) and she said that sometimes the older versions of this were padded underneath. What I ultimately discovered was that there are two layers of silk stitching (one perpendicular to the other) that provide this padding.


What I conclusively decided was that I would disassemble this obi. I decided this for a couple of reasons. The folding and storage were doing it no favors. Storage to me is “out of sight, out of mind”. I like things to be enjoyed and used. So I began to unstitch this beautifully hand stitched obi…and discover its secrets.

If you attended last week’s Komebukuro Treasure bag workshop “check in /hang out” session, after the questions and progress sharing was over, I shared my obi disassembling project. At the time I was about 3/4 through the unstitching. At that time I shared both the front and the back of the amazing embroidery. The back is also amazing and shows the wonderful and tiny stitches used to couch down the gold leafed silk threads. Goldwork embroidery is done using a core thread (usually silk or cotton) that is wrapped with a fine layer of gold leaf. Couching is the main way this thread is used as (I’m guessing) you wouldn’t want to pass this delicate gold thread through the cloth over and over. Couching is done in any number of colored silk threads for contrast and results depending on the embroiderer’s desired artistic outcome.

SInce that session, I have finished taking this piece apart and and discovered something very wonderful. The back side of the obi seemed a little odd to me. The front side of the fabric was very much a sateen-shiny with lots of long silk floats in the weave. However, the back was very matte and had an odd texture. Looking at it with a jewelers loop it was obvious that the warp and the weft were very different fibers. Unweaving a section of an end was in order! The warp was composed of very many fine silk threads. I carefully removed several rows of the much thicker and dull weft threads and did a burn test. Cellulose for sure. Then there was the issue of the feel of this textile. So papery… so I started searching online. I was slipping down another rabbit hole!

I started by searching for shifu, which is a textile woven of paper threads. My friend Velma sent me search for Susan Byrd who wrote the book A Song of Praise for Shifu – Shifu Sanka as well as made a wonderful video on preparing the thread for weaving. I’ve followed Velma for many years and have been amazed at her work and her blog, Wake Robin. I have sent her a piece to look at and give me her thoughts. After doing some reading it seems that it is likely kinujifu (kinu meaning silk and jifu, the word for shifu-paper cloth- when attached to the word kinu) if the weft thread is in fact paper. I did do a sample moon dyeing and when the fabric was wetting out, it curled up like crazy into a tight curl. I haven’t seen that before…


Even if it doesn’t turn out to be kinujifu, I have learned SO MUCH!

this mark of the weaver was woven into the end of the sateen piece

The center of the obi is a stiff cloth called obi shin. In many old obi the center layer is made of old cloth patched together. In fancier old obi, a special thick woven cotton cloth is used. Now days, manufactured obi shin is widely available and I’m not sure what they are made of. Perhaps cotton, perhaps poly. But over the course of time, I have collected and used a variety of old obi shine. I have made many of the moon bags from them as they have a great texture and character as well as being very sturdy. They were also often discarded and I was finding them at flea markets in Japan so someone was saving them. Part of the problem with storing these old obi with thick obi shin is that in the humidity of Japan, they tend to become damp and don’t dry easily if improperly stored. This collected moisture can easily mildew and stain (sometimes called foxing) the exterior obi fabrics. Such is the case here and there with this obi. I also moon dyed a piece of the obi shin. it dyed beautifully…

As I look at the fabric from this obi (now temporarily rolled onto three large kimono rolls), I think the best thing for the embroidery portions will be to conserve them flat in museum grade glass with UV protection. My thought is to frame the embroidery with a border of the silk/cellulose fabric. It would be great to frame it so the back side of the embroidery is visible. The main embroidery would go to Ann of course and the lesser one I would keep for a workshop sample. It just makes sense to preserve them this way unless anyone here has another idea-I’d love to hear it.

After all this, I am reminded that I have so many talented and knowledgeable friends that share the love and interest in textiles, preservation, and craft. It is truly a bounty of riches created over time!
Now if you have the time and interest- go grab a cuppa and come back to enjoy some of the links and videos noted within. There is a lot to take in!

Don’t forget, there is a new workshop forming for the 2022 Komebukuro Treasure Bags – details here.

Dyeing and social media

Lots of dye work going into the upcoming workshop kit materials. Like this selection of silk linings that were dyed yesterday for the komebukuro kits. Dyed using the indigo fermentation vat and a marigold dyepot for blue and gold linings. Of course I couldn’t resist doing a little bit of green since I had those colors going. I originally thought I would use the pomegranate dyepot but it wasn’t looking as gold as I wanted. So I decided to use it for the drawstrings and cording instead.

Interestingly, the two greens were produced with the same silk and the same dyepost/vat but the order of operations was reversed. Blue over gold and gold over blue (the more olive green) created two completely different greens. A green themed komebukuro was not planned but I might just have to put together fabric for one of those-just so I can use those delicious greens.

I am using some really nice brown linen (acquired somewhere long ago/can’t remember where) for the upper band on the bags. I liked it so much on the brown version I decided to overdye it in indigo for the blue bags. It dyed a very dark/almost black blue. It will make for a nice background for anyone wanting to do sashiko stitching there and a good dark contrast for the indigo bags in general.

The “Fall” weather turned to Summer again today, likely hastening the ginko trees turning to gold. Upper 80’s low 90’s for the next few days. I really can’t wait for the leaf drop. so much beautiful mulch will blanket the garden but a couple of weeks standing under the golden ginko tree is really something to look forward to. I’ve been enjoying the photos posted online of the fall leaves turning from around the world! In Japan, we always enjoyed taking a ride on the skyways, no matter the season. They even have special busses for fall leaf viewing that take you the most beautiful locations.

fall leaf viewing by skyway cable cars in Japan

And of course I’m still working on organza dyeing and pleating. There are two cats that don’t live here (and don’t like each other) constantly trying to vie for the top assistant position.

Captain help on the ironing board with the organza

Also, please give a visit again to the Kyoto Shibori Museum youtube video page and this video. It is beyond describing what they did to accomplish this major piece of shibori.

I am really starting to look ahead to next year’s Silk Study Tour.The 2021 Silk Study Tour to Japan has now been rescheduled for May 11-26 2022. It’s looking promising finally! We are still waiting for Japan to open up to tourists again and to respond to whatever protocols will be in place. It’s so hard to anticipate what they will be, but it does look like we are moving in the right direction. As a reminder, all participants will be required to be fully vaccinated at the time of acceptance into the tour as well as meet all travel restrictions, mandates, and requirements in place by both the US and Japan at the time of travel. I will be sending out the official notice by the end of this month with applications. The way to get on this email list is to sign up here. If you have emailed me and asked me to be put on the list, I have likely directed you to this email signup. (I may have missed a few…) If you had signed up to receive info on the 2021 tour, you will still get the 2022 tour email. you don’t need to sign up again. If you can’t remember or have a new email- DO sign up again. It will filter out duplicates (or tell you you are already on the list).

marigolds from the broth- they smelled good- like flower tea

The Shiborigirl Social Media Report…

As those of you who make a living (partially or completely) by making, teaching, and selling know, social media is a necessary part of what you do (or perhaps need to do more of). I am always in the position of needing to do more of it and really not finding enough time to do it! But if I don’t, sales and signups show it. Maybe you are in that position as well. (Or maybe you are a customer and are worn out from being marketed to!)
Maybe this part of the post won’t be of interest to you but here are my latest thoughts on what it takes to remain viable in the current environment.
keep writing your blog (or get one started now!)
this is the best advice I have to give really. I’ve said this all along and I’ve never stopped. I started in 2006 and have regularly blogged ever since. Yes, there have been some times of lesser blogging (especially during times when I was attending to subscription blogs, teaching or traveling) but this is the best way to stay connected to your circles of interest. A blog is a great timeline and window into what you do in photos, videos and words. It remains there forever and you and readers can reference past posts anytime. My favorite people are from the blog and through their blogs as well. We have some very long term relationships here. I love that people can add my blog to their readers or sign up to receive my posts via email. It’s not filtered by a platform algorithm. I use WordPress and there is really much more it offers than what I can use.
-Have a website (of course) and your own online shop
Make it as simple or as complicated as you want (simple is best for me but still seems complicated!). I have used etsy in the past but never exclusively or even majorly. I’m so glad I no longer use it as the way it has evolved just does not suit me at all. The whole “star seller” thing is atrocious. Your online shop (and even etsy) is just a virtual cash register and you need to lead people to it. Don’t expect any of them to do your marketing for you.
-Have a way to collect email addresses & use this for newsletters!
I’ve used Constant Contact for many years and it’s served me well. There are lots of options on how to do this but I like self sign up lists and have mine on the top right of the blog here. (don’t wear out your subscribers with newsletters though or they might just not read them)
Use Facebook, Instagram, Pinterest, Twitter, TicTok, and the rest as you need or desire to.
I use FB (both a personal page and a studio page). I use Instagram here and there. Most people love IG more than I do. I’m not really a Pinterest person but will use it as a way to point people to my website etc.. I don’t do TicTok currently-just too much for me at the moment although some people use it as their #1 SM site and do it very well. YouTube is also a great resource and I really should do more with it. No matter which platforms you choose, it’s important to engage with your followers and form relationships, to offer good and interesting content. To be giving more than you receive. You do need to understand the relationship of some of these platforms to each other as some don’t play nice with each other (ie FB & Youtube). I use my Twitter mostly for local politics but do have some fascinating people I follow and interact with there- sericultureists around the world, artists, textile museum folks, and others. Some people hate Twitter and Facebook and some love one or the other or both. Maybe one of the most important things I can say about SM platforms is that YOU can curate and control your experience. If you are seeing lots of content you don’t like- then change it!
I haven’t even mentioned “boosting” or placing ads which is an art in and of itself. I dabble in it as I don’t have a lot of $ to spend on it and since my time to fully understand and make the most of it is limited I just do a small amount of it.
Maybe the most difficult thing is to keep up with all the changes and updates to these platforms and how they will affect me and my business. It really is a full time job (that I don’t want) yet don’t have enough time for if I am going to get ANYTHING done in the studio!
Of course Covid plays into all this and did I mention Zoom? I did in the last post and since then I have started doing some Facebook livestreaming on my studio page. After several trials and tribulations I mostly got it working the way I want it to- just giving a quick live video update on what I’m working on. I’m using a 2 camera view with some OBS software (OBS Studio is the one I like) that allows me to show you my work table plus my “talking head”. I do this so i can feel more present with you even though I’m using a virtual platform.
-You can always set up a linktree that you can quickly post here and there when your website isn’t quite what you want. You can also set up various linktrees to serve different purposes. My linktree.

**NOTE** in doing this post I was checking links and found that one of the links in the sidebar which was supposed to be going to my Paypal account was actually going to various random people’s paypal!! Off to fix that now! CHECK YOUR LINKS FROM TIME TO TIME! I reported it to WP and took screenshots but WOW! Sorry to anyone who might have sent $ for the Moonmates series that I didn’t acknowledge!

Overwhelmed yet? I am… now to get back to the studio…

making moons too- some for moon orders and some for the komebukuro bag kits




The other day I met up with some special friends at the botanical garden in the afternoon and went through the butterfly pavilion again.

South coast botanic garden SOAR exhibit

When I returned back home, I was inspired to finish the dyeing and steaming of a set of pieces I’ve been working on.

and the crowd goes wild!

When I look at these, I see you. All of your creativity, your joie de vivre, and your unique voice. Keep singing…

Silk Study Tour to Japan 2022

I’ve been meaning to do this for awhile now and after receiving several inquiries after the recent post I am getting it checked off of my list today. I am including here a new link for those who are interested in receiving the sign up email for the tour which I expect to go out in early June. Here it is!

click the image above to sign up
for the upcoming tour info

The 2021 Silk Study Tour to Japan has now been rescheduled for May 11-26 2022.
Please know that it will be a requirement of the tour to have been fully COVID19 vaccinated in addition to any other health requirements put in place by the Japanese government, the airlines, and our hired bus company. We will strictly adhere to all health requests of the host artisans, museums, hotels, restaurants, shops, and any other places to which we travel.

Hirata san (our Japan-side coordinator and guide) and I have been in frequent communication over the past year and are excited about organizing the upcoming tour. We have a new itinerary that includes some of the past favorites and a few new ones! Prices have not yet been confirmed as all that has to be redone in light of this past year.

Stay tuned! In the meantime, please enjoy some photos and an older blog from past tours. Previous tours occurred in 2009, 2011, 2013, 2015, 2017,and 2019.

Nihon e ikimashou!

in the air…

Lots of thoughts rumbling around here since the last post. This is gonna be a longer post, so settle in.

various tomato seedlings transplanted up and getting a bit of a slow start due to cooler weather but it’s warming up now.

Spring is definitely in the air. And so is hope in many quarters. Spring always is in the very heart of a gardener and I’m no different. Like Spring seasons, life is slowly changing and renewing. Many people are getting vaccinated, getting out and adjusting to what currently is. Just being here is good. In fact, quite wonderful.

Hirata san sends me photos of the beautiful cherry blossoms in Kamakura and I’m having hanami natsukashii (cherry blossom viewing yearnings)…here are a couple to get you in the mood. We have our itinerary for the Silk Study Tour set for 2022 and are looking forward. The photos below show the new cherry trees approaching the Hachimangu shrine. It is just gorgeous with all the trees in bloom! This approach was reworked just a few years ago and is a lovely walk down the center of the main street.

I’ve struggled to post often this past year, instead letting thoughts congregate a bit before getting them written into the ether. That doesn’t mean that they are more clearly expressed with the passage of time, sometimes I think it is quite the opposite! Too many thoughts blend, are forgotten and so on, but today felt right so here we are. Sometimes I take short notes for the blog on my phone to remind me of something I want to write about and sometimes I don’t, letting the thought return like a butterfly to its host plant if it works out that way (speaking of butterflies, the caterpillars of the clouded sulfers have gone somewhere to pupate, I know not where) and the praying mantis oothecae should be hatching any second (haven’t seen the babies yet).

Fresh on my mind right now are my beader friends in the Czech Republic (CR) who write me that they are suffering greatly from their government’s misconduct and irresponsibility in regards to COVID. I felt so sad hearing her description of their situation there. Vaccines are extremely limited, and lockdowns are very strict beyond what science would rationally dictate. People feel stifled and rebellious and somewhat hopeless. They look forward to a new election in October, she says.

“forbidden to move out of our districts, forbidden to work and not compensated, forbidden to socialize, forbidden to breath without a mask even if there is nobody around us in a 100 metres range(328 feet), forbidden to leave our homes between 9pm and 5am… and god knows how long til the end, because the government has literally NO PLAN”

I know she won’t mind my sharing her words here anonymously. I can be so absorbed in my own world here, listening to others broadens my perspective. I love that we have become long distance friends sharing our worlds. At the end of our conversation I shared the music of Joan Armatrading (a long time favorite of mine). I’ve been listening to her music today in the studio after Maura in India (Mustard Seeds Kolkata) featured a song on her FB post this morning.

Seems we lost a number of writers in March, notably Beverly Cleary(104), Norton Juster(91), Larry McMurtry(84), and Marianne Carus(92). My kids and I enjoyed their work and say a fond farewell, having left us with many good reads.

My heart was warmed by a message/conversation received from the mother of a son who credits me with far too much- but as we say, we never know what good a simple act of open-heartedness can give rise to. She credits me with reaching out to him as a young teenager who was struggling greatly and saving his life but it was her perseverance and love that brought him to meet me at a show in Houston (they lived in IN) and to encourage his interest in textiles and art. It is to his credit (and hers) that he graduated with a degree in art and is now teaching art in a HS in CO and just got accepted to grad school. He is out and doing what he loves, being who he is. How can you not love that?

It’s haru basho in sumo right now and today is the final day. We enjoy watching sumo here (I love looking at the silk gyoji costumes with their jaquard weaves and wonderful color combinations) and love watching both the juryo and makuuchi divisions. In a lower division called sandanme one of the rikshi (Hibikiryū) suffered a horrible injury perhaps resulting in paralysis (yet to be determined). The resulting uproar over treatment of rikshi injuries has resumed in sumo and is very justified. If you follow sumo, you know what I am talking about. Japan needs to step up. Tradition is one thing, humane treatment of rikshi is another.

Here in CA people over 50 are eligible for vaccinations April 1 and everyone over 16 is eligible April 15. Some areas have already opened to over 50 and we just received our first vaccination here. We still need #2 in 21 days plus a waiting period but progress is happening and workshops will again begin this summer! I am noticing how it is affecting my mental well being today. I feel inspired and more alive. I hope you are taking advantage of vaccinations in your area so we can all move ahead with safety and more peace of mind. This is a time to consider the future and reinvent many things.

Speaking of the studio, my recent post on the paid blog was quite interesting (apparently only to me-haha) yet I’m not sure if subscribers are reading regularly. Makes me wonder about that path. I won’t be doing this again, methinks. All posts there are password protected unless you subscribe but I thought I would “unprotect” this one to share here. It’s about indigo and madder and what I am making now… moonfire! March moons are all about madder and indigo. Today is the full moon as well as a shop update. Moonrise last night was spectacular here. Are you watching where you are?

I also was listening to a video I came across that resonated with me by George Monbiot who promotes “feeding the world without devouring the planet “. This also applies to textiles and clothing which continue to be a resource problem. As the planet goes, so go we. We survive by walking a fragile line of coexistence with nature. The planet will outlast us surely, but by how much? That is up to us.

In the meantime, I continue to dye. I have been dyeing madder and indigo. On a frustrating note, my aquarium heater in the indigo vat is out of commission again. I think that the high pH just does it in and results in its early death. They seem to last less and less time these days (this one just 5 months). Maybe this is the answer? Pricier than replacing the heater but…less wasteful if it lasts a couple of years. The weather is heating up now (81 degrees today) so a heater for the fermentation vat won’t be needed soon. I have been sorting through old cloth and over-dyeing in both indigo and madder to create some interesting cloth sets for the shop. Moonfire sets are also available there. A little diversion is always fun. I love how madder complements the indigo. I can imagine the projects that will be made from these cloth sets. From my imagination to yours…

and in the end, a look back to an older post.

Focus?

This has been my daily undoing lately. Trying to focus when chaos swirls around me. After spending over a week now with an unruly computer, I now have it back to limping along so will take this moment to write a quick post. I had to wipe the HD and reinstall the OS and all the data from a backup. SO lots of resetting work and getting things back to where they were. Not sure it’s done yet as the same problem popped back up during the resetting so I’m expecting more computer trouble on the horizon. But in the moment it is working…

All the chaos of the last year leaves me wondering where the path even is. In what direction do I head? What purpose can I serve? Does what I do even matter (some days I do wonder about this!) ? Chaos seems to zap away my creative energy…
I know I’m not the only person experiencing this. I’m in good company.

After supporting myself for so long (over 40 years) I wonder-can I still do it? What if I can’t? What might that look like? With clearly 6-12 months more of COVID related challenges ahead of us, in-person workshops and shows are unlikely for the foreseeable future and even then, it won’t be like turning a switch back on. It will take time to rebuild. The planned 2021 Silk Study Tour to Japan is of course, cancelled. We have hopes for 2022 so I will refocus towards that.

Sometimes, focus is a matter of deciding what you are NOT going to do!

So just while I’m writing this the screen froze again. So clearly still having issues. Back to the shop it goes tomorrow. Let’s see if I can get a couple of things into my shop to help things out a bit before it completely dies off(crossing my fingers on this restart!).
I’ve still been keeping myself busy, though not really sure what I should be making! I’ve been shooting videos for the Daily Dyer on using the pleater and how I create the silk organza I use for the flowerwork. Again, I’m backed up on the videos due to the computer problems but hope to get more of them up in the next day.

In the meantime, I added a couple of flowers to the shop. I really love the white ones. Here, I am using pleated and dyed silk batting for the leaves. I think it adds a nice textural contrast to the organza.

I’ve also been doing a bit of indigo dyeing for a garment I want to make. In doing that, I selected and organized some of my indigo fabrics into project packs and added them to the shop. It’s been a while since I put these back into the shop. They are assortments of various silks and cottons dyed in varying shades of indigo. There are also a few packs of solid indigo cotton yardage dyed in the three shades using the fermentation vat.


On a side note, I watched some of the Yoshiko Wada shibori lecture videos and enjoyed seeing the work of the featured shibori artists there. I was reminded that I am really more of a commercial shibori craftsperson. Whenever I am creating, it is with an eye towards selling my work. It needs to be this way for me. So when I am experimenting with an idea, I am always wondering how I can use it in a commercial way. Can I improve the process to a point where it satisfies both my aesthetic goal as well as be manageable in the marketplace. I also realize that in the best tradition of Arimatsu shibori, shibori was a way to create a commercial product for a living! This is part of the shibori challenge for me. While beauty and quality craftsmanship is part of the desired outcome, utility remains key and with a eye towards the commercial aspect. And within that utility was a need to sell the work for a fair price for the handwork. I always admire the Japanese ability to innovate the process with this in mind. While much shibori rises to the level of art now, most who are making shibori these days do so as art or as a hobby, what I do is quite different- I made it my profession. I enjoy the challenge of that.

Another interesting Covid related activity- crafting zooms. A group of gals in California have been getting together to make up some of the items for which I offer free instructions. They order the kit, then make the item during their social zoom, screen sharing my video instructions! They have time to check in with each other while hand stitching their kits and helping each other out if needed. Each month they pick a different project. Great idea! If your group wants to do something similar and you want to invite me to pop into your zoom to answer any questions, let me know!

When my focus starts to fade, I take a trip out to the garden and see what is happening there. RIght now the most inspiring thing is the feathery cassia (Senna artemisioides) whose scent is at its peak. It has a little spicy scent -some days it can remind me of Necco wafers-remember those? The clouded sulfur butterflies flit all around and are laying their eggs there. I can always count on Nature to set me straight.

I really wish I could share the scent!
did you notice the butterfly at the top?

PHEW! Made it through the post without another freezing episode!

Stitching stars

I rewarded myself for getting my taxes 90% complete today by stitching stars into the indigo universe.

I just wanted to mention a couple of things about this wonderful silk floss I’m using. It’s about 100 years old and just divine!

Richardson’s silk floss has some interesting history and I came across this print ad.

The silkworms are cocooning quietly in the background and I’m thinking about indigo dyeing their silk as an embroidery floss of some type. It’s a big dream.

But hey, a girl can dream.

Hopeful…楽観的 -らっかんてき

Always during this time of year I begin to get the urge to raise silkworms. Recent walks in the neighborhood encourage me when I see mulberry trees leafing out with fresh tender greens. What silkie could resist?

Reading an account of rice farming and poverty in early 1900’s Japan from one of my favorite books “Memories of Silk and Straw” I saw this, adding further to my yearning…

Watching and caring for small creatures such as silkworms is very calming-at least to me. Seeing them eat, grow, and transform is a reminder of so many things. It makes me a little sad that the local schools no longer do this even though they often have mulberry trees on their campuses, originally planted there for this very purpose.

The neighbor kids are home a lot more now so perhaps they might be interested.

I have eggs in cold storage in my fridge which I saved from my last rearing dated July 2018. A bit old and who knows if they are still viable? I took out one set and will test to see if they will hatch. If not, I may order a small amount of eggs just for fun.

Growing up in Japan in the mid ‘60’s we lived in a house owned by a very wealthy Japanese family. It was located high on a bluff which overlooked the port area of Yokohama. As a child we went on field trips to the Yokohama Silk Center and came home with a small box containing one silk cocoon, one small square of silk, one bit of reeled silk. We regularly visited a nearby famous garden (Sankeien).

Later, much later, say 40 years later, I came to realize that the wealth of the owners of that house we lived in was most likely afforded to the family by the main industry of the time-silk. All wealth in Yokohama and in many other areas of japan was driven by silk trade.

That garden we regularly visited was built and owned by a wealthy silk merchant who many decades later donated the property to the city of Yokohama. It had been their family residence. Only in the past ten years did I learn that one of my early schoolmates was a granddaughter of this family and grew up playing and roaming the private sections of this grand place and it was through her connection that special field trips there were arranged.

The Yokohama Silk Center still exists and I make an effort to go again each time I visit.

So yes, I’m feeling a bit nostalgic today and hoping some of the silkworms will hatch. I’ve put them in a warm spot, with some humidity and hoping for the best in this current corona cocoon.

Be well everyone…

Ch-ch-ch-ch-changes…

Have to clear my head and get into the correct frame of mind to write a new post here. Things are shifting as always. I’m trying to find my way through it all with my sanity intact and without losing my mind.
This song came to mind…

The weekend arashi shibori workshop was wonderful. They were a great group intent on experiencing the process of pleated silk shibori. None had done discharge work so that was interesting to me since that is what I have done so much of all these years. Many had taken workshops with all the greats out there so it was interesting to me to hear of those experiences as we worked. So many things to learn out there! And each participant came with their own goals and intentions which is always fascinating to me. The outcomes were beautifully varied and while I think everyone had one piece that was not their favorite, those were the pieces that taught the most.

There is one more workshop scheduled for this month (which is full) and I am working on putting together another one for March 28-29-30 (listed here). There was one resounding request at the last workshop- that it be expanded to 3 days in order to allow for another piece to be made after seeing the results from day one. I understand this request and will give it a try at the newly listed workshop. It will also give me time to demonstrate additional ideas for anyone who is taking the workshop over again. As I explained to the group, I really enjoy it when people take a workshop more than once as it allows them to build their skill and knowledge, which is important in order to master anything. This is why I enjoy the workshops at the Japanese American National Museum so much. Participants return over and over again to work on shibori…in fact, some have been coming for years! By the way, the next workshop at JANM is March 14-15. Sign-ups are through the museum.

https://www.dropbox.com/s/avfw02bmijae053/Screenshot%202020-02-06%2012.55.28.png?dl=0

Of time and changes, we are in the middle of so much right now. Trying to find the path forward, searching for a way. So many conversations, looking for the balanced path. Listening…
The universe feels out of balance here and somehow, somehow, we must find a way back. For all of us. For the world.

Higher ground…moons forever…