Tag Archives: silk

the in-betweens

Here we enjoy some cooler than usual weather this week. That and some great clouds and broken sunlight.  I say that since we usually have all sun all day until June when in a good year we along the coast are protected by what is known as “June Gloom”(somewhat a misnomer unless you want to go to the beach). This offers us some coastal fog and cloud cover in the mornings until the sun comes out to heat us up until sunset.

This weather is my favorite weather of the year-where it is temperate even inside my garage studio where it can easily reach over 100 degrees on many days.  Still one must shibori on!

The big distraction (my enjoyment on mini-breaks I take throughout the day) is a wander through the yard to notice.  So many things in bloom, creatures crawling, wings fluttering, birds in song. I wonder.

and from a distance…
from a distanceIn between.  That’s where real things happen. Where one can slow time down a bit and wonder. Test out some new thoughts and answer some questions. In between making shibori ribbon for orders I did some more wondering about the silk shibori ribbon tailings with beads, some thread and a needle.
like an ameoba

Let me be the first to say I am not a beader. I dabble.  Through my shibori ribbon I have come to know and really appreciate the artistry and craft of beading.  I have enjoyed dabbling in the in-betweens.  I am too hands-on to really follow instructions and patterns in the several beading books I have acquired.  I’d really rather enjoy just exploring an idea until something credible happens.  One day I’ll take a workshop and learn some basic beading techniques. Until then…
more shibori on silk.

"silk tailing" particularly alluring and craving some beads i think...

“silk tailing” particularly alluring and craving some beads i think…

silk nestI’ll keep dabbling.
IMG_2298Wondering about the persimmons that are self thinning as you can see by the photo earlier, I saved the tiny fallen kakis to see if I could extract and ferment them to gain some color.  Next step will be the food processor and some straining. Fall seems a long way off from here.

I love what Deb is doing here with her indigo.  My vat has been drained and added to the compost.  A new one will be started soon.  I am devising a method for keeping out the flies.  Hopefully…

In Silk Study Tour to Japan news- we are 3/4 of the way there with the minimum number of participants.  Still room for more if you are interested.  I’m looking forward to getting this part settled earlier than usual this time.  Hirata san sent me some fun photos and we “facetimed” with an interesting vendor at the Kitano Tenmangu flea market in Kyoto which we will visit next year (me here and Hirata san on the street in Kyoto- gotta love it!).  Hopefully the next blog post will detail that visit.

 

I also get emails…

I like letters better. Sometimes, emails get weird.

It all started with an email. Well, actually it started with a $30 donation. Followed by an email.

“Hi I am interested in learning the folding technique of the feather arashi scarf. Anne Selby uses this technique. Do you know how its done.”

Hmmm… my reply:

Thank you for contacting me.  I see you already do quite a bit of shibori on silk.  I have never seen Anne Selby’s work in person but online it looks very beautiful.  I have been a fan of Karren Brito’s work for some time and I think she did this folded technique first.  I have done something similar in the past but never did it on a large scale, however did discover how it was done.
I try to make my work unique through experimentation as I often find that this process takes me down my own path- one I would not have gone down by being told the exact process by someone who discovered it in their own way.  Since it is a signature styling of Anne Selby- have you asked her?  Perhaps she is not wanting to share that.  It’s not that it’s a “secret” but I’m sure she went through many trials and errors in order to create it.  Honestly, I wouldn’t feel very good about explaining how someone else goes about creating their signature look.  I am very sure you could figure this out on your own if you worked at it through trial and error. In that process, you would likely discover something very new and interesting yourself! Try it!
Yes, there are shortcuts in life- but it is not unlike driving through the countryside at 100 MPH versus riding along that same country road on a bicycle…you see and learn so much more along the way.
I see you just sent a donation through my blog.  I thank you.  I hope you find the blog of use.  If you feel that you want a refund of this donation based on this reply, let me know.    Your work is lovely as well.  Best regards.”

Then a reply:

“Thank you for replying so quickly.  I gave you Anne Selby as an example to give you an idea as to what I was talking about.  Anne Selby does not own the technique, yes I did see it in Karren Brito’s book. I guess there is not a copyright on the  Feather Boa technique.  Shibori is an ancient art form that goes back hundreds of years not only in Japan but in many other countries in the world.  Yoshiko Wade has been working very hard to preserve the techniques of Shibori.  She has been doing it by sharing, because she knows that is the only way to keep Shibori alive.  Anne Selby did not invent this technique.  She did invent the Arashi wrapping machine.  Anna Lisa Hedstrom has put out 3 DVD’s, she has held nothing back.
Thank you for your words of wisdom.  I am happy Yoshiko Wada and Anna Lisa Hedstrom do not think as you do.  Shibori would be dead.”

Ok… “shibori would be dead?”  my reply:

No, there is no copyright on any shibori technique.  I am still curious as to why you asked me about the technique Ann Selby specializes in.  Why not ask her?  Perhaps you have and she has not seen fit to share it with you.  I don’t know.  I am sure you have seen my work and that I don’t show this type of pleating online.  Respectfully, I think this is a question for Anne Selby.
I find it interesting that you choose to characterize me as someone who doesn’t share what I know.  As you know, I have free online shibori classes, I have been teaching shibori at museums, private workshops and international conventions for over 10 years now. I have literally taught 1000’s of people directly and in person not to mention the over 10 years of blogging on the subject.
I think that shibori is more widespread as a result of my work-not less. Saying that shibori would be dead as a result of my attitude is complete nonsense. Saying such things says more about you than it does about me.
Please consider what you say before you say it.  I am returning your donation.

Thankfully, today is a new day. And I know what my own intention is-regardless of how it is viewed from the outside.

Oh yeah, I made these. Just experimenting with silk shibori felt and vintage silk. Wondering.

update…after seeing some other issues like this online (where someone was being derided for not “sharing” their signature technique) I am prompted to add that there are good reasons to doing something the hard way. The struggle, while temporarily uncomfortable, allows you to experience and overcome uncertainty and anxiety. As you increase your skills through trial and error you will be able to experience exuberant surges of your own creativity that you simply will not achieve through following step by step instructions.

 

 

 

transferrence

I have lots of ideas in my head.  They need transference to my hands.  This week I was able to accomplish a couple of these.  Ideas are really nothing until action is visited upon them.  Firstly, this-

silk gauze cording

Silk shibori gauze tubing.  In the testing stages and time will be needed to ramp it up into  production mode.  More endless possibilities.  I will be selling this by the yard on a retail only level in the new year-limited colors to begin with.  More on this to follow.  Maybe no one will love it like I do but this is the sort of thing that feeds my soul.  I conquered the ribbon.  I need a new and more challenging conquest.   I found a couple pendants that matched this colorway…

pendents

Watermarked Photo 1 (2015-12-12-1025)

Sorry for the crappy photo-taken on the fly.  But more wondering about silk shibori ribbon bead embroidery.  This is interesting on a few levels.  Firstly, because it is from scraps that customers don’t want. I love that.  When customers started complaining that the ends of their ribbon rolls were ugly, I started cutting them off and saving them for myself.  I thought they were the most interesting part of the roll.  Go figure.  That’s been the story of my life.  So here I have a huge box of “ends” that I don’t even put into scrap bags.  Mine, all mine!!  Now when I make a roll of ribbon I try to make the “ugliest” ends possible!  It suits me.

Secondly, Katrina and I have been busy finalizing our Silk Experience calendar for the Houston Quilt Festival 2016. It’s now finished and checked off the list.  One of the new teachers has a lightweight gridded single sided fusible product that I ordered a sample of. I have other ideas for it but in the meantime, it occurred to me to try it for my shibori ribbon brooch/pendant sample for the class I submitted to Quilts Inc. for next year.  It works great for quickly stabilizing a pleated design with the ribbon.  Just arrange and pin the ribbon to the stabilizer and hit with some steam from the back side quickly – easily holding the ribbon in place prior to beading.  This can also be done with sections of the ribbon that I see art quilters using.  Just a simple thing really, but useful.

And some of what is heading to Italy…soon

ribbon brillante!

In indigo shibori news, Buddy loves his linen pillows. Silly dog.

buddy

 

Post-show recovery

It’s over and I’m home.  A long 10 days of constant action and responsibilities. Classes, setup, teardown, travel and the lugging of more stuff than I want to remember.  Until next year!

A few highlights included classes that went smoothly, a great booth setup, and seeing so many customers and students from throughout the years. Also had some crazy weather and flooding! Note to self: pack boots next year! (I did pack umbrellas and a raincoat!)

I got to meet Deb McClintock of the blog NATURAL DYEING IN THE TEXAS HILL COUNTRY.  I have enjoyed her adventures in natural dyeing for some time now.  She also grows and dyes with indigo, madder and pomegranate (among other things). Thanks for taking the time to stop by Deb! Got to visit with Judith Montano a bit- she is so busy teaching every year at Festival she hardly gets down to the show floor.   I have admired her book Elegant Stitches for many years- have a copy of the original edition from way back and love how her work has transitioned from crazy quilting into the lovely landscapes she does now. Had a little time with Brooke from Hannah Silks- we go way back. So far back that neither one of us can any longer remember how long ago!  Was saddened to hear that her mom Hannah had passed away- she was the Hannah behind the silk.

It was a pleasure to see and meet up with folks who appreciate the techniques and materials behind the textiles.  I really enjoy the vintage dealers most I think (Carola Pfau of Textile Treasures, June Colburn, Carol Saber and others).  Their knowledge of the textiles they sell is priceless. These textiles teach us so much. What do the textiles of today teach us?  I wonder. A customer came to talk to me about what she had seen at the show.  She felt that the prizewinning quilts were lacking something. She couldn’t quite put her finger on it at first.  They were detailed, precise, painstakingly designed, impressive in scale, pleasing to look at…yet, something was missing.  Our conversation turned to the missing element- the fact that so much of the quilting done these days and especially for big quilt prizes is technology and consumer driven. Ever more sophisticated machines, tools and fabrics dominate.  In some of these pieces it causes them to feel sterile, almost as if they weren’t make by hand.  But yet they are. Such precision in cutting, stitching, and profusion of color and design made available by the limitless palette of modern fabrics takes away something I think. Comparing the vintage quilts in the show with their newer cousins one causes one to wonder about all this. I know I am speaking blasphemy when I say this.  One can wonder can’t one?

Today the show boxes arrived and were unpacked and I will send out emails to catch up a bit.  I needed a few days to recover (I forgot to mention the visit to the Urgent Doc in Houston did I?) and regain my balance, literally.  Perhaps some leftover items will appear in the shop by the end of next week…

There’s an upcoming workshop at the JANM to prepare for (sold out) and orders to start on in addition to a few custom orders placed at the show. Time to get busy…

People at the show were already excited about the 2017 Silk Study Tour to Japan and wanted to write me checks  but I am not ready for that just yet.  Hirata San and I are working out the new itinerary already and will have it up by January 30.  This time we will do 12 nights and include Kyoto!  What fun.  To be informed of these details please sign yourself up for my Constant Contact newsletter in the sidebar and make sure to check Silk Study Tour as an area of interest.

And in Freer news… I have added the Silk Shibori Ribbon Poinsettia Brooch PDF which includes links to the two videos on how to make this holiday piece.  I have also added a PDF to the simple shibori fringed flower.  This is easily made with small scraps you may have around. Please enjoy.

Here are a few shots from the show- big thanks to Donna and Virginia for helping me get through it all- you both were integral to the whole.  Also thanks to Katrina Walker and the whole Silk Experience team of teachers and Quilts Ed staff for doing a great job at Quilt Festival. It was very much appreciated.

Naturally, Shibori Girl

I’ve been working at this for some time now.

The collecting of the cloth, the growing of the dye stuffs, the wondering about it all. Going at it a little bit at a time as I can, seasonally and intentionally.

Finally, I have enough to make a small offering.

These four collections of color herein contain a certain sense of place. This place is here in my yard. The pomegranate, the persimmon (kakishibu), and the madder (a new and exciting venture). The added indigo is from my nearly 5 year old natural fermentation vat. (I did not grow indigo this year due to drought conditions but look forward to once again if we get some decent rain.)

Each packet contains fabrics (mostly silks) collected in Japan. Even the cottons are mostly from kimono linings. All are perfectly imperfect and have their own sense of time and place about them. Each packet contains a moon- a reminder that we are united and some silk thread with which to stitch these thoughts together.

I instruct you to look, really look at these fabrics as you open the packet. The hand of the weaver is visible in many. The needle marks from unstitching and the loose threads tell tales. I tore many of the lengths selvedge to selvedge- in an effort to get you to notice the edges.

Only 4 each of the 4 collections. For now, in the shop.

Enjoy~

pressing on… indigo and other stuff

On this hot and muggy Sunday I finish up a large order of the shibori ribbon and wonder. Often when I wonder about what I am doing I take to the vat and gain some perspective.  Besides, I have a couple of workshops ahead of me here-3 that involve indigo and need some wondering and planning time.

today the natural vat has a good coppery sheen but little flower. however, it is dyeing well

today the natural vat has a good coppery sheen but little flower. however, it is dyeing well

Starting off with some moons on old tattered asa (hemp) from Japan got me thinking about what ties us all together on this little planet we named Earth – as well as what tears us apart. 

tattered moon- somedays i feel just like this and am in need of a little mending

tattered moon- somedays i feel just like this and am in need of a little mending

I figure I need to order 30 yards of cotton scrim for my workshop in Houston October 26- done and crossed off the list.  The rest of the fabrics to be used are remnants and scraps I have been collecting of some very lovely old and reused fabrics brought back from Japan.  We will dye them in indigo and apply different techniques- shibori mostly, as well as use our imagination before stitching them to the indigo dyed scrim.  Kits will also include swatches of vintage kasuri, katazome, and shibori.  I will have several very nice vintage boro textiles on display for students to study as well as a selection of books and photos from my recent visit to the Amuse Boro Museum in Asakusa, Japan.

workshops start with me creating a new sample- even if I have taught the class before- I want to be very familiar with it and add to previous knowledge I  taught this class at the JANM over a year ago

workshops start with me creating a new sample- even if I have taught the class before- I want to be very familiar with it and add to previous knowledge
I taught this class at the JANM over a year ago

Pressing on, I make my sample by my own hand, I cut the fabrics, collect the swatches.  As I dye the new sample I think about the room that I will be teaching in, the number of students, the problems that will be encountered by restrictions of such a setting and must be solved before anyone walks through the door to make things go smoothly and find success for all who gather that day in that room. I aim for a version of perfection knowing full well that there will be less than that achieved but aiming high is where I like to begin.  I am already looking forward to teaching this class and its myriad lessons.

My class is called Indigo dyed and Boro Stitched and can be signed up for by going to the Quilts Inc. site for the Houston International Quilt Festival.  The class is # 117  on Monday Oct. 26, 2015 in the online catalog.

I am teaching two other classes there as well- Shibori Mandala Magic on Silk (class #217) and Splendid Silk Shibori Poinsettias (class # 611).
The Mandala class is an outcome of working with Richard Carbin and combines the folding techniques I learned from him with a completely different method of resisting and applying the dyes.
Richard’s presence will be felt in the vintage silk fabrics we will use which were collected by and purchased from him.

The Silk Shibori Poinsettia class is a fun Friday evening class- a good sit down and relax class at the end of a busy week.  Many lovely pieces are sure to be made as gifts for friends and family on this night.
poinsettia

I tried to upload an image of a great little boro piece I brought back from Japan but WP is being fussy right now so it will have to wait until later.  Until then, I’ll add a couple of photos of something I made the other day just to satisfy a need I had-a small bag that snaps open by pinching the sides and holds all I need. I used some obishin between the cloth layers.

It’s raining again now- hardly can believe it! It has been such a gift.  I have somewhere I’m supposed to be so until later-

mata ne!