Tag Archives: japan

No time for jet lag…

It’s the end of Saturday here in Japan -only three days into the tour and we have already experienced many wonderful things! I always think I will have more time to blog our adventures than ends up being the reality. There is a desire to record the day to day-ness of it all, balanced by the reality of the schedule while still remaining in the moment. So tonight I have a bit of time to catch up here, so will backtrack a bit first…

There are certain stages of the tour …milestones of a sort. The first one being- having spent almost two years gathering the group and organizing the details-I finally get to meet everyone in person! The majority of us departed from LAX (Los Angeles) and others we will meet in Japan at Narita Airport. We had a little time at the departure gate to introduce ourselves and put names that have been on lists and in emails to the actual faces! We have three people traveling with us that have been on previous tours but even still I have not seen two of them for many years so it feels good to catch up a bit! As always, when I meet the rest face to face, I’m so pleased that this tour always attracts such a wonderful group of people who want to learn more about silk, Japan, and textiles in general. Cloth people are just good folks! I’m not quite comfortable until the plane door closes and everyone is on board. At this point, final boarding is done and the door closes- I relax.
A 10.5 hour flight passes quickly and uneventfully in relative comfort. Watching a movie or reading a good book wearing noise cancelling headphones takes one away like an old fashioned Calgon bath. A couple of people knit the hours away.
Arriving at Narita we gather up the rest of the group and Hirata san who has been at the airport ahead of time to meet the early arrivals leads us and our luggage to the hired bus for the trip to the the Ginza where we will stay for the following 3 days.
Hotel check-in and a brief rest was followed by a short walk to Hirata-san’s favorite Ginza shabu shabu restaurant with those who were interested.

Tokyo Ginza is where we stop first with a small hotel one block off the main street. The first day was reserved to visit the Mingei-kan- the Folk and Craft Museum which represents the finest of simple and masterful craftwork for use in everyday life. We traveled there by train and with 17 people trailing through the train stations for their first time and using their Suica cards we arrived without too much confusion! Once inside the museum we were given a short introduction in English by a docent. The Mingei folk and craft museum celebrates the beauty in the handmade object-useful items used in everyday life. Beauty is appreciated by all and to have and use basic things of beauty enhances and enriches ones life. Simplicity and beauty can be seen in everyday objects here. We were fortunate to discover that a temporary exhibit of shibori by Motohiko Katano was on display during our stay and a highlight of the visit. No photos inside the museum are allowed so here are a few from the outside and a short video…

Motohiko Katano shibori

From there we divided into two groups- one headed to a craft and folk art shop called Bingoya to see works by current craftsman across Japan. My group returned to Tokyo Ginza where a couple of us were to meet up with Megumi-san who would introduce us to a kimono shop specializing in Amami Oshima Tsumugi. Two of us will travel to Amami Oshima at the end of the tour and this visit was to educate us a bit about Amami textiles and dorozome (mud dyeing) which is done there. Completely fascinating and a very special treat!
Following this Megumi-san (an expert in kimono and known to the best shops in the Ginza) took us to several shops to see the finest of kimono made with top quality textiles.

Tea was enjoyed at the end of the day in one of the oldest tea shops along with fruit and agar.
Returning to the hotel, everyone went their own way, some meeting up with Hirata-san who led a group to Tsukiji for sushi dinner and others who just couldn’t walk one more step went next door to Ginza Six for dinner.

Ok…gotta run! It’s monday and we’re in Kyoto where I was able to steal an hour of early morning computer time. Will do more catching up later!

Amami Oshima

continuing tradition…

Wednesday’s post was long enough so I didn’t add specific information about the side trip I’m taking after the Silk Study Tour to Japan ends. Prompted by one of the tour participants who is researching the mud dyeing traditions of various cultures and locales, I was inspired to go and see this for myself and add to my Japanese textile knowledge. I will spend 4 days there learning and exploring the textiles of Amami Oshima.
Amami Oshima (oshima means island in Japanese) is the northernmost island in the Okinawan archipelago.

it is part of the Ryuku Islands

While the Ryuku Islands (and Okinawa) are well known for their Indigo dyeing and beautiful weavings using tropical plant fibers, Amami Oshima is known for its tradition of plant and mud dyeing on silk, often supplemented with indigo. Its beautiful and intricate weavings using the previously bound and dyed warp and weft threads are called Oshima Tsumugi.
This link has a good description of the process and terms.
Japan seems like it is filled with endless opportunities to learn and discover so many textile traditions and this is one I have not previously explored.
Interestingly, I realize I have already collected a small sampling of these textiles! I’ve seen them here and there in Japan and picked some up when the price was not too steep just to study and enjoy them. A sampling:

A recent video shows more of the process and the issues facing the economics behind weaving this very time consuming textile.
There is also a lot of indigo dyeing that occurs in the Ryukyu Islands perhaps in part due to its tropical and mild climate as well as the weaving of choice bast fibers, especially on Okinawa. I expect I will also see some of that on Amami Oshima as well.
I also read where they produce a special type of sake there using sugar cane…will have to try it!

So the fabric collections I will be putting together for you includes one selection that will be collected only from Amami Oshima and I wanted to explain a little bit more about what that was all about. You can see the various collections that can be ordered here in the shop.

I look forward to sharing my Amami Oshima adventures here on the blog in early June.

a quickie announcement…

I’vee had a couple requests to set up a local silk shibori flower making class, so I did!
There are only 4 spots open so if you are interested, please check the shop listing here.

All materials are included in this small group class.

I was going to post this on FB yesterday as a new event but there was a worldwide FB outage affecting postings,comments etc.  Maybe that isn’t a bad thing?

And while I am at it, I will remind you of the upcoming April 6-7 Shibori and Indigo workshop at the Japanese American National Museum in Little Tokyo, Los Angeles (or as it is sometimes known as- Japangeles).  Signups are through the museum at above link.

The rain here has gone away for at least the next couple of weeks and I was able to replace the shade structure over the dye space outside. There is a new squirrel in town (or even possibly Squirrelly Gurl herself as they can live up to 8 years or so). She is so friendly to me and personality wise, much like the OG Squirrelly Gurl. I can’t know for sure but am enjoying her daily visits. Buddy the dog enjoys watching her and feeding time but the new cat-Kuro chan is trying to chase her when she can!  SG is too fast for Kuro-thankfully and outsmarts him every time.

I did channel a little bit of Ume san last week and made this bag from the piece of sashiko laced boro from the last blog post. Adding it to the shop now.

Cross shoulder bag, made entirely from used/recycled and vintage materials outside of the thread and the shoulder strap. One outside pocket on back side, one inside. Completely lined with vintage kasuri kimono silk.
Front fabric covered button closure with indigo twined wrap-around cording. Outside pocket fits large mobile phone while an ipad can fit inside.

Link to shop

 

Plus the Silk Study Tour to Japan is in high gear. Everyone is getting ready for this great adventure.  I’m receiving the bio pages for the booklet I make to hand out to our hosts so they can learn more about us.  It’s always interesting to them!  We still have 2 spots open for anyone wanting to make last minute plans to join our textile adventure.  Link here. 
In the absence of the Amuse Boro Museum (which closes this month) we are making plans to visit the Mingei Folk Museum instead.  It just so happens that they are having a special exhibit of the work of Motohiko Katano, known for his adventurous and creative shibori patterns.  I have never seen his work in person so I am quite excited about this.  My first visit to this museum was with vintage textile dealer Carola Pfau’s husband Makoto (now passed), who also treated me that day to several of his favorite temple sales.  Boy did we have a good time! Great memories…
We will also be visiting the Ichiku Kubota Museum as well as the Kyoto Shibori Museum so participants will have the opportunity to study some of the best shibori in the world!

Time to go and dye the rest of the indigo thread for this weekend’s workshop!
mata ne!

Life’s curves…

Another month comes to a close here.  We are getting some good rain again and are grateful.  A cold and wet day means a good day for working inside and cleaning up paperwork, posting online, and answering emails.

shibori curves… like life and the unexpected curves

first time student was patient and deliberate-guntai shibori

Unfortunately, one of those emails was accepting the cancellation of two spots for this year’s Silk Study Tour to Japan. This year’s tour has been the year of cancellations!  Never before have I had this many having to bow out of the tour!  Almost all for health reasons unfortunately.  What a disappointment for those who have had to back out!  Every time I have been able to fill in the earlier spots but now, here we are in the home stretch, having to fill in a couple of spaces.  Would you or someone you know like to join us?   This tour is an exciting and educational adventure into the textile world of Japan wrapped in the culture and beauty of the Japanese people.
What will you experience?

  • a visit to a traditional sericulture farm
  • a visit with an indigo dyer
  • entrance into the beautiful museum of Ichiku Kubota
  • a night at a resort hotel overlooking Kawaguchi Lake
  • tour of a Silk Museum (or two! Yokohama optional)
  • several nights at a resort spa ryokan (inn) with traditional Japanese baths and a lovely traditional Japanese dinner
  • two nights in Tokyo Ginza area with free time to visit museums,shop and a day side trip to Kamakura and Yokohama-optional
  • a stop at a kimono museum (if open)
  • a visit to an obi weaver
  • a visit to Tomioka Silk Mill (new World Cultural Heritage site)
  • a stop at a textile museum
  • a morning at the famous Kyoto temple sales
  • a visit to the shibori museum in Kyoto
  • visit the Amuse Boro Museum in Tokyo(optional) Sadly, this museum is closing March 31
  • a visit to a washi studio (handmade papermaker)
  • a visit with a modern sericulturist
  • tea ceremony
  • and any added invitations we may receive and accept!  (we already have a few!)
  • a workshop with a natural dyer
  • a workshop with Ton Cara-a silk processing and weaving studio
  • and more!
    Not to mention all the small moments that you will experience if you wonder and notice!This year (we always have repeat travelers as it is a trip that can be taken more than once), we have the honor to include once again, the author of the book American Silk, 1830-1930:Entrepreneurs and Artifacts,  by Jacqueline Roberts and Madelyn Shaw. This book details the history of silk production in the US and is a wonderful look at early entrepreneurs and the textile mills pre-synthetics.  I enjoyed it very much.
    Coincidentally, I met Jacqueline at a Costume Society of America convention many years ago when it was in San Diego (2007 or ’08). She had a table in the vendor room and I saw her book on the table as I passed by.  Of course I stopped and talked to her and bought the book.  It was several years later that she came on the silk tour and I recognized her name. I had to ask if that had been her I bought her book from and of course it was!  How interesting that our paths would cross like that!
    You can book the tour with or without airfare- ask me for the Land Only price. More info here. Single supplement also available. Please share with anyone you know who might be interested!

Mottainai!

I didn’t want to add this to the last post on the Houston show since it’s a bit of a “Debbie Downer” (apologies to all Debbie’s out there), but I discovered something that I found very disappointing/disturbing (once again) at the show.  I walked the wholesale market on Sunday as I had to wait a couple of hours for the Ed office to open.

On the show floor, I saw that Moda is now producing, for February delivery, a line of fabrics called “Boro”. Now those of you regular readers of this blog probably know how I feel about this. We had a similar discussion when they came out with their “Shibori” fabric line. But this one is even MORE disturbing to me.  Is that possible? Why yes, yes it is.

Why is it that everything has to be bastardized for profit?  You might find my mindset a bit harsh but boro -really??  So now we are going to take the Japanese historical tradition of using scrap cloth to make utilitarian items for daily use and commercialize it to the point of PRINTING scanned images of boro on cotton sheeting for quilters to use in boro-esque quilt projects?  Are we really going there? And for quilters– who in general, have more scrap fabrics than any God of your choice!

I am really appalled at this.  Do they even understand the history of these fabrics? They wax poetically in their catalog about boro, but there is a certain dissonance I find disturbing. Boro was created out of poverty, a lack of having textiles for everyday needs. A certain need to use all that was at hand- to not waste.  Mottainai! Do not waste the resources you have! The ways that people in Japan found to creatively reuse what they did have is remarkable and noteworthy.  To take this and create a line of printed “boro” quilt fabrics just really is the height of irreverent insincerity in my opinion. It’s nothing more than the use of a term seen as a trend for profit. It’s actually quite the opposite of boro, which translates to tattered, ragged, torn or scrap fabrics.

We can celebrate boro by using what we already have, by stitching together the fabrics of our lives. We can study the boro fabrics so lovingly stitched by those who truly were stitching to survive cold winters in northern Japan. We can honor their resourcefulness by adopting the spirit of Mottainai in our everyday lives. Let’s do that instead.

cocoons!

After six weeks of silkworm rearing, I have about 400 cocoons.  I started off with an order of 500 eggs, so here and there, lost a few.  There were no noticeable die-offs of any great number- a good thing that tells me I avoided any major disease issues by keeping the silkworms clean, well fed as well as in good temperature and humidity.  It can be a real disappointment when something starts to kill them off. I can only imagine what can happen to large scale sericulturists.

I stifled these today in the oven at about 180 degrees. This will allow these cocoons to be reeled or used in ways where I want a whole uncut cocoon.  With about 400 cocoons, if I let them all emerge I would end up with 10,000 or so eggs.  I can’t imagine having to feed that many here.  In fact, if I did allow the silkmoths to all emerge, mate, and lay eggs they would end up dying by starvation unless I put the eggs into cold storage.  I would never be raising that many here anyway.  I do have a few folks who wanted to get some eggs from me so I will save some for them.  I will store the cocoons in the freezer in a net bag until needed. These cocoons will be used in Houston for my mawata class there along with some I purchased from Nobue Higashi who raises silkworms in Japan.

silk,silkworms

I should not let you leave this post without paying homage to the life of the silkworm. Yes, I have killed them and have feelings about that.  In Japan, there are temples and shrines devoted to the silkworm or sericulture in general.  Giving thanks for a good harvest and for the protection of the silkworm until cocooning are common among sericulturists in Japan even today. Shouldn’t we remember to be grateful for everything? There are many shrines devoted to sericulture scattered throughout Japan.

It was perhaps not a coincidence that today I was catching up with Nobue on her blog that I read this post where she talks about just this thing…the google translate is very rough but you can get the jist of it. I am looking forward to seeing Nobue san again next year!

You can read about the silkworm deities at Kaiko no yashiro (蚕ノ社) – the Silkworm Shrine here. It’s an interesting story.
Next year on the Silk Study Tour to Japan we will add a short visit to this Shinto shrine. It is about 20 minutes by car from our Kyoto hotel I am told.  If there is not time to add it to the whole group itinerary, I will make time for those interested in a visit here in an early morning trip by taxi.

Following this down a bit further, I found an excellent couple of blog posts on this shrine.

-about the Kaiko no Yashiro (Silkworm Shrine)

-speculation about the triangular torii

-fascinating history of the Hata clan
part one

part two

I made another little video that covers the cocoon harvesting.

 

 

 

 

If a picture is worth a thousand words…

Thought I’d do a little (or maybe not so little) post on whats been going on behind the scenes here lately.  Lot’s of various things- like workshops, studio work, a little flu (all gone now!), RAIN!, and working on the Silk Study Tour to Japan for 2019.

I received the Newsletter from the Fresno FiberArts Guild where I gave a workshop recently. What a great guild-very energized and involved in the community. It was wonderful to see the many resources  and skills available within the membership.  Plus, they were a delightful group to work with!

In the studio, ribbon making continues…

as well as more playing around with silk organza…

The flu came and went -thankfully, not too bad. Hoping the same for you out there! So many have had it in one form or another.
We did get rain this month-so big YAY on that!  Rain barrels full and the garden is refreshed. Snowpack increasing…
There are a number of milkweed plants out back with caterpillars on them but one in particular has about 15 large caterpillars about ready to form crysalis’. I never get tired of watching them.

All the other critters here are well…

And finally, I sent out the information packs, itinerary, and registration forms for the upcoming Silk Study Tour to Japan 2019 last week to those early birds who had signed up via the Constant Contact newsletter. Already 1/3 of the spots are filled.  If you need info, you can access the newsletter here. Here are some highlights from last year:

Next post I will list upcoming workshops both at the Japanese American National Museum in Los Angeles and my November workshops at the Houston Quilt Festival.

Hope you are well and wondering daily!