A while back I hosted a zoom workshop where participants and I refashioned a kimono into a more easily wearable garment by shortening and removing sleeves.This project leaves you with some fabric to use later. One of the pieces I reworked was a wonderful hemp unlined summer kimono that was kasuri woven with a wonderful 40’s or 50’s design like meisen. This very bold and colorful piece is now wearable as a lightweight over-jacket. The leftover cloth was set aside until now. I did a little test to see if I liked it to start out the January moon circle. I LOVED IT! wow…what fun. Laying out the cloth for the moons, each one is uniquely fun! Being a bit of an open weave I wondered if the indigo would leak a bit into the moon-it didn’t. And the cloth took the dye beautifully without completely overwhelming the design. Each of course is a bit different.
The other smaller moon this month is indigo dyed onto some beautiful silk jacquard I had been stingily hoarding since I was at the end of the bolt. It has a delicate chrysanthemum (kiku) pattern on a slightly off white (natural) silk. The weight is light- like for a nagajuban (silk under kimono).
While you can join the moon circle anytime, if you want the January moons featured here you need to sign up prior to Jan 30. Thanks to everyone who is currently subscribed and especially to those who joined for a second time!
The madder I dug is still drying since it’s been so wet here lately. Maybe it will figure in February or March moons. It’s still cold here (for us!) we’re lucky if it gets to 60 and the nights are in the low 40’s. The garagio is still cold and wet! Looking forward to the forecast of ten sunny dry days ahead! Hopefully we will continue to get some rain in the next couple of months. I hope to get at some of the weeds outside. There is a forest of cassia seeds sprouting! Yikes!
On another note, I got up at 2 AM on Tuesday to hear Nobue Higashi’s sericulture lecture on Zoom. It was very interesting! I saw a mulberry field machine that helps pick the mulberry. It claims to be able to do the work of 10 people in collecting mulberry for feeding the silkworms. She also mentioned and showed some images of a machine that is kind of like a ferris wheel for silkworms. As the bins of worms circulate, feeding is easily done to many worms in a smaller space. I understand that the reason these are not in wide use these days is that the parts are not available to repair them when they break down. Hirata san and I once visited a sericulture farm about ten years ago that used this method. It was interesting and I have since wondered why it’s not used more. She also had a nice section on the commercial hatching and raising of the young silkworms (before they are distributed to the farmers). I knew about this but had never seen the inside of these facilities. If you are interested in this lecture series, you can still sign up (see last post for details).
I’m really looking forward to meeting up with Nobue and all the artisans along our way on the Silk Study Tour to Japan in May. Join us?
First, last Sunday at Phil’s rehearsal the sound guy Kevin was playing Ken Nordine through the system during setup. I was fascinated! Never knew anything about him nor had I heard his albuns. But I did know that voice- and you probably do too. So I went down the rabbit hole to learn more. Phil bought us a turntable over the holidays so we could enjoy the hundreds of vinyls we have. It has been so much fun! We not only enjoy the music, the memories invoked, but the album covers and inserts! Took me back to my HS bedroom and the basements of friends on a Friday or Saturday night. So now I am on the search for Ken Nordine’s album “Colors” which is what Kevin was playing. Some of you may know it but it was new to me and ever so fun! Among other things, Ken Nordine is known for his “word jazz” recordings. His voice is like silk and so communicative! CDs can be found but albums at an affordable price less so. But I am patient… we will see. Until then, I have downloaded the record. Also found the accompanying book for a few bucks. Maybe the grandson will learn colors ala Ken Nordine! One of the people in the audience that day was Carol who by a very weird set of circumstances was a PE and dance instructor at Burbank High when ny SIL (who lives in NZ) and was her PE teacher! Carol and I got to talking and she had this album (Colors) and used it for improv with her dancers back then. She could even recite some of the words all these years later. Great conversation. She’s somewhere in her 80’s now. Colors…
OK- the next wonderful thing is going to take a bit of explaining and some links for you to check out. If you don’t know of Nobue Higashi, she is the sericulturist we have been visiting since 2015 on the Silk Study Tour. Previous to that, we had been visiting Koyata san’s home where he kept a small cocoonery (I now think he is over 100!). Nobue san’s enterprise has grown and her and her husband may be the youngest serious sericulture farmers in Japan now! They are keeping tradition alive while at the same time creating a very niche market for her customizable and hand reeled silk from the cocoons they raise. It’s a HUGE endeavor that has taken her 20 years to get to this place. Her history is fascinating! She is giving an online zoom series of 7 lectures on sericulture that begin January 17th. Her lecture series will cover domestic sericulture, it’s history in Japan- mainly focusing on Gunma Prefecture and the connections to Yokohama as it relates to silk exports, silk cocoons and the variety of strains, the history of silk reeling, silk technologies and how they changed and expanded silk in the industrialization of Japan, hand reeling (her specialty) from the Edo period to now, and the cultural aspects of all of the aforementioned! I’m sure I left out something! Of course the lectures are on JST so for me here they are at 2:30 AM PST- but you will be able to access them for three weeks afterwards. The series cost is ¥14,000 which is about $103 USD. If you are interested in the series, you can sign up here. I had to actually send an email so they could prepare a payment request as the website seems to only allow signups inside Japan. Email is seraph(at)tokai.or.jp
The series is in Japanese but they may try to get some notes done in English afterwards to accompany the lectures. In any case, I am signed up!
If you want a little encouragement, they have shared this hour long bio on Nobue and how she came to do this miraculous thing… then visit the vimeo link. The password is “silkworm” and it does have English subtitles. They have allowed me to share this with you in hopes of spreading this important knowledge. The series is being hosted by these folks who order custom reeled silk from Nobue which they use as warp for their beautiful woven kudzu cloth. All of this is a labor of love!
Here are some photos of our visits with Nobue and her husband over the years…
We can’t wait to see her again in May on the Silk Study Tour to Japan! We will have a workshop with her at Ton-cara where everyone gets to reel some silk and make silk mawata.
There has been rain! It has also been colder lately. All the signs of season have arrived. For us here that means twinkling lights on houses, sprouts emerging everywhere, narcissus starting to bloom out back, and the annual golden falling of a million ginko leaves carpeting the the back corner of the yard. All the rain barrels are full- 300 gallons of water. Here, that is a blessing indeed!
It seems Time has been passing at warp speed. In that passing some things have been worked on. Some things have been endured. For the worked on:
A bag was made for an order. It is a lovely bag for a long time customer who became a friend over time. So was the psychological connection that I insisted on calling her by my sister’s name for YEARS!! That was the comfort and familial level at which we met. We laughed over it so many times. I finally have trained myself to her actual name at great effort. Have you ever had that happen with someone? Unfortunately, when it arrived it had a failing of a piece of the hardware and I recalled it for repair. It has been repaired and resent in time for gift giving. I appreciate her kind patience with all this. But it is the second photo above I want to bring attention to. I knew I wanted to make this a special bag and selected a long saved silk moth/butterfly mon I had found at a temple sale in Japan several years back. I remember the seller being wary of my purchase since the men’s kimono it was on was in such poor condition. She insisted in showing me all the flaws (virtually falling apart in many ways), but I assured her that I completely understood and that the price was fair and it was the mons I was interested in and that I would use it for scrap and hand sewing projects. We completed the transaction happily. It is an unusual piece as it is a medium grey silk with the finest and lightest katazome pattern in the background. I had not seen one like this before. And the butterfly mon was exquisite and detailed. Done with katazome technique and additionally embellished with fine line drawing. I think it’s pretty old… Moving along to the third image above, I posted previously some images of sashiko practice. This piece seemed to call out for something “more”. I added french knots at the center of each star in a satisfying orange brick red thread. Done! And then there has been this bag with an unfinished knitting project from at least ten years ago. I lost track of the pattern and asked my friend Penny to resurrect and reconstruct it. She’s a great regular knitter (as I USED to be), and provided the written pattern for me. I can’t express how satisfying working on this in the here and there has been! It’s been great fun and I have my knitting mojo back! Perfect for my mental plan to spin and dye up some glorious silk knitting yarn. This is some Zara wool we sold when I had a knitting shop (history – haha) and it is a great feeling yarn to knit with- especially on bamboo circular #6 needles. If you are going to knit, make sure you ENJOY the yarn! This is a simple 4 row repeat pattern over a 5 + 2 stitch count and yields a satisfying resulting pattern. I’m almost done now and will be blocking it soon. Oranges… my favorite holiday ingredient. I picked these fresh navels at my son’s house (got to see the grandson and go to the movies with them!) and made candied orange peel last night- a holiday favorite here. I will make the much sought after orange pecan biscotti tomorrow…. after the dishwasher and under sink plumbing is repaired!!! (this OLD house!) And lastly, while making the last ribbon order of the year I indulged in making some pleated red organza and made the floral piece pictured. I really love organza for flower making. I will likely do a zoom workshop for it in February.
Moving Time along…
Inspired by the french knots that seemed to be appearing everywhere I looked, I played around with french knots and the moon. It was a happy collaboration. First the sashiko piece, then a gal I have been following on twitter ( Katrin Vates) for some time that does the most intense french knot embroidery I have seen- mainly trees, and then Jude of course recently did some wonderful and simple moons pieces with french knots! My contribution to end the year of the moon circle is to show you some possibilities with the year of moons. It’s winter, Solstice is two days away, and snow is a possibility! Maybe not here in Southern California, but we can dream…
And in conclusion, the report came back “margins clear” again this time. And I urge you also to take good care of your health, and your bones…
When I haven’t posted in a while, I hardly know where to start! I looked back just now and see that it’s been nearly TWO MONTHS since the last post. I think that must be a record! Not to worry… just been busy.
Several things have been going on. First, I organized the itinerary, info and newsletter for the Silk Study Tour To Japan for 2023. I sent out a few waves of email newsletters and right away filled 10 of the 16 spots. If you wanted to look over the details, here is a link to the details. Contact me if you have any questions!
Next, the first post Covid workshop at the Japanese American National Museum was completed last weekend. It was wonderful to be back and see so many familiar faces and new friends as well. I didn’t even take any photos- just a couple of quick video clips. Just a little glimpse… I live streamed the clips on FB and didn’t save them… but available here if you want to view them on FB.
Today is November 8– (I probably won’t even complete this post to my satisfaction until tomorrow) but I hope you went out and voted! Here in Long Beach there are several wonderful true grassroots volunteer groups out there working hard at getting some great candidates elected against a very powerful and monied political machine. There is corruption. I don’t know how we’ll do, but we are hopeful. It’s taken a considerable amount of time and energy and decreased my ability to do the work I do here. I’m looking forward to more mental peace post election! UPDATE>>> It’s now Wednesday and after a late night election watch party nearby, we all went home fairly accepting defeat to the machine and the overwhelming amount of $$ poured into machine candidate campaigns (by the scandalous LA Federation of Labor no less), only to be revived around midnight (once we all got home) with an update that put our candidate within 99 votes of a win…less than one % point! We may not have the final outcome until Friday, so we remain hopeful.
The exhibit reminds us too, that silk had a part to play in the establishment of the first Japanese colony in North America in 1869- by samurai families fleeing civil war in Japan.
Sutra and Bible is a fascinating look at the history of faith in the Japanese community and into their camp experience. A discovery of sutra stones brought to light the role that religion played in the lives of Japanese migrants in the US. The sutra stones themselves are beautiful and inscribed with portions of Buddhist sutra.
I also viewed in person the Ireicho- a sacred book listing over 125,000 names of people of Japanese ancestry who were incarcerated in the camps.
A quick note about October moons… I am late in finishing the last portion of them so if you are waiting, do not despair! I’m finishing them off today and getting them out tomorrow! Then on to November!
We had a great rainstorm yesterday and all my rain barrels are filled! there is plenty of catching up to do outside. I’m picking and sharing persimmons with the birds and squirrels again this year- plenty for all as usual. The behemoth cactus is STILL blooming! Not quite sure what to make of that. It’s been blooming since July I think which is a very long time-most ever as far as I can remember. Cactus and Dia de los Muertos, cactus fruit, and my daily friend in the studio.
I don’t believe in magical thinking, in being positive without action. I do believe that one can manifest things or people or places into their lives by educating one’s self and taking actions, even tiny ones, toward that thing, that place, or even a person. This may be especially good information for young people these days.
This post is going to be about this sort of thing. It’s also about shibori, Japan, travel, and probably other things I’m not aware of just yet.
You all know I like to garden. Nature relaxes me. Gardening inspires me and gives me small daily moments to appreciate the details of Nature. Seed planting is one example of this. I can literally throw some seeds on the ground and they might sprout. Nature might convene with me. And maybe not. They may be easy to take care of where they pop up or they may be in a path and get trampled to death without ever flowering and re-seeding themselves. The location might be too sunny, too shady, or take too much water to thrive. Or, I can plant the seeds, nurture them in a container until they become a strong seedling and transplant them somewhere they will successfully grow to maturity. We can’t (and aren’t meant to) control everything but we can work with what we have and adjust and learn along the way.
You probably know I grew up in Japan. I really longed to return-to surround myself with that place I remembered and had fond memories. Many years ago, I was selling my porcelain buttons at Quilt Festival. In those days (mid 90’s), there were many Japanese visitors to that show-much to my surprise at the time. I didn’t then know how popular quilting in Japan had become. I had great fun interacting with these women and speaking with them using my rudimentary Japanese. Eventually, they would make a point of always coming to my booth and sometimes even asking for my help with another vendor to make a purchase or ask a question. Then, an interesting thing happened. I was invited to go to Japan and sell my porcelain buttons at the first World Quilt show in Tokyo. Only ten US vendors were invited. They would handle everything. The booth would be free. They paired me up with a quilter who was also doing the show at whose home I was graciously offered to stay. All I had to do was get to Japan with my goods. I went from dreaming of going back to standing on the street in Kawasaki. I could feel it all around me, the climate, the street shops, the aromas… I literally cried right then and there, I was so overcome with gratitude from ending up just standing in that spot. I’m pretty sure anyone who might have seen me in that moment on the street was mystified. But I was HOME!
It was probably about a decade later that I had closed the porcelain company and had given myself a year sabbatical to figure out what the heck I was going to do next. It was time to reinvent Life. By this time, I’d processed the death of my first husband, married a second, had two kids (then in high school) and was still in the process of a very ugly complicated divorce that was just dragging on and on. Phil had come into the picture. But dammit- I was going to take the kids to Japan! They had been studying Japanese at school and were anxious to go. So we went! Again, in co-operation with the Universe I was once again HOME! We went on a very tight budget- often spending $40 a night for all of us in a “gaijin house”- pre AirBNB. We stayed with some Yakuza too, another interesting adventure and a story for another time. It was 2006. I returned back to Long Beach and began to make shibori- and shibori ribbon was born!
Back to the Quilt Festival I went with the ribbon and my other shibori textiles. This was around 2007. Enter Maggie Backman (for whom I’ll forever be grateful). Maggie was the originator and seller of the Colorhue Silk Dyes and herself was a master of Japanese embroidery selling both the dyes and the silk threads to other US distributors. She asked me to teach some shibori on silk classes using her dyes at the show. I told her didn’t feel I was qualified. She fortunately did not listen to this nonsense! (If you know Maggie-she’s hard to say NO to!) And so it was. I ended up teaching shibori there for many years, really coming into my own. Another HOMEcoming of sorts thanks to Maggie. Turned out we had both lived in Yokohama/Yokosuka at the same time. Me, as an elementary school girl, and she, the wife of a Navy Captain and mother to her own kids.
A couple of years later she was beginning the Silk Study Tour to Japan. She had gone once to lay some groundwork and was now ready to take some paying travelers. It was 2009. She INSISTED I come. When I demurred because of the cost, she arranged a loan from a fund her Aunt had left with easy pay back terms so I could go. I went and assisted her in every way I could. By the next tour, she really needed my help (due to her husband’s health and the fact she was 81) and I started to take over the tour for her. By 2011, I was in charge of the tour and although Maggie no longer comes with us (she turned 92 this year!) she always loves a full report and gives advice.
So where is all this leading you may ask by now(if you are still here!)? I’m circling it back to how one manifests the life you want to live. This is for you-feel free to share the sentiment:
In non traditional careers, we are often told to “get a real job”. The arts can be perceived as a frivolous pursuit. But my advice is to discard that thinking. Visualize getting where you want to go or what you want to do. Everything you do is a step in that direction. Even when it doesn’t seem so. Make it so. It’s part of you becoming. Wishing doesn’t make things so. Actions do. Small and large. Sometimes even just reminding oneself of the direction or the destination is enough in the moment. There are lots of off and on ramps along the way! Take the road less traveled! ***************** This post above was written several weeks ago and I just hadn’t published it. I was just wondering about it. Lots of activity here and finally now calming down a bit (I think) and I’m back to the blogging “mood”-ha! I’ve been cleaning out the studio and found some of those old buttons on sample cards- I enjoyed looking at them and remembering the process. Plant a seed. Adjust. Take small steps. Collectively you’ll get somewhere!
I’ve been meaning to do this for awhile now and after receiving several inquiries after the recent post I am getting it checked off of my list today. I am including here a new link for those who are interested in receiving the sign up email for the tour which I expect to go out in early June. Here it is!
The 2021 Silk Study Tour to Japan has now been rescheduled for May 11-26 2022. Please know that it will be a requirement of the tour to have been fully COVID19 vaccinated in addition to any other health requirements put in place by the Japanese government, the airlines, and our hired bus company. We will strictly adhere to all health requests of the host artisans, museums, hotels, restaurants, shops, and any other places to which we travel.
Hirata san (our Japan-side coordinator and guide) and I have been in frequent communication over the past year and are excited about organizing the upcoming tour. We have a new itinerary that includes some of the past favorites and a few new ones! Prices have not yet been confirmed as all that has to be redone in light of this past year.
Many thing going on here…I guess I’ll start with sericulture and the silkworms. My friend Nobue Higashi and her husband have just finished their spring crop of silk cocoons. It’s pretty impressive. You can see her blog here (just click your translate button to read in English as I do- it’s too complicated for my poor Japanese even if the google translate sucks-you’ll get the jist of it). My current dream is to take more workshops at Ton-Cara. Somehow…
My small batch of silkworms (quantity unknown) are doing very well. Eating every mulberry leaf in sight. I’m expecting them to slow down any day and vomit up their guts (nice visual huh?). Then they will rest a bit and start to swing their cute little heads around while in the “praying” position. I have prepared the cocooning frames and straw bedding. I have my mini sericulturists making their own cocoon forms from TP tubes cut in half an glued together. On a sad note, one set of the silkworms suffered from grasserie and a garden burial was prepared. We are not sure of the cause but two things are possible contenders- tainted mulberry leaves from a street tree in the city or just from not enough aeration due to laying leaves without branches. I think tainted leaves might be it. In any case, so goes sericulture. The other neighborhood family’s silkworms are fine and have been eating the same leaves as mine. I will send a new batch over to them later today so they can watch the cocooning.
I have been dyeing a bit also, indigo and otherwise. I collected the seed pods from the feathery senna that last year I discovered gives a nice rich gold. I also collected and tested the knife edge wattle and discovered that those pods gave a nice rich brown. All this was done on silk with alum. A lovely green was was the result of over dyeing the senna dyed silk with indigo from the fermentation vat.
I had a chance to speak on the phone with Karren Brito in Oaxaca today where we are still hopeful of her receiving the zakuri I sent her way. It’s not easy dealing with bureaucracy there. But I was really interested in her conversation about sericulture in Mexico and the history of it there. I actually did do some online searching and couldn’t find much but she had a lot to share about it. Maybe one day…
This was my Solstice project, more or less. Still not done but who’s rushing these days? It has a great feel in my hand while stitching on it. The back is an old linen tablecloth with great weight and drape. The front is a variety of cotton, silk, and linen scraps that were used to test dye the new indigo fermentation vat. The silk embroidery thread was gifted from Katrina quite some time ago. It’s from a stash her mother’s friend discovered when clearing out a house. It’s about 100 years old. I thought I had blogged about it but can’t find the post to link here. It’s great to stitch with. Amazing really. I’m not used to such luxurious embroidery thread!
And in moon news…just a few to add today.
And the old cat Milo has decided to join life downstairs after secluding himself upstairs for the past 8 years. We don’t know why, but we are enjoying his company in the garden, the studio and the rest of the downstairs. The dogs give him space for the most part.
Always during this time of year I begin to get the urge to raise silkworms. Recent walks in the neighborhood encourage me when I see mulberry trees leafing out with fresh tender greens. What silkie could resist?
Reading an account of rice farming and poverty in early 1900’s Japan from one of my favorite books “Memories of Silk and Straw” I saw this, adding further to my yearning…
Watching and caring for small creatures such as silkworms is very calming-at least to me. Seeing them eat, grow, and transform is a reminder of so many things. It makes me a little sad that the local schools no longer do this even though they often have mulberry trees on their campuses, originally planted there for this very purpose.
The neighbor kids are home a lot more now so perhaps they might be interested.
I have eggs in cold storage in my fridge which I saved from my last rearing dated July 2018. A bit old and who knows if they are still viable? I took out one set and will test to see if they will hatch. If not, I may order a small amount of eggs just for fun.
Growing up in Japan in the mid ‘60’s we lived in a house owned by a very wealthy Japanese family. It was located high on a bluff which overlooked the port area of Yokohama. As a child we went on field trips to the Yokohama Silk Center and came home with a small box containing one silk cocoon, one small square of silk, one bit of reeled silk. We regularly visited a nearby famous garden (Sankeien).
Later, much later, say 40 years later, I came to realize that the wealth of the owners of that house we lived in was most likely afforded to the family by the main industry of the time-silk. All wealth in Yokohama and in many other areas of japan was driven by silk trade.
That garden we regularly visited was built and owned by a wealthy silk merchant who many decades later donated the property to the city of Yokohama. It had been their family residence. Only in the past ten years did I learn that one of my early schoolmates was a granddaughter of this family and grew up playing and roaming the private sections of this grand place and it was through her connection that special field trips there were arranged.
The Yokohama Silk Center still exists and I make an effort to go again each time I visit.
So yes, I’m feeling a bit nostalgic today and hoping some of the silkworms will hatch. I’ve put them in a warm spot, with some humidity and hoping for the best in this current corona cocoon.
Becoming December…it arrives,and here, we never know if we will don flip flops and short sleeves or warm boots and sweaters inside the house. This year we are wearing warm shoes and sweaters. Heavy snow in the local mountains is a welcome and beautiful sight from the hilltop nearby. The ginko is busily dropping its golden carpet of leaves on the back garden, mulching it with beauty. Narcissus are blooming early. I even had the first saffron crocus bloom and more are on the way. The pomegranates exhausted themselves (and me!), and the persimmons are ripening daily. I’m sharing them with friends and neighbors and even this (not so) little guy…late at night.
In the contradiction of clashing seasons, hand fulls of strawberries can be picked every few days as they are planted where the sun seeks them out and happily seem to produce year round there-at least so far. The late eggplant and tomatoes are still heavily laden, though with this recent cold streak they will definitely slow down, but are welcoming the rain. The cold and wet has slowed the outdoor studio work but still has not vanquished me completely from getting the necessities done.
This coming weekend is the last JANM workshop featuring indigo and shibori and we will make the most of it. Many regular participants will come together for this year end creativity laboratory. No need to put the link here as it has been sold out for quite a while. There is however a “save the date” list of upcoming workshops at JANM to sign up for as soon as the museum gets them listed. You can view it here. **EDIT** JANM just emailed me to say that the January Mandala Workshop is up on the website and taking registrations. Here is the link. See the full description on the calendar page here.
Two weekends ago I taught an in-studio flower making workshop with a small group. There were some beautiful results…a garden of beauties! I’ll be adding another one of these soon. Let me know if you are interested.
A post or two ago I introduced a new item into the shop-the shibori ribbon beaded necklace kit. At the time I had not finished the instructional video but the orders received kicked me into gear getting this done. I’m offering it up to you here (free youtube video) if you are interested in seeing how this piece gets made. Perhaps you have some shibori ribbon waiting to be made into something beautiful as a gift. I am also adding this video link into the sidebar under the Feeling Free(r) page/list.
I also just added some new Mooncloth card sets to the shop. Previously, I have had photo card sets using images I have taken of my work but these card sets have actual mooncloths attached to the front of the card that can be removed and used in a project. Sets come in 3’s or 6’s, are blank inside and include an envelope. I hope you enjoy them.
I just got back from picking up my son Trevor from the airport. He has been in Japan for the past three weeks on a long awaited trip there to make new friends and surf. It was an exciting adventure and he spent time in Kyushu, Amami Oshima, and Chiba-all prime surf areas. But one of the exciting things for me was that he met up with my long time blog friend Jan Hillstead Fujikawa in Nagasaki! Long time readers of this blog might know her from her blog Oh Brother! (WhereIsSheNow) She started blogging in 2007 and hasn’t updated since 2014 but we keep up through FB and other social media. She’s an expat of over 30 years and I hope I get to meet her myself next trip. But it was kind of her to spend the day with Trevor and he also got to meet her son! In Amami Oshima, Trevor was able to meet up with our friend and surfer Ko, who showed us around Amami when we were there earlier this year. Trevor also started a blog highlighting his trip which you might enjoy. This is his first blogging experience. His blog, day one starts here.
It’s another rainy day here and the rain barrels are already overflowing. The cactus has finally stopped blooming- it was a solid 2 months of nightly blooms! Pretty amazing really. Here are a few photos collected recently from around the garden.
And a few more of some shibori ideas for this weekends workshop…shibori images on greeting cards for the holiday. I did one with a dove but tried to get too fancy and put a twig with leaves in its mouth which complicated and distorted the image making the head of the bird unclear. Will redo… Lesson: when working on small images, keep it fairly simple and use a good fine linen for best results!