More expected tonight. We are way behind and grateful. So far no downpours here and we hope for the best in the burn areas.
Rain necessitated taking some photos indoors in poor lighting in order to list some things in the shop. Moons mainly. All indigo. Some moons on silk, some on cotton and all vintage cloth and collected in Japan. Several scarves, some with moons and others using various shibori techniques are also there. In she shop now, here.
old cotton moons
old silk moons
silk moon scarf
arashi chaos scarf
ombre indigo scarf
moon and shibori scarf
silk ro moons
In addition, over the turn of the new year, some lovely new silk shibori ribbon has arrived in Italy and in Russia.
There are new classes coming up as well. Two at the Japanese American National Museum (still open) and one at the Fresno Fiber Guild (sold out).
I did a little slideshow for each one –
-on Saturday and Sunday, February 3-4 from 11 AM to 4PM it’s Shibori Mandalas on Silk.
(sign up here)
-and then on March 4th and 5th it’s more of Indigo Shibori dyeing
(sign up here)
And one last thing, I will be sending out an email for the 2019 Silk Study Tour to Japan to interested parties who have indicated interest via the Constant Contact newsletter (signup here and in the right hand sidebar). I have been working on editing a group of photos into a slideshow from last year’s tour. It’s hard to select 30 or so out of thousands! But the memories I had while sorting were wonderful!
I have been existing in a silk cocoon these past 10 days which has been wonderful considering the noise out there in the “real” world.
In the lifecycle of a silkworm, the cocoon has evolved to protect the silkworm as it pupates and transforms into a silk moth. It offers protection against predator threats as well as not so obvious threats of bacteria and other harsh realities providing its own ideal environment inside, regulating air, water, and temperature conditions inside the cocoon as the transformation occurs.
This is not unlike a trip to Houston and the International Quilt Festival. We are inside the GRB Convention Center halls, in our own little (HUGE!) cocoon. As I observe my own self in this cocoon, I also observe others around me and see many transformations taking place. We are seemingly oblivious to the noise occurring outside this cocoon. We are buzzing inside here, creating an energy that is exciting and palpable. The election, other news, and even connections to family and friends not present, cease to exist for the most part.
We Are Here. We are reminded what it is to get away from our usual activities and places. We are gathered together inside to create, learn, teach, view beauty and connect. Inside this cocoon we meet new people and learn from them, and we learn about ourselves from these interactions. We work as a team, making things go smoothly for all. When something falls out of place, there is a rush forward to help, to solve. In classes (both as teachers and students) we learn how to fail, to accept, to improve and to create solutions. We share joy in all of this and through viewing the immense display of quilts we experience beauty, talent, process and progress.
We know we will return, each of us to our own realities and places, back to our friends and families and home. But we will return transformed. We have seen so much beauty inside that cocoon, so much joy, sharing and caring for each other in this creative playground of cloth and fiber. Perhaps this is where the comparison ends. Unlike the silk moth who will exist only a short time more, we will continue on, perhaps unraveling the cocoon as we return filled with new ideas and intention, having made new friends, strengthened old ones and set out on new paths and directions.
Here now at the airport, I am slowly emerging from this cocoon, having been once again transformed by the experience. I met so many, heard many stories, and shared much. Thanks to all who visited, took classes, participated in so many ways large and small.
the machine room
lunch walk on Discovery Green
SIlk Experience Classes
booth set up begins
indigo, pomegranate and moons
fedex- always needed!
this quilt captured my wonder
indigo moons on silk wrap
Vietnamese food at Huynm
at the Black Lab- comfort food and a cocktail-an after packout tradition
It’s a good thing I don’t share all the letters I receive as some just make me want to throw something and others make me want to shed a tear. Some are so uplifting, yet too personal or bittersweet at times to publish on the blog. This week so far I have received one of each. Just for balance.
Remember Balance? Balance has been a theme here over time on the blog and in reality, everyday.
Which brings me to an email I received this morning.
I ran across a piece of art that I thought was public domain but have traced it back to you. I work for Hanes, and was thinking about using the art “Indigo wall panel” in a panty print but doing it in different colors, modified digitally so that it can be rotary screen printed. Would you grant me permission to use? If not, I will do something different and try to create the look of the technique digitally and that’s perfectly fine. Have a great day.
Thank you either way,
So, basically he is saying that they want permission to use the image of my shibori work as a shortcut to a graphic design to screen print onto underwear. And if I don’t grant permission, they will “create the look of the technique digitally” and carry on. In my mind, I hear- “we will alter your image enough (digitally) so as to be able to call it our own or derived and skip your permission altogether. Have a great day!
So what happened to common courtesy? How about “I came across your work (while searching for patterns in indigo and shibori images online that we could glean for free use of artwork for our commercial product line) and would love to use your image and compensate you modestly (say $500) for it’s use.
I don’t know. I really don’t know anymore. Why? When a company that has reported net sales of $5.7 billion in their most recent report has their design staff searching the internet and basically bullying artists(my opinion) into granting permission for use of their works I just don’t know anymore.
So what say you, fair readers?
Should we say yes and allow them to use this artwork knowing that every time we see this pattern on Hanes panties (and we will see them) we will be reminded of the corporately owned world we must now operate within? It might be a good thing to remind ourselves of this on a regular basis. It is in all our lives daily in even the smallest of things.
Or should we say no, allowing them to feel like they did the right thing by asking and either remake my design in their own image (costing them a bit more) or even just to continue searching online for some other image they can use without actually having to do more than work the keyboard.
Indigo Blues was published in 2012. Like many images of my work, I find them regularly online without attribution. This is a detail shot of the full piece that was sold through my online shop quite some time ago. The full image here.
On the other side of Balance, I received an order for moons the other day with an immediate email follow-up note from a fellow undergoing a very serious health challenge. Having been hospitalized for many recent months he tells me the following:
I have decorated each room I’ve spent time in– sometimes 4 to 6 weeks at a stretch — with fukuro obi hangings and other silk kimono fabrics, which have always brought pleasure to me and to visitors. A calming healing environment visitors would exclaim! I will continue this “tradition” of Japanese design in the rooms when I re-enter for hospital for the transplant, a “cure”, in early September. I plan to add your beautiful moons to the room. Many thanks.
and I reply(in part)…
It will be a privilege to make some moons for you. Thank you for your order.
I can imagine your room…your creating it with a certain peaceful attitude that promotes calmness, enjoyment, and healing qualities for both you and your visitors.
I will be thinking of this as I dye your fabrics. My favorite thing to do is to create intentional fabrics that I can infuse with thoughts and intentions for their recipients as I make them. Thank you. Be well, take care…
I like to take a material and make it into something else. I like to figure out and create a process for that. To repeat that process. So many times…to create the process and then alter it. The process and the repeating keeps me balanced. Even when operating within the maze.
I like to discover via process. I discovered this process after doing a lot of this. It takes doing. And going there many times. And still…
In the workshops I teach, I like to lead a path to discovering. Not solve everything for you. Your path will be different from mine. If I am rigid and demand that you follow my example you may not find your own path. I like to encourage wondering- which in the end means experimenting and questioning.
Lately, life does seem like a maze. We will get through. Life is a Maze ing.
This past week has had me busy on a number of things. I finally updated the events page here on the blog. Sheesh. You’d think that would be a priority. It use to be! These days with Facebook and Instagram I also list events there as well and things seem to fill anyway. Thankfully! But I do resolve to get back to keeping it more updated. Promise.
Also, I sent out the information on the upcoming Silk Study Tour to Japan 2017 last week. That takes quite a bit of time. I had promised to get that out in March but… well, things happened. But now it is done and last night I even played around a bit with my iMovie. Made a little trailer. For fun.
The tour info can be found here. Signups are ongoing and in the first week it is halfway filled with another 25% corresponding and wondering. So if you had your eye on this trip before, better to wonder earlier than later. We will keep a short wait list just in case.
The collecting of the cloth, the growing of the dye stuffs, the wondering about it all. Going at it a little bit at a time as I can, seasonally and intentionally.
Finally, I have enough to make a small offering.
kakishibu and indigo
pomegranate and indigo
These four collections of color herein contain a certain sense of place. This place is here in my yard. The pomegranate, the persimmon (kakishibu), and the madder (a new and exciting venture). The added indigo is from my nearly 5 year old natural fermentation vat. (I did not grow indigo this year due to drought conditions but look forward to once again if we get some decent rain.)
freshly dug madder root- two years to get here!
Pomegranate peels for the dyepot
pomegranate fruit ripe and ready!
green persimmons fermenting before being strained and aged for kakishibu
Each packet contains fabrics (mostly silks) collected in Japan. Even the cottons are mostly from kimono linings. All are perfectly imperfect and have their own sense of time and place about them. Each packet contains a moon- a reminder that we are united and some silk thread with which to stitch these thoughts together.
I instruct you to look, really look at these fabrics as you open the packet. The hand of the weaver is visible in many. The needle marks from unstitching and the loose threads tell tales. I tore many of the lengths selvedge to selvedge- in an effort to get you to notice the edges.
Only 4 each of the 4 collections. For now, in the shop.
On this hot and muggy Sunday I finish up a large order of the shibori ribbon and wonder. Often when I wonder about what I am doing I take to the vat and gain some perspective. Besides, I have a couple of workshops ahead of me here-3 that involve indigo and need some wondering and planning time.
today the natural vat has a good coppery sheen but little flower. however, it is dyeing well
Starting off with some moons on old tattered asa (hemp) from Japan got me thinking about what ties us all together on this little planet we named Earth – as well as what tears us apart.
tattered moon- somedays i feel just like this and am in need of a little mending
I figure I need to order 30 yards of cotton scrim for my workshop in Houston October 26- done and crossed off the list. The rest of the fabrics to be used are remnants and scraps I have been collecting of some very lovely old and reused fabrics brought back from Japan. We will dye them in indigo and apply different techniques- shibori mostly, as well as use our imagination before stitching them to the indigo dyed scrim. Kits will also include swatches of vintage kasuri, katazome, and shibori. I will have several very nice vintage boro textiles on display for students to study as well as a selection of books and photos from my recent visit to the Amuse Boro Museum in Asakusa, Japan.
workshops start with me creating a new sample- even if I have taught the class before- I want to be very familiar with it and add to previous knowledge I taught this class at the JANM over a year ago
Pressing on, I make my sample by my own hand, I cut the fabrics, collect the swatches. As I dye the new sample I think about the room that I will be teaching in, the number of students, the problems that will be encountered by restrictions of such a setting and must be solved before anyone walks through the door to make things go smoothly and find success for all who gather that day in that room. I aim for a version of perfection knowing full well that there will be less than that achieved but aiming high is where I like to begin. I am already looking forward to teaching this class and its myriad lessons.
I am teaching two other classes there as well- Shibori Mandala Magic on Silk (class #217) and Splendid Silk Shibori Poinsettias (class # 611).
The Mandala class is an outcome of working with Richard Carbin and combines the folding techniques I learned from him with a completely different method of resisting and applying the dyes.
Richard’s presence will be felt in the vintage silk fabrics we will use which were collected by and purchased from him.
The Silk Shibori Poinsettia class is a fun Friday evening class- a good sit down and relax class at the end of a busy week. Many lovely pieces are sure to be made as gifts for friends and family on this night.
I tried to upload an image of a great little boro piece I brought back from Japan but WP is being fussy right now so it will have to wait until later. Until then, I’ll add a couple of photos of something I made the other day just to satisfy a need I had-a small bag that snaps open by pinching the sides and holds all I need. I used some obishin between the cloth layers.
sm bag just for the necessities-phone,cards and DL using some favorite cloth scraps
lined with a stiff open weave hemp dyed with indigo, I added two pockets, one for DL and a debit card and one for business cards
It’s raining again now- hardly can believe it! It has been such a gift. I have somewhere I’m supposed to be so until later-