Tag Archives: shibori

Silk Study Tour to Japan 2017

This past week has had me busy on a number of things.  I finally updated the events page here on the blog.  Sheesh. You’d think that would be a priority.  It use to be! These days with Facebook and Instagram I also list events there as well and things seem to fill anyway.  Thankfully! But I do resolve to get back to keeping it more updated.  Promise.

Also, I sent out the information on the upcoming Silk Study Tour to Japan 2017 last week.  That takes quite a bit of time.  I had promised to get that out in March but… well, things happened.  But now it is done and last night I even played around a bit with my iMovie.  Made a little trailer.  For fun.

The tour info can be found here.  Signups are ongoing and in the first week it is halfway filled with another 25% corresponding and wondering.  So if you had your eye on this trip before, better to wonder earlier than later.  We will keep a short wait list just in case.

Mata ne!

I also get emails…

I like letters better. Sometimes, emails get weird.

It all started with an email. Well, actually it started with a $30 donation. Followed by an email.

“Hi I am interested in learning the folding technique of the feather arashi scarf. Anne Selby uses this technique. Do you know how its done.”

Hmmm… my reply:

Thank you for contacting me.  I see you already do quite a bit of shibori on silk.  I have never seen Anne Selby’s work in person but online it looks very beautiful.  I have been a fan of Karren Brito’s work for some time and I think she did this folded technique first.  I have done something similar in the past but never did it on a large scale, however did discover how it was done.
I try to make my work unique through experimentation as I often find that this process takes me down my own path- one I would not have gone down by being told the exact process by someone who discovered it in their own way.  Since it is a signature styling of Anne Selby- have you asked her?  Perhaps she is not wanting to share that.  It’s not that it’s a “secret” but I’m sure she went through many trials and errors in order to create it.  Honestly, I wouldn’t feel very good about explaining how someone else goes about creating their signature look.  I am very sure you could figure this out on your own if you worked at it through trial and error. In that process, you would likely discover something very new and interesting yourself! Try it!
Yes, there are shortcuts in life- but it is not unlike driving through the countryside at 100 MPH versus riding along that same country road on a bicycle…you see and learn so much more along the way.
I see you just sent a donation through my blog.  I thank you.  I hope you find the blog of use.  If you feel that you want a refund of this donation based on this reply, let me know.    Your work is lovely as well.  Best regards.”

Then a reply:

“Thank you for replying so quickly.  I gave you Anne Selby as an example to give you an idea as to what I was talking about.  Anne Selby does not own the technique, yes I did see it in Karren Brito’s book. I guess there is not a copyright on the  Feather Boa technique.  Shibori is an ancient art form that goes back hundreds of years not only in Japan but in many other countries in the world.  Yoshiko Wade has been working very hard to preserve the techniques of Shibori.  She has been doing it by sharing, because she knows that is the only way to keep Shibori alive.  Anne Selby did not invent this technique.  She did invent the Arashi wrapping machine.  Anna Lisa Hedstrom has put out 3 DVD’s, she has held nothing back.
Thank you for your words of wisdom.  I am happy Yoshiko Wada and Anna Lisa Hedstrom do not think as you do.  Shibori would be dead.”

Ok… “shibori would be dead?”  my reply:

No, there is no copyright on any shibori technique.  I am still curious as to why you asked me about the technique Ann Selby specializes in.  Why not ask her?  Perhaps you have and she has not seen fit to share it with you.  I don’t know.  I am sure you have seen my work and that I don’t show this type of pleating online.  Respectfully, I think this is a question for Anne Selby.
I find it interesting that you choose to characterize me as someone who doesn’t share what I know.  As you know, I have free online shibori classes, I have been teaching shibori at museums, private workshops and international conventions for over 10 years now. I have literally taught 1000’s of people directly and in person not to mention the over 10 years of blogging on the subject.
I think that shibori is more widespread as a result of my work-not less. Saying that shibori would be dead as a result of my attitude is complete nonsense. Saying such things says more about you than it does about me.
Please consider what you say before you say it.  I am returning your donation.

Thankfully, today is a new day. And I know what my own intention is-regardless of how it is viewed from the outside.

Oh yeah, I made these. Just experimenting with silk shibori felt and vintage silk. Wondering.

update…after seeing some other issues like this online (where someone was being derided for not “sharing” their signature technique) I am prompted to add that there are good reasons to doing something the hard way. The struggle, while temporarily uncomfortable, allows you to experience and overcome uncertainty and anxiety. As you increase your skills through trial and error you will be able to experience exuberant surges of your own creativity that you simply will not achieve through following step by step instructions.

 

 

 

I get letters…

It was a great weekend at the Japanese American National Museum.  There were several returning students but the majority were new to both dyeing and to shibori in general. It is always a pleasure to introduce people to both.  Most indicated they will sign up again for one of the upcoming shibori workshops featuring indigo in June  and August (contact museum for reservations).  The force is strong in shibori…

Participants were fortunate to be able to see the last day of the exhibit “Two Views” featuring photographs by renowned 20th-century photographers Ansel Adams and Leonard Frank who each captured distinctive views of the Japanese American and Japanese Canadian incarcerations. I had seen it previously and encouraged everyone to take a break and go through the exhibit.

Early on Sunday I had the opportunity to view the other exhibit “Making Waves” before the museum opened to the public. It was really too much to take in in the amount of time I had- I spent a scant 30 minutes and knew I couldn’t do it justice so will go back before it closes the end of June.

In other news, I am feeling much better! The garden is blooming, vegetables growing. I also had a chance to see the current exhibit at the Mingei International Museum in San Diego recently.  (Thanks to Nadja for the hospitality!) One thing I was curious about was the attribution of this piece on display.

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Obviously shibori dyed but yet annotated as printed.  Unless I am missing something…  I could see the needle marks. Anyway…there were some fabulous pieces there, like this detail from a fisherman’s raincoat woven with reed and seaweed.
woven reed and seaweed

I came home from the weekend to find a lovely letter from a customer. Honestly, I have to say this sort of thing keeps me going at times. I know that making things by hand is an incredibly personal and worthwhile endeavor. Sometimes a journey of the soul. Please teach any children in your realm this valuable gift.
i get lettersnow I’m crying…xo

on a friday night…

time has seemed irrelevant lately. things just happen as they will.

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take this sunflower for instance. during the summer i had these growing outside the kitchen sink window where i could admire their happy faces smiling at me while i washed the dishes.  when they went to seed and needed removal, i cut the flower heads and dropped them in the driveway for the squirrels and the birds to enjoy (where i could watch them from where i work).  now, months later in December, a volunteer from that act is blooming in the middle of the driveway with the ginko tree shedding its golden leaves behind-definitely fall.
all it takes is a seed to be dropped, or an idea to be planted on fertile soil to generate something beautiful.

i received two intriguing books on kanoko shibori yesterday from Japan.

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some new seeds were definitely planted.

plus, he sent me an old apron from the Kyoto temple sale. we will visit there in 2017 on the silk study tour to Japan.

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and no matter what time of year, squirrelly boy hears me at work and lets me know he is hungry and needs fresh water! i’m so lucky to have such in interesting studio friend.

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ribbon orders are in full swing- thank you for being patient! there have been a few disruptions lately…
and thanks to those who have been emailing me and enjoying the Daily Dyer reruns. glad you find something useful there.

 

Finally Fall(ish)

Finally Fall-ish here.  Wearing a sweater in the house.  I swear I will not go out today and into the madness that is now known as Black Friday.  I have for years chosen to call this day Buy Nothing Day.  I was introduced to this concept back when the kids were in preschool- so, that’s been a while.  What a weird name for a day- Black Friday.  It sounds ugly to begin with-somehow ominous.  I think most of us would prefer to stay home and continue to enjoy our friends and families, eating leftovers and playing games or whatever the day brings.  I saw a photo of a store window in the newspaper this morning- it said “Celebrate Black Friday!”, huh?  But somehow this nonsense beguiles us to venture forth with the promise of one time only savings on things we might want to have.  I can’t say “need” here because it is mostly on luxury items.  In any case, we’re just staying home. I hear Cyber Monday is coming up…

Weird, just weird.

With that madness behind us, I will report that the workshop at the Japanese American National Museum last week was great fun.  Almost half were returning students and the other half soon to be returning.  There really is something about the exploratory process of shibori that draws you in.  I am interested in seeing that many of the returning students are becoming more and more interested in the nui (stitched) shibori.  Interesting that in the beginning, it seemed as if they were more interested in the pole wrapping and the clamped techniques.  I have been collecting more samples of stitched shibori to show them and I also think that the indigo vat has charmed them. Stitched shibori is very indigo friendly.  I have seen some great explorations on their part over time.  They inspire me to up my own game and challenge them further.

The museum hosted a trunk show coinciding with my workshop weekend there from the Nuno company. The students also enjoyed that and made several lovely purchases.  I spoke with the two fellows there and told them I had been fortunate to see the 30 Years of Nuno Textiles in Tokyo when I was there recently.  I bought the book  ZokuZoku as a reminder.

Thank you to everyone who is patiently waiting on your order.  I have been graced with a bit of the flu this weekend and have slowed a bit.  Soon better with turkey soup.

Also, I received an email reminding me that my Daily Dyer blog ( previously a subscription only blog from 2013) is up for renewal again on WordPress.  It’s a paid blog with the ability to load video and privatize so I had to decide whether to renew or not.  I went back and viewed a few things and thought -why not add it to the Feeling Freer section for the next year?  Then I will delete it when next year rolls around.

And so it is. You may find something useful or entertaining there.  You will have to use the sidebar to navigate as the newest post appears first.

and a few photos to spice it up…

 

Post-show recovery

It’s over and I’m home.  A long 10 days of constant action and responsibilities. Classes, setup, teardown, travel and the lugging of more stuff than I want to remember.  Until next year!

A few highlights included classes that went smoothly, a great booth setup, and seeing so many customers and students from throughout the years. Also had some crazy weather and flooding! Note to self: pack boots next year! (I did pack umbrellas and a raincoat!)

I got to meet Deb McClintock of the blog NATURAL DYEING IN THE TEXAS HILL COUNTRY.  I have enjoyed her adventures in natural dyeing for some time now.  She also grows and dyes with indigo, madder and pomegranate (among other things). Thanks for taking the time to stop by Deb! Got to visit with Judith Montano a bit- she is so busy teaching every year at Festival she hardly gets down to the show floor.   I have admired her book Elegant Stitches for many years- have a copy of the original edition from way back and love how her work has transitioned from crazy quilting into the lovely landscapes she does now. Had a little time with Brooke from Hannah Silks- we go way back. So far back that neither one of us can any longer remember how long ago!  Was saddened to hear that her mom Hannah had passed away- she was the Hannah behind the silk.

It was a pleasure to see and meet up with folks who appreciate the techniques and materials behind the textiles.  I really enjoy the vintage dealers most I think (Carola Pfau of Textile Treasures, June Colburn, Carol Saber and others).  Their knowledge of the textiles they sell is priceless. These textiles teach us so much. What do the textiles of today teach us?  I wonder. A customer came to talk to me about what she had seen at the show.  She felt that the prizewinning quilts were lacking something. She couldn’t quite put her finger on it at first.  They were detailed, precise, painstakingly designed, impressive in scale, pleasing to look at…yet, something was missing.  Our conversation turned to the missing element- the fact that so much of the quilting done these days and especially for big quilt prizes is technology and consumer driven. Ever more sophisticated machines, tools and fabrics dominate.  In some of these pieces it causes them to feel sterile, almost as if they weren’t make by hand.  But yet they are. Such precision in cutting, stitching, and profusion of color and design made available by the limitless palette of modern fabrics takes away something I think. Comparing the vintage quilts in the show with their newer cousins one causes one to wonder about all this. I know I am speaking blasphemy when I say this.  One can wonder can’t one?

Today the show boxes arrived and were unpacked and I will send out emails to catch up a bit.  I needed a few days to recover (I forgot to mention the visit to the Urgent Doc in Houston did I?) and regain my balance, literally.  Perhaps some leftover items will appear in the shop by the end of next week…

There’s an upcoming workshop at the JANM to prepare for (sold out) and orders to start on in addition to a few custom orders placed at the show. Time to get busy…

People at the show were already excited about the 2017 Silk Study Tour to Japan and wanted to write me checks  but I am not ready for that just yet.  Hirata San and I are working out the new itinerary already and will have it up by January 30.  This time we will do 12 nights and include Kyoto!  What fun.  To be informed of these details please sign yourself up for my Constant Contact newsletter in the sidebar and make sure to check Silk Study Tour as an area of interest.

And in Freer news… I have added the Silk Shibori Ribbon Poinsettia Brooch PDF which includes links to the two videos on how to make this holiday piece.  I have also added a PDF to the simple shibori fringed flower.  This is easily made with small scraps you may have around. Please enjoy.

Here are a few shots from the show- big thanks to Donna and Virginia for helping me get through it all- you both were integral to the whole.  Also thanks to Katrina Walker and the whole Silk Experience team of teachers and Quilts Ed staff for doing a great job at Quilt Festival. It was very much appreciated.

Naturally, Shibori Girl

I’ve been working at this for some time now.

The collecting of the cloth, the growing of the dye stuffs, the wondering about it all. Going at it a little bit at a time as I can, seasonally and intentionally.

Finally, I have enough to make a small offering.

These four collections of color herein contain a certain sense of place. This place is here in my yard. The pomegranate, the persimmon (kakishibu), and the madder (a new and exciting venture). The added indigo is from my nearly 5 year old natural fermentation vat. (I did not grow indigo this year due to drought conditions but look forward to once again if we get some decent rain.)

Each packet contains fabrics (mostly silks) collected in Japan. Even the cottons are mostly from kimono linings. All are perfectly imperfect and have their own sense of time and place about them. Each packet contains a moon- a reminder that we are united and some silk thread with which to stitch these thoughts together.

I instruct you to look, really look at these fabrics as you open the packet. The hand of the weaver is visible in many. The needle marks from unstitching and the loose threads tell tales. I tore many of the lengths selvedge to selvedge- in an effort to get you to notice the edges.

Only 4 each of the 4 collections. For now, in the shop.

Enjoy~