Tag Archives: shibori

Finally Fall(ish)

Finally Fall-ish here.  Wearing a sweater in the house.  I swear I will not go out today and into the madness that is now known as Black Friday.  I have for years chosen to call this day Buy Nothing Day.  I was introduced to this concept back when the kids were in preschool- so, that’s been a while.  What a weird name for a day- Black Friday.  It sounds ugly to begin with-somehow ominous.  I think most of us would prefer to stay home and continue to enjoy our friends and families, eating leftovers and playing games or whatever the day brings.  I saw a photo of a store window in the newspaper this morning- it said “Celebrate Black Friday!”, huh?  But somehow this nonsense beguiles us to venture forth with the promise of one time only savings on things we might want to have.  I can’t say “need” here because it is mostly on luxury items.  In any case, we’re just staying home. I hear Cyber Monday is coming up…

Weird, just weird.

With that madness behind us, I will report that the workshop at the Japanese American National Museum last week was great fun.  Almost half were returning students and the other half soon to be returning.  There really is something about the exploratory process of shibori that draws you in.  I am interested in seeing that many of the returning students are becoming more and more interested in the nui (stitched) shibori.  Interesting that in the beginning, it seemed as if they were more interested in the pole wrapping and the clamped techniques.  I have been collecting more samples of stitched shibori to show them and I also think that the indigo vat has charmed them. Stitched shibori is very indigo friendly.  I have seen some great explorations on their part over time.  They inspire me to up my own game and challenge them further.

The museum hosted a trunk show coinciding with my workshop weekend there from the Nuno company. The students also enjoyed that and made several lovely purchases.  I spoke with the two fellows there and told them I had been fortunate to see the 30 Years of Nuno Textiles in Tokyo when I was there recently.  I bought the book  ZokuZoku as a reminder.

Thank you to everyone who is patiently waiting on your order.  I have been graced with a bit of the flu this weekend and have slowed a bit.  Soon better with turkey soup.

Also, I received an email reminding me that my Daily Dyer blog ( previously a subscription only blog from 2013) is up for renewal again on WordPress.  It’s a paid blog with the ability to load video and privatize so I had to decide whether to renew or not.  I went back and viewed a few things and thought -why not add it to the Feeling Freer section for the next year?  Then I will delete it when next year rolls around.

And so it is. You may find something useful or entertaining there.  You will have to use the sidebar to navigate as the newest post appears first.

and a few photos to spice it up…


Post-show recovery

It’s over and I’m home.  A long 10 days of constant action and responsibilities. Classes, setup, teardown, travel and the lugging of more stuff than I want to remember.  Until next year!

A few highlights included classes that went smoothly, a great booth setup, and seeing so many customers and students from throughout the years. Also had some crazy weather and flooding! Note to self: pack boots next year! (I did pack umbrellas and a raincoat!)

I got to meet Deb McClintock of the blog NATURAL DYEING IN THE TEXAS HILL COUNTRY.  I have enjoyed her adventures in natural dyeing for some time now.  She also grows and dyes with indigo, madder and pomegranate (among other things). Thanks for taking the time to stop by Deb! Got to visit with Judith Montano a bit- she is so busy teaching every year at Festival she hardly gets down to the show floor.   I have admired her book Elegant Stitches for many years- have a copy of the original edition from way back and love how her work has transitioned from crazy quilting into the lovely landscapes she does now. Had a little time with Brooke from Hannah Silks- we go way back. So far back that neither one of us can any longer remember how long ago!  Was saddened to hear that her mom Hannah had passed away- she was the Hannah behind the silk.

It was a pleasure to see and meet up with folks who appreciate the techniques and materials behind the textiles.  I really enjoy the vintage dealers most I think (Carola Pfau of Textile Treasures, June Colburn, Carol Saber and others).  Their knowledge of the textiles they sell is priceless. These textiles teach us so much. What do the textiles of today teach us?  I wonder. A customer came to talk to me about what she had seen at the show.  She felt that the prizewinning quilts were lacking something. She couldn’t quite put her finger on it at first.  They were detailed, precise, painstakingly designed, impressive in scale, pleasing to look at…yet, something was missing.  Our conversation turned to the missing element- the fact that so much of the quilting done these days and especially for big quilt prizes is technology and consumer driven. Ever more sophisticated machines, tools and fabrics dominate.  In some of these pieces it causes them to feel sterile, almost as if they weren’t make by hand.  But yet they are. Such precision in cutting, stitching, and profusion of color and design made available by the limitless palette of modern fabrics takes away something I think. Comparing the vintage quilts in the show with their newer cousins one causes one to wonder about all this. I know I am speaking blasphemy when I say this.  One can wonder can’t one?

Today the show boxes arrived and were unpacked and I will send out emails to catch up a bit.  I needed a few days to recover (I forgot to mention the visit to the Urgent Doc in Houston did I?) and regain my balance, literally.  Perhaps some leftover items will appear in the shop by the end of next week…

There’s an upcoming workshop at the JANM to prepare for (sold out) and orders to start on in addition to a few custom orders placed at the show. Time to get busy…

People at the show were already excited about the 2017 Silk Study Tour to Japan and wanted to write me checks  but I am not ready for that just yet.  Hirata San and I are working out the new itinerary already and will have it up by January 30.  This time we will do 12 nights and include Kyoto!  What fun.  To be informed of these details please sign yourself up for my Constant Contact newsletter in the sidebar and make sure to check Silk Study Tour as an area of interest.

And in Freer news… I have added the Silk Shibori Ribbon Poinsettia Brooch PDF which includes links to the two videos on how to make this holiday piece.  I have also added a PDF to the simple shibori fringed flower.  This is easily made with small scraps you may have around. Please enjoy.

Here are a few shots from the show- big thanks to Donna and Virginia for helping me get through it all- you both were integral to the whole.  Also thanks to Katrina Walker and the whole Silk Experience team of teachers and Quilts Ed staff for doing a great job at Quilt Festival. It was very much appreciated.

Naturally, Shibori Girl

I’ve been working at this for some time now.

The collecting of the cloth, the growing of the dye stuffs, the wondering about it all. Going at it a little bit at a time as I can, seasonally and intentionally.

Finally, I have enough to make a small offering.

These four collections of color herein contain a certain sense of place. This place is here in my yard. The pomegranate, the persimmon (kakishibu), and the madder (a new and exciting venture). The added indigo is from my nearly 5 year old natural fermentation vat. (I did not grow indigo this year due to drought conditions but look forward to once again if we get some decent rain.)

Each packet contains fabrics (mostly silks) collected in Japan. Even the cottons are mostly from kimono linings. All are perfectly imperfect and have their own sense of time and place about them. Each packet contains a moon- a reminder that we are united and some silk thread with which to stitch these thoughts together.

I instruct you to look, really look at these fabrics as you open the packet. The hand of the weaver is visible in many. The needle marks from unstitching and the loose threads tell tales. I tore many of the lengths selvedge to selvedge- in an effort to get you to notice the edges.

Only 4 each of the 4 collections. For now, in the shop.


pressing on… indigo and other stuff

On this hot and muggy Sunday I finish up a large order of the shibori ribbon and wonder. Often when I wonder about what I am doing I take to the vat and gain some perspective.  Besides, I have a couple of workshops ahead of me here-3 that involve indigo and need some wondering and planning time.

today the natural vat has a good coppery sheen but little flower. however, it is dyeing well

today the natural vat has a good coppery sheen but little flower. however, it is dyeing well

Starting off with some moons on old tattered asa (hemp) from Japan got me thinking about what ties us all together on this little planet we named Earth – as well as what tears us apart. 

tattered moon- somedays i feel just like this and am in need of a little mending

tattered moon- somedays i feel just like this and am in need of a little mending

I figure I need to order 30 yards of cotton scrim for my workshop in Houston October 26- done and crossed off the list.  The rest of the fabrics to be used are remnants and scraps I have been collecting of some very lovely old and reused fabrics brought back from Japan.  We will dye them in indigo and apply different techniques- shibori mostly, as well as use our imagination before stitching them to the indigo dyed scrim.  Kits will also include swatches of vintage kasuri, katazome, and shibori.  I will have several very nice vintage boro textiles on display for students to study as well as a selection of books and photos from my recent visit to the Amuse Boro Museum in Asakusa, Japan.

workshops start with me creating a new sample- even if I have taught the class before- I want to be very familiar with it and add to previous knowledge I  taught this class at the JANM over a year ago

workshops start with me creating a new sample- even if I have taught the class before- I want to be very familiar with it and add to previous knowledge
I taught this class at the JANM over a year ago

Pressing on, I make my sample by my own hand, I cut the fabrics, collect the swatches.  As I dye the new sample I think about the room that I will be teaching in, the number of students, the problems that will be encountered by restrictions of such a setting and must be solved before anyone walks through the door to make things go smoothly and find success for all who gather that day in that room. I aim for a version of perfection knowing full well that there will be less than that achieved but aiming high is where I like to begin.  I am already looking forward to teaching this class and its myriad lessons.

My class is called Indigo dyed and Boro Stitched and can be signed up for by going to the Quilts Inc. site for the Houston International Quilt Festival.  The class is # 117  on Monday Oct. 26, 2015 in the online catalog.

I am teaching two other classes there as well- Shibori Mandala Magic on Silk (class #217) and Splendid Silk Shibori Poinsettias (class # 611).
The Mandala class is an outcome of working with Richard Carbin and combines the folding techniques I learned from him with a completely different method of resisting and applying the dyes.
Richard’s presence will be felt in the vintage silk fabrics we will use which were collected by and purchased from him.

The Silk Shibori Poinsettia class is a fun Friday evening class- a good sit down and relax class at the end of a busy week.  Many lovely pieces are sure to be made as gifts for friends and family on this night.

I tried to upload an image of a great little boro piece I brought back from Japan but WP is being fussy right now so it will have to wait until later.  Until then, I’ll add a couple of photos of something I made the other day just to satisfy a need I had-a small bag that snaps open by pinching the sides and holds all I need. I used some obishin between the cloth layers.

It’s raining again now- hardly can believe it! It has been such a gift.  I have somewhere I’m supposed to be so until later-

mata ne!

But is it Art?

Today, I made Art. A real rarity for me. Usually, I just make stuff people like.

Usually I say I am Art’s Apprentice and Color’s Mistress.  But today I feel like I am Art’s Accomplice and Color’s Whore.
I call my piece :
“Pandora’s Box”  (in a Wide Mouth Jar)
silk, glass, metal

"Pandora's Box"  (in a Wide Mouth Jar)

“Pandora’s Box” (in a Wide Mouth Jar)

My piece has all the ambiguity necessary for Art. All the social and political interpretive meaning Art has come to be known for these days.
*Added bonus*- it’s pretty and colorful. Yay!

just wondering

the reduction of something to nothing more than a commodity is what you are doing. 

are you aware of what you are doing? do you even care? 

to copy the work of another without a thought other than to gain monetary enrichment – is money your God? 

do you understand from where the material you work with eminates? how it comes into being? do you teach others of this eminence? do you reach for the deepest understanding through your work and pass that knowledge along? or are you just seeking financial rewards in the moment, unaware and uncaring of that which you may destroy along the way? 

please think about what you are doing. 

I realize it may be hard to understand when there really is no intention other than personal enrichment- but try to imagine another view. 

I really don’t know what else to say.  






more on the spirit of a thing…

Today and yesterday was a combination of things.  Saturday and Sunday is the Shibori Fusion  workshop at the Japanese American National Museum in Los Angeles.  There might be a spot of two left but you will have to check with them. Sign ups are through the museum.  So that means a lot of preparation this week.

We are focusing on using silk and color (as opposed to the indigo workshops I often teach there).  I could have just ordered silk and been done with it, but I see these workshops as an opportunity for teaching more than just shibori dyeing.   So in that spirit, the last couple of days have been busy taking apart old silk kimono and nagajuban.


These are some in progress of dismantling. Such careful stitching, some even sewn with twisted silk thread. Handsewn french seams…the drape of the silk…the sheerness of the lining silks.  Each one yields 12-13 meters and if lined twice that of two different silks. a few stains here and there but nothing that will be noticed after dyeing. In any case these will be pieces that will be practiced on and hopefully used in a future project.   So a day spent with these pieces pulling threads, ironing and organizing- all the time thinking about how we will be dyeing them.  No need for new fabrics when these ones already exist.  I hope to build an appreciation in the participants for these fabrics.  After sorting, cutting, ironing and bundling-they really are lovely!

kimono silk bundles ready for eager dyers!

kimono silk bundles ready for eager dyers!

Most of these are from interior kimono and nagajuban so are off white or very pale in color-easily over-dyed. They are also very soft as they were to be worn close to the skin as opposed to the outer kimono layers.  They have their own spirit from previous owners and the spirit of each dyer will add their own imprint to the cloth.

Other things going on here include the shipping of lots of orders. I put out a lot of silk shibori ribbon scrap bags this week to clear out the scrap box.  Thanks to all who ordered the scrap samples to play and create with- Buddy overseas all the final inspection of orders here:

I closed the etsy shop until next week- need a little break from that to concentrate on the workshop and wholesale orders for a bit – look for it to reopen in a week…or so. I have some fun little ideas I also want to play with and need a little mental space in which to do it.  I hope I can find some!

In addition, I finally heard back from the city on their approval of my re-landscaping plan which conforms to their Lawn to Garden water saving plan.  So I went to Home Depot to buy some heavy black plastic which I will lay down and cover with free mulch from the city yard to kill off the lawn- or what is left of it.  It will take at least a month to kill off this way but worth it. Apparently, most everyone else will be doing it another way and Home Depot has stocked up to take advantage:

Apparently we never learn…

I know I promised an introduction to Squirrelly Gurl for those who haven’t yet met her but this got in the way first.  Next time-for sure.