“A faintly colored luminous ring or halo appearing to surround a celestial body when viewed through a haze or thin cloud, especially such a ring around the moon or sun, caused by scattering or diffraction of light from suspended particulate matter in the intervening medium.“
March 16, 2020 The following post was left unpublished for the better part of a week while we attended to other things here. Other things included the canceling of all scheduled workshops for at least the next 30 days- maybe longer. Due to the fact that I have been unable to secure a supplier for the plain back silk satin I use for the shibori ribbon I had started to transition to more in person events and workshops for the time being. The current health emergency due to the corona virus has made that impossible, so I am once again regrouping to switch to other possibilities. Everyone in this household has had all work cancelled for the foreseeable future. We are adjusting to this reality along with everyone, worldwide. I know you are too.
March 11, 2020
Sometimes you get an unexpected gift.
Such was the occasion at this past workshop which I was prepping for and mentioned in the last post. To recap, it was an evening Parents Art Night at a private school in LA. I only had 2.5 hours to give an indigo shibori workshop for 30 people.
Usually this type of workshop requires more time but careful consideration, preparation, and planning paid off- in smiles! It was a fabulous location. Formerly the rooftop, it was expanded as another floor with great views and two large enclosed studios-one for lower grades and one for the upper grades.
Each of the two large studios have one large wall of windows while the other side has two large stainless steel sink areas with counter space. Concrete floors, high ceilings, good light, lots of movable tables to work on, plenty of storage and more counter space under the bank of windows. A really great space! Outdoors, there are shade sails and more open workspace. These are very lucky kids! Two full time art teachers for 400 students. Of course all this comes at a price- tuition! They do also have scholarship/ financial aid programs.
If you recall, I chose kitchen towels as the canvas for their shibori indigo dyeing and it turns out that was a good call. Most did not have any experience in shibori indigo dyeing but there were a few exceptions. We focused on stitched shibori- staying simple and gathering and binding tightly. Most were concerned if they were “doing it right” or if their piece would “turn out ok”. I heard many comments about not remembering the last time they had a needle and thread in hand. They got to visit and talk while they stitched. I went around and helped and checked on their work. I assured them it would turn out and suggested they turn their fears or anxiety into creative curiosity. It really changes the experience!
Back to the smiles…
As for the unexpected gift…at the end one parent came up to me to say thank you and said that she was very grateful for the experience- that she loved her towels and that it had been a very long time since she had been proud of herself for something she had made. That was very much a gift. Such a great evening. Of course, school there is no longer in session. In LA we are hearing that it may be very unlikely that schools will resume before fall. Who knows…life in the corona is hazy. ************************
So now, today, March 19, 2020, I am on a different trajectory. I am working again on the online shop (no update yet-but soon) and I am going to be starting an online tutorial series called Moonmates. These will be short video posts on moonmaking. I will host them here on this blog but on a special linked page (I think). Life in the corona is unsure, a little hazy, so just moving forward as one can. The tutorials will be open- with a pay what you wish link. This way, everyone can enjoy them as we venture into the corona. Let’s see what we can get into… Mooncloth sets will still be available in the shop on an ongoing basis. Many of the moons in these sets will be the ones featured in the tutorials.
I was thinking how this is sort of like being in a cocoon or a chrysalis. We are keeping each other safe by our separation. We are transforming. What might we be once we emerge?
Oh jeeze…i was working between my phone and my laptop to write this post and I accidentally published it in an incomplete form. So if you subscribe by email, you got a notification that once you click on, is no longer there. oops..sorry. Anyway… onward!
Friday night I will be doing a Parents Night event at a private school in Los Angeles. As always, preceding such workshop, I am in prep mode. Each workshop event is unique. This one might be a little more so than usual. There will be 30 people for 3 hours! Each will make two shibori cotton kitchen towels.
Designing an indigo shibori workshop with these sorts of parameters is a challenge. Of course, the main challenge is to see that everyone can achieve a good outcome. Then perhaps to tempt them into further explorations in shibori, having only scratched the surface in this brief 3 hour encounter. From what I understand, it’s also a parents night out and partially a social outing. Maybe some will only make one towel in that period of time- it will kinda be up to them.
For this short workshop I have chosen cotton kitchen towels as the canvas for their indigo shibori experience . Who can’t use a new kitchen towel? The cotton is almost sarashi type weave, but hemmed all around, and 28″ x 28″. Throw them in the wash and wipe the floors with them if you like. A practical item.
Next, the challenge is to come up with several suitable design ideas that are simple and practical for the complete novice shibori practitioner. Designs that 30 people with two towels each can accomplish in 3 hours. Maybe.
This sort of an event can be a little difficult for me to predict what the energy in the room will be when people arrive. I don’t know the room but am assured there are tables & chairs for 30, as well as work space and sinks and water. It’s a Friday, people are tired, looking forward to the weekend with their families I would think. I will watch and listen as they arrive and read the room. Adjust accordingly. Give them what they need and send them off into the weekend with a couple of indigo shibori towels they made themself! Sounds like fun!
Here’s a quick couple of photos of the samples I made as samples. Two are shown as towels and the third uses the towel as furoshiki- quite versatle!
I’m putting together all the additional supplies, filling orders, & moon making tomorrow. Orders on moonsets got ahead of inventory. Also, life in general.
You might enjoy this pic from Sunday evening.
And in between this and that, I dug this out to start finishing up. Lots more stitching to go, but I resolved the edge. Backed with old Japanese jacquard silk that I indigo dyed a while back. The backing itself is wonderfully soft. Several different patterns are stitched together. One has cranes woven into the silk. Self binding- all by hand of course. To me it’s more fun that way. Of course I want to spend days on it right now but other duties call. Oh, and if you don’t recall from previous posts about this piece, all the shibori pieces in this are demonstration sample pieces I dyed in workshops.
Quilt Festival is returning to Long Beach this July 9-11 after a 7 year hiatus. Classes for this festival are all understandably focused on machine quilting. As an alternative to this I am adding a few in-studio workshops for festival goers to consider. They are all directly before or after the show dates to allow participants to consider attending a workshop without missing any of the show. Here are the three workshops (held in Long Beach):
Of course anyone can attend any of these workshops but they have been scheduled around the festival to make them available to festival goers. I expect them to fill so if you are interested, I suggest you grab a spot!
I still have one more Arashi shibori workshop scheduled for the end of March (28-29) that has 3 spots open. I originally posted this as a 3 day workshop as a result of participant feedback after the first one, but seems like more people wanted a two day workshop due to time restraints on their part so I changed it back to a two day event.
The second workshop last weekend was visited by a brief downpour as we worked under cover outside. It didn’t put a damper on the enthusiasm for learning the process and the sun soon broke through and shined on the resulting work. My favorite photo was the communal pile of pleated silk shibori we made with all our pieces on day two.
The upcoming Indigo Shibori workshop at the Japanese American National Museum on March 14-15 still has a few spots if you want to join us. Signups are through the museum.
So as you can see, it’s been busy around here. Baby Dean is a regular visitor and although we don’t share photos of him on social media he is already 9 months old! He loves to play the piano, drums, and guitar (like his mom and dad, uncles and others who frequent his world). It’s so darn adorable! He has red hair just like both his grandmas! And big blue eyes. Ever curious, and now on the move, he’s already has taken his first steps- watch out world!
For the first time I am offering an in-studio workshop on pleated silk shibori (known as arashi shibori). This type of workshop requires space and equipment that is not feasible to provide at most of the workshop locations where I generally teach. In order to provide a successful outcome for all participants, the workshops will be limited to 4 people on two separate dates- February 1-2 and February 15-16.
As most long time followers of this blog know, but which I shall repeat for more current readers, I started exploring shibori in 2006 after taking a one year sabbatical upon closing my porcelain studio of over 30 years. I was looking for something new. After becoming fascinated and intrigued with shibori from Japanese textile samples I had began to collect over time at quilt shows, I came across Karren Brito’s blog and her book Shibori-Creating Color and Texture on Silk. I was in love with the pleated texture that could be created. Using her book as a guide to learn how to dye silk using acid dyes and to also learn about discharge dyeing, I set about seeing what I could create. Her blog was a wealth of information. It still is, even though she has moved to Mexico and has taken up weaving there. At one point (not exactly sure when) she moved her original blog Entwinements over to a new site but lost all the original photos in the older posts. This is a real shame, but for anyone who has moved a blog from one of the original and older blog sites you can understand the pain and difficulty in doing so. It is still quite worth reading through as there is so much useful information-just missing all her fabulous photos. Karren was a chemist by trade and as such was able to apply that important information and detail to her dyework-detail and persistence that she is now applying to weaving. She is amazing!
I’ll tell a funny story about one of my communications with Karren many years ago. I submitted many comments on her blog over the years regarding her posts and asking (probably sometimes annoying !) questions. I tried not to be a stalker! I went to see her work once at a show she was doing in LA and was able to meet her. I had occasion to speak with her on the phone a couple of times and was excited to share with her the concept of my shibori ribbon when I first came up with the idea. Being the sort of direct type of person I came to know her to be (I really liked that about her!) she asked me how did I think I would ever sell it and who would the customer be(very good questions btw!)? I explained to her my plan (sample sending, making samples with it, exhibiting at textile trade shows, etc.) she directly told me it wouldn’t work. I was appreciative of her opinion but was not at all daunted by it. In fact, quite the opposite! It only made me MORE determined to make it work. So, not only did she teach me so much about shibori and dyeing, she inspired my persistence and determination to make the shibori ribbon a success! I thank her very much for this! It’s just a reminder that there are so many different perspectives out there to take into consideration. She was operating and marketing her work in a much different way than I did. I was always impressed by her photo shoots! I recommend her book as a “must have” for any serious silk shibori dyers. It is currently out of print but many used copies are available.
So, how about a little bit on the history of arashi shibori? Arashi shibori is a technique where cloth is wound around a pole in a diagonal way with a fine thread wound at intervals along the pole and over the cloth before scrunching the cloth and dyeing it. Many variations and experimentations have been done to expand on this original idea. Pole wrapping shibori (as we call it here) was introduced in Japan much later than other forms. Early shibori and dye techniques began around the 8th century in Japan. Shibori that we recognize today began much later (in the 1600’s along the Tokaido) and in the mid 1800’s various devices were being made and used to increase production and thereby lower the time and cost of many of the time-honored but time-heavy methods used to produce the beautiful cloth. Arashi was invented by Kanezo Suzuki in 1880 and Yoshiko Wada has a great history of the technique here. I wrote this little post back in 2006 when just starting out on my shibori adventure.
My goal for the workshop is to present arashi shibori as I practice it and get participants to wonder how they might apply the techniques in their own ways, to their own work. The critique session on day two is meant to survey the pieces that were made and allow everyone to benefit from all the various results. I’m also open to an AMA portion if participants have questions on which my experience as an independent working craftsperson of over 40 years might be able to some shed light.
There are other things I will address as the days grow longer and we round the corner into another year, but I want to get this post completed as I started this a week ago and was waylaid by time spent with my now 7 month old grandson and his dad who was recovering from some necessary surgery and mom was out of town on business. It was time well spent, dad is recovering, and mom is back in town! Those who were on the silk study tour to Japan will remember he was born while we were in Kyoto in May! Was it really 7 months ago???
So, enjoy more light, let it shine on all of us and may your holidays be peaceful shared with family and friends.
Becoming December…it arrives,and here, we never know if we will don flip flops and short sleeves or warm boots and sweaters inside the house. This year we are wearing warm shoes and sweaters. Heavy snow in the local mountains is a welcome and beautiful sight from the hilltop nearby. The ginko is busily dropping its golden carpet of leaves on the back garden, mulching it with beauty. Narcissus are blooming early. I even had the first saffron crocus bloom and more are on the way. The pomegranates exhausted themselves (and me!), and the persimmons are ripening daily. I’m sharing them with friends and neighbors and even this (not so) little guy…late at night.
In the contradiction of clashing seasons, hand fulls of strawberries can be picked every few days as they are planted where the sun seeks them out and happily seem to produce year round there-at least so far. The late eggplant and tomatoes are still heavily laden, though with this recent cold streak they will definitely slow down, but are welcoming the rain. The cold and wet has slowed the outdoor studio work but still has not vanquished me completely from getting the necessities done.
This coming weekend is the last JANM workshop featuring indigo and shibori and we will make the most of it. Many regular participants will come together for this year end creativity laboratory. No need to put the link here as it has been sold out for quite a while. There is however a “save the date” list of upcoming workshops at JANM to sign up for as soon as the museum gets them listed. You can view it here. **EDIT** JANM just emailed me to say that the January Mandala Workshop is up on the website and taking registrations. Here is the link. See the full description on the calendar page here.
Two weekends ago I taught an in-studio flower making workshop with a small group. There were some beautiful results…a garden of beauties! I’ll be adding another one of these soon. Let me know if you are interested.
A post or two ago I introduced a new item into the shop-the shibori ribbon beaded necklace kit. At the time I had not finished the instructional video but the orders received kicked me into gear getting this done. I’m offering it up to you here (free youtube video) if you are interested in seeing how this piece gets made. Perhaps you have some shibori ribbon waiting to be made into something beautiful as a gift. I am also adding this video link into the sidebar under the Feeling Free(r) page/list.
I also just added some new Mooncloth card sets to the shop. Previously, I have had photo card sets using images I have taken of my work but these card sets have actual mooncloths attached to the front of the card that can be removed and used in a project. Sets come in 3’s or 6’s, are blank inside and include an envelope. I hope you enjoy them.
I just got back from picking up my son Trevor from the airport. He has been in Japan for the past three weeks on a long awaited trip there to make new friends and surf. It was an exciting adventure and he spent time in Kyushu, Amami Oshima, and Chiba-all prime surf areas. But one of the exciting things for me was that he met up with my long time blog friend Jan Hillstead Fujikawa in Nagasaki! Long time readers of this blog might know her from her blog Oh Brother! (WhereIsSheNow) She started blogging in 2007 and hasn’t updated since 2014 but we keep up through FB and other social media. She’s an expat of over 30 years and I hope I get to meet her myself next trip. But it was kind of her to spend the day with Trevor and he also got to meet her son! In Amami Oshima, Trevor was able to meet up with our friend and surfer Ko, who showed us around Amami when we were there earlier this year. Trevor also started a blog highlighting his trip which you might enjoy. This is his first blogging experience. His blog, day one starts here.
It’s another rainy day here and the rain barrels are already overflowing. The cactus has finally stopped blooming- it was a solid 2 months of nightly blooms! Pretty amazing really. Here are a few photos collected recently from around the garden.
And a few more of some shibori ideas for this weekends workshop…shibori images on greeting cards for the holiday. I did one with a dove but tried to get too fancy and put a twig with leaves in its mouth which complicated and distorted the image making the head of the bird unclear. Will redo… Lesson: when working on small images, keep it fairly simple and use a good fine linen for best results!
I’ve let this post rumble around in my head the past few days while absorbing and collecting all my thoughts from the workshop at the Japanese American National Museum this past weekend.
Some things it seems I’ve known forever. Other things, I’ve acquired and built up my knowingness over time. I think this past weekend’s workshop really turned a corner in solidifying why and how I find myself at this point in my craftlife experience. It’s been a long time in coming. I’ve seen glimpses of it over time and place but I’ve never really written about it to any great extent.
I know you’ve read me here saying how great a recent workshop was etc., etc. … and I don’t often go into much detail. Today, I’ll write a bit more about this.
For many here, you already know this. Making something by hand yourself is very rewarding in many ways. It can enhance or teach a new skill, provide a different sort of activity from your daily job-whether that is out in the world or inside your own home taking care of others. It can offer quiet time-a peaceful mindfulness as you work on a project. It can provide a focus away from stress or even illness. It can literally keep you sane! In a group, you might gain social interaction with people you didn’t previously know and who have gathered together in a particular place and time for similar and varied reasons.
Some of you may be long time readers (since I’ve been blogging here since 2006) and know I have sold my handmade things for a living since I was in HS. Sometime around the same time(2007-2008), I started teaching workshops at the request of Maggie Backman for the Silk Experience group at the Quilt Festival in Houston. Prior to that I had been volunteer teaching art at the local elementary school. More recently (maybe since 2000-ish), I have been leading workshops at the Japanese American National Museum in Los Angeles and various other places.
What prompted me to write about this particular aspect of my work (teaching as opposed to the actual making) was the increasing feedback as well as my own observations from these workshops and my interpretation of it. We have all heard over the years how the arts are declining in much of our public education and yet at the same time, how the arts foster better outcomes in all areas of education and create more well rounded students. What I do know from personal experience is that art and craft have saved my own sanity in my lifetime. This experience was born out of the loss of my mother at a very young age to the ravages of mental illness, through a very trying childhood that included abuse of various kinds. Where did I go to find solace and peace of mind? Art and craft. The handmade. Why? At the time all I really knew was that it felt good, it felt right. I felt better when I was making something. I went back to this well over and over until it simply became second nature to me. It was (and still is) my medicine. It ended up being my path. You may have noticed here and there the tagline I have used over the years that reads:
“One at a time and Every Day Moonmaker, Pathfinder, Wonderer. Art’s apprentice, Color’s mistress, Nature’s admirer.”
I didn’t write this lightly. I meant every word of it, and it still feels honest and fitting to me. Now getting back to the workshop…here’s a little gallery to glimpse some of what went on.
This time we had over 2/3 new participants! Somewhat of an outlier workshop. Most if not all had never dyed with indigo or done shibori. Some had never done any hand sewing. We had two men. We had people in their early 20’s to 65+. We had 3 gals who were costumers, a municipal financial advisor, a patent paralegal specialist, a retired social science data archivist, an IT aerospace project manager, a dance and arts teacher, you get the idea- wildly varied! For many who were new to the museum they also had the pleasure of joining as a member and seeing all that JANM has to offer. We had people who drove from San Mateo, Santa Barbara, San Diego, Riverside, Arcadia, and all over the LA downtown & coastal areas.
Comments and conversations heard throughout this last workshop really moved me. Expressions of joy from learning a technique of tying a knot on a threaded needle remind me that simple skills are so important and what I may take for granted may be a revelation for another. Another comment I heard was ” I haven’t thought of work all weekend!” Don’t we all need this? During the finishing stage a gal commented that her friend wanted her to gift her the bag she was making. She remarked “Heck no! This is going on display on a table in my entryway with a light shining on it!” She had never made something like this before. Another person finished the bag she started at the first class and began a second one. One gal said that being her second time taking this class she wanted to make one of these each year to “commemorate where I am in life while making it”. Sometimes I see my place in these workshops as a life coach of sorts, a therapist perhaps, encouraging and cheerleading along the sidelines while providing a creative environment for all to move at their own pace, direction and within their own boundaries and limits. Sometimes people need encouragement, sometimes they need inspiration, other times they need permission. Sometimes a gentle nudge, a reminder to persist-it is all happening along the path. All the while teaching the textile techniques required.
My job is to discern what is needed in the moment and provide it through the medium at hand to the best of my ability. There is a bit of an empathic quality that has been developed through the many workshops I have taught over the years. For me, teaching a craft workshop has morphed into much more than passing along a skill or technique. It is my profound honor and pleasure to do this. Who knew?
This week the Houston show begins and for the first time in a couple of decades I am not there. It does make me a little sad. I will miss the people I consider my Houston family who always took my classes and came to my booth and friends who help me there. Teaching this workshop this past weekend however, took a bit of that sting away. This was a workshop I had proposed to teach at Quilt Festival that was not accepted and honestly, I feel this was a loss for those who might have signed up for it but at the same time I have filled that time with other work and don’t miss the stress of all the preparation that goes into doing that show.
And speaking of family, JANM offers this service in their resource center. I took this photo of a flyer I saw there. You can research your family’s history of incarceration in the WWII Japanese American concentration camps as well as immigration records! There is a fantastic oral history archive as well. I love listening to it. Lots of info is available online in the National Archives. Since so many participants of the workshops are Japanese American, as we work, we get to hear shared family stories of incarceration and reintegration into society after the war. The folks who are still living that were incarcerated in camps Mainly as children) are getting older and I feel the privilege of listening to the younger generations share their family stories. I have learned so much from them!
Getting back to the medicine part of teaching and the idea that handwork is medicine for the mind isn’t a new one. Any kind of handwork (think knitting, embroidery , beading, quilting and more) can be therapeutic and restorative. These days people are more likely to have a screen device in their hand as opposed to a needle and thread, a lump of clay, or a paper and paintbrush. But does this serve the same function? One might argue that there are benefits to both but the imbalance I see around me is what concerns. Making or repairing something offers a satisfaction that just isn’t there with digital devices. Enjoying a process on the path towards a goal or completion serves us well.
Take Shinischi Kobayashi for example. At the age of 72, he started drawing. On everything! I’m sure he benefits from the neurochemicals that his brain releases and keeps him continuing to draw. Dopamine, Oxytocin, Serotonin, and Endorphins are the four major chemicals in the brain that influence our feeling of well being (DOSE). Medicine without pharma! Generally, we don’t think about these things when we apply ourselves to activities that trigger brain chemistry responses. We just know that we enjoy it-that time seems to pass quickly, and we want to do more of it! I am looking forward to seeing a day when education realizes that the health benefits of applying hands and minds to materials in creative ways, in equal doses to STEM and all the testing. It makes for healthier humans. And with plenty of challenges ahead of us, we want to be as healthy as possible!
Here is my finished komebukuro (offering bag) made at the workshop as a demonstration piece for the class. I had to finish it at home since I was busy at the sewing machine on day 2 assembling eveyone’s bags. I’m working to finish up a couple of complementary pieces for the shop and will post when they have been added. We all have something to offer.
Kokoro means “heart” in Japanese and this past Sunday I participated in the Kokoro Craft Fair at the Japanese American National Museum. The event is staffed by volunteers who organize and run the event to great success in fundraising for the museum’s educational programs and more. They have lots of heart! I have never been able to participate before since it is too close to the show I usually do in Houston towards the end of October/early November but this year since I am not in Houston, it was a pleasure to be able to do this event. As is often the case, since it was only a one day affair, I forgot to take photos as I was focused on what I was doing and engaged with customers and attendees. I met many interesting customers & vendors and thought the overall quality of vendor there was very good. Handmade, no imports, and lots of fun Japanese related crafts from what I could see in my quick walk through as people were setting up. I had a lot of people interested in my classes at JANM (ran out of flyers!) and also in the Silk Study Tour for 2021! Three years ago we had the first Japanese American join us on the tour and this year there were three! It is my distinct pleasure to have more Japanese Americans join us and explore their cultural heritage through the tour. I have to say a little something about the volunteer staff at JANM. Many are senior Japanese Americans and they do so much for the museum! The JANM is a welcoming place and has always made use of volunteer staff. Sometimes I think that we forget how much seniors have to offer, but not at JANM! Some of them are well into their 70’s and 80’s, maybe 90’s! I hope I have as much vitality as they do when I get there! It was a pleasure to work with them at the event! Thank you Kokoro volunteers! I also enjoyed meeting Ann Burroughs the President CEO of the museum for the first time. We had a nice conversation and she even made a purchase of some of my shibori blank cards to use when sending out thank you notes to donors. That was a wonderful thing!
Coming up on October 19-20 at JANM is the second workshop on making a komebukuro (offering bag) incorporating indigo dyeing, boro, shibori, and sashiko. There are only a couple of spots left…. Click for details and signups…
I am busy preparing the material kits and supplies for this class. It’s a bit more work than any of the other workshops so I’m making sure I get a good headstart on it! I am going through all the japanese fabrics from the tour and auditioning the ones I think I want to use for this class. I’ll make another one this week just to settle back into the project.
There are 7 new silk shibori ribbon colors into the shop. All pretty and hard to choose a favorite! One thing I will mention, after making this ribbon for so many years now I surprised even myself by discovering something in the pleating that made a big improvement! Just goes to show you that there is always room for wondering! You can order them in the shop here.
The tree is loaded with pomegranates and is coming all at once so I am also busy processing them both for dyeing and eating. I’m freezing some of the arils for later and drying and freezing the peels for dyeing. I plan to do some special gold pom dyed pieces soon. This here is the largest one I have ever grown- a blue ribbon winner for sure weighing in at over 2 pounds! Pomegranates are time consuming and delicious!
Kuro in a sleepy moment out in the garden and I couldn’t resist taking a photo. He still decides on when and if he wants petting from us, but with the night temps dropping a bit, he actually came in and slept on the bed for a few hours last night! He’s very independent! The feral in him I suppose.
I also added another silk shibori flower making class into the mix for November. I had a few people who wanted to do this but missed the last workshop. It is a small group class and you can see the details here. This will be a fun afternoon and a great time to make a few handmade pretties for holiday gift giving.
I’ve been enjoying following Peggy Osterkamp’s weaving blog as she is touring in Japan visiting many textile sites. She went to Amami Oshima as well and saw some of the same things I did. Seeing it again through her weaver’s eye I learned some things that I didn’t get a chance to learn while I was there. The main part of her trip is traveling around Kyushu which is on my list for my next adventure to Japan. In fact, my son is going there for 3 weeks and spending a good chunk of his 3 weeks on Kyushu. Additionally, John Marshall just sent out a newsletter announcing his new book. I hope I will be able to add it to my workshop library collection of great textile books. It includes over 100 swatch samples and he characterizes it as a “field study guide to Japanese textiles”.
And from my friend Jude who is moving, a look at the place they will now call H O M E. I’ve enjoyed her adventure and will move right along with her.
I’ll end this post with a couple of thoughts that passed my way today which resonated with me. The first one was during an interview with Presidential candidate Andrew Yang- “take a dream and turn it into something.” He also remarked that women are never truly idle. How true! And the other is the last line of a poem that Michelle posted on her FB page today “Everywhere I look, my thoughts run wild.” (‘2011’ by Fanny Howe)
Let’s keep wondering and dreaming and let our thoughts grow wild.