I decided to add to my indigo vat swatch card by swatching each of the three vats (chem , fermentation, and ferrous) at the end of the daylong indigo shibori workshop.
The vats all got a good workout by the six participants.
The chem vat degraded the most. It will need a complete tuneup! The fermentation vat held fairly steady but will need some rest and perhaps some bran. The blue is a bit lighter and noticeably grayer.
The ferrous iron vat held up the best with less loss of color. I might actually prefer it’s current state more than it’s original state. Seems like a nicer range of blues.
All three dips (on both occasions) were one minute.
In addition, the following day’s stitching workshop was a lot of fun. Getting people inspired to learn something new and create something beautiful is always satisfying.
One of the stitching samples I showed included a strip woven cloth with an indigo moon. Several participants wondered how it was done so I did a quick demo. They couldn’t wrap their mind around it in the beginning but then the “aha!” moment arrived. I always love that.
I’m wondering about how much work it might be to do a woven moon for the moon circle. If I do, it might be a one moon month…
I’m spending my time this week organizing for the upcoming workshops and pulling together teaching samples. There are many and I’m displaying them around the work space.
Also, finishing up a couple of things as inspiration for what one can do with the pieces that will be worked on during the dye and stitch sessions. Here is a bag I just finished with one of them. The exterior is all vintage and the interior lining is recycled. It’s really fun to give cloth a new life and make it into something “new” and useful. Another in the series of “Carry the Moon” bags I have made over time.
I’ve got a few things to clear off the decks today (Saturday) -like a couple shibori ribbon scrap bag orders, the last stragglers of the July moon circle cards, and some computer email communications. If you are reading this and are in any of the August in-studio workshops, you would have received the last details on attending the workshops and have been asked to reply and confirm. About half of you have-THANK YOU! The others have been emailed twice so far with no reply. I will do so once more and cross my fingers! Other than that, I will take time and try to search you out via social media and send you messages there. This all takes time that I really do need for other things… help a girl out and reply to your email confirmations! Thx…
“Other things” include tracking down a FedEx return from France that has been “on the way” for 30 days now! This order seems to have a curse on it. If you recall, I had sadly and mistakenly sent the wrong colors to a customer in France. We resolved the issue by my remaking the correct order and reshipping it while at the same time issuing a return label to have the wrong order returned to me. Package never returned after being picked up by FedEx at the customers location (and this only after several calls to fedex to go get the package). Fedex is now looking for it after weeks of me calling to check on it. Fedex shipping internationally is no joke either ($$$) so not only am I out the ribbon, I have spent hundreds in shipping to get it back. Yikes! It is going to take more time to resolve this and likely not in my favor. I will persist! Never before had a problem like this with FedEx. We shall see…
BUT- in today’s mail, I received these two beautiful embroidered silk moths from an artist in the Ukraine. So delicate and beautiful! I’m working on a piece that involves silk in all its permutations and these will be a lovely addition to it. I came across them through one of my Japanese sericulture contacts on Twitter.
Plus, I will be back to the Japanese American National Museum in early November with a workshop. stay tuned for details!
The shortest day or the longest night? It all depends on your perspective I guess. As holiday decor begins to spill out across the neighborhoods and cooler weather dominates, solstice approaches. It’s an odd time of year here-especially in the garden. The ginko is beginning to carpet the ground in golden glory- feeling very fallish. I turn around, and narcissus are blooming-is it spring already? I scoop fallen ginko leaves up from the alley to spread as mulch over the yard. Leaf-fall is valuable! It updated news…we are supposed to get some significant rain in California next week- and boy do we NEED it!
The persimmons continue to ripen and I’m sharing them with a couple squirrels! I may make some persimmon walnut bars later today with the ripe ones I rescued. A nearby women’s shelter is requesting home baked goods and since I enjoy baking on a day like today but can’t afford to eat too much of it-it’s a fine solution! Yesterday I picked a box of ripe persimmons so something must be done. I was adding some scraps to the worm bin and WOW! They really seem to love the persimmon trimmings and any half critter-eaten ones. The hoshigaki continue to dry-albeit slowly due to lots of foggy mornings.
The two “not my cats” who roam the house at their own discretion seek warm spots to hibernate on colder days, only venturing out when the sun arrives to provide a warm spot for a nap among fallen leaves. My own cat Kuro chan barely likes to come indoors!
Last week, I gave the first of the zoom sessions for the Komebukuro Treasure bag workshop. It was great to see friends new and old. I am really warming up to this format. I struggled with it in the beginning but now am finding my way with it. This was the first time I have done a machine sewing project online. It seems each time I do one of these online workshops it’s a “first time”. Teaching online makes me get creative in different ways… During the first session we got about halfway through making our komebukuro. This week we have a “check-in” session for anyone in the group who wants to join in and show their progress or get some extra help.
I was reassured by the comments participants sent me after the session: “Thank you bunches! Bag is complete up to where we ended yesterday…now to dig around in my “collection” to make up another one…I loved creating this for sure!!”
“Thank you for the workshop Glennis. I have followed your blog for years and have a few of your moons in my collection. I love your teaching style and I appreciate the references to traditional textiles and Japanese culture. I admire my bag even more knowing the origin of these special fabric. I look forward to next week and the many bags I am now dreaming about!“
“Thanks Glennis-This was my first zoom workshop – it was so fun!! I sewed along and made my bag lining, and am so inspired by your ideas to do the boro piece. I’m looking forward to the next session.”
It was fun to know that for some people, it was their very first Zoom experience. Others were pros and had taken many workshops of this nature-some even with me! There were several who had gone to Japan on one of the Silk Study tours, and others who are awaiting their chance when we are able to go again. Others I had never met, and some who had seen me at my booth in Houston or taken a class at the Japanese American National Museum. A great group!
In a couple of weeks, I have another komebukuro workshop- this one a private group. A reunion of sorts. We will be doing this workshop all by hand stitching as several don’t have a sewing machine. So for any of you out there who might want to book a private group for this project, let me know. You only need 6 people. You can use your own fabrics or order a kit from me. Might be a fun thing for a sewing circle group or just a group of crafty friends. Seems like in each of my online workshops there have been friends signing up to do the projects together-I love that! It’s a fun way to get together with long distance friends or whenever you can’t get together in person. I find that people also like the option to review the class via the video link.
The recent days and weeks have been busy, full of daily goings on, dyeing, kit making, workshop prepping, visitors, and then the big event- a beach wedding!
It was a simply beautiful affair on the beach with a BBQ afterwards as the sun set. I had the privilege of making the wedding cheesecakes, vegan chili and helping with the clothing alterations. Others brought food, flowers and officiated. It was a perfect October evening with mild temps and a slight breeze. Children played at the shores edge and adults enjoyed food and conversation. Some surfed prior to the ceremony with the groom. Several people camped overnight nearby, under a bright near full moon.
This Saturday is the first of the two Zoom flower workshops. The material kits have been mailed, the work table set up and today I will do some test runs. The second Zoom date is next Thursday for those who would like to do it a second time or perhaps already had something scheduled for the first date. You can also still order a kit and get the video link when it’s done.
I made a whole bunch of extra kits and have added them in the shop. Here in Long Beach, we have hundreds of cargo ships off the coast and politicians encouraging people to shop early for the holidays since the logjam is delaying the arrival of goods. I say, why not make things instead? Here is a list of kits I have in the shop right now if you are inclined to make a hand made gift. I also have a few things ready made that might suit. I’m working on several more. If you have a special custom request, let me know. (I just looked over the shop and see I need to add a few things I never added so that will be my next task…)
Last week’s workshop with Ann Wasserman in her “Preserving Our Quilting Heritage” we were treated to her lecture with samples of quilts she had worked on and new ones now on her work table. We have all sent in photos of a quilt we want to “triage” and of course mine is that unfinished crazy quilt (Ida Belle) I acquired some time back. Here are the photos I sent in.
In between my own work, I have become somewhat obsessed with this crazy quilt thing. In doing a little research, I wondered where the term “crazy” had developed in regards to quilting. It seems (whether true or lore), to have been a reference to the crazed glazes on porcelain the Japanese had exhibited in the 1876 Centennial Exposition in Philadelphia. Crazing on ceramics occurs when the clay body and the glaze don’t “fit”. That is, they don’t cool at the same rate after firing. This can be caused by a number of things-too thick a coating of glaze, the (intentional or not) chemical composition of the glaze, or thermal shock of cooling off a kiln too quickly. Tension between the clay body and the glaze creates a network of fine crackling. This can be enhanced by rubbing ink into the cracks to make the pattern of crazing stand out on a decorative piece. You don’t want crazing on dinnerware because over time and use the crazing can collect bacteria that may not be desirable. But on decorative ware, glazes can be designed to create a variety of crackle patterns and when I was a ceramic student we had to do just this in the Chemical Clay and Glaze classes. I loved the chemistry of ceramics. During 30 years of running my own porcelain company, we “cracked” many crazing issues. For the most part, even when we wanted a crazed glaze effect on a decorative line, stores and customers would often see it as a defect and we just abandoned it altogether. But that was another time and place…so, back to crazy quilts. So as the story goes, the crazed patterns on Japanese porcelain pieces at this exhibition in 1876 inspired a “craze” itself where quilters found beauty and interest in recreating this type of pattern in their quilts. Previously, quilts had been mostly geometric organized affairs. I imagine that the pieces that were exhibited were possibly Japanese raku.
In between this and that this week, I was looking at Ida Belle and realizing what a task it is going to be to restore it to a reasonable condition and as I was inspecting various parts of it I kept coming back to my interests in Japanese boro traditions and techniques. I can see so many instances where boro repair techniques could be applied. I am not trying to do a traditional restoration of this crazy quilt. This quilt in fact was never completed by Ida Belle. It does not have a binding or a quilt back- it was never quilted or tied or embroidered (something tells me-mainly the types of materials used that Ida never intended to embroider it or embellish her quilt). Perhaps she died before finishing it. The fact that it exists in a fairly decent condition is that it was never used since it was never actually finished. It exists as a quilt top only. My list of “goals” currently is as follows:
-repair Ida Belle to a condition where it can be lightly used -use materials I have on hand (as I believe would be Ida’s way) -apply hand stitching and repair techniques from Ann’s class as well as my knowledge of boro repairs observed in pieces I have collected -apply a backing and a binding -steadily work on it as I can-don’t abandon the project!
I may add others as I go but that’s it at the moment. In another twist, I was cleaning up my work table for the Saturday workshop and sorted some scraps of vintage Japanese indigo fabrics. Another project emerged alongside. I became a little obsessed and worked late into the night. It seems that Japanese vintage textiles and crazy quilting are quite like peanut butter and jam.
I chose a piece of egasuri (kasuri with an image or picture woven into it) as a central piece to this block- bird images being quite popular in crazy quilting. I did not use the traditional method of crazy quilt piecing (surprised? haha) but opted to leave all woven selvedges intact as I honor the selvedge whenever possible. I used tattered bits and repaired them using boro techniques- but using some very old red silk in a way that reminds me a bit of the Japanese porcelain repair work called kintsugi. I used hand dyed cotton sashiko thread for the decorative featherstitch (practice needed!) across each joined patch (still a WIP). So now that I have one block near completion, I guess I’ll have to start another. This first block is 18″ x 18″ so I imagine I will do either 6 or 9 for a smallish lap type quilt. Who knows?
One last thing. I’ve started taking photos of all the oothecae I come across in the yard as I do fall clean up work. It helps me remember where they are when it’s time to watch them hatch around February (I’m guessing…). So far I’ve found 6 or so. all in different places. Each egg case can contain 50-200 eggs of the praying mantis! We had so many this past summer.
it’s summer. here, one can tell by the garden jobs that need attending each day before getting started on other things. plus, by the amount of tomatoes piling up on the kitchen counter.
and in all things summer, the mockingbirds sing throughout the night, the fans hum in the background by day, and earlier morning watering is preferred. also, the garden is filled with creatures. (and the dog got skunked)
the hornworm was put in a box in the garden where a bird flew off with it for a juicy meal. the monarch cats are now in their beautiful green chrysalis’ and the neighbor cat…well… let’s just say he appears to be moving in from over on the next block. i’ve taken to making tomato soup and hot processing it to use the extra tomatoes that i don’t pass on to friends and family. it’s even really good cold! i’m drying lots of the cherry tomatoes. there are thousands i think. each day, one at a time.
the ladybugs have been breeding here and having a garden party. they daily eat all the available aphids so no damage to plants-lucky me! seriously, they are everywhere. these are tiny! earlier in May I found tons of the nymphs. found these ones when i was picking tomatoes this morning. meanwhile i also continue to harvest and save assorted dye materials- right now mostly cassia pods and marigolds. speaking of doubt, out a an abundance of caution, i cancelled the in-person tekumo shibori workshop and reformed it as a zoom workshop. Covid does not seem to be done with us even as we vaccinate and with the delta variant and numbers rising throughout the state and county it seemed the right thing to do. and just when i do this, now silk organza is no longer available. at least not until late august i’m told. fortunately, i have enough on hand for the workshop but jeeze…it’s always something. fortunately, in addition to the organza i have on hand i have a nice selection of other japanese silks for us to experiment with. each cloth to its own.
stay safe, get vaccinated, and keep masking when indoors in public. your families love you. each moment is precious.
Oh jeeze…i was working between my phone and my laptop to write this post and I accidentally published it in an incomplete form. So if you subscribe by email, you got a notification that once you click on, is no longer there. oops..sorry. Anyway… onward!
Friday night I will be doing a Parents Night event at a private school in Los Angeles. As always, preceding such workshop, I am in prep mode. Each workshop event is unique. This one might be a little more so than usual. There will be 30 people for 3 hours! Each will make two shibori cotton kitchen towels.
Designing an indigo shibori workshop with these sorts of parameters is a challenge. Of course, the main challenge is to see that everyone can achieve a good outcome. Then perhaps to tempt them into further explorations in shibori, having only scratched the surface in this brief 3 hour encounter. From what I understand, it’s also a parents night out and partially a social outing. Maybe some will only make one towel in that period of time- it will kinda be up to them.
For this short workshop I have chosen cotton kitchen towels as the canvas for their indigo shibori experience . Who can’t use a new kitchen towel? The cotton is almost sarashi type weave, but hemmed all around, and 28″ x 28″. Throw them in the wash and wipe the floors with them if you like. A practical item.
Next, the challenge is to come up with several suitable design ideas that are simple and practical for the complete novice shibori practitioner. Designs that 30 people with two towels each can accomplish in 3 hours. Maybe.
This sort of an event can be a little difficult for me to predict what the energy in the room will be when people arrive. I don’t know the room but am assured there are tables & chairs for 30, as well as work space and sinks and water. It’s a Friday, people are tired, looking forward to the weekend with their families I would think. I will watch and listen as they arrive and read the room. Adjust accordingly. Give them what they need and send them off into the weekend with a couple of indigo shibori towels they made themself! Sounds like fun!
Here’s a quick couple of photos of the samples I made as samples. Two are shown as towels and the third uses the towel as furoshiki- quite versatle!
I’m putting together all the additional supplies, filling orders, & moon making tomorrow. Orders on moonsets got ahead of inventory. Also, life in general.
You might enjoy this pic from Sunday evening.
And in between this and that, I dug this out to start finishing up. Lots more stitching to go, but I resolved the edge. Backed with old Japanese jacquard silk that I indigo dyed a while back. The backing itself is wonderfully soft. Several different patterns are stitched together. One has cranes woven into the silk. Self binding- all by hand of course. To me it’s more fun that way. Of course I want to spend days on it right now but other duties call. Oh, and if you don’t recall from previous posts about this piece, all the shibori pieces in this are demonstration sample pieces I dyed in workshops.
New Year, New Post. Who knows what to expect this year? I know I certainly don’t. Some days it feels as if the wheels are coming off the bus, other days, I can remain hopeful. What to do but continue? Beyond this, it seems like the new decade (apparently depending on how you count your years) will bring lots of changes. As far as my studio work goes, shibori, cloth and indigo remain a focal point. But then again, who knows? What about you?
Over the transition from 2019-2020 I had some ideas that I just could not stop thinking about. You know, those sorts of ideas that you just have to actually do to get them out of your system…and see where they might take you. It was one of those sort of things. So I did it once and am about to do it again just to see. At first, I wasn’t sure about it so let it hang around for a while just to let it settle in. I’m still not sure about it (or much of anything these days to be honest), but after letting it be for a while, I’m ready to do another one. It might be “ART” , so I am cautious…
In other activities, the New Year is always a time when I want to obsessively clean, organize and clear out things. A perfect opportunity arose as there is about to be a new instrument brought into the house. You might be thinking a guitar, or something larger like a piano or drumset (but no, we already have plenty of those). It’s a marimba! Being quite large, it required the cleaning out and removal of the space I was formally using as a desk/office area. Which led to the next room, and the next…you can see where this is going. Huge swaths of things have been removed, sorted, relocated, and cleaned to within an inch of their lives. It really is a great activity for the magical in-between-time after Christmas and before New Years. Also, having the local version of whatever virus is going around helps, as it can be done bit by bit without leaving the house yet leaves one feeling incredibly productive. One last corner needs sorting-the dreaded bead and flower making corner. Perhaps tonight. Tomorrow. One day…
As seems to be the way lately, another week has passed before I finish this post. A welcome and steady stream of overnight visitors, the latest virus going round with the never-ending cough, and a workshop at the JANM. Not to mention local politics as we try to rally around some new blood in our local city council as well as put down a couple of tax increasing ballot measures. All this takes time and the studio work has been suffering! So, here’s to getting this thing done today!! NOTE*** Nope! Didn’t happen… Had to call 911 for grandma who is now in the hospital and also take the cat to the vet for an emergency. I live to post another day…
The workshop at the Japanese American National Museum this past weekend two weekends ago was focused on mandala dyeing on silk. I really do love teaching textile dye techniques and watching the participants skill levels improve. Each person comes with their own direction and focus and my job is more of a coach and facilitator. I always demonstrate throughout the workshop so as to give everyone a sense of the possibilities. Here are a few of the mandalas that were made…
I demonstrated a mandala start to finish to begin with so everyone could have a vision of where they were headed. We begin by folding (be as precise as you can!), then drawing our design(stay simple-don’t try to overthink in the beginning!), stitching the design, and finally dyeing (make sure that dye penetrates through all layers-take your time!).
And then some variations on fold and dye-without the clamping as in itajime…some with stitching, some without.
Not sure if I ever added this here but I did make a couple of useful objects using the silk mandalas and various old silks I had here. The mandalas make a lovely pillow cover.
And now, a glimpse of the garden. Since we had quite a bit of rain recently there are lots of seeds sprouting, many of which are weeds and crowding out the wildflowers. (Winners will be determined in future posts.)
We also had a day where we visited the beach with our guests and saw the sea lion rescue center, herons and the tidepools. Whales were spouting as they traveled along the coast.
So much lately, I feel at a loss for words when approaching the blog. My inner self is exploring why. I continue in the studio, trying to find my way yet feeling a bit lost. But I am Here.
But this IS the way, the path, and I am looking to find it again. Everything up to this point has been a vehicle that brought me to this place. It’s always that unsettled and uncomfortable place that leads me on, leads me forward…to Here. I am not a stranger to this feeling. When one is self employed (for over 40 years now!) one recognizes this feeling. Part of it is the unknowing of what comes next, or how to continue. But we do continue.
I’m actually feeling sick to my stomach this morning, a state of anxiety overwhelms. Who are these politicians who cravenly use their donors dollars for personal gain while demeaning others and darkening lives? Do they vote for the greater good, or for their own monied interests? I’d like to just walk away from it all but feel the pull to do SOMETHING. So I do a little, locally. That’s where I live. Here.
I’m hoping that when I get this post finally done, I will feel a little better. I have started so many posts over the last couple of months only to walk away from them unfinished, later returning to find myself unable to complete my thoughts. But that’s where I am…right Here.
This past weekend found me at the Japanese American National Museum, leading the shibori and indigo workshop. As always, it is such a warm and inviting environment with great people creatively working together, sharing, caring, and telling stories. I am so fortunate to have many continuing students always mixing in with new comers. For two days we learn and teach each other. We even started a Sunday morning “Breakfast Club” meeting prior to the start of day two of the workshop. (Great idea prompted by Komo-one of the museums biggest advocates who drives from San Jose for the workshops and brings mochi from Kogetsu-do!). I love when Keiko comes with her enthusiasm for shibori and the stories of her many family members who were interred in the concentration camps during the war-I learn so much from these women! Then there’s Cheryl, who is signed up for her second adventure on the Silk Study Tour to Japan and takes advantage of the trip to visit relatives there that she had not seen for many years and who are growing older all the time. I could go on and on but suffice to say, when I hear two of the newcomers tell me at the end of the workshop “this weekend has been the most fun I’ve had in years!”, my work is done and I go home fulfilled. So thank you all! Here are a few photos…
kumo binding with arashi shibori
ready for the vat
first time student was patient and deliberate-guntai shibori
arashi indigo moon
Kaiju vs. Heroes exhibit at the JANM
first “breakfast club” get together
The new exhibit at the JANM is Kaiju vs. Heroes-a wonderful collection of Japanese toys from Mark Nagata who had an equally wonderful story to tell about his collection and how it inspired his life as an artist and illustrator.
I have one more workshop to give before the end of the month- I may have mentioned it before, I can’t remember. It was full but Beth Marx, who organized it just emailed me that there was one cancellation- so if you are interested you can email her Here. I am filling in for the other instructor who wasn’t able to make it.
So now I prepare for my classes and booth at the Houston International Quilt Festival. I’m hoping to be ready enough. Sometimes, enough just has to be ok.
And, the pomegranates are ready! It’s fall. Or as we call it Here, our endless summer.
The new listings there are the classes I will teach at the upcoming Houston Quilt Festival. Here are the classes I am teaching this time: Please visit the website link above for details.
I already have received a few emails expressing disappointment that I am not teaching any shibori and indigo classes there this year. I opted to not offer those to Quilts Inc this year as they have invited several others to teach the same topics in the past couple of years and quite frankly, it diminished signups for my class last year. Unfortunately, one of those teachers that was directly competing with my class just didn’t show up last year (!) and aside from disappointing a lot of students, lower enrollment in my all day class, there was a lot of confusion about it all. I have to ship in and buy a lot of supplies for that class which is costly and I refer all students to other vendors for supplies. This year, all the classes I am teaching are related to supplies I will have in my booth in an effort to offset some of the costs.
These are the “behind the scenes” decision making that has to go on to keep this dyers bills paid. These shows continue to change and one must look out for ways to make it all work in order to continue to teach and vend there. Many of the smaller one of a kind vendors no longer do. It simply becomes too expensive. We carry on.
That being said, I am excited to teach the three half day classes I submitted. As always, I will give it my all to provide a fun, rewarding, learning experience! Hope to see you there!
Oh, and we will be using some of the cocoons that the silkworms are spinning right now!
Did you know that from hatching to cocooning a silkworm increases in size by a factor of 10,000?
Here they are today, June 12, 2018. Toby is wondering what this is all about. It’s his first experience with the silkworms.
Workshop link here.