almost too pretty to close.
On this hot and muggy Sunday I finish up a large order of the shibori ribbon and wonder. Often when I wonder about what I am doing I take to the vat and gain some perspective. Besides, I have a couple of workshops ahead of me here-3 that involve indigo and need some wondering and planning time.
Starting off with some moons on old tattered asa (hemp) from Japan got me thinking about what ties us all together on this little planet we named Earth – as well as what tears us apart.
I figure I need to order 30 yards of cotton scrim for my workshop in Houston October 26- done and
crossed off the list. The rest of the fabrics to be used are remnants and scraps I have been collecting of some very lovely old and reused fabrics brought back from Japan. We will dye them in indigo and apply different techniques- shibori mostly, as well as use our imagination before stitching them to the indigo dyed scrim. Kits will also include swatches of vintage kasuri, katazome, and shibori. I will have several very nice vintage boro textiles on display for students to study as well as a selection of books and photos from my recent visit to the Amuse Boro Museum in Asakusa, Japan.
Pressing on, I make my sample by my own hand, I cut the fabrics, collect the swatches. As I dye the new sample I think about the room that I will be teaching in, the number of students, the problems that will be encountered by restrictions of such a setting and must be solved before anyone walks through the door to make things go smoothly and find success for all who gather that day in that room. I aim for a version of perfection knowing full well that there will be less than that achieved but aiming high is where I like to begin. I am already looking forward to teaching this class and its myriad lessons.
My class is called Indigo dyed and Boro Stitched and can be signed up for by going to the Quilts Inc. site for the Houston International Quilt Festival. The class is # 117 on Monday Oct. 26, 2015 in the online catalog.
I am teaching two other classes there as well- Shibori Mandala Magic on Silk (class #217) and Splendid Silk Shibori Poinsettias (class # 611).
The Mandala class is an outcome of working with Richard Carbin and combines the folding techniques I learned from him with a completely different method of resisting and applying the dyes.
Richard’s presence will be felt in the vintage silk fabrics we will use which were collected by and purchased from him.
The Silk Shibori Poinsettia class is a fun Friday evening class- a good sit down and relax class at the end of a busy week. Many lovely pieces are sure to be made as gifts for friends and family on this night.
I tried to upload an image of a great little boro piece I brought back from Japan but WP is being fussy right now so it will have to wait until later. Until then, I’ll add a couple of photos of something I made the other day just to satisfy a need I had-a small bag that snaps open by pinching the sides and holds all I need. I used some obishin between the cloth layers.
It’s raining again now- hardly can believe it! It has been such a gift. I have somewhere I’m supposed to be so until later-
Today and yesterday was a combination of things. Saturday and Sunday is the Shibori Fusion workshop at the Japanese American National Museum in Los Angeles. There might be a spot of two left but you will have to check with them. Sign ups are through the museum. So that means a lot of preparation this week.
We are focusing on using silk and color (as opposed to the indigo workshops I often teach there). I could have just ordered silk and been done with it, but I see these workshops as an opportunity for teaching more than just shibori dyeing. So in that spirit, the last couple of days have been busy taking apart old silk kimono and nagajuban.
These are some in progress of dismantling. Such careful stitching, some even sewn with twisted silk thread. Handsewn french seams…the drape of the silk…the sheerness of the lining silks. Each one yields 12-13 meters and if lined twice that of two different silks. a few stains here and there but nothing that will be noticed after dyeing. In any case these will be pieces that will be practiced on and hopefully used in a future project. So a day spent with these pieces pulling threads, ironing and organizing- all the time thinking about how we will be dyeing them. No need for new fabrics when these ones already exist. I hope to build an appreciation in the participants for these fabrics. After sorting, cutting, ironing and bundling-they really are lovely!
Most of these are from interior kimono and nagajuban so are off white or very pale in color-easily over-dyed. They are also very soft as they were to be worn close to the skin as opposed to the outer kimono layers. They have their own spirit from previous owners and the spirit of each dyer will add their own imprint to the cloth.
Other things going on here include the shipping of lots of orders. I put out a lot of silk shibori ribbon scrap bags this week to clear out the scrap box. Thanks to all who ordered the scrap samples to play and create with- Buddy overseas all the final inspection of orders here:
I closed the etsy shop until next week- need a little break from that to concentrate on the workshop and wholesale orders for a bit – look for it to reopen in a week…or so. I have some fun little ideas I also want to play with and need a little mental space in which to do it. I hope I can find some!
In addition, I finally heard back from the city on their approval of my re-landscaping plan which conforms to their Lawn to Garden water saving plan. So I went to Home Depot to buy some heavy black plastic which I will lay down and cover with free mulch from the city yard to kill off the lawn- or what is left of it. It will take at least a month to kill off this way but worth it. Apparently, most everyone else will be doing it another way and Home Depot has stocked up to take advantage:
Apparently we never learn…
I know I promised an introduction to Squirrelly Gurl for those who haven’t yet met her but this got in the way first. Next time-for sure.
What a wonderful group we had this weekend at the museum. Many continuing and new students all gathering to learn and practice more indigo and shibori.
Everyone left wondering what would be next.
i have always liked figuring things out. a production run is like a puzzle of sorts.
one must figure out and streamline the entire process. thinking about such things as efficiency, energy, materials. the order of things. and most importantly, the FLOW.
the flow can refer to many things- the physical space in which i work-allowing me to move through my workspace without hinderance. the flow of energy as i choose and mix the colors, prepare the silk, thinking several steps ahead of myself so as to maintain that flow.
the flow of work in and out of here as orders come and go, the flow of communication with all of those who email,comment,ask,etc..the flow of paperwork, money, and of course time.
but most of all i enjoy the process of transition. of taking something rather plain and mundane (although i can say that the miracle of the silkworm is anything but mundane!) and turning it into something else by hand.
so, lots of shibori ribbon being made here at the moment. if i have overlooked an email, been tardy in sending you something promised-please send me a little reminder nudge and accept a proforma mea culpa from me. i appreciate your patience.
speaking of flow. one also needs to refill the vessel and when Richard and I get together for a workshop that is part of the intention- to give you lots to wonder about- to get your flow going-or back into the flow.
good grief…in my mind i had done it! but alas no- just on Facebook and constant contact. there are still a couple of spaces. and several requests to Skype/broadcast the workshop which we will be accommodating as well (figuring this out now). this workshop will combine itajime AND mandalas. you will learn both in the first two days. on the third day you can work on whichever one (or both) is moving you-and get into your own flow.
of course we will be working on the process, the technique, of folding and dyeing and resisting-but also larger concepts of time and space in regards to patterns. patterns are everywhere-in nature and in life. sometimes you need to look at the bigger picture to see them.
-some of Richard’s recent work-it just keeps on getting better and better (of course). he recently completed his first continuous 10 meter cloth which is slated to be make into a summer yukata. now THAT’s impressive!
and just a reminder- have a 2 day indigo workshop coming up at the Japanese American National Museum Feb 1 & 2. We will be working on shibori and indigo and creating a boro-esque indigo scarf from our bounty. Call the Museum to register- 213.625.0414
Today I gave as special workshop for the docents at the Long Beach Museum of Art.
30 people in a small basement room for 75 minutes.
Slideshow and videos then on to the Shibori.
being well prepared is half the victory
and thank you for the overwhelming response to my workshops. when they fill 2 times over I understand they get to automatically repeat the class next year. that would be nice!
and…while I am leading the indigo workshop the very talented Mary Alice Sinton of Blue Bonnet Studio will be working the booth. Mary Alice is a certified teacher of both Traditional Japanese Embroidery and Japanese Bead Embroidery. She travels and teaches many classes. Come by and say hello!
Houston Quilt Festival 2013