Today is the full moon and a February moon- the Snow Moon. And coincidentally, we had a cold snap that brought hail and snow locally here yesterday (Pasadena!). Last week it was 90! Check this out! I’ve been working on finishing up the February moon circle subscription sets and along the way I took some photos to document the fabrics and some of the process. This month’s main moon is indigo dyed on some very old kanoko silk shibori. This was already partially deconstructed when I found it at a temple sale. Only the lining had been removed.
just a few shots of the work table- plus a test dip into the revived fermentation vat oxidizing… looks like it’s fine! It was in the upper 80’s and even 90 one day so I got the ferm vat back in shape. Now it’s cold again!
I was looking around online for old images of something and I came across this site which was a lot of fun. I’ll go back later to enjoy more. This particular image about washing kimono might interest you. Enjoy and wonder!
Now that the holidays are over, and the sun is back out after some very much needed rain, I’m back to finish off the mystery of the silk fabric from the obi I was deconstructing here. As you may or may not recall, there was a question as to whether the sateen silk backing of this obi was a cloth woven of silk and paper which would have been very rare. I sent a bit to my friend Velma who makes shifu and she pointed out that she could not detect any “seeds” in the weft threads as she unwove them. The seeds would be where “the strips are joined in one continuous thread by tearing a small tab of paper from the connecting strip above two threads. This tab is rolled in the same direction you intend to spin the thread creating the “seed”. This seed is one of the most notable characteristics of paper thread, and forms a unique pattern in the final woven cloth.” See here for attribution of this explanation and more about shifu.
I too had unwoven a bit more of the weft and looked at it more closely seeing that the fiber did actually look more like a cotton or hemp than paper. I did another burn test on the warp just to make sure and it really did smell like cellulose and not protein fiber-confirmed!
I also received back a reply from the Kyoto Shibori Museum who sent me the following interesting reply: “It looks like an obi made a long time ago.The Japanese embroidery is very beautiful, and I think it’s hard to see anything like this now. The red stamp part is usually stamped with the weight of the fabric, the name of the manufacturer, the place of origin, etc., but it cannot be identified here. The kanji woven into the silk can be read as KAMI GO. It could be the name of the manufacturer/weaver or the title given to this particular obi. KAMI means God and GO is the name of an ancient Chinese country. Japanese kimono is also called GOHUKU, but it means the kimono that GO people came to when the shape of the kimono came from China to Japan.“ The best guess at a date would be late Meiji- early Showa. So around 100 years old.
I have been wondering what fabric I would use for the January Moon of the Month Circle. To begin the year and the Moon of the Month Circle, I will be sending both moons using this beautiful obi silk lining. Can’t wait to get to the vat and make them!
A couple more projects claimed the workspace in December. first, a not so auspicious t-shirt quilt I have been threatening/promising to make for my son trevor going on ten years now! When he went off to college and cleaned out his dresser, there were a lot of favorite t-shirts going back even to co-op preschool days. There were memories from music camps, summer camps, marching bands, favorite pokemon,surf and skate brands, and even their own rock band from when they were kids. I had cut out the graphics and backed them with a lightweight fusible and there they sat, stacked and ready to go. Over time he added a few more from college music groups, shinkendo, and Japan. As I cleared out some of the workspace I decided that THIS was the year I would finish it. I spent two days stitching them together, backing, quilting (by machine), and self binding it. Done! It’s a fun ride from preschool through college in addition to being a utilitarian quilt made with recycled fabrics. The first photo he sent me of its use had a big fluffy cat sitting on it- success!
The other project is still ongoing but I think I solved a dilemma that had been plaguing me for a while. I made this piece -a bit of an ode to fabric scraps and stitches and wasn’t sure if or how I wanted to back it. I always like the back of a stitched work-maybe just out of my own curiosity. But this has sat there feeling a bit unfinished and finally it ended up sitting next to some lovely old red lining silk. The jacquard pattern woven into the very very fine red silk are beautiful cranes with florals and vines. This auspicious pattern was probably for a wedding kimono lining or some other important kimono lining. It’s a full bolt but disassembled and stitched back into a continuous length. I decided I didn’t want to cut it to fit the width of my piece- it would ruin the full pattern. So I decided to stitch it into a tube at the proper width to stitch the lining to the back of my piece. This way, should someone ever want to reuse this beautiful silk, all you would have to do would be to unstitch it. Kind of like a kimono. Something from the Amuse Boro Museum rings in my head at times like this.
The sun has come out here and is drying the outdoor workspace after all the rain. The snow has covered our local mountains and the new year begins with this wonderful view and hope for a year of drought recovery. About a million poppy seeds and bachelor buttons have sprouted in every nook and cranny in the backyard!
I thought we might enter the 2022 New Year with a confidence and vitality that would enhance our well-being and allow us to look back on the past two pandemic years with a certain gratitude and commitment that we could go forward with lessons learned for the future.
Hmmm…that was around mid October. Yes, I’m an optimist!
Now, it is clear the better thing to do at the moment is to admit that we are not quite ready for that yet and to step into the New Year a bit gingerly, with a commitment to looking out for each other and continued determination to adjust to things as they come at us.
Here and there over the years on this blog (entering my 17th year now!) I have committed to a word at years end, and the word that I am thinking of a lot these days is an old and good friend of mine…
P E R S E V E R A N C E
Now this old friend has carried me further than any other word I can think of in these sorts of situations and is often well paired with other words…
love P E R S E V E R A N C E hope P E R S E V E R A N C E compassion P E R S E V E R A N C E trust P E R S E V E R A N C E kindness P E R S E V E R A N C E time P E R S E V E R A N C E understanding P E R S E V E R A N C E peace P E R S E V E R A N C E community harmony 2022
There have been many occasions missed, rerouted, and cancelled this past year. There have been deaths, illnesses, pain and sorrows. Too many sorrows for sure. But there have also been births, unions, and celebrations too. We persevere. While 2022 will continue offering us challenges, we can and will rise to meet them. We really have no other choice do we? Perhaps the most important thing we can do is to maintain harmony.
For the New Year, I have a couple of new projects I am working on as in-person gatherings are still on hold. One is a textile talk series over zoom that will (mostly) be about the Japanese textiles I have collected over time. I am sorting and organizing that at the moment. This was suggested to me by a couple of people and most recently my friend Janet in one of the online classes where I went off the rails talking about some of my Japanese textiles. I received several emails telling me how much they enjoyed that spontaneous part of the workshop. OK-I hear you. I appreciate the suggestions and the feedback. Because in the end (and the beginning!), it really IS about serving the needs of customers and those that are interested in what I do. This thought of service and commitment I carry forward into the New Year. Thank you!
The other offering I am doing is a Moon of the Month Circle. It’s a subscription item to receive 2 moons a month. These will be made using some of the fabulous cloth here and each months moons will have a note about the fabric, the dye, and whatever other story the cloth wants to tell. The two moons will be sent out first class mail tucked into one of my MoonMate photo cards. Let the moon guide your inspiration! The moons continue to be one of my most loved shop items and making a subscription item with them will help me even out the making of them as well as make my income stream more predictable in unpredictable times. Of course you can still order the separate sets of moons but these will be a bit different than what you get in those sets. Use them in stitching, journaling, and multimedia projects, gift a subscription to a creative friend- let the moon be your inspiration!
I post this image here as I found it fascinating. As I understand it, placing the signatures in this circle presented the traders as equals, so no one person would be targeted for recriminations as a result of the request. The unity of a circle. The protection of many by the circle. Just something that make me think and wonder…
Welcome to 2022 friends…may we all look up at the same moon in peace, love, harmony AND perseverance! Omedetou tomodachi sama! Glennis
Here I have to tell a little of the back story to this old obi. Previously I had blogged about taking Ann Wasserman’s online workshop on quilt repair and restoration (see her blog here). I had found her online while doing some research on the crazy quilt I named Ida Belle. (while I was editing this post, Ann put up a new blog post about her latest repair/conservation quilt-a wool crazy quilt. You can see a video of her talking about it here.) In getting to know Ann a bit via email, we discovered we were quite harmonious when it came to cloth and textiles. Even Jude’s name came up as we were both early enthusiasts of Spirit Cloth (currently in wordlessly watching mode until after the New Year). In our conversations, she mentioned that she had some Japanese silk fabric that had been gifted to her many years ago and that she had no idea what to do with it or even what it was. She sent some images and asked me to look at it.
From the images she sent me, my guess was that it was an obi. It had a couple of areas of highly embroidered florals over some shibori along with large lengths of blank undecorated areas. There was what appeared to be a fold line down the center and the length of the piece indicated that it was an obi. At this point, Ann asked me if I would “adopt” it and do what I thought was best with the piece. I agreed, thinking that it would serve as a nice sample of shibori with beautiful embroidery for future in person workshops (hoping I get back to that eventually!). As you can probably guess, someone like Ann is often given and asked to “adopt” a fair amount of textiles but this one was outside of her particular realm.
When it arrived here, I looked it over and took a few of my own photos. I noticed a couple of things right away. First off, the shibori work is really very sophisticated. It impresses me that way where the the use of dyes fades into the background to give the very subtle feeling of distance. The silk used here is chirimen. Shibori techniques used are kanoko (fawn spot), boshi (capped resist), and makiage (stitched motif). I had a couple of questions so I also sent an email to the director of the Kyoto Shibori Museum. (Their latest youtube video is wonderful!) It’s obvious that the shibori was done with the final embroidery in mind. The embroidery! Wow… very beautiful nihon shishu. I noticed that this shishu has a fairly high “loft”. I asked another friend, Mary Alice in Houston, who teaches this form of Japanese embroidery (you can find her online here) and she said that sometimes the older versions of this were padded underneath. What I ultimately discovered was that there are two layers of silk stitching (one perpendicular to the other) that provide this padding.
What I conclusively decided was that I would disassemble this obi. I decided this for a couple of reasons. The folding and storage were doing it no favors. Storage to me is “out of sight, out of mind”. I like things to be enjoyed and used. So I began to unstitch this beautifully hand stitched obi…and discover its secrets.
If you attended last week’s Komebukuro Treasure bag workshop “check in /hang out” session, after the questions and progress sharing was over, I shared my obi disassembling project. At the time I was about 3/4 through the unstitching. At that time I shared both the front and the back of the amazing embroidery. The back is also amazing and shows the wonderful and tiny stitches used to couch down the gold leafed silk threads. Goldwork embroidery is done using a core thread (usually silk or cotton) that is wrapped with a fine layer of gold leaf. Couching is the main way this thread is used as (I’m guessing) you wouldn’t want to pass this delicate gold thread through the cloth over and over. Couching is done in any number of colored silk threads for contrast and results depending on the embroiderer’s desired artistic outcome.
SInce that session, I have finished taking this piece apart and and discovered something very wonderful. The back side of the obi seemed a little odd to me. The front side of the fabric was very much a sateen-shiny with lots of long silk floats in the weave. However, the back was very matte and had an odd texture. Looking at it with a jewelers loop it was obvious that the warp and the weft were very different fibers. Unweaving a section of an end was in order! The warp was composed of very many fine silk threads. I carefully removed several rows of the much thicker and dull weft threads and did a burn test. Cellulose for sure. Then there was the issue of the feel of this textile. So papery… so I started searching online. I was slipping down another rabbit hole!
I started by searching for shifu, which is a textile woven of paper threads. My friend Velma sent me search for Susan Byrd who wrote the book A Song of Praise for Shifu – Shifu Sanka as well as made a wonderful video on preparing the thread for weaving. I’ve followed Velma for many years and have been amazed at her work and her blog, Wake Robin. I have sent her a piece to look at and give me her thoughts. After doing some reading it seems that it is likely kinujifu (kinu meaning silk and jifu, the word for shifu-paper cloth- when attached to the word kinu) if the weft thread is in fact paper. I did do a sample moon dyeing and when the fabric was wetting out, it curled up like crazy into a tight curl. I haven’t seen that before…
Even if it doesn’t turn out to be kinujifu, I have learned SO MUCH!
The center of the obi is a stiff cloth called obi shin. In many old obi the center layer is made of old cloth patched together. In fancier old obi, a special thick woven cotton cloth is used. Now days, manufactured obi shin is widely available and I’m not sure what they are made of. Perhaps cotton, perhaps poly. But over the course of time, I have collected and used a variety of old obi shine. I have made many of the moon bags from them as they have a great texture and character as well as being very sturdy. They were also often discarded and I was finding them at flea markets in Japan so someone was saving them. Part of the problem with storing these old obi with thick obi shin is that in the humidity of Japan, they tend to become damp and don’t dry easily if improperly stored. This collected moisture can easily mildew and stain (sometimes called foxing) the exterior obi fabrics. Such is the case here and there with this obi. I also moon dyed a piece of the obi shin. it dyed beautifully…
As I look at the fabric from this obi (now temporarily rolled onto three large kimono rolls), I think the best thing for the embroidery portions will be to conserve them flat in museum grade glass with UV protection. My thought is to frame the embroidery with a border of the silk/cellulose fabric. It would be great to frame it so the back side of the embroidery is visible. The main embroidery would go to Ann of course and the lesser one I would keep for a workshop sample. It just makes sense to preserve them this way unless anyone here has another idea-I’d love to hear it.
After all this, I am reminded that I have so many talented and knowledgeable friends that share the love and interest in textiles, preservation, and craft. It is truly a bounty of riches created over time! Now if you have the time and interest- go grab a cuppa and come back to enjoy some of the links and videos noted within. There is a lot to take in!
Don’t forget, there is a new workshop forming for the 2022 Komebukuro Treasure Bags – details here.
It was two years ago that I taught one of the last indigo workshops at the Japanese American National Museum. We made komebukuro bags with dyed and stitched fabrics from the class. Several have asked for an online version of this workshop and I have spent part of this last week thinking this one through and sorting out fabrics for kits to accompany the class. Here is the after workshop post for that weekend. It was really one of my favorites. It also speaks to why we teach and why craft matters. So- here is the link for the online Komebukuro Treasure Bag workshop. It has all the details but if you still have questions, just email me or leave a comment.
I am starting to add the pleated silk flowers to the shop. I have more to photograph and add but the main listing is there and I will just add new ones as I get the photos taken and edited.So far… here they are.
I had held back on selling them so I could show them in the recent online workshop which just completed. I have to admit, I was a little nervous with starting a new zoom workshop but after this one I’m feeling much better about the process. It takes a little bit to figure it all out and even after having done several already I wasn’t quite happy with them…especially the recorded outcomes. I have finally figured out what works for me! Not that I won’t find other tweaks and improvements-isn’t that the way though? Learning through doing. Everything is good in theory, but doing it is the key.
It’s an interesting process to switch from the way you teach in person to virtual teaching. People take workshops for so many varied reasons-whether in person or online. My goal is to always try to meet that varied need-to figure out how I can best be of service to participants through a workshop. I really want participants to enjoy the workshop and have it meet their needs, in addition to being able to clearly see what I am doing.
I had a couple of people email and ask me how I got my worktable in the main video as well of my “mini-me” talking head going at the same time. For those of you who might need this info- here’s the process I used:
-set up a remote camera connected to your computer -start your zoom-your computer main camera will show your talking head as usual. -choose to “share your screen” -in the share screen window, click to advanced -choose “share video from second camera”
That’s it! Why it took me so long to figure this out while I did all sorts of other more complicated configurations escapes me! But we all need to learn and grow and I’m happy to share what I have learned so far- especially if it is helpful to other makers out there earn a living at what they do. Speaking of making…I also added another Wildflower making workshop as there were some people who told me they missed signing up.You can sign up here.
Out of the wildflower workshop-which included beaders, stitchers, dollmakers, milliners and other sorts of textile stitching enthusiasts, I found that they really enjoy working with the various pleated silks so I am working on colorway sets of interesting pleated silks for the shop. Hopefully, next week I will be able to add them. Everything takes SO much time!
On yet ANOTHER note (sorry for the long catch-up post) I am still really enjoying Ann Wasserman’s quilt conservation and repair workshop. Last week’s focus was dating quilts as well as the beginning of the “triage” portion of the sessions where we look at slides submitted by participants of their quilts and what can be done to repair them (and how-using her great series of videos showing all the methods she uses). If you have any interest in this topic I highly recommend it. How can you go wrong with a group of people who want to save quilts and textiles from the rubbish heap? Saving quilts is often saving stories- and adding stories too! Ida Belle will require quite a process and I’m already thinking a little differently about repairing her than I was at the beginning of Ann’s workshop. So to finally conclude…thanks for making it this far and I hope that some of you will join in to the komebukuro workshop! It’s going to be fun and inspired!
The past few days have had me back at the indigo vats working on new sets of moons. The only vat of the three that didn’t need reviving was the fermentation vat, which had a nice coppery surface and was dyeing beautiful blues. Cleaning up around the studio I found a couple of base cloths that I had dyed moons into and had set aside for myself to play with on a rainy day. Well, the rain never did come but I craved a little needle time so I threaded up and got to work. It was quiet peaceful work-just going along with it. I never plan them out ahead of time- just let the cloth take the lead. I finished off the little moon cover for the buckwheat pillow that had been looking kinda shabby. It’s an envelope style so the cover can easily be removed. The back are two pieces of old sturdy kimono cloth. I love these things and much prefer them to any kind of foam pillow insert. They just have a great comforting feel. Next I had an old feed sack that had a wonderful repair on it- I dyed a tattered moon over the repair. These are treasured and useful scraps, the scraps of our lives. As we work to put our heart and souls back together after this past year and a half, I’m feeling pretty tattered myself these days and stitching these blues seems to wash away some of the sorrows. Circling of Moons can be considered a series of sorts. I have a number of them started around here in various stages of completion. Various moons, various cloth, but mostly indigo. The ones that aren’t indigo are natural dyes. I’m grateful for some of the stitching techniques I learned from Jude- especially what she calls the “glue stitch”. I use that extensively to stitch the frayed raw edge pieces to the base cloth. I fray them enough first so they won’t unravel more and stitch them down with these tiny stitches. You can barely see them and probably can’t in a photo. Later I add the running stitches with thicker thread to ask your eye to travel with me around the moons. I want you to meander and wonder as you look at these pieces. To take a little trip. Someone recently said to me, ” I have a sewing machine but just don’t know where to start”. I say, start anywhere! Start with a needle in your hand- sit in your favorite chair or the kitchen table. Gather some bits of cloth- cut up old clothes- go to the secondhand store and get some old cotton cloth. (skip the poly!) No machine needed. You can always unstitch something if you really can’t live with it but just let things develop. YOU will develop with practice. I also did a couple of short videos that were requested from participants in the recent tekumo workshop. One had to do with machine hemming using a hemming foot, and the other with wiring the edge of a hemmed silk piece. You can see them on the FB studio page by scrolling down a few posts.
Late last night I took a 2 hour zoom tour of a sericulture farm located in the Kofu Basin in the Yamanashi Prefecture of Japan. It was quite interesting. Probably the largest sericulture operation I’ve seen so far in Japan. He said they raise 160,000 cocoons at a time there and grow them from seed. Most of the sericulture farms now get the silkworms in the 3rd-4th instar from the local collective and raise them on mulberry from that point to cocooning. Here’s a few links for my “silky friends” to enjoy…
Lots of thoughts rumbling around here since the last post. This is gonna be a longer post, so settle in.
Spring is definitely in the air. And so is hope in many quarters. Spring always is in the very heart of a gardener and I’m no different. Like Spring seasons, life is slowly changing and renewing. Many people are getting vaccinated, getting out and adjusting to what currently is. Just being here is good. In fact, quite wonderful.
Hirata san sends me photos of the beautiful cherry blossoms in Kamakura and I’m having hanami natsukashii (cherry blossom viewing yearnings)…here are a couple to get you in the mood. We have our itinerary for the Silk Study Tour set for 2022 and are looking forward. The photos below show the new cherry trees approaching the Hachimangu shrine. It is just gorgeous with all the trees in bloom! This approach was reworked just a few years ago and is a lovely walk down the center of the main street.
I’ve struggled to post often this past year, instead letting thoughts congregate a bit before getting them written into the ether. That doesn’t mean that they are more clearly expressed with the passage of time, sometimes I think it is quite the opposite! Too many thoughts blend, are forgotten and so on, but today felt right so here we are. Sometimes I take short notes for the blog on my phone to remind me of something I want to write about and sometimes I don’t, letting the thought return like a butterfly to its host plant if it works out that way (speaking of butterflies, the caterpillars of the clouded sulfers have gone somewhere to pupate, I know not where) and the praying mantis oothecae should be hatching any second (haven’t seen the babies yet).
Fresh on my mind right now are my beader friends in the Czech Republic (CR) who write me that they are suffering greatly from their government’s misconduct and irresponsibility in regards to COVID. I felt so sad hearing her description of their situation there. Vaccines are extremely limited, and lockdowns are very strict beyond what science would rationally dictate. People feel stifled and rebellious and somewhat hopeless. They look forward to a new election in October, she says.
“forbidden to move out of our districts, forbidden to work and not compensated, forbidden to socialize, forbidden to breath without a mask even if there is nobody around us in a 100 metres range(328 feet), forbidden to leave our homes between 9pm and 5am… and god knows how long til the end, because the government has literally NO PLAN”
I know she won’t mind my sharing her words here anonymously. I can be so absorbed in my own world here, listening to others broadens my perspective. I love that we have become long distance friends sharing our worlds. At the end of our conversation I shared the music of Joan Armatrading (a long time favorite of mine). I’ve been listening to her music today in the studio after Maura in India (Mustard Seeds Kolkata) featured a song on her FB post this morning.
My heart was warmed by a message/conversation received from the mother of a son who credits me with far too much- but as we say, we never know what good a simple act of open-heartedness can give rise to. She credits me with reaching out to him as a young teenager who was struggling greatly and saving his life but it was her perseverance and love that brought him to meet me at a show in Houston (they lived in IN) and to encourage his interest in textiles and art. It is to his credit (and hers) that he graduated with a degree in art and is now teaching art in a HS in CO and just got accepted to grad school. He is out and doing what he loves, being who he is. How can you not love that?
It’s haru basho in sumo right now and today is the final day. We enjoy watching sumo here (I love looking at the silk gyoji costumes with their jaquard weaves and wonderful color combinations) and love watching both the juryo and makuuchi divisions. In a lower division called sandanme one of the rikshi (Hibikiryū) suffered a horrible injury perhaps resulting in paralysis (yet to be determined). The resulting uproar over treatment of rikshi injuries has resumed in sumo and is very justified. If you follow sumo, you know what I am talking about. Japan needs to step up. Tradition is one thing, humane treatment of rikshi is another.
Here in CA people over 50 are eligible for vaccinations April 1 and everyone over 16 is eligible April 15. Some areas have already opened to over 50 and we just received our first vaccination here. We still need #2 in 21 days plus a waiting period but progress is happening and workshops will again begin this summer! I am noticing how it is affecting my mental well being today. I feel inspired and more alive. I hope you are taking advantage of vaccinations in your area so we can all move ahead with safety and more peace of mind. This is a time to consider the future and reinvent many things.
Speaking of the studio, my recent post on the paid blog was quite interesting (apparently only to me-haha) yet I’m not sure if subscribers are reading regularly. Makes me wonder about that path. I won’t be doing this again, methinks. All posts there are password protected unless you subscribe but I thought I would “unprotect” this one to share here. It’s about indigo and madder and what I am making now… moonfire! March moons are all about madder and indigo. Today is the full moon as well as a shop update. Moonrise last night was spectacular here. Are you watching where you are?
I also was listening to a video I came across that resonated with me by George Monbiot who promotes “feeding the world without devouring the planet “. This also applies to textiles and clothing which continue to be a resource problem. As the planet goes, so go we. We survive by walking a fragile line of coexistence with nature. The planet will outlast us surely, but by how much? That is up to us.
In the meantime, I continue to dye. I have been dyeing madder and indigo. On a frustrating note, my aquarium heater in the indigo vat is out of commission again. I think that the high pH just does it in and results in its early death. They seem to last less and less time these days (this one just 5 months). Maybe this is the answer? Pricier than replacing the heater but…less wasteful if it lasts a couple of years. The weather is heating up now (81 degrees today) so a heater for the fermentation vat won’t be needed soon. I have been sorting through old cloth and over-dyeing in both indigo and madder to create some interesting cloth sets for the shop. Moonfire sets are also available there. A little diversion is always fun. I love how madder complements the indigo. I can imagine the projects that will be made from these cloth sets. From my imagination to yours…
Recently I did a little bit of hinode (sunrise) pattern shibori for moons. I like the contrast of that pattern -sunrise with the moons. I added some arashi to it as well and new moons are in the workflow.
Yesterday I spent a little time repairing my gravity fed steam iron. Fortunately, I still had my old one and was able to take a part off it that rescued the newer one- at least for the unforeseen future. A different part had broken on that but I had saved it “just in case”. Now I can reasonably get rid of the older one with less guilt. This is my third one of this model (Sapporo 527) over the course of about ten years or so. I do a LOT of ironing with the silk so I have worn out the steam button on the previous ones. They are still the best ones for what I do and still affordable. Not the iron for everyone though so if you are looking at them make sure it suits your needs.
The weather has been wonderful for spring gardening and planting so I did a bit of that before we get more rain tomorrow. Always thankful for rain here. Inside, I have been busy with a couple of needle projects. I finished one last night.
Back to the “fish filet”. It’s actually a koi nobori for Children’s Day (sorry Milo). I’ve wanted to make something like this for a while and I was recently inspired by a pile of indigo scraps from making the last batch of takaramono treasure packs I listed in the shop. (those are all gone but I’m working on a new batch). I wanted to make something using odd bits of fabric as another example of what you can do with bits and pieces.
Coming back to this post this morning to finish it up I read my email and see that the Paper Source chain of stores (the one that purchased the bankrupted Papyrus chain barely a year ago) is itself claiming Chapter 11 bankruptcy. Reported by Craft Industry Alliance here, small makers and vendors are banding together to support each other by asking customers to buy directly from them as well as the other remaining smaller stores that they supply. It seems clear from the reporting that Paper Source placed “non-ordinary course of business orders immediately before filing for bankruptcy”. This is fraud. I hope that these small makers and vendors get relief but somehow I doubt it. Paper Source is owned by a major private equity firm based in Bahrain. The majority of the vendors they screwed are small women owned/ family businesses. You may have one of these stores in your town. You can check this IG thread to find direct access to some of the affected vendors.
Today, I was distracted by silk and a new silk device I purchased from Two Looms Textiles-a tsukushi. They had acquired one some time back and were not using it so contacted me as a potential foster parent for the item. Happy to adopt and try it out! It arrived yesterday.
The first thing I did was to make some silk mawata caps. That did not go so well as I usually make the square mawata using my stand but from researching a bit saw that caps are preferred for making yuki tsumugi ito. Not a complete disaster but not exactly caps. Practice needed just like I did for the mawata.
I used them anyway for my first practices. The thread was too thick but I carried on. I found some caps I had brought back from Japan and tried them.
Much better! Fluffed them all out like I had seen online. I find there is a trick to putting them on the tsukushi so you can easily pull the fibers out to the desired thickness. The think with yuki tsumugi is that it is not twisted- it’s basically pulled out and sealed with spit. In the end, i was using a bowl of water as that seemed better.
I am not interested in ultimately making super fine threads like those which are used in the beautiful yuki tsumugi fabrics from Japan but something quite rougher and folkier like the fibers used to weave this bolt of cloth… yeah it’s a dream. But if you don’t dream, then what?
Meanwhile in the garden, will be transplanting the tomato seedlings next week into 4″ pots. And, my seed potatoes arrived so I am preparing the raised bed where they will be planted. Will add some pole beans to the same bed when it’s time. (note to self, start seeds!)
and in the background of course….moons. I think I am going to make some special sets using only that fabulous silk cloth above. Like jude commented, the indigo is in love with that cloth.
( and by the way…the Daily Dyer is having an issue with my mobile app uploaded posts. Please be patient. I will reload that last post for the third time sometime tonight)
Spent some more time mending that old favorite quilt. It’s been very windy and cold here so some afternoon inside time is welcome. I’m applying the repairs on a “what do I think will work here” basis. Not all worn areas get the same treatment. The goal here is to restore the quilt to a condition that will favor continued everyday use. So that means that repairs will be visible, practical, and in some cases whimsical!
In addition, while on an outdoor gardening break, I caught my jeans on something resulting in a large tear about 10 inches long. Into the repair pile they went after a dip into the vat to restore some color to the worn areas. I had a little fun with this repair and applying the same goal as the quilt above, I’m back to wearing them and they feel very sturdy. I have another pair that could use some of this stitchlove as well. The satisfaction I get from doing this keeps me at it.
The garden is sprouting all kinds of seeds, both wanted and not so wanted. There will be plenty of weeding in my future. The feathery cassia continues to perfume the front walkway and the knife leaf wattle is just starting to bloom with its seemingly millions of tiny bright yellow pompom flowers. I’ll add a photo later when it is fully bloomed out. My onion and garlic patch is doing just fine- I have about 50 garlic and 150 onions planted there. I’m starting to plant seeds for the spring garden but with this colder weather it will take a little extra time for them to germinate. I can wait. Gardening is all about waiting. And watching. And hoping.
The recent wind pretty much tore up the studio shade/rain cover so today’s plan is to get out there before the rain hits and replace it with a used one I found online for $40. The moon was seen through the hole…
And Windy has wings to fly… Maybe you are too young for this song but we heard this nonstop on Armed Forces Radio in 1967, Yokohama. The Association is worth a few listens …it’s been a while.