Amuse Boro Museum in Asakusa closing

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I had heard rumblings about this here and there but no one could provide any first hand knowledge of the info.  Over the weekend I emailed the museum itself to inquire as the Silk Study Tour had planned a half day trip there this May to see this wonderful collection (as we have done many times in the past).  This morning I received an email from them to let me know that this is, in fact true.  They have since placed an announcement on their website in English.

I can’t express how wonderful this visit has always been to me.  I have been at least 6 times over 8 years and each time I come away with something new to wonder about. I had to really convince Hirata san that this was an important place for us to visit with our tour group and every time we went (it was always an “optional” visit), those who did go were moved by the exhibit and its meaning, its place in folk textiles, and how the collection developed.  After celebrating its 10th year anniversary, sadly, the museum will close March 31,2019. We will miss our visit there this year but there is some good news!  The Amuse Museum will be looking for a new location somewhere in Japan to re-open sometime in 2020. There may be a traveling exhibit somewhere, sometime, as well.
In the past, I have posted many photos and blog posts about my visits there. Here is a slideshow I created in 2015 or so. I was getting together photos to do a new one and realized I had already done this!

I also found this which is even better:

So we say a fond farewell to the Amuse Museum until, like a silk caterpillar pupating in its cocoon, it reemerges into a whole new life!

It’s been very rainy here this week and promises to continue here through Thursday. This means I will focus on indoor work and there is plenty of it.  I am finishing up the selection of fabrics for this weekend’s workshop.  All are vintage and varied. I also finished up the second bag sample and took a couple of quick photos. and here are the little vintage textile packs for the boro side of the bags- they will indigo dye their own base fabric as well as the rest of the fabrics for the bag.

I hope to convey some simple concepts through this workshop.  That beauty can be created with simple materials, perseverance, and the need or desire to caretake those around you.

I was also reminded to revisit one of my favorite books, “Rural Japan, Radiance of the Ordinary” by Linda Butler. (You can find a copy here or maybe in your library) I’ve had it for many years and often pick it up to look at the photos. This time I reread the text and was rewarded with the following Japanese proverb:

“Mu kara yuu o umu” or translated, “Out of nothingness, something is born”.

It reminded me of the boro textiles at the Amuse. Thank you Amuse Museum for the pleasure of visiting and learning about sashiko and boro! We are richer for the experience.

Communicating practice

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A new year. I hope it finds you well!

Recently, I’ve been busy doing organizational work for the upcoming Silk Study Tour to Japan.  I don’t think I mentioned it here, but if you are on the Shiborigirl newsletter email list you read that after being almost full, the tour lost a few folks upon my return from the Houston show. Life throws you a curve and we adjust. Those who had to change their plans will be missed but vow to join us on a future adventure (2021). They will follow along online and be travelers in spirit.  I put out a new newsletter and we regained most of what we lost in terms of participants.  There are still a couple of spots open with a few folks still considering joining us.

If you are interested, here is the link  with all the information.  If you have questions, just email me.  Tour departs May 14, 2019. It’s gonna be another good one!

I have been also been preparing for the new workshop at the Japanese American National Museum.  This one is filled with a waiting list but if you want to read the description, you can go here. (I expect we will do it again.)  I also proposed a version of this class (due to limitations of time and facility) at this years Quilt festival in Houston.  We will see if the class is chosen for that venue.  I am really passionate about educating folks on understanding the difference between a fabric company putting out a line of “boro printed” fabrics and really knowing the history of such textiles.  I figured that by making things with all recycled fabrics is a start.  Spreading the word. It’s one thing to talk about it here on the blog and quite another to put fabric, thread and needle in the hands of someone for the purpose of education and perhaps a little thought of mottainai.  In any case, here are some pics of what I’ve been up to…(click thumbnails to enlarge)

It’s been an education to make these pieces and like anything else, a practice. I still need to put the cording on the bag but have it all dyed.   After finishing the bag, I was inspired to do a larger piece since the scraps I prepared for the class were so enticing. I tore a piece of linen off one of the old linen pieces I bought in Houston and dyed it dark indigo blue. I marked the horizontal stitching lines onto it and arranged the scraps.  Then I spent about 13 hours just stitching. It all felt good in my hands as I rocked the needle back and forth. I really learned and appreciated not just the cloth and the thread, but the use of the sashiko adjustable ring thimble with plate. It takes some practice and over the many hours of stitching, I grew to love the ingenuity of it.  Have you tried one? I do love a good thimble and have several varieties but had not spent a significant enough amount of time with this type. I plan to get even better with more practice.

That’s the thing isn’t it? Practice. As I worked on this long piece, a communication between myself, the materials and tools set in. It’s a simple running stitch-nothing fancy. But as the needle pierced each scrap my hand felt the resistance, the thickness, the density of the weave. Do we even notice this these days?  Many of the scraps were from cloth hand woven long ago, most softened by age and use. Most fabric today is made with machine sewing in mind.  The hand of it made stiff with printing inks and chemical finishing. It’s not friendly for sewing by hand. The tight weave of many modern quilting fabrics facilitates the printing of crisp patterns but resists the piercing of the hand rocked needle. I can really lose myself in the old cloth, wondering about it’s cloth story as I sew.

There is a lot to wonder about.

 

 

more mottainai …

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A recent interaction on a FB post comment thread led me to thinking about sewing boxes.  It was a very funny meme shared in a closed group and went like this (some sewers will also think this is funny):
In any case, it was about preferring cookies over sewing supplies (when you presumably had no use for sewing supplies and loved cookies). We got into a conversation about remembering how personal sewing baskets can be and I said I preferred a tin of sewing supplies over a tin of cookies (especially since I could bake cookies any day of the week but to be the recipient of someone’s sewing basket…well…it was like being the keeper of their stories).

Over the years I have become the receiver of several such boxes, baskets or tins acquired by gift, trade, or purchase at a yard sale. Each sewing collection is very personal and tells a story. It’s so much fun to sort  through each collection.

I’m sure many of you know what I mean. You could also tell sewing box stories.

I even mention this since we are talking about mottainai again which is really what this meme is about!
Why throw away a perfectly good storage box?  Save and re-use! This was a Japanese American based group so it was fun to see all the comical comments about expecting something delicious only to find out that there were sewing and mending supplies inside.

I started this post a day ago and even today the thread still grows.  It really struck a vein of memories for many and I thought you would enjoy the story.

I sadly report that tonight my old man kitty, Toby, has been having some seizures for the past several hours. He’s not really mine, but I’m his.  He used to live a few doors down but decided to relocate here a couple of years ago and goes home to visit on occasion.  We’ve been attending to his needs and declining health these past couple of years but sadly I think this is the end.

He’s sitting at my feet as I write this…

I’ll sit with him tonight and if need be, take him for a last call at the vet tomorrow.  He’s been my constant companion for the past year and a half…

I know my heart will need a little mending when he’s gone.

Mottainai!

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I didn’t want to add this to the last post on the Houston show since it’s a bit of a “Debbie Downer” (apologies to all Debbie’s out there), but I discovered something that I found very disappointing/disturbing (once again) at the show.  I walked the wholesale market on Sunday as I had to wait a couple of hours for the Ed office to open.

On the show floor, I saw that Moda is now producing, for February delivery, a line of fabrics called “Boro”. Now those of you regular readers of this blog probably know how I feel about this. We had a similar discussion when they came out with their “Shibori” fabric line. But this one is even MORE disturbing to me.  Is that possible? Why yes, yes it is.

Why is it that everything has to be bastardized for profit?  You might find my mindset a bit harsh but boro -really??  So now we are going to take the Japanese historical tradition of using scrap cloth to make utilitarian items for daily use and commercialize it to the point of PRINTING scanned images of boro on cotton sheeting for quilters to use in boro-esque quilt projects?  Are we really going there? And for quilters– who in general, have more scrap fabrics than any God of your choice!

I am really appalled at this.  Do they even understand the history of these fabrics? They wax poetically in their catalog about boro, but there is a certain dissonance I find disturbing. Boro was created out of poverty, a lack of having textiles for everyday needs. A certain need to use all that was at hand- to not waste.  Mottainai! Do not waste the resources you have! The ways that people in Japan found to creatively reuse what they did have is remarkable and noteworthy.  To take this and create a line of printed “boro” quilt fabrics just really is the height of irreverent insincerity in my opinion. It’s nothing more than the use of a term seen as a trend for profit. It’s actually quite the opposite of boro, which translates to tattered, ragged, torn or scrap fabrics.

We can celebrate boro by using what we already have, by stitching together the fabrics of our lives. We can study the boro fabrics so lovingly stitched by those who truly were stitching to survive cold winters in northern Japan. We can honor their resourcefulness by adopting the spirit of Mottainai in our everyday lives. Let’s do that instead.

Hoshigaki, pommegranate, and dyeing gold from red

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Upon returning fro Houston it was time to get at the persimmons if I wanted to get on with any hoshigaki (dried persimmons).  Mine are the Hachiya variety if you don’t recall from previous posts on this annual topic. I was concerned they might be a little too far along for hoshigaki when I returned from the show but seems they were fine.  The tree was very prolific as usual again and it simply produces way more persimmons than we can eat fresh or even give away, for that matter. Not everyone is a persimmon fan.

In order to dry them they are washed, and peeled before being tied in pairs to a string to hang. Since I pick from my own tree I can easily cut them with a little “T” at the top to facilitate the tying.

The biggest issue is mold, which I am having a little issue with this year on a few of them so we will lose a few. Seems to mainly be the ones not getting as much sun as the rest.  This year I am drying them all outside. Unfortunately, (for the drying persimmons but YAY for the garden and the fires!), we have had several rains that have necessitated my having to cover them and the dampness is also contributing to the mold I think.  At least it’s certainly not helping.

I have some that are on a moveable drying rack and that set can be put into the garage with a fan when needed.  I am in the “massaging” stage so need to give them all a few squeezes each day to keep them soft on the inside and to keep the outside surface from having permanent crevices where mold can grow.

I have about 150 drying here and my son has about 50 at his place. We still have at least 100 -150 ripening on the tree!  A double recipe of persimmon walnut bread only uses 2-3 medium size ones! They are good fresh with a little plain yogurt in the morning! A few pics…

Prior to taking care of the persimmons, I had to deal with the pomegranate tree.  Unfortunately some were lost and ripened while I was away but not to worry. I picked the rest of the tree and juiced them and sent all the peels and any inedible ones to the dyepot! Dyed some lovely golds on mostly silks while I enjoyed some fresh juice!

Next post will be a long needed shop update! and speaking of persimmons… I made these for the show and missed getting them into the box when I packed!  So they will be going into the shop.

made from vintage japanese and indigo dyed scrap fabrics with immature persimmons that fell and dried(the bead)and the dried top of spent persimmon flowers. each has a small bag of emery in the bottom of the pincushion to clean and sharpen your pins and needles.

 

 

Houston Quilt Festival 2018 wrapped in a blog post

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So here it is-the post Houston Quilt Festival blog post! Finally. It’s always such a stress to prepare for the festival and I always feel that I could have done more or better-but once I’m there, I’m there and no need to fret anymore about it. As usual, it turns out it was all fine- even better than that really and any doubts as to why I put myself through all of it melt away.

I made a little slideshow video of how a booth comes together. You might find it interesting…

Why is that? Well, mostly because of the people. The people who take my classes, the people who visit my booth, the people who help me in all the small and large ways (Yes, Virginia! Yes, Phil!).  It’s the people. They assure me that I am there for a purpose- and not just the purpose of selling them something. Of course it has to be a financial success in order for me to return year after year, but it’s definitely something more than that.

There are the intangibles-not easy to define but oh so necessary.

The gal who came all the way from South Africa to take my class on making mawata (hankies) from silk cocoons-she had just successfully raised her first batch of 2500 silkworms to cocooning and needed to learn how to process them. She has big plans of starting a small sericulture business there to employ the local community and bring a product to market. Very cool.I am wishing her all the best!

The gal who took an afternoon flower making class and who had a terrible morning- she really just needed some therapy handwork and a place to find some success in what she was making. Even though she struggled a bit at first, it is my goal to make it so everyone can find success at their own pace and level in my classes. The more I do this the better I get at recognizing each person’s individual needs. You have to be able to do this quickly as the classes are only 3 hours long (in this case) and there can be up to 24 students at a time! Everyone gets my attention. Afterwards when the show opened, she visited the booth several times and she was inspired not only to make things for friends and family but supported my efforts enthusiastically (and financially!). I thank her greatly!

The 90 year old woman who came by my booth when she noticed I was from Long Beach to tell me about her life there before she moved to Texas. She had been coming to the show for many years even though she wasn’t a quilter- just liked to enjoy the many creative souls in the room for a day. She looked quite fine in her Gianna Rose (Donna, Frankie, Dawn, and others will remember…) jacket and flower pin. And she grew up very near where I now live. She had been an antique dealer (not textiles, she said , although nice things often crossed her path) and liked to mend things simply and was always interested in the handwork of quilting.

The grandmother and granddaughter who came by and reminded me that when the granddaughter was 10 or so that I had given her a piece of ribbon to ponder. They had made the show an annual event for the two of them and the granddaughter looked to be about 15 now, still interested in sewing and crafts and, more importantly, coming to the show happily with her grandma.

The gal who stopped by and reminded me that when I owned a yarn shop in Long Beach that it was her very favorite and she since has not found a better one (it was at least 12 years ago!).

The various folks who come by “just to check”  and see if I happened to find a long lost stash of porcelain buttons I wanted to sell.  Love ya, but no. That was my previous incarnation and I appreciate that you remembered it!

The folks who stop in “just to look” because it’s so interesting and beautiful and those that say they always stop because they always learn something new. (Thank you so much!)

Honestly, I could go on and on.

Like I mentioned to Jude via a post comment a few posts back, I feel like I’m a placeholder of sorts.  Should I elaborate or do you know what I mean? It does give meaning to what I do, but like I also know, it has to be fiscally viable in order to continue. I was pleasantly surprised by the show’s outcome.  So, thank you all again. Truly grateful as I continue.

I missed a number of my fellow vendors who are no longer doing the show for one reason or another. It has become more difficult to make all the numbers work out, not to mention that for some of the folks (especially the vintage textile dealers are no longer spring chickens) the pure physicality of doing a show makes it a challenge. Great to see The Scarlett Lady (no website) there- where I found some great vintage linen dyeables and a few other fun things -vintage stamens and some irresistible “kittens with clothes” embroideries I couldn’t live without…(I actually still have a few of my childhood books featuring kittens with clothes…)

Those of us “in the biz” know that every show is it’s own unique experience and that it’s prudent to count on one thing (at least!) to go completely haywire with the potential of disastrous!  If you can do that and roll with the punches, you might make it. Only two major haywire events this time and it wasn’t disastrous at all- AirBnB host cancelling my res without explanation or notice and the rental car company who was a complete disaster but I was able to return to the airport the next day and rent from a different company.  You just NEVER know what the issue will be but you KNOW it will be something!  Rock and Roll! My good friend and seamstress/milliner/postal goddess, Virginia (of Yes,Virginia & Nasa Postal ) hosted me and facilitated many things for me that were of great service and much appreciated.

The workshops I taught were great fun and well reviewed- I always take the reviews seriously and almost always agree with the helpful criticism offered in them. It’s important to be able to see what you do through someone else’s eyes.  I am usually SO busy teaching that I take very few photos of the actual workshop but I did manage to get a few of the Moth to Cloth class before and at the end.

(you can click into each thumbnail image to a larger view)  We also made some silk batting for a lap size quilt which went home with the gal who volunteered to be the class helper (takes roll, handles the evaluations, and other duties for the Ed office staff).  We did that at the end and it was a real surprise to them how much you could stretch out one cocoon! Always fun to end with a big bang! As a reminder, here is a video of us learning to do it on the Silk Study Tour a few trips ago:

And to finally end this long post (if you made it this far!), there was lots of fun in the shibori ribbon classes and I continued making flowers for demonstration purposes  and custom orders for shoppers in the booth.  I really enjoy making people wonder!

All for now thankfully. There will be a couple more posts to catch up with in the next few days…
mata ne!

 

 

Here…

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So much lately, I feel at a loss for words when approaching the blog. My inner self is exploring why. I continue in the studio, trying to find my way yet feeling a bit lost. But I am Here.

But this IS the way, the path, and I am looking to find it again. Everything up to this point has been a vehicle that brought me to this place. It’s always that unsettled and uncomfortable place that leads me on, leads me forward…to Here. I am not a stranger to this feeling. When one is self employed (for over 40 years now!) one recognizes this feeling. Part of it is the unknowing of what comes next, or how to continue. But we do continue.

I’m actually feeling sick to my stomach this morning, a state of anxiety overwhelms. Who are these politicians who cravenly use their donors dollars for personal gain while demeaning others and darkening lives? Do they vote for the greater good, or for their own monied interests?  I’d like to just walk away from it all but feel the pull to do SOMETHING. So I do a little, locally. That’s where I live. Here.

I’m hoping that when I get this post finally done, I will feel a little better. I have started so many posts over the last couple of months only to walk away from them unfinished, later returning to find myself unable to complete my thoughts.  But that’s where I am…right Here.

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This past weekend found me at the Japanese American National Museum, leading the shibori and indigo workshop. As always, it is such a warm and inviting environment with great people creatively working together, sharing, caring, and telling stories. I am so fortunate to have many continuing students always mixing in with new comers. For two days we learn and teach each other. We even started a Sunday morning “Breakfast Club” meeting prior to the start of day two of the workshop. (Great idea prompted by Komo-one of the museums biggest advocates who drives from San Jose for the workshops and brings mochi from Kogetsu-do!). I love when Keiko comes with her enthusiasm for shibori and the stories of her many family members who were interred in the  concentration camps during the war-I learn so much from these women! Then there’s Cheryl, who is signed up for her second adventure on the Silk Study Tour to Japan and takes advantage of the trip to visit relatives there that she had not seen for many years and who are growing older all the time. I could go on and on but suffice to say, when I hear two of the newcomers tell me at the end of the workshop “this weekend has been the most fun I’ve had in years!”, my work is done and I go home fulfilled.  So thank you all!  Here are a few photos…

The new exhibit at the JANM is Kaiju vs. Heroes-a wonderful collection of Japanese toys from Mark Nagata who had an equally wonderful story to tell about his collection and how it inspired his life as an artist and illustrator.

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I have one more workshop to give before the end of the month- I may have mentioned it before, I can’t remember. It was full but Beth Marx, who organized it just emailed me that there was one cancellation- so if you are interested you can email her Here. I am filling in for the other instructor who wasn’t able to make it.

So now I prepare for my classes and booth at the Houston International Quilt Festival. I’m hoping to be ready enough. Sometimes, enough just has to be ok.

And, the pomegranates are ready! It’s fall. Or as we call it Here, our endless summer.

for eating and dyeing