Finally Fall(ish)

Finally Fall-ish here.  Wearing a sweater in the house.  I swear I will not go out today and into the madness that is now known as Black Friday.  I have for years chosen to call this day Buy Nothing Day.  I was introduced to this concept back when the kids were in preschool- so, that’s been a while.  What a weird name for a day- Black Friday.  It sounds ugly to begin with-somehow ominous.  I think most of us would prefer to stay home and continue to enjoy our friends and families, eating leftovers and playing games or whatever the day brings.  I saw a photo of a store window in the newspaper this morning- it said “Celebrate Black Friday!”, huh?  But somehow this nonsense beguiles us to venture forth with the promise of one time only savings on things we might want to have.  I can’t say “need” here because it is mostly on luxury items.  In any case, we’re just staying home. I hear Cyber Monday is coming up…

Weird, just weird.

With that madness behind us, I will report that the workshop at the Japanese American National Museum last week was great fun.  Almost half were returning students and the other half soon to be returning.  There really is something about the exploratory process of shibori that draws you in.  I am interested in seeing that many of the returning students are becoming more and more interested in the nui (stitched) shibori.  Interesting that in the beginning, it seemed as if they were more interested in the pole wrapping and the clamped techniques.  I have been collecting more samples of stitched shibori to show them and I also think that the indigo vat has charmed them. Stitched shibori is very indigo friendly.  I have seen some great explorations on their part over time.  They inspire me to up my own game and challenge them further.

The museum hosted a trunk show coinciding with my workshop weekend there from the Nuno company. The students also enjoyed that and made several lovely purchases.  I spoke with the two fellows there and told them I had been fortunate to see the 30 Years of Nuno Textiles in Tokyo when I was there recently.  I bought the book  ZokuZoku as a reminder.

Thank you to everyone who is patiently waiting on your order.  I have been graced with a bit of the flu this weekend and have slowed a bit.  Soon better with turkey soup.

Also, I received an email reminding me that my Daily Dyer blog ( previously a subscription only blog from 2013) is up for renewal again on WordPress.  It’s a paid blog with the ability to load video and privatize so I had to decide whether to renew or not.  I went back and viewed a few things and thought -why not add it to the Feeling Freer section for the next year?  Then I will delete it when next year rolls around.

And so it is. You may find something useful or entertaining there.  You will have to use the sidebar to navigate as the newest post appears first.

and a few photos to spice it up…


Post-show recovery

It’s over and I’m home.  A long 10 days of constant action and responsibilities. Classes, setup, teardown, travel and the lugging of more stuff than I want to remember.  Until next year!

A few highlights included classes that went smoothly, a great booth setup, and seeing so many customers and students from throughout the years. Also had some crazy weather and flooding! Note to self: pack boots next year! (I did pack umbrellas and a raincoat!)

I got to meet Deb McClintock of the blog NATURAL DYEING IN THE TEXAS HILL COUNTRY.  I have enjoyed her adventures in natural dyeing for some time now.  She also grows and dyes with indigo, madder and pomegranate (among other things). Thanks for taking the time to stop by Deb! Got to visit with Judith Montano a bit- she is so busy teaching every year at Festival she hardly gets down to the show floor.   I have admired her book Elegant Stitches for many years- have a copy of the original edition from way back and love how her work has transitioned from crazy quilting into the lovely landscapes she does now. Had a little time with Brooke from Hannah Silks- we go way back. So far back that neither one of us can any longer remember how long ago!  Was saddened to hear that her mom Hannah had passed away- she was the Hannah behind the silk.

It was a pleasure to see and meet up with folks who appreciate the techniques and materials behind the textiles.  I really enjoy the vintage dealers most I think (Carola Pfau of Textile Treasures, June Colburn, Carol Saber and others).  Their knowledge of the textiles they sell is priceless. These textiles teach us so much. What do the textiles of today teach us?  I wonder. A customer came to talk to me about what she had seen at the show.  She felt that the prizewinning quilts were lacking something. She couldn’t quite put her finger on it at first.  They were detailed, precise, painstakingly designed, impressive in scale, pleasing to look at…yet, something was missing.  Our conversation turned to the missing element- the fact that so much of the quilting done these days and especially for big quilt prizes is technology and consumer driven. Ever more sophisticated machines, tools and fabrics dominate.  In some of these pieces it causes them to feel sterile, almost as if they weren’t make by hand.  But yet they are. Such precision in cutting, stitching, and profusion of color and design made available by the limitless palette of modern fabrics takes away something I think. Comparing the vintage quilts in the show with their newer cousins one causes one to wonder about all this. I know I am speaking blasphemy when I say this.  One can wonder can’t one?

Today the show boxes arrived and were unpacked and I will send out emails to catch up a bit.  I needed a few days to recover (I forgot to mention the visit to the Urgent Doc in Houston did I?) and regain my balance, literally.  Perhaps some leftover items will appear in the shop by the end of next week…

There’s an upcoming workshop at the JANM to prepare for (sold out) and orders to start on in addition to a few custom orders placed at the show. Time to get busy…

People at the show were already excited about the 2017 Silk Study Tour to Japan and wanted to write me checks  but I am not ready for that just yet.  Hirata San and I are working out the new itinerary already and will have it up by January 30.  This time we will do 12 nights and include Kyoto!  What fun.  To be informed of these details please sign yourself up for my Constant Contact newsletter in the sidebar and make sure to check Silk Study Tour as an area of interest.

And in Freer news… I have added the Silk Shibori Ribbon Poinsettia Brooch PDF which includes links to the two videos on how to make this holiday piece.  I have also added a PDF to the simple shibori fringed flower.  This is easily made with small scraps you may have around. Please enjoy.

Here are a few shots from the show- big thanks to Donna and Virginia for helping me get through it all- you both were integral to the whole.  Also thanks to Katrina Walker and the whole Silk Experience team of teachers and Quilts Ed staff for doing a great job at Quilt Festival. It was very much appreciated.

Museum Ethics 101

You know I don’t want to have to go here again. You do. But Here We Are. Once again.

Let’s restate this, o n e  m o r e  t i m e.

If you are teaching a class, use your own work to sell or market the class. Your work. Not someone else’s. Doing so is unethical and fraudulent. If you are a museum, make sure the images you are using to sell these classes are the works of the instructor you have hired.

In this day and age you cannot simply say you “didn’t know”, you “thought it was OK”, or that “it wasn’t my responsibility”.  Your desire to “pretty up” your website does not supersede copyright infringement laws.

I thought a museum was the caretaker of art, artists, and artworks. If not museums, then what is your contribution to the art world? What happened to being a good citizen of the art community?

Here is a good set of rules to go by:

You stole an image, used it fraudulently for commercial purposes, and made money from it. You used it on your website to sell workshops. You posted about it all over the web and your various social media sites.

The United States statutory damages for copyright infringement are set out in 17 U.S.C. 504 of the U.S. Code. The basic level of damages is between $750 and $30,000 per work at the discretion of the court.  Isn’t it easier and more cost effective to use your own work?

What?  You don’t have any credible work to show? No work worthy of museum presentation?   Ethics people!!  Do they teach you nothing these days??  Is this how you wish to be known, as someone who steals the work of others?

A letter has been sent.  Screenshots taken. Requests made. Their response?

We’re “looking into it”.

What should happen?
I’m just wondering…

Remember Before?

don't worry- the copyright watermark is embedded in the metadata -from the indigo mandala workshop with Richard Carbin and Glennis Dolce

don’t worry- the copyright watermark is embedded in the metadata
-from the indigo mandala workshop with Richard Carbin and Glennis Dolce

Before is now a new category.

Remember Before? When people and institutions had integrity, when parents taught their children well, and children listened and remembered? Remember a time of due diligence and responsibility? It is getting harder to remember this time.  It seems a far-away land, a place of fairy tales and make believe. Are we able to return to the Time of Before? How did we come to this place?


Ahh…that’s it.  It happened when Money became King and Everything became Free, that’s when we arrived here.  Not Free(r) mind you.  Just Free for the Taking.  Free as long as you aren’t caught.

There is a situation brewing. Before things get ugly, Time will be allowed for the Right Thing to Happen.

Comments here are turned off for now. Now is not the time for conversation. It is the Time for Action!

Holding on to Less

Yes, this is a continuing theme here.

Please bear with me as it becomes less. And I am thanking everyone for joining in at Free(r).  Soon, I will add links to the shibori lesson videos that have been unlisted on Youtube and buried in the shibori pdf lessons 1-5.  Also, have patience as the pdf’s download.  Today I downloaded them as a test and some were quicker than others (some are many pages and have lots of photos).  Over time, I may redo each one as they seem so primitive to me now.  But a good record of Before. Thinking on that.

Before, this was something else. Something useful, and before that, even something.  Before will become something. (A new category even).

sakiori obi becoming ...

sakiori obi becoming …

I feel we are really in a transitional place here. I am gaining something from the momentum of it all.

opening it up and seeing the beginning of the cloth

opening it up and seeing the beginning of the cloth

It was something before it was torn into strips for weaving.  With my loop I can see that there are some kasuri fabrics in this piece.  i wonder about its previous life.

inside it is becoming too

inside it is becoming too

I have made a number of these over time. It started because I wanted to hold on to less.  To carry less around.  To feel Freer!  I am making a few new ones for the show-and a new one for me. These inside pockets can hold some cards, some cash.  The middle holds my phone, or not.

inside view

inside view

-and now it has become something else.  From kimono scraps, to a woven obi, to a bag to hold less. From one place (Japan) to another-here. I wonder how much time has elapsed from this cloth’s first beginnings?  Something to think about.  What about cloth being made today?

i love the changes of cloth the weaver made as she wove.

i love the changes of cloth the weaver made as she wove.

Very sturdy and beautiful at the same time. The casing I sewed at the top allowed me to slip in a spring hinge closure (purchased). I hand stitched the interior pockets (made of obishin- more on that later) so as not to see stitches from the front side.  The edges too are hand stitched preserving the beauty of the weavers selvedge.

One more…made of obishin-the heavy stiff cotton interior fabric of an obi…indigo dyed.  This one with more machine stitching as was necessary to overcast the edges and keep them from undoing. A handmade boro stitched  button closure and some hand twined indigo cording. Also has a spring hinge top closure. This one is larger than the other.

Less really can become more.