Hoshigaki, pommegranate, and dyeing gold from red

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Upon returning fro Houston it was time to get at the persimmons if I wanted to get on with any hoshigaki (dried persimmons).  Mine are the Hachiya variety if you don’t recall from previous posts on this annual topic. I was concerned they might be a little too far along for hoshigaki when I returned from the show but seems they were fine.  The tree was very prolific as usual again and it simply produces way more persimmons than we can eat fresh or even give away, for that matter. Not everyone is a persimmon fan.

In order to dry them they are washed, and peeled before being tied in pairs to a string to hang. Since I pick from my own tree I can easily cut them with a little “T” at the top to facilitate the tying.

The biggest issue is mold, which I am having a little issue with this year on a few of them so we will lose a few. Seems to mainly be the ones not getting as much sun as the rest.  This year I am drying them all outside. Unfortunately, (for the drying persimmons but YAY for the garden and the fires!), we have had several rains that have necessitated my having to cover them and the dampness is also contributing to the mold I think.  At least it’s certainly not helping.

I have some that are on a moveable drying rack and that set can be put into the garage with a fan when needed.  I am in the “massaging” stage so need to give them all a few squeezes each day to keep them soft on the inside and to keep the outside surface from having permanent crevices where mold can grow.

I have about 150 drying here and my son has about 50 at his place. We still have at least 100 -150 ripening on the tree!  A double recipe of persimmon walnut bread only uses 2-3 medium size ones! They are good fresh with a little plain yogurt in the morning! A few pics…

Prior to taking care of the persimmons, I had to deal with the pomegranate tree.  Unfortunately some were lost and ripened while I was away but not to worry. I picked the rest of the tree and juiced them and sent all the peels and any inedible ones to the dyepot! Dyed some lovely golds on mostly silks while I enjoyed some fresh juice!

Next post will be a long needed shop update! and speaking of persimmons… I made these for the show and missed getting them into the box when I packed!  So they will be going into the shop.

made from vintage japanese and indigo dyed scrap fabrics with immature persimmons that fell and dried(the bead)and the dried top of spent persimmon flowers. each has a small bag of emery in the bottom of the pincushion to clean and sharpen your pins and needles.

 

 

Houston Quilt Festival 2018 wrapped in a blog post

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So here it is-the post Houston Quilt Festival blog post! Finally. It’s always such a stress to prepare for the festival and I always feel that I could have done more or better-but once I’m there, I’m there and no need to fret anymore about it. As usual, it turns out it was all fine- even better than that really and any doubts as to why I put myself through all of it melt away.

I made a little slideshow video of how a booth comes together. You might find it interesting…

Why is that? Well, mostly because of the people. The people who take my classes, the people who visit my booth, the people who help me in all the small and large ways (Yes, Virginia! Yes, Phil!).  It’s the people. They assure me that I am there for a purpose- and not just the purpose of selling them something. Of course it has to be a financial success in order for me to return year after year, but it’s definitely something more than that.

There are the intangibles-not easy to define but oh so necessary.

The gal who came all the way from South Africa to take my class on making mawata (hankies) from silk cocoons-she had just successfully raised her first batch of 2500 silkworms to cocooning and needed to learn how to process them. She has big plans of starting a small sericulture business there to employ the local community and bring a product to market. Very cool.I am wishing her all the best!

The gal who took an afternoon flower making class and who had a terrible morning- she really just needed some therapy handwork and a place to find some success in what she was making. Even though she struggled a bit at first, it is my goal to make it so everyone can find success at their own pace and level in my classes. The more I do this the better I get at recognizing each person’s individual needs. You have to be able to do this quickly as the classes are only 3 hours long (in this case) and there can be up to 24 students at a time! Everyone gets my attention. Afterwards when the show opened, she visited the booth several times and she was inspired not only to make things for friends and family but supported my efforts enthusiastically (and financially!). I thank her greatly!

The 90 year old woman who came by my booth when she noticed I was from Long Beach to tell me about her life there before she moved to Texas. She had been coming to the show for many years even though she wasn’t a quilter- just liked to enjoy the many creative souls in the room for a day. She looked quite fine in her Gianna Rose (Donna, Frankie, Dawn, and others will remember…) jacket and flower pin. And she grew up very near where I now live. She had been an antique dealer (not textiles, she said , although nice things often crossed her path) and liked to mend things simply and was always interested in the handwork of quilting.

The grandmother and granddaughter who came by and reminded me that when the granddaughter was 10 or so that I had given her a piece of ribbon to ponder. They had made the show an annual event for the two of them and the granddaughter looked to be about 15 now, still interested in sewing and crafts and, more importantly, coming to the show happily with her grandma.

The gal who stopped by and reminded me that when I owned a yarn shop in Long Beach that it was her very favorite and she since has not found a better one (it was at least 12 years ago!).

The various folks who come by “just to check”  and see if I happened to find a long lost stash of porcelain buttons I wanted to sell.  Love ya, but no. That was my previous incarnation and I appreciate that you remembered it!

The folks who stop in “just to look” because it’s so interesting and beautiful and those that say they always stop because they always learn something new. (Thank you so much!)

Honestly, I could go on and on.

Like I mentioned to Jude via a post comment a few posts back, I feel like I’m a placeholder of sorts.  Should I elaborate or do you know what I mean? It does give meaning to what I do, but like I also know, it has to be fiscally viable in order to continue. I was pleasantly surprised by the show’s outcome.  So, thank you all again. Truly grateful as I continue.

I missed a number of my fellow vendors who are no longer doing the show for one reason or another. It has become more difficult to make all the numbers work out, not to mention that for some of the folks (especially the vintage textile dealers are no longer spring chickens) the pure physicality of doing a show makes it a challenge. Great to see The Scarlett Lady (no website) there- where I found some great vintage linen dyeables and a few other fun things -vintage stamens and some irresistible “kittens with clothes” embroideries I couldn’t live without…(I actually still have a few of my childhood books featuring kittens with clothes…)

Those of us “in the biz” know that every show is it’s own unique experience and that it’s prudent to count on one thing (at least!) to go completely haywire with the potential of disastrous!  If you can do that and roll with the punches, you might make it. Only two major haywire events this time and it wasn’t disastrous at all- AirBnB host cancelling my res without explanation or notice and the rental car company who was a complete disaster but I was able to return to the airport the next day and rent from a different company.  You just NEVER know what the issue will be but you KNOW it will be something!  Rock and Roll! My good friend and seamstress/milliner/postal goddess, Virginia (of Yes,Virginia & Nasa Postal ) hosted me and facilitated many things for me that were of great service and much appreciated.

The workshops I taught were great fun and well reviewed- I always take the reviews seriously and almost always agree with the helpful criticism offered in them. It’s important to be able to see what you do through someone else’s eyes.  I am usually SO busy teaching that I take very few photos of the actual workshop but I did manage to get a few of the Moth to Cloth class before and at the end.

(you can click into each thumbnail image to a larger view)  We also made some silk batting for a lap size quilt which went home with the gal who volunteered to be the class helper (takes roll, handles the evaluations, and other duties for the Ed office staff).  We did that at the end and it was a real surprise to them how much you could stretch out one cocoon! Always fun to end with a big bang! As a reminder, here is a video of us learning to do it on the Silk Study Tour a few trips ago:

And to finally end this long post (if you made it this far!), there was lots of fun in the shibori ribbon classes and I continued making flowers for demonstration purposes  and custom orders for shoppers in the booth.  I really enjoy making people wonder!

All for now thankfully. There will be a couple more posts to catch up with in the next few days…
mata ne!

 

 

Here…

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So much lately, I feel at a loss for words when approaching the blog. My inner self is exploring why. I continue in the studio, trying to find my way yet feeling a bit lost. But I am Here.

But this IS the way, the path, and I am looking to find it again. Everything up to this point has been a vehicle that brought me to this place. It’s always that unsettled and uncomfortable place that leads me on, leads me forward…to Here. I am not a stranger to this feeling. When one is self employed (for over 40 years now!) one recognizes this feeling. Part of it is the unknowing of what comes next, or how to continue. But we do continue.

I’m actually feeling sick to my stomach this morning, a state of anxiety overwhelms. Who are these politicians who cravenly use their donors dollars for personal gain while demeaning others and darkening lives? Do they vote for the greater good, or for their own monied interests?  I’d like to just walk away from it all but feel the pull to do SOMETHING. So I do a little, locally. That’s where I live. Here.

I’m hoping that when I get this post finally done, I will feel a little better. I have started so many posts over the last couple of months only to walk away from them unfinished, later returning to find myself unable to complete my thoughts.  But that’s where I am…right Here.

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This past weekend found me at the Japanese American National Museum, leading the shibori and indigo workshop. As always, it is such a warm and inviting environment with great people creatively working together, sharing, caring, and telling stories. I am so fortunate to have many continuing students always mixing in with new comers. For two days we learn and teach each other. We even started a Sunday morning “Breakfast Club” meeting prior to the start of day two of the workshop. (Great idea prompted by Komo-one of the museums biggest advocates who drives from San Jose for the workshops and brings mochi from Kogetsu-do!). I love when Keiko comes with her enthusiasm for shibori and the stories of her many family members who were interred in the  concentration camps during the war-I learn so much from these women! Then there’s Cheryl, who is signed up for her second adventure on the Silk Study Tour to Japan and takes advantage of the trip to visit relatives there that she had not seen for many years and who are growing older all the time. I could go on and on but suffice to say, when I hear two of the newcomers tell me at the end of the workshop “this weekend has been the most fun I’ve had in years!”, my work is done and I go home fulfilled.  So thank you all!  Here are a few photos…

The new exhibit at the JANM is Kaiju vs. Heroes-a wonderful collection of Japanese toys from Mark Nagata who had an equally wonderful story to tell about his collection and how it inspired his life as an artist and illustrator.

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I have one more workshop to give before the end of the month- I may have mentioned it before, I can’t remember. It was full but Beth Marx, who organized it just emailed me that there was one cancellation- so if you are interested you can email her Here. I am filling in for the other instructor who wasn’t able to make it.

So now I prepare for my classes and booth at the Houston International Quilt Festival. I’m hoping to be ready enough. Sometimes, enough just has to be ok.

And, the pomegranates are ready! It’s fall. Or as we call it Here, our endless summer.

for eating and dyeing

Today’s textile- an antique komebukuro

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Back in June 2012, I posted about this wonderful komebukuro.  Here I copy the relevant part of the post in order to list this in the shop.

This particular one appears to be quite old and with many areas repaired.  It employs various homespun cotton and hemp fabrics and the rope is handmade from hemp or other bast fibers. It is also quite large- the bottom measures 11″x11″ and each of the 4 sides about 15″(H) x 12″ .  One side (the inside?) is more interesting than the outside-you can better see the patchwork. I would guess this one to be from the Meiji era (1868-1912). I appropriately found it at a temple sale. 

This piece has been displayed at many of my workshops:

inside full view-1

more inside detail

edge detail and rope

bag bottom inside

outside view 2

another outside view

If cloth could speak!  One can only imagine the past life of this bag, but from all the mending and variety of scraps used in its making, one can guess that it was made in the Japanese spirit of “mottainai” which conveys regret over wasting something useful. Poor families saved all cloth, which was then made and remade into useful objects many times over. I love this piece as a reminder of that notion- that we can be more thoughtful and find ways to make what we have last longer, and remain purposeful.
These types of “rice bags” were used for errands, carrying rice and perhaps other daily necessities, and sometimes to take offerings to local temples.

This one I came across at a Tokyo area temple sale in 2012, before I knew much about boro and Japanese folk textiles.  I had yet to find and visit the Amuse Boro Museum in Asakusa. When I saw it it just spoke to me and I have admired it first hand since then. When I first brought it home it was quite dirty and I did give it light vacuuming,  a gentle soak and hand wash to clear the fabric of the accumulated dirt. It seemed to appreciate it. I usually display it with more patched side out. Added to the shop here.

 

making the most of what you have and a vintage nobori!

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When I write a post I never fill in the post title until the end, even if in my mind I have one roaming around my head.  You never know what path a post might take. Speaking of paths… I’m putting my pathfinding and wondering skills to use in upcoming city elections. I feel that I would be disregarding reality if I didn’t volunteer to help. Most of my contribution will be in helping to spread the word on social media.

Please look up and around your communities and city halls and make sure that people have a voice. Make sure that money, ambition , and politics are not sending down taproots that crowd out the voice of the city’s residents. It’s a volunteer thing and there will be a balance that needs to be struck so that work and bills get taken care of as well. More on that later…

It’s been hot here. Watering the edibles in the yard mainly. Into second rounds of crops since our summer is so long here.

I noticed some things around the yard that might be good for the dyepot or other meanderings so I collected them up.  Will be testing them out on some old silk lining fabrics.
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I started this post a few days ago and am only now getting back to it.  The red dragonfly pictured above has been hanging out in the garden for at least a week now!  I guess they are somewhat territorial.  I also ate my first cactus fruit today.  It was delicious- juicy, mildly sweet with a flowery flavor. Really amazing when you eat them right off the cactus with the warmth of the sun still holding on to the fruit.

I should back up a bit here and post a small gallery of photos of my amazing cereus cactus. It is a Queen of the Night (actual name used by about 4 different varieties of cereus night bloomers) and aptly named. I’ve been sharing these on my FB page for the last couple of weeks.
Some nights have given us over 100 blooms, others 80, 70, 50.  I would say that we will have had around 1000 blooms this year when it is all over. I spend much time outside at night gazing up.

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City politics in Long Beach have really changed over the years. Most of city council and the mayor are on personal political trajectories fueled by big money, developers, unions, PACs, and officeholder accounts (no real news here-how is your city government doing?).

The most current & egregious effort they have made is to place a measure on the upcoming ballot to change the city charter and afford themselves an extension of term limits (from 2 to 3 terms). And all by telling voters this is a strengthening of term limit laws! They claim they are doing away with a loophole where one can mount a write in campaign in the primary election when in fact regardless of whether it is two terms, three terms or ten terms the California Election code allows this write in effort. I’ll spare you most of the gory details but when hundreds of residents showed up in the middle of the day during the week for the final hearing where council voted to place this on the ballot (all but two who spoke were against and those two were LB govt. employees!) . They voted unanimously 9-0 in favor to place it on the ballot.  They will spend about $700,000 of our tax $ on this self serving effort.  They no longer listen to the people.
This has resulted in outrage to the point that many of the city’s resident/neighborhood advocacy groups are supporting a newly formed peoples PAC- the Long Beach Reform Coalition. This has meant many hours of meetings, emails, & phone calls in order to write the ballot measures’ opposing arguments and rebuttal statements. We were even sued by the city yesterday in LA Superior court with less than 24 hour notice for something that could have been handled in the local city clerk’s office -a correction and rewording of a couple of the statements! Writing ballot measure arguments and rebuttals is not for sissies!  I learned a lot! The city is bullying the residents. This PAC is needed in order to pool resources and help finance opposition to such things as well as help new council candidates fund their campaigns against the overwhelming money of the entrenched incumbents.
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I have spent far more time than I can afford to on this. It is cutting into my studio work time. In order to compensate a bit for this (and be able to pay my bills next month!) I am listing a few of my favorite acquired textiles from Japan.  Some of these I have used as samples for students to view in my workshops or as show pieces in my booth in Houston.  I treasure them all but it is time to pass them along to others.

First off, I will show you this wonderful tsutsugaki  nobori I purchased in a small shop in Mashiko-the home and pottery studio of famed Shoji Hamada.
I honestly did not know what I was going to do with this piece at the time but had recently been given a beautiful book by a Japanese designer that inspired me and used all sorts of vintage Japanese textiles in her clothing designs.
This nobori is likely from 40’s- 50’s (Showa) and is very brightly painted. It is very large and was probably used in Boys Day festivals. I thought I might even fly it here for special occasions but it is so long and theft is an issue. I’d love to see someone put it to good use!
It is 21.5 ” x 204″. The cloth is hemp- it is more rugged than cotton and smartly so for its intended use. Not too tightly woven and slubs in the weave suggest it may be a home woven cloth. All stitching on it is by hand. As a purposeful vintage textile it is imperfect, but the imperfections are not objectionable (a few stains and unintended brush marks -no holes or tears). The image painted on the nobori is of samurai riding their horses- a familiar boys day banner theme. Let’s look at it!

highly stylized faces of both the samurai and the horses and dramatic costumes with pine tree against a blue sky

These two photos are one half of the piece. The painting is detailed on both sides as they were meant to be seen from both. Below, the simpler portion which has the crests.
The hangers on the side are hand sewn on and could be removed without damage to the main cloth itself.

Tsutsugaki is a paste resist technique used to draw on the design outlines and the colors and detail features are hand painted. The crest portion is probably done using a cut stencil like katazome with the black being screened on (i’m guessing on this).
some detail shots:

So now for some photos from the book I was gifted…

vintage nobori as a over jacket- duster length

sleeves use the crests

Aren’t those great?  So now I post the nobori in the shop. I will add the other items, hopefully tomorrow and do a shorter post (much shorter) on where I found them and their history.

Silk Study Tour to Japan and the final days of silk moths…

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I have been wanting to get to this post all week but, well…you know. Life, work, local politics, heatwave, gardening…need I go on?
Hope this finds you well and safe from heat, fire, flooding, typhoons, drought and in relative good health! Earth is challenging many!

First off, the update email for the Silk Study Tour to Japan has been sent to those who are signed up to go next year (May 2019).  If you are signed up and didn’t receive it let me know.  If you are interested in one of the remaining spots here is a link to the basic info and itinerary.

I previously covered my classes at the upcoming Houston International Quilt Festival and online registration is now ongoing.  Visit my website for the pertinent details and links.

We just concluded the most recent workshop at the Japanese American National Museum which was really wonderful.  They just keep getting better and better!  Returning students are really taking on more challenging designs and experimenting. New students jump right in and are encouraged by the returning students. We are now picking a couple of new dates to end the year. Will add to the website and announce as soon as they are finalized.

As I added the link to the JANM I just saw the upcoming exhibit  :Kaiju vs Heroes: Mark Nagata’s Journey through the World of Japanese Toys September 15, 2018 – March 24, 2019. This will be right up my alley since I grew up there from 1965-72! Yokohama tomodachi-let’s go! Natsukashii ne…

Anyway, back to the silk moths. The silk moths emerged, mated, laid their eggs and quietly died.  The eggs dried, turned grey and are stored in the fridge for now.   Here is a little video I put together about this stage. Even the local cat Toby helps out!

 

cocoons!

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After six weeks of silkworm rearing, I have about 400 cocoons.  I started off with an order of 500 eggs, so here and there, lost a few.  There were no noticeable die-offs of any great number- a good thing that tells me I avoided any major disease issues by keeping the silkworms clean, well fed as well as in good temperature and humidity.  It can be a real disappointment when something starts to kill them off. I can only imagine what can happen to large scale sericulturists.

I stifled these today in the oven at about 180 degrees. This will allow these cocoons to be reeled or used in ways where I want a whole uncut cocoon.  With about 400 cocoons, if I let them all emerge I would end up with 10,000 or so eggs.  I can’t imagine having to feed that many here.  In fact, if I did allow the silkmoths to all emerge, mate, and lay eggs they would end up dying by starvation unless I put the eggs into cold storage.  I would never be raising that many here anyway.  I do have a few folks who wanted to get some eggs from me so I will save some for them.  I will store the cocoons in the freezer in a net bag until needed. These cocoons will be used in Houston for my mawata class there along with some I purchased from Nobue Higashi who raises silkworms in Japan.

silk,silkworms

I should not let you leave this post without paying homage to the life of the silkworm. Yes, I have killed them and have feelings about that.  In Japan, there are temples and shrines devoted to the silkworm or sericulture in general.  Giving thanks for a good harvest and for the protection of the silkworm until cocooning are common among sericulturists in Japan even today. Shouldn’t we remember to be grateful for everything? There are many shrines devoted to sericulture scattered throughout Japan.

It was perhaps not a coincidence that today I was catching up with Nobue on her blog that I read this post where she talks about just this thing…the google translate is very rough but you can get the jist of it. I am looking forward to seeing Nobue san again next year!

You can read about the silkworm deities at Kaiko no yashiro (蚕ノ社) – the Silkworm Shrine here. It’s an interesting story.
Next year on the Silk Study Tour to Japan we will add a short visit to this Shinto shrine. It is about 20 minutes by car from our Kyoto hotel I am told.  If there is not time to add it to the whole group itinerary, I will make time for those interested in a visit here in an early morning trip by taxi.

Following this down a bit further, I found an excellent couple of blog posts on this shrine.

-about the Kaiko no Yashiro (Silkworm Shrine)

-speculation about the triangular torii

-fascinating history of the Hata clan
part one

part two

I made another little video that covers the cocoon harvesting.