Category Archives: not about shibori

I also get emails…

I like letters better. Sometimes, emails get weird.

It all started with an email. Well, actually it started with a $30 donation. Followed by an email.

“Hi I am interested in learning the folding technique of the feather arashi scarf. Anne Selby uses this technique. Do you know how its done.”

Hmmm… my reply:

Thank you for contacting me.  I see you already do quite a bit of shibori on silk.  I have never seen Anne Selby’s work in person but online it looks very beautiful.  I have been a fan of Karren Brito’s work for some time and I think she did this folded technique first.  I have done something similar in the past but never did it on a large scale, however did discover how it was done.
I try to make my work unique through experimentation as I often find that this process takes me down my own path- one I would not have gone down by being told the exact process by someone who discovered it in their own way.  Since it is a signature styling of Anne Selby- have you asked her?  Perhaps she is not wanting to share that.  It’s not that it’s a “secret” but I’m sure she went through many trials and errors in order to create it.  Honestly, I wouldn’t feel very good about explaining how someone else goes about creating their signature look.  I am very sure you could figure this out on your own if you worked at it through trial and error. In that process, you would likely discover something very new and interesting yourself! Try it!
Yes, there are shortcuts in life- but it is not unlike driving through the countryside at 100 MPH versus riding along that same country road on a bicycle…you see and learn so much more along the way.
I see you just sent a donation through my blog.  I thank you.  I hope you find the blog of use.  If you feel that you want a refund of this donation based on this reply, let me know.    Your work is lovely as well.  Best regards.”

Then a reply:

“Thank you for replying so quickly.  I gave you Anne Selby as an example to give you an idea as to what I was talking about.  Anne Selby does not own the technique, yes I did see it in Karren Brito’s book. I guess there is not a copyright on the  Feather Boa technique.  Shibori is an ancient art form that goes back hundreds of years not only in Japan but in many other countries in the world.  Yoshiko Wade has been working very hard to preserve the techniques of Shibori.  She has been doing it by sharing, because she knows that is the only way to keep Shibori alive.  Anne Selby did not invent this technique.  She did invent the Arashi wrapping machine.  Anna Lisa Hedstrom has put out 3 DVD’s, she has held nothing back.
Thank you for your words of wisdom.  I am happy Yoshiko Wada and Anna Lisa Hedstrom do not think as you do.  Shibori would be dead.”

Ok… “shibori would be dead?”  my reply:

No, there is no copyright on any shibori technique.  I am still curious as to why you asked me about the technique Ann Selby specializes in.  Why not ask her?  Perhaps you have and she has not seen fit to share it with you.  I don’t know.  I am sure you have seen my work and that I don’t show this type of pleating online.  Respectfully, I think this is a question for Anne Selby.
I find it interesting that you choose to characterize me as someone who doesn’t share what I know.  As you know, I have free online shibori classes, I have been teaching shibori at museums, private workshops and international conventions for over 10 years now. I have literally taught 1000’s of people directly and in person not to mention the over 10 years of blogging on the subject.
I think that shibori is more widespread as a result of my work-not less. Saying that shibori would be dead as a result of my attitude is complete nonsense. Saying such things says more about you than it does about me.
Please consider what you say before you say it.  I am returning your donation.

Thankfully, today is a new day. And I know what my own intention is-regardless of how it is viewed from the outside.

Oh yeah, I made these. Just experimenting with silk shibori felt and vintage silk. Wondering.

update…after seeing some other issues like this online (where someone was being derided for not “sharing” their signature technique) I am prompted to add that there are good reasons to doing something the hard way. The struggle, while temporarily uncomfortable, allows you to experience and overcome uncertainty and anxiety. As you increase your skills through trial and error you will be able to experience exuberant surges of your own creativity that you simply will not achieve through following step by step instructions.

 

 

 

There arises a circle…

There is really something special about receiving a handmade gift from someone who used what they purchased from me to make it.  It returns to me transformed. It has new life and energy that has been added.  It reminds me why I do what I do and why I enjoy it.  When I send something out I get to wonder what will become of it.  Sometimes I receive emails with photos or links showing what folks have done or made with their purchases.  I receive stories. Some are simple and heartwarming, some are funny, some are sad, and some are transformative. They are all good. There arises a circle -like the moon, a give and take -like the tides, that connects us.  So although it hardly seems enough for all these riches, I want to thank you once again. Thanks for sharing your abundance of creativity-with me and all the others in your lives.

indigo moon detail by Therese S-H

indigo moon detail by Therese S-H

mounted on a card, many tiny stitches on indigo and pommegranate by Therese S-H

mounted on a card, many tiny stitches on indigo and pomegranate by Therese S-H

When I make new things I explore them a bit knowing that once I add them to my shop offerings  the receivers will expound upon my ideas or create their own- even better and more wonderfully creative things.  This has been an intention of mine for a long time now. I wondered why-how I came to it. I’ve had a lot of years to come to understand why that is- too much to explain in a simple post.  It’s enough for me to understand it in my own life.

I returned here the other day to reread this post upon the news that my favorite ceramist Harrison McIntosh passed away locally at the age of 101. You can read about his life here. I can’t really add much to all that has been written about him and his life/work except to say that I have really admired his ability to integrate the two things seamlessly (and perhaps a message to him to tell Woody I said hello).

Harrison McIntosh (screen capture from Google)

Harrison McIntosh (screen capture from Google)

And if all this isn’t enough, with everything that has been going on here I did not do my usual announcing or my upcoming (this weekend!) workshop at the JANM.  We will be focusing on mandalas on vintage silks and there are still spots available.  You can sign up here through the museum-and I apologize for the late notice here.
JanmThere’s more, but enough for now…

mata ne!

the netherworld 

There is apparently some netherworld where, when something goes wrong the first and immediate action a person chooses to take is to become aggressive and rude.

-to send several emails -use lots of !!!!!! and where the CAP LOCK key becomes their best friend.

-where even after a full apology and promise of immediately rectifying the mistake quickly, still results in yet another aggressive email threatening this and that.

really?

immediate refund processed.

problem solved.

who needs it?

can you imagine dealing with minor problems in life like this? as  your default, go to position? dealing with people in this way? what a way to go through life!

Thank you Paypal for that “process refund” button. It’s really a useful tool.

Things are moving slowly here. Processing pain takes time-making everything else take more time too. Imagine the view out of the window of a car going 50 mph compared to what you see while walking. It’s a whole different perspective.

Thanks to all for your kind emails and gestures. I will get to replying to all at some point. A couple of immediate thanks go to Margaret and to Holly.

Today I will do some base dyeing. Yesterday I ironed. Yup-life continues in the slow lane…

on a friday night…

time has seemed irrelevant lately. things just happen as they will.

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take this sunflower for instance. during the summer i had these growing outside the kitchen sink window where i could admire their happy faces smiling at me while i washed the dishes.  when they went to seed and needed removal, i cut the flower heads and dropped them in the driveway for the squirrels and the birds to enjoy (where i could watch them from where i work).  now, months later in December, a volunteer from that act is blooming in the middle of the driveway with the ginko tree shedding its golden leaves behind-definitely fall.
all it takes is a seed to be dropped, or an idea to be planted on fertile soil to generate something beautiful.

i received two intriguing books on kanoko shibori yesterday from Japan.

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some new seeds were definitely planted.

plus, he sent me an old apron from the Kyoto temple sale. we will visit there in 2017 on the silk study tour to Japan.

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and no matter what time of year, squirrelly boy hears me at work and lets me know he is hungry and needs fresh water! i’m so lucky to have such in interesting studio friend.

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ribbon orders are in full swing- thank you for being patient! there have been a few disruptions lately…
and thanks to those who have been emailing me and enjoying the Daily Dyer reruns. glad you find something useful there.

 

Museum Ethics 101

You know I don’t want to have to go here again. You do. But Here We Are. Once again.

Let’s restate this, o n e  m o r e  t i m e.

If you are teaching a class, use your own work to sell or market the class. Your work. Not someone else’s. Doing so is unethical and fraudulent. If you are a museum, make sure the images you are using to sell these classes are the works of the instructor you have hired.

In this day and age you cannot simply say you “didn’t know”, you “thought it was OK”, or that “it wasn’t my responsibility”.  Your desire to “pretty up” your website does not supersede copyright infringement laws.

I thought a museum was the caretaker of art, artists, and artworks. If not museums, then what is your contribution to the art world? What happened to being a good citizen of the art community?

Here is a good set of rules to go by:

You stole an image, used it fraudulently for commercial purposes, and made money from it. You used it on your website to sell workshops. You posted about it all over the web and your various social media sites.

The United States statutory damages for copyright infringement are set out in 17 U.S.C. 504 of the U.S. Code. The basic level of damages is between $750 and $30,000 per work at the discretion of the court.  Isn’t it easier and more cost effective to use your own work?

What?  You don’t have any credible work to show? No work worthy of museum presentation?   Ethics people!!  Do they teach you nothing these days??  Is this how you wish to be known, as someone who steals the work of others?

A letter has been sent.  Screenshots taken. Requests made. Their response?

We’re “looking into it”.

What should happen?
I’m just wondering…