Tag Archives: indigo

too much and too little

Why is it I can’t get to writing blog posts the way I used to?

Part of it is because I let too much time pass between them and then I get to feeling overwhelmed by all that I want to communicate in a post so I put it off. But today’s the day!
Another part of it is that so many other things are demanding my time and mental space at the moment. Have you ever written ballot arguments for measures appearing in an upcoming election? Walked for a candidate? Worked on social media to get a good candidate out there? Involved yourself organizing and researching issues for a community and candidate? It’s a lot of mental space. Paying attention to your local politics is important since many want to move up in the ranks and we can’t afford to have unethical people running our cities-regardless of party. City governments need to remain nonpartisan!

Amami dreams…

Ongoing here is is a series of Power Alerts- meaning residents are asked to reduce electricity use during our current heatwave. Heat always saps my energy and usually my work happens outside-in the heat. We close the nights cool air in the house and pull the shades during the day to preserve coolness. We rarely use the AC this way but there are times when it gets to the upper 90’s that I succumb to the need-keeping the thermostat at 80. It’s also not cheap! I’m doing more inside work today and for the next three days.
Additionally- we are getting ready for a 2 week ban on outdoor watering. There is a major pipeline repair that will be underway on a pipe that supplies water to a large part of Southern California. Hopefully the weather will cool down and give us a little help but that’s a big if. Deep watering my critical trees, filling my rain barrels to water only the the most sensitive plants over the next two weeks. I’ve pulled all the veggie garden and won’t plant again until late fall due to all this. Hoping for cooler weather and a little rain this fall. Fire alert is HIGH!


Thankful…

I am thankful we have water at all…Jackson Mississippi.
I am thankful to be closer to the coast…inland temps in the 100’s-110- only cooling to 90 at night!
I am thankful not to be in a high fire danger zone. Currently Castaic area is burning.
I am thankful we have electricity and are only asked to cut back.
(Conserve for the greater good!)
I’m thankful my 35 year old Volvo passed smog yesterday so it can be registered! Sad though that my beloved mechanic is calling it quits this week. He was a 240 enthusiast and specialist. He was devoted to keeping these cars on the road in good condition. So far this 35 year old car has retired two great Volvo mechanics!

In shibori news… I’ve sent off a shibori ribbon order to Michelle at Fundametals which she will have listed soon in her shop. I finally got FedEx to settle a claim on a lost order to France after it disappeared in mid June. Jeeze. An ordeal- but finally over.
August moons were all sent- a little later in the month than usual and they were HOT! Hope you all liked them. I only managed to screw up a few by double shipping some due to a label printing error but that’s better than someone not getting theirs. Better to overship than undership! I hate it when people are unhappy with me. I always work to make it right for them.


Also, playing around with some hotaru (dragonfly) stencils and various stitching…

September moons will involve natural dyes- seems appropriate being a harvest month. I’ve collected quite a bit of the feathery senna seed pods and due to the heat, my fermentation indigo vat is really kicking! I will be combining those two this month. One silk and one cotton. I’m working it out now. The iron vat needs a little attention but will get to that in good time.

We are inching closer to taking deposits for the 2023 Silk Study Tour. Japan is starting to relax their restrictions a LITTLE. Thinking is that by next May we will be able to resume. Dates for the tour are 5/11-5/26 2023. Keep your fingers crossed. In the meantime, enjoy this end of summer post by Meiji Showa Old Photos of Japan about musical insects!

https://www.oldphotosjapan.com/photos/903/insect-musicians-mushiuri-insect-vendors-vintage-albumen-print?utm_source=substack&utm_medium=email

I didn’t mention it last post because I was still too sad about it but crazy cat Moose was taken back and moved by his “real” owners. He had been part of the daily scene here for a year, sleeping in our bed at night and by my side or harassing my own cats here by day. He was a royal PITA but we loved him and took care of him. He didn’t want to live with his owners. He was a fighter and a misfit. I hope he is OK.

We miss him every day but I do have to say that OUR cats and the neighbor cats DO NOT! They have resumed their places as top cats and I can’t blame them. Pictured here is the Captain, next door cat that spends most of the day here but goes home at night. He is Kuro chan’s buddy who has resumed sleeping in the shade on the surfboards where moose use to dominate. They look alike and the easiest way to tell them apart is by Kuro’s ragged ear and Captain’s saucer eyes

A fruitful month here in the garden yielded a delicious cantaloupe, some grapes from a neighbor, and a bunch of pomegranates I still have to get out there and pick so I can juice them. Later, when it cools off. Lemons are done for now but limes getting ripe. I just went outside for a minute and the high predicted heat has not materialized- at least so far for today it hasn’t hit 90 yet.

And then there are the ginko nuts…ginnan in Japanese. Probably the most I have ever seen & way more than I can use with not many takers. If you are local and want some, let me know! They are currently in the “stinky phase”. The heat is baking the outside smelly part and hastening the process. Once the outside has sloughed off I will collect and process what I can. Google eating ginko nuts for ideas…. There are plenty for the squirrels to stash away for the “winter” here. They too, are waiting out the stinky phase.

And then the night blooming cactus. It has produced many evenings of 100+ blooms. The bees were in heaven and now with fruits ripening high up the purple finches are having plenty of sweet, juicy, seedy eats.

I’m finishing up details on upcoming workshops so look for that next post. It won’t be so long…

In post workshop indigo vat news…

I decided to add to my indigo vat swatch card by swatching each of the three vats (chem , fermentation, and ferrous) at the end of the daylong indigo shibori workshop.

The vats all got a good workout by the six participants.

The chem vat degraded the most. It will need a complete tuneup! The fermentation vat held fairly steady but will need some rest and perhaps some bran. The blue is a bit lighter and noticeably grayer.

The ferrous iron vat held up the best with less loss of color. I might actually prefer it’s current state more than it’s original state. Seems like a nicer range of blues.

All three dips (on both occasions) were one minute.

In addition, the following day’s stitching workshop was a lot of fun. Getting people inspired to learn something new and create something beautiful is always satisfying.

One of the stitching samples I showed included a strip woven cloth with an indigo moon. Several participants wondered how it was done so I did a quick demo. They couldn’t wrap their mind around it in the beginning but then the “aha!” moment arrived. I always love that.

Aha!
Thanks to Jude for the fabric weaving idea way back when.

I’m wondering about how much work it might be to do a woven moon for the moon circle. If I do, it might be a one moon month…

make the strips narrow or wide, as you desire. A featherweight fusible on the back side before dyeing helps stabilize the weaving. I also basted around the edges to help with that here as an experiment. I hadn’t tried that before.

Time and more time

I’m spending my time this week organizing for the upcoming workshops and pulling together teaching samples. There are many and I’m displaying them around the work space.

Also, finishing up a couple of things as inspiration for what one can do with the pieces that will be worked on during the dye and stitch sessions. Here is a bag I just finished with one of them. The exterior is all vintage and the interior lining is recycled. It’s really fun to give cloth a new life and make it into something “new” and useful. Another in the series of “Carry the Moon” bags I have made over time.

I’ve got a few things to clear off the decks today (Saturday) -like a couple shibori ribbon scrap bag orders, the last stragglers of the July moon circle cards, and some computer email communications. If you are reading this and are in any of the August in-studio workshops, you would have received the last details on attending the workshops and have been asked to reply and confirm. About half of you have-THANK YOU! The others have been emailed twice so far with no reply. I will do so once more and cross my fingers! Other than that, I will take time and try to search you out via social media and send you messages there. This all takes time that I really do need for other things… help a girl out and reply to your email confirmations! Thx…

“Other things” include tracking down a FedEx return from France that has been “on the way” for 30 days now! This order seems to have a curse on it. If you recall, I had sadly and mistakenly sent the wrong colors to a customer in France. We resolved the issue by my remaking the correct order and reshipping it while at the same time issuing a return label to have the wrong order returned to me. Package never returned after being picked up by FedEx at the customers location (and this only after several calls to fedex to go get the package). Fedex is now looking for it after weeks of me calling to check on it. Fedex shipping internationally is no joke either ($$$) so not only am I out the ribbon, I have spent hundreds in shipping to get it back. Yikes! It is going to take more time to resolve this and likely not in my favor. I will persist! Never before had a problem like this with FedEx. We shall see…

BUT- in today’s mail, I received these two beautiful embroidered silk moths from an artist in the Ukraine. So delicate and beautiful! I’m working on a piece that involves silk in all its permutations and these will be a lovely addition to it. I came across them through one of my Japanese sericulture contacts on Twitter.

Plus, I will be back to the Japanese American National Museum in early November with a workshop. stay tuned for details!

Let there be more Light than Dark

We are officially one day two days (taking me longer to finish this post!) past the Spring Equinox and that means more light than dark. Regardless of what the clocks say, I regard this as a celebration of light!
Every day I read the daily entry from my well worn copy of Hal Borland’s Book of Days and today’s entry is profound and meant so much more than the words on the page might have originally intended. It got me out early in the garden to do some work on the soil in one of my vegetable beds that I have been wanting to do and the timing is perfect. The action was like a prayer to the Universe. I’ll share the entry with you…

sun streaming across my page…and I didn’t know that about frost since we don’t get that here except once in a blue moon…

The action/prayer for today was to screen several buckets from the compost bin that have been fully rendered into a beautiful dark loam and teeming with earthworms. I added this to the next vegetable bed I intend to plant. I dug and forked and mixed until my back said enough and left it so the many earthworms could retreat into their darkness. Many seeds have been planted and have already sprouted with their own promises of miracles. I’ve been planting them out little by little. (There are already flowers on some of the tomato transplants!)

Speaking of the food of life (one cannot exist solely on tomatoes, greens and garlic!), there is other studio work to be done. Here I tend to the “soil” of my work by planting the seeds and giving them nourishment.
I’m listing two workshops today for August. These dates are chosen to be convenient for those who are coming to the Long Beach Quilt Festival should visitors want to take advantage of being geographically convenient to me. Of course this is not limited to show attendees! Please see the listings below for details. Several people have been emailing me for workshops and I’ll start with these since people are making their travel plans now and registering to attend the festival. I also working on a couple of other workshop opportunities that will happen before then- both online and in person. Of course everything continues to be premised on staying and keeping us all healthy!

March moons are all sent out- there are even a few extras if anyone wants to start their subscription with March…I now sort fabrics to find the canvas for April moons…also known as the Pink Moon, not for the color pink but for the pink phlox flowers that bloom in April. There are other names for the April moon and almost all are associated in one way or another with the end of Winter and the changes that Spring brings. I think some vintage silk might be where I begin as April is also when sericulture season begins in Japan. The mulberry farmers are tending their fields and noticing the new growth sprouting out. Soon, they will be hatching out the silkworm eggs…

I have also been doing a little stitching on a piece I started a while back which resurfaced while cleaning up some fabric stacks…it’s another cover for a pillow. The “MHNMC” Moose, has been taking advantage of the new window work table setup so he can harass the cats outside (who live here) from inside THEIR house. I got a kick out of my grandson when he was here and I called the cat “Moose”. He said, “Nana, that’s NOT a moose, it’s a CAT!”. He thought it was the silliest thing ever to name a cat Moose. I did not name this cat. I have no idea why he is named Moose. It’s on his collar. He’s obviously familiar with the Give a Moose a Muffin books. Always was a favorite way back when his dad was youngster. Glad to see these things repeat themselves.

Moose eye view…

Back to the workshops… I finally got them into the shop!

Here are the workshops available for signup now.

One is an indigo shibori workshop and the other is an inspired by cloth stitching workshop. So whether or not you will attend the Long Beach Quilt Festival or not, you are invited to sign up! My mind is already swirling with ideas!

Up or Down?

…or somewhere inbetween?

I have been feeling very confused lately. Lost really. One day I decide to offer some workshops, the next day I it all seems wrong and I change my mind, only to retrieve the idea a couple of days later. Take this post for example, will I keep it? Delete it? I just don’t know…

In the meantime, I make moons for the moon circle. The March moons are almost all finished. I took a little different approach to March. Maybe it’s the mood I’ve been in lately. March moons focused on process- the discharge process. Discharge is the removal of color- the discharging or releasing of the dye molecule from the cloth. Separation. Like mind from body. Disappearing the color…less and loss. Waning…declining, diminishing, decreasing.
It’s a process in itself to study.


I decided what I am going to do with my moons. I’ve been wondering about that, and about when that might happen. Up to now I have just been saving one set each month along with the description I enclose in a notebook until i figured it out. Mostly I thought I would do a wall piece or a small quilt that included all the moons from 2022. But then I had a little visit with my grandson…
I was wearing my cross shoulder moonbag and we were looking at some photos of himself I had just taken of him on my phone. He wanted to look at other photos and so I showed him some garden photos, the cats and dogs, and as we flipped by some of the moons, he identifies them…”Nana, moon!” (yes, he’s talking up a storm at 2 1/2 now). Then he looks at my bag, and says “Nana’s Moon”. Could you love it any more? I kept thinking about it over the next day and each time it just made me smile. As I was packaging up the moons in their cards and printing out the mailing labels it came to me…a little moonbook for Dean! Nothing too elaborate, just one page a month- small and simple enough so it’s doable and can be completed easily over time little pages I can take along and stitch on here and there. Now I’m a little excited and l am looking forward to this project!

Moonbags

I wonder what some of you out there are doing with your moons. Maybe you too are collecting them until the right moon mood hits you. I hope some of you will eventually share your moon projects with me.

As I finish up one month’s set of moons I think about the next. I already have my idea for May but for April, I may focus on some natural dyed moons using the seed pods from the feathery cassia out front.

Leslie from NSW Australia identified the mystery plant from the last post as a type of wattle in the comments and said that the seed pods from a particular wattle yield a green. Must test that out. The wattle is just now setting pods so in a couple of months I will collect them. The cassia too- but I have a bag of pods I saved from last summer so will use those now. She also clued me into a website I wasn’t familiar with that had a great list of wattle. I only had my own moon leaf wattle so didn’t realize how many other types there are! Especially did not guess that many of them are a narrow leaf variety.

I’ve planted some marigold seeds again for some late summer /fall possibilities. I have lots of tomato seedlings almost ready to plant out. I was out checking on the madder this week and broke off a few skinny root bits to propagate some new plants for another area- they are already sending out shoots! In the same area, I have a cyclamen I planted nearly 40 years ago. It disappeared a few times over the years but when we had enough rain it would reappear. It’s not a fancy one but a bright deep red/pink and in the past few years I’ve made an attempt to water it when needed just to keep it alive. It’s at the base of the ginko tree and benefits from the great mulch of ginko leaf drop in the winter. While i was checking on the madder (nearby) I noticed HUNDREDS of tiny cyclamen babies! Not knowing how these reproduced I looked it up on youtube and saw a fascinating vid on cyclamen plantings. Not having to worry about propagating them myself, I’m just potting up some of these to spread around. They are kinda expensive to buy at the nursery if you want a bunch of them. They little babies are pretty adorable. It will be fun to watch them grow. I didn’t know that they preferred dry shady areas! I think they really like the ginko mulching they get here.

And speaking of seed pods, Nancy surprised me with a package today of the pods she collected in this post from her blog Pomegranate Trail. I had commented on them and they are more fascinating in person. They really do float my boat Nancy! What I noticed also is that they make a cool percussive sound when they knock together. (this is what happens when you have lots of drummers around you-everything becomes percussion!

nancy’s seed pod boats!


And speaking of percussion, we went to see Trev and Jen in the pit orchestra for Fullerton College’s production of The Hunchback of Notre Dame. It was great fun- I had never seen this live and was amazed at how much the music relied on the percussionist. It was written for 3 percussionists I think but there was only budget for one (remember this is education and the arts, not war) and he held it down well hopping from one instrument to the next. But in the hallway there I saw this poster. It’s great don’t you think?

There were also 4 more relating to music and theater degrees. Looks like they had been there a while and produced by the college some time ago…

Also, when I am doing handwork etc., I’ve been taking Robert Reich‘s “open class” called “Wealth and Poverty” on YouTube. It’s quite good and you don’t even have to enroll in a University! I’m a little behind and on week four at the moment. I think he’s a great teacher on this topic. His website is here.

And finally, my hanging orchid (not upright blooming) cymbidium is glorious at the moment…it has 8 flower spikes and about 270 blossoms! I repotted it and moved its location last year but other than a little worm juice from the worm bin it’s pretty much ignored.

yippee!

So I guess I found my way after all…

Fragments

Today I finally finished this piece. I wrote a little about it here a few posts ago when I realized I was going to line the back side with some fine red silk. I said:

“The other project is still ongoing but I think I solved a dilemma that had been plaguing me for a while. I made this piece -a bit of an ode to fabric scraps and stitches and wasn’t sure if or how I wanted to back it. I always like the back of a stitched work-maybe just out of my own curiosity. But this has sat there feeling a bit unfinished and finally it ended up sitting next to some lovely old red lining silk. The jacquard pattern woven into the very very fine red silk are beautiful cranes with florals and vines. This auspicious pattern was probably for a wedding kimono lining or some other important kimono lining. It’s a full bolt but disassembled and stitched back into a continuous length. I decided I didn’t want to cut it to fit the width of my piece- it would ruin the full pattern. So I decided to stitch it into a tube at the proper width to stitch the lining to the back of my piece. This way, should someone ever want to reuse this beautiful silk, all you would have to do would be to unstitch it. Kind of like a kimono.”

As I was hand stitching the lining onto the back, It started to take on a vestment-like quality to it. Not so much like a religious type thing but a cloth with qualities that could be used for a special occasion- a celebration or a ceremonial sort of time. The cloth makes it feel that way. In the shop here.

Dyeing and social media

Lots of dye work going into the upcoming workshop kit materials. Like this selection of silk linings that were dyed yesterday for the komebukuro kits. Dyed using the indigo fermentation vat and a marigold dyepot for blue and gold linings. Of course I couldn’t resist doing a little bit of green since I had those colors going. I originally thought I would use the pomegranate dyepot but it wasn’t looking as gold as I wanted. So I decided to use it for the drawstrings and cording instead.

Interestingly, the two greens were produced with the same silk and the same dyepost/vat but the order of operations was reversed. Blue over gold and gold over blue (the more olive green) created two completely different greens. A green themed komebukuro was not planned but I might just have to put together fabric for one of those-just so I can use those delicious greens.

I am using some really nice brown linen (acquired somewhere long ago/can’t remember where) for the upper band on the bags. I liked it so much on the brown version I decided to overdye it in indigo for the blue bags. It dyed a very dark/almost black blue. It will make for a nice background for anyone wanting to do sashiko stitching there and a good dark contrast for the indigo bags in general.

The “Fall” weather turned to Summer again today, likely hastening the ginko trees turning to gold. Upper 80’s low 90’s for the next few days. I really can’t wait for the leaf drop. so much beautiful mulch will blanket the garden but a couple of weeks standing under the golden ginko tree is really something to look forward to. I’ve been enjoying the photos posted online of the fall leaves turning from around the world! In Japan, we always enjoyed taking a ride on the skyways, no matter the season. They even have special busses for fall leaf viewing that take you the most beautiful locations.

fall leaf viewing by skyway cable cars in Japan

And of course I’m still working on organza dyeing and pleating. There are two cats that don’t live here (and don’t like each other) constantly trying to vie for the top assistant position.

Captain help on the ironing board with the organza

Also, please give a visit again to the Kyoto Shibori Museum youtube video page and this video. It is beyond describing what they did to accomplish this major piece of shibori.

I am really starting to look ahead to next year’s Silk Study Tour.The 2021 Silk Study Tour to Japan has now been rescheduled for May 11-26 2022. It’s looking promising finally! We are still waiting for Japan to open up to tourists again and to respond to whatever protocols will be in place. It’s so hard to anticipate what they will be, but it does look like we are moving in the right direction. As a reminder, all participants will be required to be fully vaccinated at the time of acceptance into the tour as well as meet all travel restrictions, mandates, and requirements in place by both the US and Japan at the time of travel. I will be sending out the official notice by the end of this month with applications. The way to get on this email list is to sign up here. If you have emailed me and asked me to be put on the list, I have likely directed you to this email signup. (I may have missed a few…) If you had signed up to receive info on the 2021 tour, you will still get the 2022 tour email. you don’t need to sign up again. If you can’t remember or have a new email- DO sign up again. It will filter out duplicates (or tell you you are already on the list).

marigolds from the broth- they smelled good- like flower tea

The Shiborigirl Social Media Report…

As those of you who make a living (partially or completely) by making, teaching, and selling know, social media is a necessary part of what you do (or perhaps need to do more of). I am always in the position of needing to do more of it and really not finding enough time to do it! But if I don’t, sales and signups show it. Maybe you are in that position as well. (Or maybe you are a customer and are worn out from being marketed to!)
Maybe this part of the post won’t be of interest to you but here are my latest thoughts on what it takes to remain viable in the current environment.
keep writing your blog (or get one started now!)
this is the best advice I have to give really. I’ve said this all along and I’ve never stopped. I started in 2006 and have regularly blogged ever since. Yes, there have been some times of lesser blogging (especially during times when I was attending to subscription blogs, teaching or traveling) but this is the best way to stay connected to your circles of interest. A blog is a great timeline and window into what you do in photos, videos and words. It remains there forever and you and readers can reference past posts anytime. My favorite people are from the blog and through their blogs as well. We have some very long term relationships here. I love that people can add my blog to their readers or sign up to receive my posts via email. It’s not filtered by a platform algorithm. I use WordPress and there is really much more it offers than what I can use.
-Have a website (of course) and your own online shop
Make it as simple or as complicated as you want (simple is best for me but still seems complicated!). I have used etsy in the past but never exclusively or even majorly. I’m so glad I no longer use it as the way it has evolved just does not suit me at all. The whole “star seller” thing is atrocious. Your online shop (and even etsy) is just a virtual cash register and you need to lead people to it. Don’t expect any of them to do your marketing for you.
-Have a way to collect email addresses & use this for newsletters!
I’ve used Constant Contact for many years and it’s served me well. There are lots of options on how to do this but I like self sign up lists and have mine on the top right of the blog here. (don’t wear out your subscribers with newsletters though or they might just not read them)
Use Facebook, Instagram, Pinterest, Twitter, TicTok, and the rest as you need or desire to.
I use FB (both a personal page and a studio page). I use Instagram here and there. Most people love IG more than I do. I’m not really a Pinterest person but will use it as a way to point people to my website etc.. I don’t do TicTok currently-just too much for me at the moment although some people use it as their #1 SM site and do it very well. YouTube is also a great resource and I really should do more with it. No matter which platforms you choose, it’s important to engage with your followers and form relationships, to offer good and interesting content. To be giving more than you receive. You do need to understand the relationship of some of these platforms to each other as some don’t play nice with each other (ie FB & Youtube). I use my Twitter mostly for local politics but do have some fascinating people I follow and interact with there- sericultureists around the world, artists, textile museum folks, and others. Some people hate Twitter and Facebook and some love one or the other or both. Maybe one of the most important things I can say about SM platforms is that YOU can curate and control your experience. If you are seeing lots of content you don’t like- then change it!
I haven’t even mentioned “boosting” or placing ads which is an art in and of itself. I dabble in it as I don’t have a lot of $ to spend on it and since my time to fully understand and make the most of it is limited I just do a small amount of it.
Maybe the most difficult thing is to keep up with all the changes and updates to these platforms and how they will affect me and my business. It really is a full time job (that I don’t want) yet don’t have enough time for if I am going to get ANYTHING done in the studio!
Of course Covid plays into all this and did I mention Zoom? I did in the last post and since then I have started doing some Facebook livestreaming on my studio page. After several trials and tribulations I mostly got it working the way I want it to- just giving a quick live video update on what I’m working on. I’m using a 2 camera view with some OBS software (OBS Studio is the one I like) that allows me to show you my work table plus my “talking head”. I do this so i can feel more present with you even though I’m using a virtual platform.
-You can always set up a linktree that you can quickly post here and there when your website isn’t quite what you want. You can also set up various linktrees to serve different purposes. My linktree.

**NOTE** in doing this post I was checking links and found that one of the links in the sidebar which was supposed to be going to my Paypal account was actually going to various random people’s paypal!! Off to fix that now! CHECK YOUR LINKS FROM TIME TO TIME! I reported it to WP and took screenshots but WOW! Sorry to anyone who might have sent $ for the Moonmates series that I didn’t acknowledge!

Overwhelmed yet? I am… now to get back to the studio…

making moons too- some for moon orders and some for the komebukuro bag kits




a little crazed…

The recent days and weeks have been busy, full of daily goings on, dyeing, kit making, workshop prepping, visitors, and then the big event- a beach wedding!

It was a simply beautiful affair on the beach with a BBQ afterwards as the sun set. I had the privilege of making the wedding cheesecakes, vegan chili and helping with the clothing alterations. Others brought food, flowers and officiated. It was a perfect October evening with mild temps and a slight breeze. Children played at the shores edge and adults enjoyed food and conversation. Some surfed prior to the ceremony with the groom. Several people camped overnight nearby, under a bright near full moon.

This Saturday is the first of the two Zoom flower workshops. The material kits have been mailed, the work table set up and today I will do some test runs. The second Zoom date is next Thursday for those who would like to do it a second time or perhaps already had something scheduled for the first date. You can also still order a kit and get the video link when it’s done.

from plain to pleated

I made a whole bunch of extra kits and have added them in the shop. Here in Long Beach, we have hundreds of cargo ships off the coast and politicians encouraging people to shop early for the holidays since the logjam is delaying the arrival of goods. I say, why not make things instead? Here is a list of kits I have in the shop right now if you are inclined to make a hand made gift. I also have a few things ready made that might suit. I’m working on several more. If you have a special custom request, let me know. (I just looked over the shop and see I need to add a few things I never added so that will be my next task…)

Last week’s workshop with Ann Wasserman in her “Preserving Our Quilting Heritage” we were treated to her lecture with samples of quilts she had worked on and new ones now on her work table. We have all sent in photos of a quilt we want to “triage” and of course mine is that unfinished crazy quilt (Ida Belle) I acquired some time back. Here are the photos I sent in.

In between my own work, I have become somewhat obsessed with this crazy quilt thing. In doing a little research, I wondered where the term “crazy” had developed in regards to quilting. It seems (whether true or lore), to have been a reference to the crazed glazes on porcelain the Japanese had exhibited in the 1876 Centennial Exposition  in Philadelphia. Crazing on ceramics occurs when the clay body and the glaze don’t “fit”. That is, they don’t cool at the same rate after firing. This can be caused by a number of things-too thick a coating of glaze, the (intentional or not) chemical composition of the glaze, or thermal shock of cooling off a kiln too quickly. Tension between the clay body and the glaze creates a network of fine crackling. This can be enhanced by rubbing ink into the cracks to make the pattern of crazing stand out on a decorative piece. You don’t want crazing on dinnerware because over time and use the crazing can collect bacteria that may not be desirable. But on decorative ware, glazes can be designed to create a variety of crackle patterns and when I was a ceramic student we had to do just this in the Chemical Clay and Glaze classes. I loved the chemistry of ceramics. During 30 years of running my own porcelain company, we “cracked” many crazing issues. For the most part, even when we wanted a crazed glaze effect on a decorative line, stores and customers would often see it as a defect and we just abandoned it altogether. But that was another time and place…so, back to crazy quilts. So as the story goes, the crazed patterns on Japanese porcelain pieces at this exhibition in 1876 inspired a “craze” itself where quilters found beauty and interest in recreating this type of pattern in their quilts. Previously, quilts had been mostly geometric organized affairs. I imagine that the pieces that were exhibited were possibly Japanese raku.

In between this and that this week, I was looking at Ida Belle and realizing what a task it is going to be to restore it to a reasonable condition and as I was inspecting various parts of it I kept coming back to my interests in Japanese boro traditions and techniques. I can see so many instances where boro repair techniques could be applied. I am not trying to do a traditional restoration of this crazy quilt. This quilt in fact was never completed by Ida Belle. It does not have a binding or a quilt back- it was never quilted or tied or embroidered (something tells me-mainly the types of materials used that Ida never intended to embroider it or embellish her quilt). Perhaps she died before finishing it. The fact that it exists in a fairly decent condition is that it was never used since it was never actually finished. It exists as a quilt top only.
My list of “goals” currently is as follows:

-repair Ida Belle to a condition where it can be lightly used
-use materials I have on hand (as I believe would be Ida’s way)
-apply hand stitching and repair techniques from Ann’s class as well as my knowledge of boro repairs observed in pieces I have collected

-apply a backing and a binding
-steadily work on it as I can-don’t abandon the project!

I may add others as I go but that’s it at the moment. In another twist, I was cleaning up my work table for the Saturday workshop and sorted some scraps of vintage Japanese indigo fabrics. Another project emerged alongside. I became a little obsessed and worked late into the night. It seems that Japanese vintage textiles and crazy quilting are quite like peanut butter and jam.

I chose a piece of egasuri (kasuri with an image or picture woven into it) as a central piece to this block- bird images being quite popular in crazy quilting. I did not use the traditional method of crazy quilt piecing (surprised? haha) but opted to leave all woven selvedges intact as I honor the selvedge whenever possible. I used tattered bits and repaired them using boro techniques- but using some very old red silk in a way that reminds me a bit of the Japanese porcelain repair work called kintsugi. I used hand dyed cotton sashiko thread for the decorative featherstitch (practice needed!) across each joined patch (still a WIP). So now that I have one block near completion, I guess I’ll have to start another. This first block is 18″ x 18″ so I imagine I will do either 6 or 9 for a smallish lap type quilt. Who knows?

One last thing. I’ve started taking photos of all the oothecae I come across in the yard as I do fall clean up work. It helps me remember where they are when it’s time to watch them hatch around February (I’m guessing…). So far I’ve found 6 or so. all in different places. Each egg case can contain 50-200 eggs of the praying mantis! We had so many this past summer.