Tag Archives: indigo

Let there be more Light than Dark

We are officially one day two days (taking me longer to finish this post!) past the Spring Equinox and that means more light than dark. Regardless of what the clocks say, I regard this as a celebration of light!
Every day I read the daily entry from my well worn copy of Hal Borland’s Book of Days and today’s entry is profound and meant so much more than the words on the page might have originally intended. It got me out early in the garden to do some work on the soil in one of my vegetable beds that I have been wanting to do and the timing is perfect. The action was like a prayer to the Universe. I’ll share the entry with you…

sun streaming across my page…and I didn’t know that about frost since we don’t get that here except once in a blue moon…

The action/prayer for today was to screen several buckets from the compost bin that have been fully rendered into a beautiful dark loam and teeming with earthworms. I added this to the next vegetable bed I intend to plant. I dug and forked and mixed until my back said enough and left it so the many earthworms could retreat into their darkness. Many seeds have been planted and have already sprouted with their own promises of miracles. I’ve been planting them out little by little. (There are already flowers on some of the tomato transplants!)

Speaking of the food of life (one cannot exist solely on tomatoes, greens and garlic!), there is other studio work to be done. Here I tend to the “soil” of my work by planting the seeds and giving them nourishment.
I’m listing two workshops today for August. These dates are chosen to be convenient for those who are coming to the Long Beach Quilt Festival should visitors want to take advantage of being geographically convenient to me. Of course this is not limited to show attendees! Please see the listings below for details. Several people have been emailing me for workshops and I’ll start with these since people are making their travel plans now and registering to attend the festival. I also working on a couple of other workshop opportunities that will happen before then- both online and in person. Of course everything continues to be premised on staying and keeping us all healthy!

March moons are all sent out- there are even a few extras if anyone wants to start their subscription with March…I now sort fabrics to find the canvas for April moons…also known as the Pink Moon, not for the color pink but for the pink phlox flowers that bloom in April. There are other names for the April moon and almost all are associated in one way or another with the end of Winter and the changes that Spring brings. I think some vintage silk might be where I begin as April is also when sericulture season begins in Japan. The mulberry farmers are tending their fields and noticing the new growth sprouting out. Soon, they will be hatching out the silkworm eggs…

I have also been doing a little stitching on a piece I started a while back which resurfaced while cleaning up some fabric stacks…it’s another cover for a pillow. The “MHNMC” Moose, has been taking advantage of the new window work table setup so he can harass the cats outside (who live here) from inside THEIR house. I got a kick out of my grandson when he was here and I called the cat “Moose”. He said, “Nana, that’s NOT a moose, it’s a CAT!”. He thought it was the silliest thing ever to name a cat Moose. I did not name this cat. I have no idea why he is named Moose. It’s on his collar. He’s obviously familiar with the Give a Moose a Muffin books. Always was a favorite way back when his dad was youngster. Glad to see these things repeat themselves.

Moose eye view…

Back to the workshops… I finally got them into the shop!

Here are the workshops available for signup now.

One is an indigo shibori workshop and the other is an inspired by cloth stitching workshop. So whether or not you will attend the Long Beach Quilt Festival or not, you are invited to sign up! My mind is already swirling with ideas!

Up or Down?

…or somewhere inbetween?

I have been feeling very confused lately. Lost really. One day I decide to offer some workshops, the next day I it all seems wrong and I change my mind, only to retrieve the idea a couple of days later. Take this post for example, will I keep it? Delete it? I just don’t know…

In the meantime, I make moons for the moon circle. The March moons are almost all finished. I took a little different approach to March. Maybe it’s the mood I’ve been in lately. March moons focused on process- the discharge process. Discharge is the removal of color- the discharging or releasing of the dye molecule from the cloth. Separation. Like mind from body. Disappearing the color…less and loss. Waning…declining, diminishing, decreasing.
It’s a process in itself to study.


I decided what I am going to do with my moons. I’ve been wondering about that, and about when that might happen. Up to now I have just been saving one set each month along with the description I enclose in a notebook until i figured it out. Mostly I thought I would do a wall piece or a small quilt that included all the moons from 2022. But then I had a little visit with my grandson…
I was wearing my cross shoulder moonbag and we were looking at some photos of himself I had just taken of him on my phone. He wanted to look at other photos and so I showed him some garden photos, the cats and dogs, and as we flipped by some of the moons, he identifies them…”Nana, moon!” (yes, he’s talking up a storm at 2 1/2 now). Then he looks at my bag, and says “Nana’s Moon”. Could you love it any more? I kept thinking about it over the next day and each time it just made me smile. As I was packaging up the moons in their cards and printing out the mailing labels it came to me…a little moonbook for Dean! Nothing too elaborate, just one page a month- small and simple enough so it’s doable and can be completed easily over time little pages I can take along and stitch on here and there. Now I’m a little excited and l am looking forward to this project!

Moonbags

I wonder what some of you out there are doing with your moons. Maybe you too are collecting them until the right moon mood hits you. I hope some of you will eventually share your moon projects with me.

As I finish up one month’s set of moons I think about the next. I already have my idea for May but for April, I may focus on some natural dyed moons using the seed pods from the feathery cassia out front.

Leslie from NSW Australia identified the mystery plant from the last post as a type of wattle in the comments and said that the seed pods from a particular wattle yield a green. Must test that out. The wattle is just now setting pods so in a couple of months I will collect them. The cassia too- but I have a bag of pods I saved from last summer so will use those now. She also clued me into a website I wasn’t familiar with that had a great list of wattle. I only had my own moon leaf wattle so didn’t realize how many other types there are! Especially did not guess that many of them are a narrow leaf variety.

I’ve planted some marigold seeds again for some late summer /fall possibilities. I have lots of tomato seedlings almost ready to plant out. I was out checking on the madder this week and broke off a few skinny root bits to propagate some new plants for another area- they are already sending out shoots! In the same area, I have a cyclamen I planted nearly 40 years ago. It disappeared a few times over the years but when we had enough rain it would reappear. It’s not a fancy one but a bright deep red/pink and in the past few years I’ve made an attempt to water it when needed just to keep it alive. It’s at the base of the ginko tree and benefits from the great mulch of ginko leaf drop in the winter. While i was checking on the madder (nearby) I noticed HUNDREDS of tiny cyclamen babies! Not knowing how these reproduced I looked it up on youtube and saw a fascinating vid on cyclamen plantings. Not having to worry about propagating them myself, I’m just potting up some of these to spread around. They are kinda expensive to buy at the nursery if you want a bunch of them. They little babies are pretty adorable. It will be fun to watch them grow. I didn’t know that they preferred dry shady areas! I think they really like the ginko mulching they get here.

And speaking of seed pods, Nancy surprised me with a package today of the pods she collected in this post from her blog Pomegranate Trail. I had commented on them and they are more fascinating in person. They really do float my boat Nancy! What I noticed also is that they make a cool percussive sound when they knock together. (this is what happens when you have lots of drummers around you-everything becomes percussion!

nancy’s seed pod boats!


And speaking of percussion, we went to see Trev and Jen in the pit orchestra for Fullerton College’s production of The Hunchback of Notre Dame. It was great fun- I had never seen this live and was amazed at how much the music relied on the percussionist. It was written for 3 percussionists I think but there was only budget for one (remember this is education and the arts, not war) and he held it down well hopping from one instrument to the next. But in the hallway there I saw this poster. It’s great don’t you think?

There were also 4 more relating to music and theater degrees. Looks like they had been there a while and produced by the college some time ago…

Also, when I am doing handwork etc., I’ve been taking Robert Reich‘s “open class” called “Wealth and Poverty” on YouTube. It’s quite good and you don’t even have to enroll in a University! I’m a little behind and on week four at the moment. I think he’s a great teacher on this topic. His website is here.

And finally, my hanging orchid (not upright blooming) cymbidium is glorious at the moment…it has 8 flower spikes and about 270 blossoms! I repotted it and moved its location last year but other than a little worm juice from the worm bin it’s pretty much ignored.

yippee!

So I guess I found my way after all…

Fragments

Today I finally finished this piece. I wrote a little about it here a few posts ago when I realized I was going to line the back side with some fine red silk. I said:

“The other project is still ongoing but I think I solved a dilemma that had been plaguing me for a while. I made this piece -a bit of an ode to fabric scraps and stitches and wasn’t sure if or how I wanted to back it. I always like the back of a stitched work-maybe just out of my own curiosity. But this has sat there feeling a bit unfinished and finally it ended up sitting next to some lovely old red lining silk. The jacquard pattern woven into the very very fine red silk are beautiful cranes with florals and vines. This auspicious pattern was probably for a wedding kimono lining or some other important kimono lining. It’s a full bolt but disassembled and stitched back into a continuous length. I decided I didn’t want to cut it to fit the width of my piece- it would ruin the full pattern. So I decided to stitch it into a tube at the proper width to stitch the lining to the back of my piece. This way, should someone ever want to reuse this beautiful silk, all you would have to do would be to unstitch it. Kind of like a kimono.”

As I was hand stitching the lining onto the back, It started to take on a vestment-like quality to it. Not so much like a religious type thing but a cloth with qualities that could be used for a special occasion- a celebration or a ceremonial sort of time. The cloth makes it feel that way. In the shop here.

Dyeing and social media

Lots of dye work going into the upcoming workshop kit materials. Like this selection of silk linings that were dyed yesterday for the komebukuro kits. Dyed using the indigo fermentation vat and a marigold dyepot for blue and gold linings. Of course I couldn’t resist doing a little bit of green since I had those colors going. I originally thought I would use the pomegranate dyepot but it wasn’t looking as gold as I wanted. So I decided to use it for the drawstrings and cording instead.

Interestingly, the two greens were produced with the same silk and the same dyepost/vat but the order of operations was reversed. Blue over gold and gold over blue (the more olive green) created two completely different greens. A green themed komebukuro was not planned but I might just have to put together fabric for one of those-just so I can use those delicious greens.

I am using some really nice brown linen (acquired somewhere long ago/can’t remember where) for the upper band on the bags. I liked it so much on the brown version I decided to overdye it in indigo for the blue bags. It dyed a very dark/almost black blue. It will make for a nice background for anyone wanting to do sashiko stitching there and a good dark contrast for the indigo bags in general.

The “Fall” weather turned to Summer again today, likely hastening the ginko trees turning to gold. Upper 80’s low 90’s for the next few days. I really can’t wait for the leaf drop. so much beautiful mulch will blanket the garden but a couple of weeks standing under the golden ginko tree is really something to look forward to. I’ve been enjoying the photos posted online of the fall leaves turning from around the world! In Japan, we always enjoyed taking a ride on the skyways, no matter the season. They even have special busses for fall leaf viewing that take you the most beautiful locations.

fall leaf viewing by skyway cable cars in Japan

And of course I’m still working on organza dyeing and pleating. There are two cats that don’t live here (and don’t like each other) constantly trying to vie for the top assistant position.

Captain help on the ironing board with the organza

Also, please give a visit again to the Kyoto Shibori Museum youtube video page and this video. It is beyond describing what they did to accomplish this major piece of shibori.

I am really starting to look ahead to next year’s Silk Study Tour.The 2021 Silk Study Tour to Japan has now been rescheduled for May 11-26 2022. It’s looking promising finally! We are still waiting for Japan to open up to tourists again and to respond to whatever protocols will be in place. It’s so hard to anticipate what they will be, but it does look like we are moving in the right direction. As a reminder, all participants will be required to be fully vaccinated at the time of acceptance into the tour as well as meet all travel restrictions, mandates, and requirements in place by both the US and Japan at the time of travel. I will be sending out the official notice by the end of this month with applications. The way to get on this email list is to sign up here. If you have emailed me and asked me to be put on the list, I have likely directed you to this email signup. (I may have missed a few…) If you had signed up to receive info on the 2021 tour, you will still get the 2022 tour email. you don’t need to sign up again. If you can’t remember or have a new email- DO sign up again. It will filter out duplicates (or tell you you are already on the list).

marigolds from the broth- they smelled good- like flower tea

The Shiborigirl Social Media Report…

As those of you who make a living (partially or completely) by making, teaching, and selling know, social media is a necessary part of what you do (or perhaps need to do more of). I am always in the position of needing to do more of it and really not finding enough time to do it! But if I don’t, sales and signups show it. Maybe you are in that position as well. (Or maybe you are a customer and are worn out from being marketed to!)
Maybe this part of the post won’t be of interest to you but here are my latest thoughts on what it takes to remain viable in the current environment.
keep writing your blog (or get one started now!)
this is the best advice I have to give really. I’ve said this all along and I’ve never stopped. I started in 2006 and have regularly blogged ever since. Yes, there have been some times of lesser blogging (especially during times when I was attending to subscription blogs, teaching or traveling) but this is the best way to stay connected to your circles of interest. A blog is a great timeline and window into what you do in photos, videos and words. It remains there forever and you and readers can reference past posts anytime. My favorite people are from the blog and through their blogs as well. We have some very long term relationships here. I love that people can add my blog to their readers or sign up to receive my posts via email. It’s not filtered by a platform algorithm. I use WordPress and there is really much more it offers than what I can use.
-Have a website (of course) and your own online shop
Make it as simple or as complicated as you want (simple is best for me but still seems complicated!). I have used etsy in the past but never exclusively or even majorly. I’m so glad I no longer use it as the way it has evolved just does not suit me at all. The whole “star seller” thing is atrocious. Your online shop (and even etsy) is just a virtual cash register and you need to lead people to it. Don’t expect any of them to do your marketing for you.
-Have a way to collect email addresses & use this for newsletters!
I’ve used Constant Contact for many years and it’s served me well. There are lots of options on how to do this but I like self sign up lists and have mine on the top right of the blog here. (don’t wear out your subscribers with newsletters though or they might just not read them)
Use Facebook, Instagram, Pinterest, Twitter, TicTok, and the rest as you need or desire to.
I use FB (both a personal page and a studio page). I use Instagram here and there. Most people love IG more than I do. I’m not really a Pinterest person but will use it as a way to point people to my website etc.. I don’t do TicTok currently-just too much for me at the moment although some people use it as their #1 SM site and do it very well. YouTube is also a great resource and I really should do more with it. No matter which platforms you choose, it’s important to engage with your followers and form relationships, to offer good and interesting content. To be giving more than you receive. You do need to understand the relationship of some of these platforms to each other as some don’t play nice with each other (ie FB & Youtube). I use my Twitter mostly for local politics but do have some fascinating people I follow and interact with there- sericultureists around the world, artists, textile museum folks, and others. Some people hate Twitter and Facebook and some love one or the other or both. Maybe one of the most important things I can say about SM platforms is that YOU can curate and control your experience. If you are seeing lots of content you don’t like- then change it!
I haven’t even mentioned “boosting” or placing ads which is an art in and of itself. I dabble in it as I don’t have a lot of $ to spend on it and since my time to fully understand and make the most of it is limited I just do a small amount of it.
Maybe the most difficult thing is to keep up with all the changes and updates to these platforms and how they will affect me and my business. It really is a full time job (that I don’t want) yet don’t have enough time for if I am going to get ANYTHING done in the studio!
Of course Covid plays into all this and did I mention Zoom? I did in the last post and since then I have started doing some Facebook livestreaming on my studio page. After several trials and tribulations I mostly got it working the way I want it to- just giving a quick live video update on what I’m working on. I’m using a 2 camera view with some OBS software (OBS Studio is the one I like) that allows me to show you my work table plus my “talking head”. I do this so i can feel more present with you even though I’m using a virtual platform.
-You can always set up a linktree that you can quickly post here and there when your website isn’t quite what you want. You can also set up various linktrees to serve different purposes. My linktree.

**NOTE** in doing this post I was checking links and found that one of the links in the sidebar which was supposed to be going to my Paypal account was actually going to various random people’s paypal!! Off to fix that now! CHECK YOUR LINKS FROM TIME TO TIME! I reported it to WP and took screenshots but WOW! Sorry to anyone who might have sent $ for the Moonmates series that I didn’t acknowledge!

Overwhelmed yet? I am… now to get back to the studio…

making moons too- some for moon orders and some for the komebukuro bag kits




a little crazed…

The recent days and weeks have been busy, full of daily goings on, dyeing, kit making, workshop prepping, visitors, and then the big event- a beach wedding!

It was a simply beautiful affair on the beach with a BBQ afterwards as the sun set. I had the privilege of making the wedding cheesecakes, vegan chili and helping with the clothing alterations. Others brought food, flowers and officiated. It was a perfect October evening with mild temps and a slight breeze. Children played at the shores edge and adults enjoyed food and conversation. Some surfed prior to the ceremony with the groom. Several people camped overnight nearby, under a bright near full moon.

This Saturday is the first of the two Zoom flower workshops. The material kits have been mailed, the work table set up and today I will do some test runs. The second Zoom date is next Thursday for those who would like to do it a second time or perhaps already had something scheduled for the first date. You can also still order a kit and get the video link when it’s done.

from plain to pleated

I made a whole bunch of extra kits and have added them in the shop. Here in Long Beach, we have hundreds of cargo ships off the coast and politicians encouraging people to shop early for the holidays since the logjam is delaying the arrival of goods. I say, why not make things instead? Here is a list of kits I have in the shop right now if you are inclined to make a hand made gift. I also have a few things ready made that might suit. I’m working on several more. If you have a special custom request, let me know. (I just looked over the shop and see I need to add a few things I never added so that will be my next task…)

Last week’s workshop with Ann Wasserman in her “Preserving Our Quilting Heritage” we were treated to her lecture with samples of quilts she had worked on and new ones now on her work table. We have all sent in photos of a quilt we want to “triage” and of course mine is that unfinished crazy quilt (Ida Belle) I acquired some time back. Here are the photos I sent in.

In between my own work, I have become somewhat obsessed with this crazy quilt thing. In doing a little research, I wondered where the term “crazy” had developed in regards to quilting. It seems (whether true or lore), to have been a reference to the crazed glazes on porcelain the Japanese had exhibited in the 1876 Centennial Exposition  in Philadelphia. Crazing on ceramics occurs when the clay body and the glaze don’t “fit”. That is, they don’t cool at the same rate after firing. This can be caused by a number of things-too thick a coating of glaze, the (intentional or not) chemical composition of the glaze, or thermal shock of cooling off a kiln too quickly. Tension between the clay body and the glaze creates a network of fine crackling. This can be enhanced by rubbing ink into the cracks to make the pattern of crazing stand out on a decorative piece. You don’t want crazing on dinnerware because over time and use the crazing can collect bacteria that may not be desirable. But on decorative ware, glazes can be designed to create a variety of crackle patterns and when I was a ceramic student we had to do just this in the Chemical Clay and Glaze classes. I loved the chemistry of ceramics. During 30 years of running my own porcelain company, we “cracked” many crazing issues. For the most part, even when we wanted a crazed glaze effect on a decorative line, stores and customers would often see it as a defect and we just abandoned it altogether. But that was another time and place…so, back to crazy quilts. So as the story goes, the crazed patterns on Japanese porcelain pieces at this exhibition in 1876 inspired a “craze” itself where quilters found beauty and interest in recreating this type of pattern in their quilts. Previously, quilts had been mostly geometric organized affairs. I imagine that the pieces that were exhibited were possibly Japanese raku.

In between this and that this week, I was looking at Ida Belle and realizing what a task it is going to be to restore it to a reasonable condition and as I was inspecting various parts of it I kept coming back to my interests in Japanese boro traditions and techniques. I can see so many instances where boro repair techniques could be applied. I am not trying to do a traditional restoration of this crazy quilt. This quilt in fact was never completed by Ida Belle. It does not have a binding or a quilt back- it was never quilted or tied or embroidered (something tells me-mainly the types of materials used that Ida never intended to embroider it or embellish her quilt). Perhaps she died before finishing it. The fact that it exists in a fairly decent condition is that it was never used since it was never actually finished. It exists as a quilt top only.
My list of “goals” currently is as follows:

-repair Ida Belle to a condition where it can be lightly used
-use materials I have on hand (as I believe would be Ida’s way)
-apply hand stitching and repair techniques from Ann’s class as well as my knowledge of boro repairs observed in pieces I have collected

-apply a backing and a binding
-steadily work on it as I can-don’t abandon the project!

I may add others as I go but that’s it at the moment. In another twist, I was cleaning up my work table for the Saturday workshop and sorted some scraps of vintage Japanese indigo fabrics. Another project emerged alongside. I became a little obsessed and worked late into the night. It seems that Japanese vintage textiles and crazy quilting are quite like peanut butter and jam.

I chose a piece of egasuri (kasuri with an image or picture woven into it) as a central piece to this block- bird images being quite popular in crazy quilting. I did not use the traditional method of crazy quilt piecing (surprised? haha) but opted to leave all woven selvedges intact as I honor the selvedge whenever possible. I used tattered bits and repaired them using boro techniques- but using some very old red silk in a way that reminds me a bit of the Japanese porcelain repair work called kintsugi. I used hand dyed cotton sashiko thread for the decorative featherstitch (practice needed!) across each joined patch (still a WIP). So now that I have one block near completion, I guess I’ll have to start another. This first block is 18″ x 18″ so I imagine I will do either 6 or 9 for a smallish lap type quilt. Who knows?

One last thing. I’ve started taking photos of all the oothecae I come across in the yard as I do fall clean up work. It helps me remember where they are when it’s time to watch them hatch around February (I’m guessing…). So far I’ve found 6 or so. all in different places. Each egg case can contain 50-200 eggs of the praying mantis! We had so many this past summer.

in the air…

Lots of thoughts rumbling around here since the last post. This is gonna be a longer post, so settle in.

various tomato seedlings transplanted up and getting a bit of a slow start due to cooler weather but it’s warming up now.

Spring is definitely in the air. And so is hope in many quarters. Spring always is in the very heart of a gardener and I’m no different. Like Spring seasons, life is slowly changing and renewing. Many people are getting vaccinated, getting out and adjusting to what currently is. Just being here is good. In fact, quite wonderful.

Hirata san sends me photos of the beautiful cherry blossoms in Kamakura and I’m having hanami natsukashii (cherry blossom viewing yearnings)…here are a couple to get you in the mood. We have our itinerary for the Silk Study Tour set for 2022 and are looking forward. The photos below show the new cherry trees approaching the Hachimangu shrine. It is just gorgeous with all the trees in bloom! This approach was reworked just a few years ago and is a lovely walk down the center of the main street.

I’ve struggled to post often this past year, instead letting thoughts congregate a bit before getting them written into the ether. That doesn’t mean that they are more clearly expressed with the passage of time, sometimes I think it is quite the opposite! Too many thoughts blend, are forgotten and so on, but today felt right so here we are. Sometimes I take short notes for the blog on my phone to remind me of something I want to write about and sometimes I don’t, letting the thought return like a butterfly to its host plant if it works out that way (speaking of butterflies, the caterpillars of the clouded sulfers have gone somewhere to pupate, I know not where) and the praying mantis oothecae should be hatching any second (haven’t seen the babies yet).

Fresh on my mind right now are my beader friends in the Czech Republic (CR) who write me that they are suffering greatly from their government’s misconduct and irresponsibility in regards to COVID. I felt so sad hearing her description of their situation there. Vaccines are extremely limited, and lockdowns are very strict beyond what science would rationally dictate. People feel stifled and rebellious and somewhat hopeless. They look forward to a new election in October, she says.

“forbidden to move out of our districts, forbidden to work and not compensated, forbidden to socialize, forbidden to breath without a mask even if there is nobody around us in a 100 metres range(328 feet), forbidden to leave our homes between 9pm and 5am… and god knows how long til the end, because the government has literally NO PLAN”

I know she won’t mind my sharing her words here anonymously. I can be so absorbed in my own world here, listening to others broadens my perspective. I love that we have become long distance friends sharing our worlds. At the end of our conversation I shared the music of Joan Armatrading (a long time favorite of mine). I’ve been listening to her music today in the studio after Maura in India (Mustard Seeds Kolkata) featured a song on her FB post this morning.

Seems we lost a number of writers in March, notably Beverly Cleary(104), Norton Juster(91), Larry McMurtry(84), and Marianne Carus(92). My kids and I enjoyed their work and say a fond farewell, having left us with many good reads.

My heart was warmed by a message/conversation received from the mother of a son who credits me with far too much- but as we say, we never know what good a simple act of open-heartedness can give rise to. She credits me with reaching out to him as a young teenager who was struggling greatly and saving his life but it was her perseverance and love that brought him to meet me at a show in Houston (they lived in IN) and to encourage his interest in textiles and art. It is to his credit (and hers) that he graduated with a degree in art and is now teaching art in a HS in CO and just got accepted to grad school. He is out and doing what he loves, being who he is. How can you not love that?

It’s haru basho in sumo right now and today is the final day. We enjoy watching sumo here (I love looking at the silk gyoji costumes with their jaquard weaves and wonderful color combinations) and love watching both the juryo and makuuchi divisions. In a lower division called sandanme one of the rikshi (Hibikiryū) suffered a horrible injury perhaps resulting in paralysis (yet to be determined). The resulting uproar over treatment of rikshi injuries has resumed in sumo and is very justified. If you follow sumo, you know what I am talking about. Japan needs to step up. Tradition is one thing, humane treatment of rikshi is another.

Here in CA people over 50 are eligible for vaccinations April 1 and everyone over 16 is eligible April 15. Some areas have already opened to over 50 and we just received our first vaccination here. We still need #2 in 21 days plus a waiting period but progress is happening and workshops will again begin this summer! I am noticing how it is affecting my mental well being today. I feel inspired and more alive. I hope you are taking advantage of vaccinations in your area so we can all move ahead with safety and more peace of mind. This is a time to consider the future and reinvent many things.

Speaking of the studio, my recent post on the paid blog was quite interesting (apparently only to me-haha) yet I’m not sure if subscribers are reading regularly. Makes me wonder about that path. I won’t be doing this again, methinks. All posts there are password protected unless you subscribe but I thought I would “unprotect” this one to share here. It’s about indigo and madder and what I am making now… moonfire! March moons are all about madder and indigo. Today is the full moon as well as a shop update. Moonrise last night was spectacular here. Are you watching where you are?

I also was listening to a video I came across that resonated with me by George Monbiot who promotes “feeding the world without devouring the planet “. This also applies to textiles and clothing which continue to be a resource problem. As the planet goes, so go we. We survive by walking a fragile line of coexistence with nature. The planet will outlast us surely, but by how much? That is up to us.

In the meantime, I continue to dye. I have been dyeing madder and indigo. On a frustrating note, my aquarium heater in the indigo vat is out of commission again. I think that the high pH just does it in and results in its early death. They seem to last less and less time these days (this one just 5 months). Maybe this is the answer? Pricier than replacing the heater but…less wasteful if it lasts a couple of years. The weather is heating up now (81 degrees today) so a heater for the fermentation vat won’t be needed soon. I have been sorting through old cloth and over-dyeing in both indigo and madder to create some interesting cloth sets for the shop. Moonfire sets are also available there. A little diversion is always fun. I love how madder complements the indigo. I can imagine the projects that will be made from these cloth sets. From my imagination to yours…

and in the end, a look back to an older post.

The wisdom of the cloth

There is something ultimately satisfying to me when I use old cloth. Especially cloth that has been previously reused-who knows how many times? The feel of it is different, the smell of it, the texture…the memories it holds. Old cloth has lots to wonder about.

Then there is the variety of the cloth. The various weaves, the fiber itself, and the skill of the weaver, the dyer, the thread maker. The cloths original intent or purpose and ultimate uses is also something to wonder about.

sorting and wondering

Today I sorted through another bundle of old Japanese fabric, all previously reused and dismantled from its former use-kimono, yukata, futon cover and more. I love things made from these old fabrics. That someone felt the cloth was precious enough to mend and then use again in something else- is enough for me to continue treating the cloth with the same respect and frugality.

As I ironed, picked threads, and lint brushed the various fabrics, I ran my fingers over each piece wondering.
Who made it? What had it been? What could it become? Japanese narrow woven cloth and the way it was used lent itself to being easily taken apart and reused after laundering. It is a testament to how cloth was valued. Mottainai! (Don’t waste!)

I see the worn and threadbare parts, the patched places, and the edges as the wisdom of the cloth.
They are there to instruct me, to show me the way. I study all the parts of it. I look at the stitches of the patches, the selvedges. I pull a few weft threads and look at them under magnification. I imagine the journey the cloth has been on – from plant or animal up to the point where I now hold it in my own hands, generations later.
In whose indigo vat was it dyed? Did this lovely katazome here serve an early 1900’s merchant family? Had this bolt or strip of cotton katazome been a wedding gift? This boro bit here later used for a layer of a futon cover for cold nights? Who raised the silkworms and warped the looms with the homespun threads? Did the shibori come from Arimatsu or Narumi? Through the passage of time and many hands I’m left with so much to wonder about as I imagine what I (or you) will do with this cloth.

The ancestors of the cloth speak to me as I run my fingers over the surfaces, identifying each textile technique as I prepare a new batch of takaramono treasure packs for the shop-kasuri, shibori, katazome, shima (woven stripes), plain dyed cloth. Some of it is very durable and some now quite thin. It all feels good in my hand and ready for a whole new “becoming”.
The new takaramono packs are now in the shop here.
Here’s a few ideas of things I’ve made-a couple are still available in the shop.

forgetting and remembering…plus some holiday fun

What’s it called when you think you did something but you realize you actually didn’t? Jeeze… I was helping a customer on the phone with her order (she was ordering a moonbag) and I asked her which one she wanted. She said, “There’s more than one kind?”. I had to check the shop. I took all the photos for some new pieces for the shop before the KOKORO event and then must have been interrupted and never went back and finished uploading them!

Well, in any case, I’m doing it now. Oops. See the new items here.

One fun thing i’ve noticed in my own neighborhood and even among social media friends is that people are enjoying decorating and doing holiday fun a little earlier this year. With many folks home, WFH or just home and not working, holiday decorating lifts the spirit. Walking the neighborhood at night has been cheerier than usual. I got into it here myself with the neighbor girls and we made a little holiday Santa house in the front yard that my grandson could visit. I did order the plain cardboard house and we used what we had around here to decorate it-old Christmas cards, lights, wrapping paper, extra decorations, glitter glue and anything else we could find. The girls are 9 & 11 and the 9 y/o especially took to it. In fact, she spends some time in there every day she tells me, reading, playing, taking photos – she even made a little video of herself in there. So cute! My grandson was able to visit the other evening (he’s 1 1/2 years old now) and it was a very special treat for me. His favorite part was opening and closing the doors-with gusto! The little house took quite a beating but held up just fine. I had added extra duct tape reinforcement on the doors ahead of time as they seemed a little weak. Fortunately, the weather here has cooperated and there isn’t any rain in sight. If there is, I can easily move it inside for a bit. We add little things to it here and there and it’s a continual source of fun. A little holiday magic with kids is WONDERFUL! (no photos of the grandson are allowed online so the neighbor girls are all i got- but you can trust me they are cute as hell) Hope you are having a little holiday fun yourself!

Time continues to blend days, into months, into a whole year that is nearing its end. 2020 hindsight is about to be the story of the day as all publications/media will be doing their year end lookbacks. I’m not too sure I want to read all about that. I’m going to face forward and carry on.
In case you were wondering… Milo the cat often helps me blog…he’s sitting on my lap as i write this post and this is my view…

Kokoro- with heart…

This begins a series of posts that will highlight additions to my online shop. Since none of us are doing in person shows or events these days I opted to join the Japanese American National Museum in their Kokoro Craft Boutique 2020 which benefits the museum’s education programs. Ten percent (10%) of all sales goes to the museum. There are many vendors participating including my own that offer fine handmade items for you to browse.
You can see a video featuring some of the vendors here. Please note KOKORO2020 in the discount code section when you check out so I can credit JANM with the sale.

The first item I will highlight is a subscription to the Daily Dyer 2020-2021. Here is a sample video, the write-up and shop link.

reviving the indigo fermentation vat

November is a time of transitions. More than usual this year it seems…

Among the many transitions being made around here is the transition to more virtual teaching. With that in mind, I have been thinking about how I can best do that. I’ve always done some of both. I really do enjoy teaching workshops and I realize not everyone can join a class in person. Teaching something hands-on allows an exchange of our human essence, it allows me to show you details that are difficult to relay virtually. It allows me to get to know you better.

But until that can happen again, I have decided to revisit my previous concept- The Daily Dyer.

What is the Daily Dyer?

It’s a subscription blog for daily snippets of my dyeing and making things for a living. Even I don’t know what each day will offer- that is part of the lesson! It’s about the workspace, the materials, the process and making a living- bound to be more difficult in the coming year! But come along and get a glimpse. It’s also a place to ask me to show you how I did something and for me to respond-usually via video- a two-way street. It’s meant to teach and learn in a different way. There will also be a monthly Zoom event to check in live if you are available. I’ll also do some livestreaming. You can request a certain topic be covered and if it’s something I can adequately cover, I’ll do it. 

I will give you a part of me and my work that you don’t usually see. It will give you another way to learn. $75 for 6 months. You can break it up into two parts by re-subscribing at the end of 6 months, or you can jump in for the full year for $140. The blog will be active beginning December 1, 2020 and complete November 30, 2021. It will be deleted January 1, 2022. You don’t have to be a dyer, a quilter, a shibori practitioner, or an indigo enthusiast, you don’t even have to love silkworms! You can simply just be interested and want to support the JANM, Shiborigirl and keep craft going in 2021.

I am putting this in the shop November 14 at the start of the Japanese American National Museum’s Annual Kokoro Craft Boutique. Ten percent of all sales from my online shop November 14- November 30 will go toward museum programs. This been one of their largest annual fundraisers and of course the challenge of COVID this year makes its success even more important.  
The original Daily Dyer began in 2013 and lasted for a year with a little over 200 posts. That’s 3-4 posts a week. Each post will probably be a 5 minute viewing on your part. You can view them one at  time, or catch up once a week- whatever suits your schedule.

And I think we all know that there are many ways of teaching and that people learn in different ways. Along the way. So much gets learned in the “in-betweens”. I hope you’ll join us!
I’ll end this post here while I go and add some new items to the shop which I will highlight in the next post- maybe even later today! Mata ne!

landmarks and roadmaps

It seems as though my ability to clearly recognize the usual landmarks marking the way has greatly diminished and, in some cases, completely disappeared. It’s OK to be a bit lost at times, and especially so right now (in America). It moves us in different directions, and asks us to consider more. More of what we wonder? More possibilities, more directions, more ideas. This is the kind of MORE that I appreciate. MORE can be more, and MORE can be less! I’m considering this (more and more).

As I travel down this increasingly altered road, abandoning the usual familiar roadmaps, thoughts of how and what if are my constant companions. I reach out to cherished and long time friends (how are you?), checking in with them to assure myself they are OK and are still there- realizing that perhaps PEOPLE are my new landmarks. This feels reasonable, if not truer, than some things I considered as landmarks previously. How are you?

Navigating the daily milieu these days takes a lot of energy. Remaining creative in the midst is a challenge. I find I must focus on balance of body, mind, and soul. Here, in my small world I seek the lessons of the garden, nature and handwork. The garden is feeding us well this summer and a steady stream of seedlings feeds the raised beds as plants are rotated through. The worm bin is very alive and well- I am experimenting with compost worm tubes in a couple of the raised beds- so far so good. Just trying to keep the soil alive and healthy. We have a bunch of praying mantis right now and I’m hoping they mate and make some more egg cases for us.

Silk shibori ribbon will be back in the shop soon! After at least a 6 month hiatus, I am making ribbon again. The silk satin I had been using became unavailable and I’ve spent a lot of time experimenting and considering other silks in various momme weights and weaves. I finally have settled on one that meets my qualifications. Pictures later this week.
I am leading a free zoom workshop just for the regular shibori students from the Japanese American National Museum. It’s a group effort in many ways. It’s great to stay connected to them all while we can’t meet in person. The cool thing is that they all have made their own indigo vats at home! So over this 9 week course, they get to maintain their vat and really get to learn how it works over time. Several have even started fermentation vats! We have weekly zoom check-ins to see how the vats are doing, discuss and share the weekly techniques and patterns everyone is working on. It’s great that we can meet up this way and make sure everyone is ok. We are using Jane Callender’s book as a reference and inspiration. It really is the best one out there on stitched shibori.

It’s really been hot here-too hot. We have resorted to AC set at 78˚ when in the 90’s now and grateful to have it. Evenings are tolerable but still in the upper 70’s which is hotter than normal for us along the coast. Fires are ravaging the state, brought on by unusual weather and more than 300 lightning strikes. Over 500 fires are currently burning in CA. Such a devastating and environmental tragedy for so many. Currently the Santa Cruz area is suffering greatly along with Big Basin and Big Sur parks. California fires.

I will be updating the shop next week with more indigo (hopefully with some ribbon too-depending on the heat!). I will have packages of indigo cloth in various shades as well as some finished wall pieces. Indigo moons are ongoing as well as the cloth mooncards. I’ll also recommend the new USPS stamp celebrating the work of Ruth Asawa. The stamps are truly beautiful.

Considering new landmarks, tossing aside familiar roadmaps, we embark on new journeys together. May we choose Peace, Love, Health and Sanity when we come to a fork in the road. Together, we must.