Author Archives: shiborigirl

About shiborigirl

moon maker, time keeper~I enjoy creating things that make people wonder. not an artist...but arts apprentice. ~wonderer in charge at Shibori Girl Studios

a little crazed…

The recent days and weeks have been busy, full of daily goings on, dyeing, kit making, workshop prepping, visitors, and then the big event- a beach wedding!

It was a simply beautiful affair on the beach with a BBQ afterwards as the sun set. I had the privilege of making the wedding cheesecakes, vegan chili and helping with the clothing alterations. Others brought food, flowers and officiated. It was a perfect October evening with mild temps and a slight breeze. Children played at the shores edge and adults enjoyed food and conversation. Some surfed prior to the ceremony with the groom. Several people camped overnight nearby, under a bright near full moon.

This Saturday is the first of the two Zoom flower workshops. The material kits have been mailed, the work table set up and today I will do some test runs. The second Zoom date is next Thursday for those who would like to do it a second time or perhaps already had something scheduled for the first date. You can also still order a kit and get the video link when it’s done.

from plain to pleated

I made a whole bunch of extra kits and have added them in the shop. Here in Long Beach, we have hundreds of cargo ships off the coast and politicians encouraging people to shop early for the holidays since the logjam is delaying the arrival of goods. I say, why not make things instead? Here is a list of kits I have in the shop right now if you are inclined to make a hand made gift. I also have a few things ready made that might suit. I’m working on several more. If you have a special custom request, let me know. (I just looked over the shop and see I need to add a few things I never added so that will be my next task…)

Last week’s workshop with Ann Wasserman in her “Preserving Our Quilting Heritage” we were treated to her lecture with samples of quilts she had worked on and new ones now on her work table. We have all sent in photos of a quilt we want to “triage” and of course mine is that unfinished crazy quilt (Ida Belle) I acquired some time back. Here are the photos I sent in.

In between my own work, I have become somewhat obsessed with this crazy quilt thing. In doing a little research, I wondered where the term “crazy” had developed in regards to quilting. It seems (whether true or lore), to have been a reference to the crazed glazes on porcelain the Japanese had exhibited in the 1876 Centennial Exposition  in Philadelphia. Crazing on ceramics occurs when the clay body and the glaze don’t “fit”. That is, they don’t cool at the same rate after firing. This can be caused by a number of things-too thick a coating of glaze, the (intentional or not) chemical composition of the glaze, or thermal shock of cooling off a kiln too quickly. Tension between the clay body and the glaze creates a network of fine crackling. This can be enhanced by rubbing ink into the cracks to make the pattern of crazing stand out on a decorative piece. You don’t want crazing on dinnerware because over time and use the crazing can collect bacteria that may not be desirable. But on decorative ware, glazes can be designed to create a variety of crackle patterns and when I was a ceramic student we had to do just this in the Chemical Clay and Glaze classes. I loved the chemistry of ceramics. During 30 years of running my own porcelain company, we “cracked” many crazing issues. For the most part, even when we wanted a crazed glaze effect on a decorative line, stores and customers would often see it as a defect and we just abandoned it altogether. But that was another time and place…so, back to crazy quilts. So as the story goes, the crazed patterns on Japanese porcelain pieces at this exhibition in 1876 inspired a “craze” itself where quilters found beauty and interest in recreating this type of pattern in their quilts. Previously, quilts had been mostly geometric organized affairs. I imagine that the pieces that were exhibited were possibly Japanese raku.

In between this and that this week, I was looking at Ida Belle and realizing what a task it is going to be to restore it to a reasonable condition and as I was inspecting various parts of it I kept coming back to my interests in Japanese boro traditions and techniques. I can see so many instances where boro repair techniques could be applied. I am not trying to do a traditional restoration of this crazy quilt. This quilt in fact was never completed by Ida Belle. It does not have a binding or a quilt back- it was never quilted or tied or embroidered (something tells me-mainly the types of materials used that Ida never intended to embroider it or embellish her quilt). Perhaps she died before finishing it. The fact that it exists in a fairly decent condition is that it was never used since it was never actually finished. It exists as a quilt top only.
My list of “goals” currently is as follows:

-repair Ida Belle to a condition where it can be lightly used
-use materials I have on hand (as I believe would be Ida’s way)
-apply hand stitching and repair techniques from Ann’s class as well as my knowledge of boro repairs observed in pieces I have collected

-apply a backing and a binding
-steadily work on it as I can-don’t abandon the project!

I may add others as I go but that’s it at the moment. In another twist, I was cleaning up my work table for the Saturday workshop and sorted some scraps of vintage Japanese indigo fabrics. Another project emerged alongside. I became a little obsessed and worked late into the night. It seems that Japanese vintage textiles and crazy quilting are quite like peanut butter and jam.

I chose a piece of egasuri (kasuri with an image or picture woven into it) as a central piece to this block- bird images being quite popular in crazy quilting. I did not use the traditional method of crazy quilt piecing (surprised? haha) but opted to leave all woven selvedges intact as I honor the selvedge whenever possible. I used tattered bits and repaired them using boro techniques- but using some very old red silk in a way that reminds me a bit of the Japanese porcelain repair work called kintsugi. I used hand dyed cotton sashiko thread for the decorative featherstitch (practice needed!) across each joined patch (still a WIP). So now that I have one block near completion, I guess I’ll have to start another. This first block is 18″ x 18″ so I imagine I will do either 6 or 9 for a smallish lap type quilt. Who knows?

One last thing. I’ve started taking photos of all the oothecae I come across in the yard as I do fall clean up work. It helps me remember where they are when it’s time to watch them hatch around February (I’m guessing…). So far I’ve found 6 or so. all in different places. Each egg case can contain 50-200 eggs of the praying mantis! We had so many this past summer.

W o n d e r -and get WILD!

Ever w o n d e r how I make these beautiful silk shibori flowers? Now you can see and make one yourself!

This past month I have been streamlining the process of making fabric using silk organza for the new WILD Flower make-along workshop. One needs to be persistent in this process. There are lots of trials and paths to go down along the way, but in the end, with enough experimentation you can succeed! Every day is a new day to go at it again! I’ve enjoyed all the wondering and experimenting.

The silk undergoes a multi-faceted process of hemming, base dyeing, discharging, wiring, and finally pole wrapping, overdyeing and steaming. There is also some ironing in between steps. It’s taken me a bit to determine the best width of the silk, the best wire to use (for the result I am seeking), how far to discharge, the best way to add the wire, the colors to offer, before I even get to preparing the listing.

Not all the colors are photographed in the listing but you can choose from the drop down menu and trust my sense of color and dye skills. I’m working all week to get the fabrics and kits ready and may add more colors and photos as I can. But I needed to get the listing up so you can choose colors and dates that work for you.

This will be a fun Zoom workshop where you will be able to make-along with me! I’ll show you ways you can alter my basic design as well as ideas on how to use the fabric in different ways.

There are two dates scheduled and you can attend one or both! Registrants will be able to access a temporary 30 day video link of the demonstration portion of the workshop.
Two Zoom sessions will be available:
Saturday October 23
& Thursday October 28.
4-6 PM PST.

Each zoom session will start with working through the making of the flower with a Q&A half way through and at the end where you can show us yours. Only the demo parts will be recorded. (The Q&A portions will not be recorded. )

I made two separate listings -one for the workshop and materials kit and a separate one for extra kits. Add on a fabric pack of assorted green bits for leaves if desired.

All kits will be shipped by October 13. If you sign up after that, please choose Priority Mail during check out. (If you want your order to be insured), also choose Priority Mail) Otherwise it gets sent via First Class Mail.

So here are the two links:
WILD Flower Workshop and Materials Kit
and
WILD Flower Extra Material Kits

You can make one for yourself, a project, and extras for a heartfelt and handmade gift.

I’m really looking forward to this -it’s always fun to see everyone’s unique results and the path they take along the way!
I added an album to flickr (remember flickr?) of assorted silk organza flowers just for fun…
I also took some time to sort out all the blogs that are no longer current and add a few others that I like to visit over in the sidebar. It’s cool that some of us are still here and blogging after so many years! Enjoy!

and continuing…

This is what we do. Continue. Accept change. Adapt. Create and wonder. Make change. Be change…peacefully.
Today…

fermentation vat-about one year old…it’s a kind old vat that has been very forgiving. I kept my last one for about 4 years.

I add this here in case you are interested in why native plants are imperative for insects. I did not know HOW imperative until I read this book. In the future, I will be replacing any drought tolerant alien plants with natives. It seems obvious, but even though I’ve been gardening for decades, there is always more to learn and wonder about. Also available on Audible if you have unused credits. Just a few monarch chrysalis’ left here. the ladybug nymphs have pupated (there were 100’s!!) and emerged as ladybugs, and the praying mantises have mostly gone off to create their ootheca. Still seeing beautiful swallowtails though.

The praying mantis on the sunflower was there for around a month. One night Phil found her eating one of her male suitors. The next morning she was mating with (perhaps) a preferred choice. They were there the entire day and by evening only she was left and finally crawled away. I’m only seeing females in the yard now. Maybe all the males became snacks! I miss seeing her there everyday!

Also today, I worked on organza for the upcoming flower workshop kits. Got the fabric hemmed, dyed, ironed and wired. Next I will pleat, discharge, and dye it. I’m working out the materials for two different kits. I hope to have everything ready for the shop in about a week. A couple of the kits will be indigo dyed.

Captain, another cat who doesn’t live here (but thinks he does) has lately taken up millinery work at the flower making table.

No photos but my grandson was by today and we made “garden soup”. If you want the recipe:
-mint leaves
-sweet red mini bell peppers
-pomegranate arils
-basil leaves
-lemon grass
-dirt to taste
Mix all in a bucket with garden trowel. Enjoy!

Ida Belle

I took a little detour to pleat and dye that wired silk organza from the video I mentioned last post. I fashioned a fairly large flower from it so those following along could see the wired edge. I still have to think about what stamens I want to put into- i do think it needs them.

Wiring the edge adds lots of possibilities and can make the pleating come alive. You can get the wire in many colors but here I just used the first thing I could put my hands on which was a copper colored wire.

Then, while looking for some silk embroidery threads I came across another treasure I had almost forgotten about! It’s an old silk crazy quilt with lots of shattered silks which I bought one year at the Houston show.
As you may know, shattered silks from the late 1800’s into the early 1900’s abound in many old silk quilts. The reason being is threefold- silk was often mordanted with metallic solutions to hold or brighten the colors, soaked in metallic salts & allowed to dry, rendering them heavier as silk was sold by weight, and also (I just learned)…to increase the rustle of the bustle (well, actually the skirt) as was the fashion in those times. Bustles-imagine! (Thank goodness we no longer dress like that!)
Unfortunately, this resulted in the breakdown of the silk over time-hardening the fabric to the point of cracking and breaking or “shattering” as we say. For you long time and textilian readers here, this is not news. I only repeat this which has been mentioned here before since there seems to be a new group of readers now whose understanding of such things is unknown to me (welcome new readers- irrashaimasu!).
I made a little video to show you the current condition of the quilt.

Ida Belle

Ida Belle. Isn’t that a great name? Of course I got curious and spent WAY too much time going down rabbit holes trying to see if I could discover who Ida Bella was. I did find one very good possibility…
Meet Ida Belle Sievwright. 1865-1955
She lived in Melrose MA and was associated with this charity fundraising quilt dated to 1897-1898.

After a bit of poking around online, I came across the blog of Ann Wasserman-quilter, quilt restorationist and repairer. She was the person into whose hands the Melrose Quilt fell and who documented the fascinating process of researching and restoring the Melrose Quilt for a special event exhibition in the city of Melrose. Beyond that, she wrote a book, “Preserving Our Quilt Legacy: Giving Antique Quilts the Special Care They Deserve“. She also has an upcoming online workshop on quilt restoration that looks amazing. She wrote about the process of restoring the Melrose Quilt on her blog in six parts. I’m sure in quilt preservation circles she is very well known but not being in those circles I was not familiar with her expertise. After reading all six posts, I started reading her many other entries about other quilt repair and restoration projects.
It gave me some ideas about what I might do with this quilt I now call Ida Belle.

Now this Ida Belle may or may not be MY Ida Belle, but I like to think she might be. There are reasons to think it is a distinct possibility. The timing is right. I would date my Ida Belle somewhere between 1910 – 1935. Why you ask? There are some tobacco silks in there that can specifically be dated to 1910, so it can’t be before that. Ida Belle Sievwright would have been in her late 40’s to early 50’s in 1915 and she would have been 70 in 1935. Her two daughters were born in 1891 & 1898. Her husband was a travelling dry goods salesman. She would have had access to basic fabrics but would not have been considered a wealthy woman by any means. My Ida Belle is unfinished. The back and binding were never completed. The sewing is very competent, the decorative stitching simple but very consistent. All the decorative stitching is done with bright colored wool yarn. No fancy silk embroidery threads for Ida! The pieced backing cloth is completely made of simple recycled cottons and linens- mostly clothing or linings. A simple and frugal gal was Ida! Even though her family and daughter’s name appear on the Melrose Quilt, she could very well have been one of the quilters who worked on it. The Melrose Quilt was tied with wool yarn, not hand quilted. Apparently that was typical of many more utilitarian quilts of that time. The fancier silk crazy quilts had lots of embroidery, used more luxurious silk threads and often included silk velvets. This quilt is not that.

In any case, I had a great time exploring Ann Wasserman’s site, Ida Belle’s history, and imagining what I might do with this fixer-upper of a quilt. As most of you who know me, you know I would ideally want to get it into a condition that allows it to be used. It’s no use folded up into a drawer somewhere. At the same time, I want to make it so it doesn’t deteriorate any faster that it needs to. I also don’t like the idea of covering the back of it. I find the back as interesting as the front! I wondered about putting a simple binding on it and perhaps a 4-5 momme silk organza backing. That way, you can still see through it. Then maybe tying it all with wool yarn. That’s after doing the repairs on the shattered silk blocks.

Let’s dream and wonder…


moon circling

The past few days have had me back at the indigo vats working on new sets of moons. The only vat of the three that didn’t need reviving was the fermentation vat, which had a nice coppery surface and was dyeing beautiful blues.
Cleaning up around the studio I found a couple of base cloths that I had dyed moons into and had set aside for myself to play with on a rainy day. Well, the rain never did come but I craved a little needle time so I threaded up and got to work. It was quiet peaceful work-just going along with it. I never plan them out ahead of time- just let the cloth take the lead.
I finished off the little moon cover for the buckwheat pillow that had been looking kinda shabby. It’s an envelope style so the cover can easily be removed. The back are two pieces of old sturdy kimono cloth. I love these things and much prefer them to any kind of foam pillow insert. They just have a great comforting feel.
Next I had an old feed sack that had a wonderful repair on it- I dyed a tattered moon over the repair. These are treasured and useful scraps, the scraps of our lives. As we work to put our heart and souls back together after this past year and a half, I’m feeling pretty tattered myself these days and stitching these blues seems to wash away some of the sorrows.
Circling of Moons can be considered a series of sorts. I have a number of them started around here in various stages of completion. Various moons, various cloth, but mostly indigo. The ones that aren’t indigo are natural dyes. I’m grateful for some of the stitching techniques I learned from Jude- especially what she calls the “glue stitch”. I use that extensively to stitch the frayed raw edge pieces to the base cloth. I fray them enough first so they won’t unravel more and stitch them down with these tiny stitches. You can barely see them and probably can’t in a photo. Later I add the running stitches with thicker thread to ask your eye to travel with me around the moons. I want you to meander and wonder as you look at these pieces. To take a little trip.
Someone recently said to me, ” I have a sewing machine but just don’t know where to start”. I say, start anywhere! Start with a needle in your hand- sit in your favorite chair or the kitchen table. Gather some bits of cloth- cut up old clothes- go to the secondhand store and get some old cotton cloth. (skip the poly!) No machine needed. You can always unstitch something if you really can’t live with it but just let things develop. YOU will develop with practice.
I also did a couple of short videos that were requested from participants in the recent tekumo workshop. One had to do with machine hemming using a hemming foot, and the other with wiring the edge of a hemmed silk piece. You can see them on the FB studio page by scrolling down a few posts.

Late last night I took a 2 hour zoom tour of a sericulture farm located in the Kofu Basin in the Yamanashi Prefecture of Japan. It was quite interesting. Probably the largest sericulture operation I’ve seen so far in Japan. He said they raise 160,000 cocoons at a time there and grow them from seed. Most of the sericulture farms now get the silkworms in the 3rd-4th instar from the local collective and raise them on mulberry from that point to cocooning. Here’s a few links for my “silky friends” to enjoy…


Silky moth friends at Ashizawa Sericulture
And speaking of circles, Circle of Silk is a lovely story of silk sericulture hanging by a thread.
And also, a video on silk thread reeling by my friend and sericulturist in Annaka, Nobue Higashi whom we visit with on the Silk Study Tour to Japan. Enjoy!

Circle back

Has it been a month and a half since i blogged here?? Is that possible? This might be the longest “dry spell” here since i started blogging sometime in 2006 (maybe I’m just giving you and myself a break).

Lots going on really- I should probably break this post up in chapters, we’ll see. In brief, the summer garden has kept us well fed and busy with it’s bounty. I’ll add an annotated gallery of photos in this post. This year the garden seems like it is in perfect harmony with itself. Lots of insects keeping each other in check. Fun to watch.



The tekumo shibori zoom workshop has concluded and students are working on their own with posts on the group blog to guide them, a place to post their own work and ask questions. That is really what has kept me pretty busy. Lots of technical challenges. Multiple cameras, multiple devices, recording, lighting and audio! Jeeze- and all I wanted to do was teach you some shibori. I do miss in person workshops. I was fortunate to have a student volunteer to co- host the sessions- Thank you Komo!! She also took attendance and kept the chat questions going when I was busy presenting in addition to making me some good spreadsheets. Great fun though- a fun roster of exceptional people- some whose path I have crossed variously in the past and some new friends- all looking to learn and get creative!

Part of the class was about creating the fabrics, learning and practicing tekumo, but the end of the class was about using the fabrics you created- in any way whatsoever. One of the pieces I made from class demos for purposes of exampling what one could do, was an indigo wall hanging. I really had a good time making it and thinking about the elements of it. Using pieces I made as demo pieces was part of that fun. At a certain point I let these pieces evolve. I try not to have many pre-planned ideas or expectations as to their final outcome. Often, they are made over the course of several weeks and while that process is happening, life occurs. Natural disasters, loss, rebirth…things one contemplates while one stitches and creates. It ended up as a very tactile piece and one that really should be touched to fully experience it.
I added it into the shop here.

I’m also working on more silk organza tekumo pieces as well as a 2 hour make-along zoom class to make the organza flowers. If you were in the online workshop and made the fabric, use that! If you just want to make one and want to order a kit, I’ll have that available too!
There’s a list developing for a second online tekumo shibori workshop so if you are interested, let me know and I’ll add you to the list.

And for those of you still waiting for the Silk Study Tour to Japan 2022 signup email, I’m hesitating a bit until I see what direction the pandemic is taking. In the meantime, stay safe, masked and vaccinated so we can meet again!
Here’s a little video that Hirata san made of a new restaurant in Kamakura-I want to try it out next visit!

no doubt

it’s summer. here, one can tell by the garden jobs that need attending each day before getting started on other things. plus, by the amount of tomatoes piling up on the kitchen counter.

and in all things summer, the mockingbirds sing throughout the night, the fans hum in the background by day, and earlier morning watering is preferred. also, the garden is filled with creatures. (and the dog got skunked)

the hornworm was put in a box in the garden where a bird flew off with it for a juicy meal. the monarch cats are now in their beautiful green chrysalis’ and the neighbor cat…well… let’s just say he appears to be moving in from over on the next block.
i’ve taken to making tomato soup and hot processing it to use the extra tomatoes that i don’t pass on to friends and family. it’s even really good cold! i’m drying lots of the cherry tomatoes. there are thousands i think. each day, one at a time.

the ladies…

the ladybugs have been breeding here and having a garden party. they daily eat all the available aphids so no damage to plants-lucky me! seriously, they are everywhere. these are tiny! earlier in May I found tons of the nymphs. found these ones when i was picking tomatoes this morning.
meanwhile i also continue to harvest and save assorted dye materials- right now mostly cassia pods and marigolds.
speaking of doubt, out a an abundance of caution, i cancelled the in-person tekumo shibori workshop and reformed it as a zoom workshop. Covid does not seem to be done with us even as we vaccinate and with the delta variant and numbers rising throughout the state and county it seemed the right thing to do. and just when i do this, now silk organza is no longer available. at least not until late august i’m told. fortunately, i have enough on hand for the workshop but jeeze…it’s always something.
fortunately, in addition to the organza i have on hand i have a nice selection of other japanese silks for us to experiment with.
each cloth to its own.

three silks, same technique, same dye session-different results.

stay safe, get vaccinated, and keep masking when indoors in public. your families love you.
each moment is precious.

Zooming right along…

After many requests to host an online version of the recently posted in-studio of the tekumo shibori workshop, I am posting up a Zoom version of it now.

This workshop will occur over 4 one and a half hour sessions. Each session includes a 30 minute question and answer/sharing section. The four sessions are divided as follows:

Workshop sign up link

Session 1: Preparation and materials (kits will be available for preorder) Setting up your workspace and fabric choice advice. Various dye choices will be also presented.
Session 2: Tekumo demonstration and practice, troubleshooting, and best techniques for successful tekumo shibori
Session 3: Discharge and overdyeing demo, steaming set up.
Session 4: Unbinding your pieces, sharing results and critique. Tips for designing fabric with tekumo designs. Exploring the possibilities with your new sculptural fabrics. (There will be a separate online workshop on making the Wishing Star flowers with the tekumo shibori organza that you can sign up for later.)

Session dates:
Consecutive Thursdays- August 5th, 12th, 19,th & 26th

4 PM PST

Participants need to have adequate technical ability and internet connection to participate in an online zoom workshop. Please download the free Zoom application to your device (preferably a laptop or ipad/notebook rather than a mobile phone for optimal experience) and create your free password protected account . If you are not familiar with this app, then practice ahead of time with a friend prior to the workshop.

The sessions will be recorded for those participating so you can replay them after the session or in case you should miss a session (some people may be participating from various time zones).The recordings will be available during the workshop and for two weeks thereafter.
I will write up notes after each session with highlights as a reference for you and send via email the day following the session.

My intention is to create an online workshop that has as much of a “hands on” feel as possible with lots of student participation and sharing of your screen. Please have your device’s audio and video capabilities engaged. I believe this will lead to the best outcome for all (as opposed to a more lecture type workshop).

I will also have an offsite password protected site on wordpress where you can log in and post results and ask questions between sessions. This site will be available for 6 weeks.

Cost will be $120 for the 4 session workshop and a tekumo materials kit will be available for purchase ahead of time. Kit will include the shibori hook and stand, bobbin, & thread for $58. A separate fabrics set will be available for $35 and will include a variety of silks and some cotton. Feel free to use your own fabrics but know that I will be focusing on silk-especially silk organza for its sculptural qualities. But for the tekumo technique itself, any fabric will do. Plan to practice this technique to become proficient and gain the most from exploring this traditional shibori technique and adding your own 21st century “twist”!

Two materials kits are offered, although not required in order to join the workshop.

Tekumo Shibori Workshop

Tekumo is fun once you have mastered the movement of your hands. It’s especially exciting with silk organza that takes on not only vibrant colors but also crisp shapes. Come join us to explore the possibilities!
All the pieces are in place and two dates are scheduled.

Session One-Friday and Saturday July 30 & 31
Day One: 10 AM-4 PM (with lunch/rest break included)
Day Two: 11 AM-4 PM (with lunch/rest break included)

Session Two-Friday and Saturday August 20 & 21
Day One: 10 AM-4 PM (with lunch/rest break included)
Day Two: 11 AM-4 PM (with lunch/rest break included)

Please visit the shop link for further details.

Tekumo workshop


If …

… you’ve been watching, I’ve been practicing a shibori technique called tekumo, or kumo-as in spider web. My particular fascination is with the sculptural aspects of it after it is dyed steamed and dried. And if you know me, you know I like to practice a process. As with the arashi shibori ribbon, there is a process to make this fabric. And much like the arashi I do, it employs many of the same processes-base dyeing, ironing, binding, discharging, overdyeing, steaming, drying, and finally unbinding. The main difference being the type of binding.
And then…what? What to do with the fabric? Well, flowers of course-for starters.

All rights reserved contact shiborigirl@shiborigirlstudios.com

Aren’t they fun? I’ve added them to the shop here. I call them Hana Hoshi and you can click on the link to see why.
Silk organza is really fun to shape and sculpt since it takes direction so well. It’s the perfect accomplice for sculptural shibori. Here are some photos along the way.

In the background, my 5 little silkworms have been eating mulberry. Only 5, since the eggs I saved from last year didn’t hatch well. And since I have so many things going one in the background here, I opted not to order eggs and make the commitment to feed 500 or 1000 for 4-5 weeks. The 5 that hatched have done just fine. I took one in its 5th instar to my grandson so he could watch it and see it cocoon He’s only 2 but hey- never too early to introduce nature. Since I had so few this year I decided to try something I was always curious about- having them spit silk to a flat surface rather than forming a regular cocoon. It’s trickier than you might think! One got started with it’s cocoon before I set up the flat surface so I was down to 3. And after two days they look ready to give up one the cocoon idea and start spitting the silk. I feel kinda bad for interrupting their natural inclination to make a cocoon but from what I understand it doesn’t harm them. In this process, you can watch them form their pupae and then transform into a moth outside of a cocoon. You have to make sure they are done pooping and also throwing up their guts before putting them on the platform to spit their silk otherwise they will get that all into the silk and you can’t remove it. Here’s a couple of pics…

I came across this article you might find interesting about an experiment to do this on a much larger scale. You might have to translate it if you don’t have your system set up to auto translate. I found it interesting.

And in the background of all this, much of the west is having a terrible heat wave. Here, we have been spared the brunt of it by being closer to the coast- this time anyway. But just the same, the garden is popping off with the warmer weather and the tomatoes and zuchinni are running amok. Must go pick the cherry tomatoes tomorrow and make some bags to give to the neighbors. Zuchinni every night in one form or another.

I had to move on to something else before I got this entry posted so I thought I’d add an update. I’ve been working on a ribbon order which I finished today. Lots of pretty colors! If you are in Europe and need a good place to mail order my ribbon from, check out Perles and Co. Give them a couple of weeks for transit time before they add the the new rolls to their shop.

I also made up a couple of new flowers. I did a test of the tekumo on the silk I use for the ribbon just to see. It works up nice enough but won’t replace the organza for these. It takes longer than making them with the organza and the cost is already up there.

Speaking of cost, I know most artisans don’t do much in the way of cost analysis when they price their items. Many don’t do ANY! Shocking I know. But it’s true. I’m thankful for my past experience in my porcelain company where it was MY job to do all the costing and time studies. When you are working on a large scale producing hundreds of thousands of pieces monthly and you are responsible for a payroll -and by virtue of that, people’s lives, you can’t screw it up! If you do the results are devastating.
So, I always do a cost accounting and time studies on most of the things I sell. If you don’t, and don’t know how to do it ask & start now! I don’t do this on one offs for the most part but anything I intend to sell many multiples of, I do.

I’m working on setting up for a couple of small in person workshops teaching the tekumo technique. Hope to have those set up and in the shop next week.

OK, time to get this posted…and make pizza with LOTS of tomatoes!

(Oh, and to all of you emailing me to be added to the Silk Study Tour to Japan next May, please sign yourself up to the newsletter here. I’ll be sending out the first newsletter with applications in July.)