Category Archives: about shibori

a matter of time

Somehow, this makes me feel really sad.  I did realize that this would be the eventual end game of sorts.  It always happens.
And for expressing this I am prepared to take whatever shit comes my way about it.  I am. Somehow this feels somewhat personal.  Not in the usual Me Me Me sense but in the way that something I have grown to love, understand, and practice has yet again been usurped by the commercialization of something fine and turned into something rote. Turned into something that yet again, another company will inevitably run into the ground until people are tired of it in a season or two or until the profit runs dry and no one cares.
In the meantime, they will crank out tons of cotton fabrics, printed (not dyed), to be sewn by machines into stunning show quilts for competitions and more.

Why wonder about and practice it when you can just click a few buttons on the computer or grab a stack of whacks at the show and be done?

And so it is.

The word shibori comes from the root verb of the word shiboru which means to twist or wring, to squeeze.  Yup.  Makes sense.

workshop

 

orinui shibori and indigo おりぬい絞りと藍

After a very productive and busy weekend at the Japanese American National Museum in Little Tokyo (Los Angeles) I had a little idea in my head I needed to get out.

A few more photos might be helpful.

Dyed in the fermentation vat.

At the museum we worked with a wide range of fabrics- many recycled. Fabrics included silks, cottons, hemp, linen, & bamboo in many weights and weaves.  Much was learned about fabrics, shibori techniques and how to dye with the indigo.  Next workshops at the museum are scheduled for Oct. 8-9 and Dec. 10-11.  The new twist will be that we will also work with a fermentation vat and learn how to make a small one you can take home with you.  Contact JANM to sign up.

And just a reminder- My three classes at the upcoming International Quilt Festival in Houston are taking registrations at the Quilts Inc. site. You can see the individual events on my FB events page or go to the registration site and see all the classes there.

Circling

Creating circles of inclusion. Widening circles.
The circle as a natural shape.
A mindset of circles.
Incorporating circles.
Remember when we were children?  We sat in circles. We could easily play circle games. Easily drop hands to include another in the circle.
The illimitability of a circle.
Overlapping circles.

This weekend we will focus on circles-yet not be limited to or by them, in shibori and indigo at the Japanese American National Museum.

Museum Ethics 101

You know I don’t want to have to go here again. You do. But Here We Are. Once again.

Let’s restate this, o n e  m o r e  t i m e.

If you are teaching a class, use your own work to sell or market the class. Your work. Not someone else’s. Doing so is unethical and fraudulent. If you are a museum, make sure the images you are using to sell these classes are the works of the instructor you have hired.

In this day and age you cannot simply say you “didn’t know”, you “thought it was OK”, or that “it wasn’t my responsibility”.  Your desire to “pretty up” your website does not supersede copyright infringement laws.

I thought a museum was the caretaker of art, artists, and artworks. If not museums, then what is your contribution to the art world? What happened to being a good citizen of the art community?

Here is a good set of rules to go by:

You stole an image, used it fraudulently for commercial purposes, and made money from it. You used it on your website to sell workshops. You posted about it all over the web and your various social media sites.

The United States statutory damages for copyright infringement are set out in 17 U.S.C. 504 of the U.S. Code. The basic level of damages is between $750 and $30,000 per work at the discretion of the court.  Isn’t it easier and more cost effective to use your own work?

What?  You don’t have any credible work to show? No work worthy of museum presentation?   Ethics people!!  Do they teach you nothing these days??  Is this how you wish to be known, as someone who steals the work of others?

A letter has been sent.  Screenshots taken. Requests made. Their response?

We’re “looking into it”.

What should happen?
I’m just wondering…

each day, one at a time

Just have to add this here if you haven’t seen it yet. If so, it’s worth viewing more than once.

And if you missed the video of her I shot in 2011-

Richard had translated for me back then-

Richard says:
Yup, it’s really interesting. Someone asks her how long she’s been at it. She answers she’s been doing it for 81 years now, and that when they all started, kids started in elementary school back then. She says they competed to be the best, from even such an age. And that back then there were lots of “shokunin”, or craftsmen(and women, I imagine), 100 or more. She says she’s from Narumi. She goes on to reveal that her age is 92 and that the woman next to her is 2 years older yet(like it’s some contest or something)

And after a second listening he adds:
OOps, she’s been doing it for 83 years. Back then, you started when you started elementary school. They competed to remember different techniques and patterns. There were 120 patterns that had to be remembered, but now there are only 70 or so that are done, the others having been abandoned. She says she did a lot of work back then as a student, and then restates herself to emphasize the amt (like “I did a ton!”)

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