Category Archives: mooncloth

keep your inner light…

These words struck me today

The first sign of disintegration — in a writer — is that the writing loses the unique stamp of his/her character, & loses its inner light.

I think it can apply to all sorts of creative endeavors and is a good reminder. Something (else) to be vigilant about.

It was written by Ted Hughes to his aspiring teen age daughter/writer- and daughter of Sylvia Plath. I have been following the blog Brain Pickings and have been enjoying the reading there.  I love letters- they are so revealing…

Introducing the post, Maria writes:

“Read good books, have good sentences in your ears,” the poet Jane Kenyon counseled in what remains some of the sagest advice to write and live by. But if literature is essential to our moral development, as Walt Whitman believed, and reading enlarges our humanity, as Neil Gaiman asserted, then attunement to good sentences is vital not only to our writing style but to our core sensibility of character.

You can make a donation there of any amount in appreciation. I always appreciate a good ad-free blog.

traveling moon

“Inner light” struck me as I have been working on this piece incorporating an earlier “traveling moon” and some other small bits of indigo cloth. The moon leads the way, just stitching and adding intuitively, lighting the path as I go.

In between, I had a little time this week to make a couple of sets of indigo sky cloth and a moon for each.  Just 2 in the shop…for now. Maybe someone wants to start something…

fragments

img_4064
This little moon fragment carried me north recently to lead a shibori and indigo workshop for the Central Coast Weavers. It was a wonderful group of women who weave and share an enthusiasm for fiber in many forms.  The workshop space,  a large private studio affectionally known as “The Barn” kept us warm with a wood burning stove in one corner, fed with a kitchen area stocked with home baked breads and more, and busy with a large working area. Rosemary and Kay, the owners and creators of The Barn, have the second floor space lined with rows of large floor looms- maybe 15-20. I don’t think I have ever seen such a variety of large working looms in one location.
Previous to the workshop day, I gave a lecture on silk at their monthly  members meeting where they have a “show and tell”. Some of the things that they brought to share with members included this wonderful rug that was woven by one of the women. I think it was my favorite!

hand woven wool rug by Central Coast Weavers member

hand woven wool rug by Central Coast Weavers member

I can’t remember her name but she is the one holding the rug at the far end. They also had a little fundraising raffle at the meeting where members bring something fiber related they no longer need and if it is something you would like to re-home you can put some of your raffle tickets in the cup for that item.  Everything found a new home-plus the guild got some money for new books for their library. Lovely to see and thoughtfully purposeful!

The Barn workspace

The Barn workspace-a half-view

There is a new package being prepared for Wendy.  It will contain a set of needles and indigo threads.Someone might have a desire to add to the cloth in their own way, to hold the needle in their hand and feel of the thread as it is pulled through the cloth. It might just start someone wondering.

Right now though, the 3rd storm of the week here is drenching us-as if trying to wash away and clear out all the drama of this past week.  I welcome it.  I just hope all my monarch cats are finding refuge out there somewhere.  And that the sun will come out next week and dry out my poor flooded studio space!

newly emerged before the storm

newly emerged before the storms

 

distilling essences

Yesterday,

Pom and Walnut.

Dyeing in the light of the Super Moon.

And Indigo, of course.

I gave them a Moon Bath.  For the shop soon. They are resting now.

Today, thinking about what something is really made of. What we are made of.  Looking closely. Distilling it down. Instilling  Reviving memory…

Yesterday I saw where Maura (of Mustard Seeds) took the kids out to their local area to ask about leaves from trees that grew around them (in Kolkata, India) and they learned so much! And in several languages. They learned by talking to people in their neighborhood. Then they went back and made posters and art works.  More of this!

 

 

moons and stars

Took a couple of days near the cooling beach with Phil and Trev to get away from the daily doings. Shore leave as it is sometimes called…

shore leave sunset

shore leave sunset

trevor surfs!

trevor surfs!

Brought this along. Maybe it is a traveling cloth, even if only a mind traveler.  Stitching on it again with the surf pounding in front of me, I wonder about our connection to water. A morning shoreline fisherman pulls up a silvery fish.  I imagine he is fishing for moons and stars.
The indigo seed is born of water, nourished by water, dissolved in water. The silk thread I am stitching with is connected to that water as well. The mulberry leaf received its water in the form of rain, the cocoon, the sericin softened and reeled with the aid of water.
clothmore clothThe early fisherman carries his silvery catch away as others arrive, and we move on. Here is a memory from another trip this way. moons, tides, memories

The Houston show is on the horizon ahead of me.  I am working towards that.  In addition, there is a two day workshop at the JANM.  There are other things too.  Too much really.  People who want last minute orders will wait until I return.  What can you do? I stopped posting on social media for a week.  Just needed a break from it.  FB and all its crazy politics with the election is disruptive.  I guess the most I will say about all that is go and vote.  Be prepared to take responsibility for what and who you vote for. The show in Houston is the weekend pre-ceeding the election.  Always a difficult and uncertain time for people.  I plan to make my booth as beautiful and peaceful as possible.  Come.  Hang out.  Get inspired. Working with your hands is good. Booth 1921.

80+ silk mandalas forded for the workshop. have to do this ahead for them as there is not enough time and space for a whole class to do their own.

80+ silk mandalas forded for the workshop. have to do this ahead for them as there is not enough time and space for a whole class to do their own.

they will practice on paper and go away with the instruction sheet.

apricot tree in bloom is confused with our 106 degree weather.

apricot tree in bloom is confused with our 106 degree weather.

Our hot spell has subsided now and both myself and perhaps the apricot tree are feeling a little less crazy. I could not work well outside during those days. Hence all the mandala folding and other workshop kit making after sunset.

bright spot in the garden

bright spot in the garden-I think he liked the hot weather! 

Jude is rerunning her suns,moons and stars. Take a look. Wouldn’t hurt to go here too.

from Journey to Odyssey

Gosh, has it been that long?  The first quilt Journey started here. Further photos from the wayback time machine here on Flickr. And it has been a journey that has developed into an Odyssey. Journey was the original mooncloth.

Sometimes it’s funny to go back and read an old post.  Notice how some things change and others remain the same.  Like how I am still not a quilter.  Blogging for over 10 years now and there are so many posts I still enjoy going back and re-reading- as a reminder. Others not so much- but still a good reminder.

In a much more recent post, I showed you how I was binding the edge of the test mooncloth Under One Moon in a little video. A couple of pics of the semi-finished piece:

This was sent off as a gift with a hope of continuing.  Some thread and a needle included.

Continuing on with the larger one I’m calling Odyssey, I’m realizing how much I like the feel and drape of this cloth in my hands as I stitch on it.  And right now as I head towards Quilt Festival I also realize that about 90%+ of the fabric I see there is not fabric that I would want to hand quilt with. Of course quilting began with the reuse of scraps from clothing and household textiles that lived previous lives and had a softness built into them.  Fabrics now are made for machines with tight weaves, bright colors, and slick finishes.  This makes them harder to push a needle through by hand.  And less desirable to hand quilters. I don’t know how others feel about this but I will be noticing next month at the festival and wondering about it more.

I hope I can get this one finished in time.  Or near to-at least in a way that it can be continued on the road. Late afternoon light…
mooncloth odysseySeems it’s a Nine patch.  Just turned out that way.

And in workshop news… the upcoming indigo workshop at the Japanese American National Museum is going to be a little different.  We will be making some small fermentation vats that folks can take home and continue with.  We will also be using the pre-reduced indigo and doing more shibori.  Perhaps you want to explore doing some more detailed stitched shibori on larger cloth?

Workshop details and registration are on the museum site. Saturday and Sunday October 8-9

all cloth and thread dyed in the fermentation vat.  mostly rescued fabrics. silk and cotton threads.

 

 

 

ozone & indigo

Recently, in the workshop at the Japanese American National Museum one of the participants brought some fabric that she had dyed in another workshop somewhere.  It had faded radically and even more so along the folds and creases.  She wanted to know what had happened.
This is something that also came up a couple of times in the online indigo workshop and was struggled with over there.  Occasionally, I have seen it in my own indigo dyed pieces and strive to do those things which I find help to alleviate the problem.
As far as I have been able to understand, and the experiences I have had with this type of fading have led me to the following understandings.  Please feel free to jump in here and correct , inform and add to our knowledge on this for other folks as well.
The issue:
-fading of the fabric along exposed areas and folds where the cloth is exposed to air and or humidity. I have even seen fade lines on indigo cloth that I have hung (flat) to dry outside overnight that had a bit of a sway in the hung cloth. It seemed that in this case the overnight humidity was the over-riding factor.

IMG_3264

three shades from the fermentation vat ready to assemble into the cloth packs for the shop

What is happening?
– ozone in the atmosphere is reacting to the cloth and any chemicals left in the fabric and additionally with UV light to produce an oxidizing effect. Smog and humidity also figure into the mix even in cloth that is well washed out.

At first, I thought that only fabrics dyed in a chemical vat or a pre-reduced indigo vat were susceptible to this.  Not true.  They may be MORE prone to it but fermentation vat dyed indigo is also affected.

What to do to minimize this?
– wash out your fabrics well before dyeing to remove any chemical treatments.
-build up your depth of shade over many dips in the vat. Have a light vat and a dark vat to produce various shades of blue through repeated dips and really work the dye into the cloth.
-rinse your indigo dyed cloth well between dips into the vat and then finally wash them well with a good rinse in the end.  You may have seen photos of Japanese dyers planting their indigo dyed cloths along a river or stream to let the water run through- this would definitely do it!  Getting out any chemicals that can react to the ozone is beneficial.
-once dried and ready for storage until use, you can keep your indigo cloth in a drawer or wrapped in a towel to keep the edges from fading.

Finished pieces (such as a quilt on a bed, a pillow, a wall hanging) will fade more evenly and possibly without notice as they are more evenly exposed to the atmosphere. All indigo will fade with use (think denim).  Well dyed dark shades built up by many dips seem less susceptible.   This is one reason I prefer the fermentation vat over the pre-reduced or chemical vat-more work but a more satisfying process and result. Also, be aware that different fabrics will fade differently. Think about the weave and the fiber.

There are even products out now for commercial dye houses that speed indigo fading (ozone finishing!) with the use of ozone related treatments said to be less labor and water intensive. Consulting companies work with manufacturers to troubleshoot their process and diminish the fading (or even speed it up!).

What if it’s not a problem at all?  It’s a matter of perspective.

IMG_3269

Yesterday’s moon- on an open weave linen

 

under one moon

because we all exist under one moon,
because we all see the moon from our own perspective,
because it is a time traveler, a wave maker, a truth teller, a light giver.
the moon
-may its peaceful countenance shine in all the darkest corners

discharged moon-am i adding to or taking away? wondering...

discharged moon-am i adding to or taking away? a moon divided or one finding ways to hold together? wondering…

it's an old moon. we all become old moons eventually.

it’s an old moon. we all become old moons eventually.

I am dyeing more indigo cloth, more moons, more threads to hold things together. I am stitching indigo mooncloths in the evenings and in-between times.

shop links:
moons and more moons
indigo cloth packs
threads
and for those who are interested in dyeing their own:
online indigo workshop