Category Archives: mooncloth

December's path…

Becoming December…it arrives,and here, we never know if we will don flip flops and short sleeves or warm boots and sweaters inside the house. This year we are wearing warm shoes and sweaters. Heavy snow in the local mountains is a welcome and beautiful sight from the hilltop nearby. The ginko is busily dropping its golden carpet of leaves on the back garden, mulching it with beauty. Narcissus are blooming early. I even had the first saffron crocus bloom and more are on the way. The pomegranates exhausted themselves (and me!), and the persimmons are ripening daily. I’m sharing them with friends and neighbors and even this (not so) little guy…late at night.

In the contradiction of clashing seasons, hand fulls of strawberries can be picked every few days as they are planted where the sun seeks them out and happily seem to produce year round there-at least so far. The late eggplant and tomatoes are still heavily laden, though with this recent cold streak they will definitely slow down, but are welcoming the rain. The cold and wet has slowed the outdoor studio work but still has not vanquished me completely from getting the necessities done.

This coming weekend is the last JANM workshop featuring indigo and shibori and we will make the most of it. Many regular participants will come together for this year end creativity laboratory. No need to put the link here as it has been sold out for quite a while. There is however a “save the date” list of upcoming workshops at JANM to sign up for as soon as the museum gets them listed. You can view it here. **EDIT** JANM just emailed me to say that the January Mandala Workshop is up on the website and taking registrations. Here is the link. See the full description on the calendar page here.

Two weekends ago I taught an in-studio flower making workshop with a small group. There were some beautiful results…a garden of beauties! I’ll be adding another one of these soon. Let me know if you are interested.

A post or two ago I introduced a new item into the shop-the shibori ribbon beaded necklace kit. At the time I had not finished the instructional video but the orders received kicked me into gear getting this done. I’m offering it up to you here (free youtube video) if you are interested in seeing how this piece gets made. Perhaps you have some shibori ribbon waiting to be made into something beautiful as a gift. I am also adding this video link into the sidebar under the Feeling Free(r) page/list.

I also just added some new Mooncloth card sets to the shop. Previously, I have had photo card sets using images I have taken of my work but these card sets have actual mooncloths attached to the front of the card that can be removed and used in a project. Sets come in 3’s or 6’s, are blank inside and include an envelope. I hope you enjoy them.

I just got back from picking up my son Trevor from the airport. He has been in Japan for the past three weeks on a long awaited trip there to make new friends and surf. It was an exciting adventure and he spent time in Kyushu, Amami Oshima, and Chiba-all prime surf areas. But one of the exciting things for me was that he met up with my long time blog friend Jan Hillstead Fujikawa in Nagasaki! Long time readers of this blog might know her from her blog Oh Brother! (WhereIsSheNow) She started blogging in 2007 and hasn’t updated since 2014 but we keep up through FB and other social media. She’s an expat of over 30 years and I hope I get to meet her myself next trip. But it was kind of her to spend the day with Trevor and he also got to meet her son!
In Amami Oshima, Trevor was able to meet up with our friend and surfer Ko, who showed us around Amami when we were there earlier this year. Trevor also started a blog highlighting his trip which you might enjoy. This is his first blogging experience. His blog, day one starts here.

It’s another rainy day here and the rain barrels are already overflowing. The cactus has finally stopped blooming- it was a solid 2 months of nightly blooms! Pretty amazing really. Here are a few photos collected recently from around the garden.

And a few more of some shibori ideas for this weekends workshop…shibori images on greeting cards for the holiday. I did one with a dove but tried to get too fancy and put a twig with leaves in its mouth which complicated and distorted the image making the head of the bird unclear. Will redo…
Lesson: when working on small images, keep it fairly simple and use a good fine linen for best results!

Communicating practice

A new year. I hope it finds you well!

Recently, I’ve been busy doing organizational work for the upcoming Silk Study Tour to Japan.  I don’t think I mentioned it here, but if you are on the Shiborigirl newsletter email list you read that after being almost full, the tour lost a few folks upon my return from the Houston show. Life throws you a curve and we adjust. Those who had to change their plans will be missed but vow to join us on a future adventure (2021). They will follow along online and be travelers in spirit.  I put out a new newsletter and we regained most of what we lost in terms of participants.  There are still a couple of spots open with a few folks still considering joining us.

If you are interested, here is the link  with all the information.  If you have questions, just email me.  Tour departs May 14, 2019. It’s gonna be another good one!

I have been also been preparing for the new workshop at the Japanese American National Museum.  This one is filled with a waiting list but if you want to read the description, you can go here. (I expect we will do it again.)  I also proposed a version of this class (due to limitations of time and facility) at this years Quilt festival in Houston.  We will see if the class is chosen for that venue.  I am really passionate about educating folks on understanding the difference between a fabric company putting out a line of “boro printed” fabrics and really knowing the history of such textiles.  I figured that by making things with all recycled fabrics is a start.  Spreading the word. It’s one thing to talk about it here on the blog and quite another to put fabric, thread and needle in the hands of someone for the purpose of education and perhaps a little thought of mottainai.  In any case, here are some pics of what I’ve been up to…(click thumbnails to enlarge)

It’s been an education to make these pieces and like anything else, a practice. I still need to put the cording on the bag but have it all dyed.   After finishing the bag, I was inspired to do a larger piece since the scraps I prepared for the class were so enticing. I tore a piece of linen off one of the old linen pieces I bought in Houston and dyed it dark indigo blue. I marked the horizontal stitching lines onto it and arranged the scraps.  Then I spent about 13 hours just stitching. It all felt good in my hands as I rocked the needle back and forth. I really learned and appreciated not just the cloth and the thread, but the use of the sashiko adjustable ring thimble with plate. It takes some practice and over the many hours of stitching, I grew to love the ingenuity of it.  Have you tried one? I do love a good thimble and have several varieties but had not spent a significant enough amount of time with this type. I plan to get even better with more practice.

That’s the thing isn’t it? Practice. As I worked on this long piece, a communication between myself, the materials and tools set in. It’s a simple running stitch-nothing fancy. But as the needle pierced each scrap my hand felt the resistance, the thickness, the density of the weave. Do we even notice this these days?  Many of the scraps were from cloth hand woven long ago, most softened by age and use. Most fabric today is made with machine sewing in mind.  The hand of it made stiff with printing inks and chemical finishing. It’s not friendly for sewing by hand. The tight weave of many modern quilting fabrics facilitates the printing of crisp patterns but resists the piercing of the hand rocked needle. I can really lose myself in the old cloth, wondering about it’s cloth story as I sew.

There is a lot to wonder about.

 

 

keep your inner light…

These words struck me today

The first sign of disintegration — in a writer — is that the writing loses the unique stamp of his/her character, & loses its inner light.

I think it can apply to all sorts of creative endeavors and is a good reminder. Something (else) to be vigilant about.

It was written by Ted Hughes to his aspiring teen age daughter/writer- and daughter of Sylvia Plath. I have been following the blog Brain Pickings and have been enjoying the reading there.  I love letters- they are so revealing…

Introducing the post, Maria writes:

“Read good books, have good sentences in your ears,” the poet Jane Kenyon counseled in what remains some of the sagest advice to write and live by. But if literature is essential to our moral development, as Walt Whitman believed, and reading enlarges our humanity, as Neil Gaiman asserted, then attunement to good sentences is vital not only to our writing style but to our core sensibility of character.

You can make a donation there of any amount in appreciation. I always appreciate a good ad-free blog.

traveling moon

“Inner light” struck me as I have been working on this piece incorporating an earlier “traveling moon” and some other small bits of indigo cloth. The moon leads the way, just stitching and adding intuitively, lighting the path as I go.

In between, I had a little time this week to make a couple of sets of indigo sky cloth and a moon for each.  Just 2 in the shop…for now. Maybe someone wants to start something…

fragments

img_4064
This little moon fragment carried me north recently to lead a shibori and indigo workshop for the Central Coast Weavers. It was a wonderful group of women who weave and share an enthusiasm for fiber in many forms.  The workshop space,  a large private studio affectionally known as “The Barn” kept us warm with a wood burning stove in one corner, fed with a kitchen area stocked with home baked breads and more, and busy with a large working area. Rosemary and Kay, the owners and creators of The Barn, have the second floor space lined with rows of large floor looms- maybe 15-20. I don’t think I have ever seen such a variety of large working looms in one location.
Previous to the workshop day, I gave a lecture on silk at their monthly  members meeting where they have a “show and tell”. Some of the things that they brought to share with members included this wonderful rug that was woven by one of the women. I think it was my favorite!

hand woven wool rug by Central Coast Weavers member

hand woven wool rug by Central Coast Weavers member

I can’t remember her name but she is the one holding the rug at the far end. They also had a little fundraising raffle at the meeting where members bring something fiber related they no longer need and if it is something you would like to re-home you can put some of your raffle tickets in the cup for that item.  Everything found a new home-plus the guild got some money for new books for their library. Lovely to see and thoughtfully purposeful!

The Barn workspace

The Barn workspace-a half-view

There is a new package being prepared for Wendy.  It will contain a set of needles and indigo threads.Someone might have a desire to add to the cloth in their own way, to hold the needle in their hand and feel of the thread as it is pulled through the cloth. It might just start someone wondering.

Right now though, the 3rd storm of the week here is drenching us-as if trying to wash away and clear out all the drama of this past week.  I welcome it.  I just hope all my monarch cats are finding refuge out there somewhere.  And that the sun will come out next week and dry out my poor flooded studio space!

newly emerged before the storm

newly emerged before the storms

 

distilling essences

Yesterday,

Pom and Walnut.

Dyeing in the light of the Super Moon.

And Indigo, of course.

I gave them a Moon Bath.  For the shop soon. They are resting now.

Today, thinking about what something is really made of. What we are made of.  Looking closely. Distilling it down. Instilling  Reviving memory…

Yesterday I saw where Maura (of Mustard Seeds) took the kids out to their local area to ask about leaves from trees that grew around them (in Kolkata, India) and they learned so much! And in several languages. They learned by talking to people in their neighborhood. Then they went back and made posters and art works.  More of this!

 

 

moons and stars

Took a couple of days near the cooling beach with Phil and Trev to get away from the daily doings. Shore leave as it is sometimes called…

shore leave sunset

shore leave sunset

trevor surfs!

trevor surfs!

Brought this along. Maybe it is a traveling cloth, even if only a mind traveler.  Stitching on it again with the surf pounding in front of me, I wonder about our connection to water. A morning shoreline fisherman pulls up a silvery fish.  I imagine he is fishing for moons and stars.
The indigo seed is born of water, nourished by water, dissolved in water. The silk thread I am stitching with is connected to that water as well. The mulberry leaf received its water in the form of rain, the cocoon, the sericin softened and reeled with the aid of water.
clothmore clothThe early fisherman carries his silvery catch away as others arrive, and we move on. Here is a memory from another trip this way. moons, tides, memories

The Houston show is on the horizon ahead of me.  I am working towards that.  In addition, there is a two day workshop at the JANM.  There are other things too.  Too much really.  People who want last minute orders will wait until I return.  What can you do? I stopped posting on social media for a week.  Just needed a break from it.  FB and all its crazy politics with the election is disruptive.  I guess the most I will say about all that is go and vote.  Be prepared to take responsibility for what and who you vote for. The show in Houston is the weekend pre-ceeding the election.  Always a difficult and uncertain time for people.  I plan to make my booth as beautiful and peaceful as possible.  Come.  Hang out.  Get inspired. Working with your hands is good. Booth 1921.

80+ silk mandalas forded for the workshop. have to do this ahead for them as there is not enough time and space for a whole class to do their own.

80+ silk mandalas forded for the workshop. have to do this ahead for them as there is not enough time and space for a whole class to do their own.

they will practice on paper and go away with the instruction sheet.

apricot tree in bloom is confused with our 106 degree weather.

apricot tree in bloom is confused with our 106 degree weather.

Our hot spell has subsided now and both myself and perhaps the apricot tree are feeling a little less crazy. I could not work well outside during those days. Hence all the mandala folding and other workshop kit making after sunset.

bright spot in the garden

bright spot in the garden-I think he liked the hot weather! 

Jude is rerunning her suns,moons and stars. Take a look. Wouldn’t hurt to go here too.

from Journey to Odyssey

Gosh, has it been that long?  The first quilt Journey started here. Further photos from the wayback time machine here on Flickr. And it has been a journey that has developed into an Odyssey. Journey was the original mooncloth.

Sometimes it’s funny to go back and read an old post.  Notice how some things change and others remain the same.  Like how I am still not a quilter.  Blogging for over 10 years now and there are so many posts I still enjoy going back and re-reading- as a reminder. Others not so much- but still a good reminder.

In a much more recent post, I showed you how I was binding the edge of the test mooncloth Under One Moon in a little video. A couple of pics of the semi-finished piece:

This was sent off as a gift with a hope of continuing.  Some thread and a needle included.

Continuing on with the larger one I’m calling Odyssey, I’m realizing how much I like the feel and drape of this cloth in my hands as I stitch on it.  And right now as I head towards Quilt Festival I also realize that about 90%+ of the fabric I see there is not fabric that I would want to hand quilt with. Of course quilting began with the reuse of scraps from clothing and household textiles that lived previous lives and had a softness built into them.  Fabrics now are made for machines with tight weaves, bright colors, and slick finishes.  This makes them harder to push a needle through by hand.  And less desirable to hand quilters. I don’t know how others feel about this but I will be noticing next month at the festival and wondering about it more.

I hope I can get this one finished in time.  Or near to-at least in a way that it can be continued on the road. Late afternoon light…
mooncloth odysseySeems it’s a Nine patch.  Just turned out that way.

And in workshop news… the upcoming indigo workshop at the Japanese American National Museum is going to be a little different.  We will be making some small fermentation vats that folks can take home and continue with.  We will also be using the pre-reduced indigo and doing more shibori.  Perhaps you want to explore doing some more detailed stitched shibori on larger cloth?

Workshop details and registration are on the museum site. Saturday and Sunday October 8-9

all cloth and thread dyed in the fermentation vat.  mostly rescued fabrics. silk and cotton threads.