White. Is it a color? If black is the absence of color (darkness) then is white (light) the combination of all colors in the visible spectrum? As a dyer, this is interesting to me. White is often my canvas when dyeing and dyeing something black takes a whole lot of colors mixed together. Strange.
As a dyer with an eye towards using what is around and available I have collected lots of old cloth that can be dyed. But are they white? Many are what I would call a natural white. They are what they are-ivory, cream, white, eggshell,off-white, antique white, snow white, pearl white, bleached white etc…
Many of you who have taken indigo classes from me recently have received materials kits containing a whole variety of great old fabrics-all natural and of course dyeable in indigo. It’s informative to look at the structure of old fabrics. This cloth that was formally the fabric of people’s lives. Literally- laces, tablecloths, clothing, bed coverings, kitchen towels, even mosquito netting and more. Each type of cloth reveals more about itself when dyed in the vat-it’s thickness, weave, age, and even stains that dye differently from the whole cloth. Next to each other, they can form an amazing array of beautiful blues or whites.
But what if they were left as they are? Left to use in other ways, to stitch together new dreams and aspirations? That is what I see going on in Jude’s new class What If Diaries. Definitely not a craftsy class where everything is laid out for you to make or do according to the plan, but a way to explore much deeper. The class is now sold out but she has others of a similar nature to explore. I like that the cloth is explored more deeply- that students not only connect themselves to the fabrics, the stitches, but that there is always a stream of consciousness floating in the background as a jumping off point to some new or even old idea. It’s kind of like what I imagine the beginning of the universe to be- sort of like a primordial soup of creation.
old battenburg lace- in process
And speaking of creation- last weekend at the JANM (Japanese American National Museum) we had a really grand time. I took a whole silk display and we even reeled silk on the old zakuri. The students were in awe as most had never seen this before. The ingeniousness of the device AND that of the silkworm and it’s cocoon. I don’t think they’ll ever take silk for granted again!
student reeling silk on the old zakuri
And of course we dyed silk- new and old. Itajime was the focus and this was a quick pic of their first pieces of the day. After this, I got too busy to take photos-as usual. Many left class and went straight out to the front desk to sign up for the Aug 31-Sept 1 class.
Saturday, August 31, 2013
12:00 PM—4:30 PM
Indigo and Shibori Techniques with Shibori Girl
In this 2-day workshop we will focus our intentions on practicing itajime (fold and clamp) shibori on recycled kimono lining silks. Once considered as precious as gold, old silks are being discarded at an alarming rate! Let’s breathe new life into them and improve our understanding of both silk and itajime shibori. Indigo and colorhue dyes will be used in this workshop. Both days: $70 members; $90 non-members, an additional $45 materials fee (cash only) will be collected at the beginning of class, admission is included. RSVP early, 20 students max.
So, if you are in the mood for some cloth that really moves you-cloth containing texture as a main component, fragments like scattered thoughts across time and place, imperfection seen as perfection, then click on over to the shop
and see what’s old.
And if you think you want to join the JANM workshop in Aug. you might want to sign up early.