Tag Archives: Steel Parade

cloth to treasure…and a quick check-in

it’s actually confusing me as to where all the time goes. suffice to say it passes and there seems not enough of it to do all the things my mind wonders about and wanders into.

i have many stories yet to tell and photos and notes to sort through and write about here on the blog- all promised but not yet accomplished. many things are being done here behind the scenes and along the sidelines- prioritized by daily needs and responsibilities, but for a few minutes today, i put a little something here on the blog.

having shipped out all the fabric packs collected on the tour and the other requests made by students and friends, i spent a day making up a new garment! i wore one that i made while in japan and wanted to do a new version in order to honor some of the vintage fabrics i purchased. like the other one, this is made with recycled hand woven cloth previously from kimono that have been taken apart. (btw- NO! Kimono should not be trademarked–as if…you all here know my thoughts on that nonsense)
a couple of things about this garment- i had seen a version of this somewhere in japan a couple of years ago but it was made from western width cloth and only had a front and back made from the same cloth. my idea here is to utilize the kimono width cloth and keep it as intact as possible so that it would be possible perhaps, to take it apart and reuse it one day (or at least in large part). to do this meant that the back and front would need to be split to accommodate typical kimono width cloth and since i wasn’t a fan of having it split down the middle in front, i added a faux placket in front to offset that making it asymmetrical. using a combination of hand woven cloth, i made the amami oshima tsumugi silk the star of the garment while adding three coordinating kasuri patterns. i matched the pattern in the front placket just for fun and did not cut the selvedge on at least one side of all the main pieces. the selvedge contains part of the cloth-story for anyone who might be interested in the future. i have several other sets of cloth i will be using to make a few more of these. it’s very easy to wear with some leggings and even sandals or tennis shoes. i have promised several on the tour that i’d do up a muslin pattern for them to make up for themselves- so far, not yet done… will have to make a few more to settle in on the pattern.
my favorite part of this piece and the ones i’m excited to make going forward is that i’m using beautiful textiles that will be once again worn! some of the techniques used in making these fabrics are disappearing and my hope is that by making useful and wearable garments that these fabrics will be further treasured and worn again, not just cut up and used as scrap. whole cloth in a way. there is a small bit of boro in the lower part of the front placket that i kept intact, preserving further the treasure that this fabric continues to be. someone else thought enough of this piece of cloth to restore it with a patch. who am i to cut it away and discard it?

onto the next thing…the past few days have been consumed with making up an order of silk shibori no hana for the kyoto shibori museum. they are taking me longer than expected and i’m only half way through. several orders of ribbon also await and will be base dyed today. here’s a peek at a few of the flowers heading to kyoto soon…

hopefully, i will have some of these available in the shop later this summer when i’m caught up a bit around here. for those waiting on ribbon orders, i’ll start sending those out next week. stock is very low at the moment and the shop a bit disorganized. colors showing in stock where there is none, so some of you may get a note from me asking if you would accept a color substitute until i get things all straightened out. apologies for that…

life here continues, phil and his band steel parade have been out singing and performing for people young, old , and in between. the other night’s performance at the local nature center concert was a whole lot of fun. it’s wonderful to see everyone dancing out under the trees there.

the yard is in summer clean-up mode and little by little weeds are being removed, the second crop of veggies are being planted, and springs tomatoes and eggplant are being served up. hope your summer is wonderful and full of hope.
gotta run-baby dean just arrived! time to put my nana hat on…

indigo mood

OK. I am officially obsessed. I may need help. Perhaps a 12 step program. Or an intervention.


All I want to do is mess with the indigo vats. I’ve scoured the web for images, words, inspiration and more in regards to indigo. I’ve found some great stuff but what surprises me even more is that there are really so few artists/textilians who are dyeing with indigo on a regular basis. I see many one shot stabs at it here and there but only a few dedicated to discovering it’s mysteries and allure. Perhaps because it is one of those things that, requiring lots of practice and repetition, loses it’s allure. I’ve come across Indigo Night Owl on Flickr & Facebook, of course there’s Neki in Barcelona, waterfall, Ito de, Jenny Balfour-Paul and others but really I’m sure there are more out there. Of course I am referring only to those available on the web and I know for a fact there are others (for example in Japan) who are not accessible online. Somehow I feel the need to connect with others with the same obsession.

The color of sky and water. The promise of night. A range of blues to astound! A temperamental vat to confound. Indigo!

I’m also mesmerized by ombre dyeing with the indigo. Save me. I need help!

( you can encourage the obsession with the purchase of the 12mm silk charmuese scarf on my etsy site. It’s $75. Trust me, it’s a steal. I’ll even sew some beads onto the corners if you like. size is 11″x 56″above ) I’m posting it there until Tuesday when if still unsold it will be delivered to a local shop. I’m working up a collection of indigo pieces for the upcoming Quilt Festival in Long Beach.

Will get back to the Japan posting soon. Promise.

-forgot to mention
there are only two open spots left for the dye workshops. one on each of the two august dates. See the upcoming classes link above for details and email me right away if interested. I will definitely fill these two spots at the LB Quilt Festival if they are not gone by then. I’ll make sure the vats are working but the focus is on acid dyes- I’m sure I can fit in at least a quickie demo though. Indigo workshop another time.

-off to go see Steel Parade perform at the beach in Dana Point! ( i’m the CD salesgirl! ha!)

Dare I ask? Just what IS the role of an artist in society today?

I think I just heard a strange sound…..must have been the sound of a can of worms being opened.

I pose this question in the wake of being accused by a local “arts advocate” of not participating, of sitting on the sidelines and criticizing instead of “rolling up my sleeves and making change by participating”. And all along I thought I was participating! So I started wondering, just what exactly is it that is expected or desired of a artist in our society/community today?

Let me begin by saying that I am as confused by this question as anyone. I could come up with some eloquently waxed statements on the matter. It of course leads to other questions-such as, “What is the role of ART in society today?”. And the omnipresent question “What is ART?”.

Let me start small. Sometimes nibbling around the edges lets me figure things out as I go so I’ll just start by saying that making things with my hands seems to be embedded deeply in my DNA. Also, that I’m not really convinced that I am an artist. See I told you I was confused. If I ever had to go out and get what my parents termed “a real job” it wouldn’t quell the deep need I have to create things. Perhaps a 12 step program or a religious conversion would do the trick, but I doubt it. It’s just there.
So I have gone along with it since I was a child and worked it out so it could pay the bills.

Here are some other questions that come up:
Does everyone need art in their life?
-probably not, of course there are many cases one could site on this one.
Are we happier as a society with art and artists in our midst?
-I think so……
But why?
-here is where it gets more difficult. More subjective.

Does the artist’s role change in relationship to the changing needs of society? If you read this book, What is Art For? by Ellen Dissanayake you might be led to believe that making and responding to art is simply part of our human nature. Or that
we as humans have a need for beauty be it in the context of nature, our surroundings, or by creating it ourselves.

Furthermore, by definition, the term artist can be construed to mean many things. Many artists I have met (and from here out I will use this term inclusively and without judgment ) create because they cannot NOT create. Are you an artist because you created something? 5 things? 10,000 things? Is there a point at which your productivity becomes so great that you are no longer considered an artist? First you are an artist, then you are an artist with bills to pay. You become a production artist. Overhead increases. Now you are a Manufacturer. Well, you can see it starts to get a little messy here. I have been in all of these situations.

Back to the question. The artist’s role in society. Do artist’s have a responsibility in society? Should they create beauty for others to enjoy? Should they lead by example? Should they share their vision and their creativity with the public by teaching? Should they communicate with other artists from around the world? Should they all participate by dictate and attend meetings hosted by tireless arts advocates?

What would you do?
Here are some things I see other artists doing-
This is an easy one- Phil working with Pan Afrika featuring Master African Drummer Dramane Kone of Burkina Faso at a local preschool last week. Dramane is a Griot from the famous Kone family of Burkina Faso and Mali. a Griot is a West African poet, praise singer, and wandering musician, considered a repository of oral tradition.:

How about Jane and her work over the past two years at Mundo Lindo (Beautiful World) which is now coming to a close.

And if you know me you may be familiar with Elementary Art .

Please feel free to post links to any you know here in the comment section (this could get pretty lengthy!).
Of course we are only scratching the surface here but the bigger question really is would the community rather see the likes of us at bored meetings or out doing stuff? It’s somewhat disingenuous to say you want our ideas and opinions yet when we give them and you don’t like them tell us we aren’t part of the solution because we aren’t playing by your rules. Artists and musician types often make great sacrifices in lifestyles in order to choose these paths as a career. It’s not 9-5. There are no paid vacations. You often work 80 hours a week. You almost never get paid what you think you should. Forget about health insurance of any real substance. Bottom line, if I’m not gonna get paid for my volunteer work, would I rather be in a bored meeting or in a roomful of children? I think you can guess my answer.

If you want my ideas, feel free to email me. No meetings required. Until further notice, only paid gigs are being considered though.

Countdown to Chicago continues…..dyeing and processing the last of the silk for the show. Just booked a series of workshops in Claremont over the next 5 months. More details will be posted shortly on the classes and shows page….gotta go and get busy now!
mata-ne!