Tag Archives: mandala

Post-show recovery

It’s over and I’m home.  A long 10 days of constant action and responsibilities. Classes, setup, teardown, travel and the lugging of more stuff than I want to remember.  Until next year!

A few highlights included classes that went smoothly, a great booth setup, and seeing so many customers and students from throughout the years. Also had some crazy weather and flooding! Note to self: pack boots next year! (I did pack umbrellas and a raincoat!)

I got to meet Deb McClintock of the blog NATURAL DYEING IN THE TEXAS HILL COUNTRY.  I have enjoyed her adventures in natural dyeing for some time now.  She also grows and dyes with indigo, madder and pomegranate (among other things). Thanks for taking the time to stop by Deb! Got to visit with Judith Montano a bit- she is so busy teaching every year at Festival she hardly gets down to the show floor.   I have admired her book Elegant Stitches for many years- have a copy of the original edition from way back and love how her work has transitioned from crazy quilting into the lovely landscapes she does now. Had a little time with Brooke from Hannah Silks- we go way back. So far back that neither one of us can any longer remember how long ago!  Was saddened to hear that her mom Hannah had passed away- she was the Hannah behind the silk.

It was a pleasure to see and meet up with folks who appreciate the techniques and materials behind the textiles.  I really enjoy the vintage dealers most I think (Carola Pfau of Textile Treasures, June Colburn, Carol Saber and others).  Their knowledge of the textiles they sell is priceless. These textiles teach us so much. What do the textiles of today teach us?  I wonder. A customer came to talk to me about what she had seen at the show.  She felt that the prizewinning quilts were lacking something. She couldn’t quite put her finger on it at first.  They were detailed, precise, painstakingly designed, impressive in scale, pleasing to look at…yet, something was missing.  Our conversation turned to the missing element- the fact that so much of the quilting done these days and especially for big quilt prizes is technology and consumer driven. Ever more sophisticated machines, tools and fabrics dominate.  In some of these pieces it causes them to feel sterile, almost as if they weren’t make by hand.  But yet they are. Such precision in cutting, stitching, and profusion of color and design made available by the limitless palette of modern fabrics takes away something I think. Comparing the vintage quilts in the show with their newer cousins one causes one to wonder about all this. I know I am speaking blasphemy when I say this.  One can wonder can’t one?

Today the show boxes arrived and were unpacked and I will send out emails to catch up a bit.  I needed a few days to recover (I forgot to mention the visit to the Urgent Doc in Houston did I?) and regain my balance, literally.  Perhaps some leftover items will appear in the shop by the end of next week…

There’s an upcoming workshop at the JANM to prepare for (sold out) and orders to start on in addition to a few custom orders placed at the show. Time to get busy…

People at the show were already excited about the 2017 Silk Study Tour to Japan and wanted to write me checks  but I am not ready for that just yet.  Hirata San and I are working out the new itinerary already and will have it up by January 30.  This time we will do 12 nights and include Kyoto!  What fun.  To be informed of these details please sign yourself up for my Constant Contact newsletter in the sidebar and make sure to check Silk Study Tour as an area of interest.

And in Freer news… I have added the Silk Shibori Ribbon Poinsettia Brooch PDF which includes links to the two videos on how to make this holiday piece.  I have also added a PDF to the simple shibori fringed flower.  This is easily made with small scraps you may have around. Please enjoy.

Here are a few shots from the show- big thanks to Donna and Virginia for helping me get through it all- you both were integral to the whole.  Also thanks to Katrina Walker and the whole Silk Experience team of teachers and Quilts Ed staff for doing a great job at Quilt Festival. It was very much appreciated.

pressing on… indigo and other stuff

On this hot and muggy Sunday I finish up a large order of the shibori ribbon and wonder. Often when I wonder about what I am doing I take to the vat and gain some perspective.  Besides, I have a couple of workshops ahead of me here-3 that involve indigo and need some wondering and planning time.

today the natural vat has a good coppery sheen but little flower. however, it is dyeing well

today the natural vat has a good coppery sheen but little flower. however, it is dyeing well

Starting off with some moons on old tattered asa (hemp) from Japan got me thinking about what ties us all together on this little planet we named Earth – as well as what tears us apart. 

tattered moon- somedays i feel just like this and am in need of a little mending

tattered moon- somedays i feel just like this and am in need of a little mending

I figure I need to order 30 yards of cotton scrim for my workshop in Houston October 26- done and crossed off the list.  The rest of the fabrics to be used are remnants and scraps I have been collecting of some very lovely old and reused fabrics brought back from Japan.  We will dye them in indigo and apply different techniques- shibori mostly, as well as use our imagination before stitching them to the indigo dyed scrim.  Kits will also include swatches of vintage kasuri, katazome, and shibori.  I will have several very nice vintage boro textiles on display for students to study as well as a selection of books and photos from my recent visit to the Amuse Boro Museum in Asakusa, Japan.

workshops start with me creating a new sample- even if I have taught the class before- I want to be very familiar with it and add to previous knowledge I  taught this class at the JANM over a year ago

workshops start with me creating a new sample- even if I have taught the class before- I want to be very familiar with it and add to previous knowledge
I taught this class at the JANM over a year ago

Pressing on, I make my sample by my own hand, I cut the fabrics, collect the swatches.  As I dye the new sample I think about the room that I will be teaching in, the number of students, the problems that will be encountered by restrictions of such a setting and must be solved before anyone walks through the door to make things go smoothly and find success for all who gather that day in that room. I aim for a version of perfection knowing full well that there will be less than that achieved but aiming high is where I like to begin.  I am already looking forward to teaching this class and its myriad lessons.

My class is called Indigo dyed and Boro Stitched and can be signed up for by going to the Quilts Inc. site for the Houston International Quilt Festival.  The class is # 117  on Monday Oct. 26, 2015 in the online catalog.

I am teaching two other classes there as well- Shibori Mandala Magic on Silk (class #217) and Splendid Silk Shibori Poinsettias (class # 611).
The Mandala class is an outcome of working with Richard Carbin and combines the folding techniques I learned from him with a completely different method of resisting and applying the dyes.
Richard’s presence will be felt in the vintage silk fabrics we will use which were collected by and purchased from him.

The Silk Shibori Poinsettia class is a fun Friday evening class- a good sit down and relax class at the end of a busy week.  Many lovely pieces are sure to be made as gifts for friends and family on this night.

I tried to upload an image of a great little boro piece I brought back from Japan but WP is being fussy right now so it will have to wait until later.  Until then, I’ll add a couple of photos of something I made the other day just to satisfy a need I had-a small bag that snaps open by pinching the sides and holds all I need. I used some obishin between the cloth layers.

It’s raining again now- hardly can believe it! It has been such a gift.  I have somewhere I’m supposed to be so until later-

mata ne!

things flow through

i have always liked figuring things out.  a production run is like a puzzle of sorts.
one must figure out and streamline the entire process.  thinking about such things as efficiency, energy, materials. the order of things.  and most importantly, the FLOW.  beautywood

the flow can refer to many things- the physical space in which i work-allowing me to move through my workspace without hinderance.  the flow of energy as i choose and mix the colors, prepare the silk, thinking several steps ahead of myself so as to maintain that flow.

the flow of work in and out of here as orders come and go, the flow of communication with all of those who email,comment,ask,etc..the flow of paperwork, money, and of course time.

but most of all i enjoy the process of transition. of taking something rather plain and mundane (although i can say that the miracle of the silkworm is anything but mundane!) and turning it into something else by hand.

so, lots of shibori ribbon being made here at the moment. if i have overlooked an email, been tardy in sending you something promised-please send me a little reminder nudge and accept a proforma mea culpa from me.  i appreciate your patience.

in all this busyness, i have quite forgotten to post here about the upcoming workshop with Richard!

speaking of flow. one also needs to refill the vessel and when Richard and I get together for a workshop that is part of the intention- to give you lots to wonder about- to get your flow going-or back into the flow.
good grief…in my mind i had done it!  but alas no- just on Facebook and constant contact. there are still a couple of spaces.  and several requests to Skype/broadcast the workshop which we will be accommodating as well (figuring this out now).  this workshop will combine itajime AND mandalas. you will learn both in the first two days.  on the third day you can work on whichever one (or both) is moving you-and get into your own flow.  patterns of time and space

of course we will be working on the process, the technique, of folding and dyeing and resisting-but also larger concepts of time and space in regards to patterns.  patterns are everywhere-in nature and in life.  sometimes you need to look at the bigger picture to see them.

-some of Richard’s recent work-it just keeps on getting better and better (of course). he recently completed his first continuous 10 meter cloth which is slated to be make into a summer yukata. now THAT’s impressive!
the amazing itajime of Richard Carbin

and just a reminder-  have a 2 day  indigo workshop coming up at the Japanese American National Museum Feb 1 & 2.  We will be working on shibori and indigo and creating a boro-esque indigo scarf from our bounty.  Call the Museum to register- 213.625.0414



giving new life to old silk

once upon a time there were many many kimono. some were worn daily, some were worn for special occasions and when they needed cleaning, they were taken apart, cleaned, then sewn back together.  as time passed, many of these kimono were no longer being worn. the outer fine colorful silks were often stripped of the inner linings and resold to be remade into other things. but the lowly inner lining silks-though also fine, but often plain and with little pattern or color, were set aside (if not discarded!) since no one knew what to do with them.

Richard has been collecting them and remaking them into his beautiful silk mandalas.  he is here once again to give a workshop and for the past couple of days we have been preparing things.  today, we took some pieces out to get a few photos and some video for the daily dyer.

mandalas group

my, they looked glorious! so alive & revivied.

detail mandala

for this workshop, we decided that we wanted to concentrate on using some of these silks and show what can be done with them . we will be using them freely both for the arashi  and the mandalas.  if they don’t start being used, they are simply going to be discarded.   silk was used as a form of currency at one time, so it is interesting to me that something that was once so highly valued is now being cast away.

i like the intention of these pieces we are making.  some of the silks are quite old.  they were important enough to have been saved by someone all this time.  some appear to be hand loomed, even hand spun!  imagine throwing that away.  some are simple but perfect for dyeing.  some have spots or stains. all are unique in various ways. most of the blemishes were no longer noticeable once they were dyed.  my favorites are the ones where you can see the slubs, tyoffs and the uneven tensions from the weaving. like these-

there was more than enough for the workshop so i spent some time today sorting and ironing and packaging up some to put into the shop.

i like that we can use this silk from the past in our work today. i can learn things just by looking at it! and some of it is here now in the shop.


year end announcements…

I am tying up some loose ends on things that have been in the works around here for a while.  Everything takes longer than expected it seems-especially around the holidays when there are lots of comings and goings.

Today the wind died down a bit (not completely) but the surfers were devoted to getting into the water which leaves me in complete and blissful silence to work on these unfinished details.


First- the In Studio Workshop with Richard Carbin and myself  is available in the shop. Just click here to visit the listing and read through it carefully. If you have any questions,  just use the contact form or email me.  Leaving a comment here is OK too- I can reply privately via your comment.

arashi shibori    ++++  mandalas  ===?????  

I’m excited to collaborate with Richard again.  Ours has been an wonderful pairing of interests and talents. We met virtually via Flickr several years ago becoming fans of each others work.  Richard is an ex-pat living in Nagoya Japan with his wife and two boys. In June 2009 when Phil & I visited Nagoya for the Arimatsu Shibori Festival, we made a pact to meet up and get to know each other better and in person. We visited late into the night and although our work is completely different we shared a passion for Japan, silk, and dyeing.  Afterwards, we continued getting to know each other online via Facebook and via email and decided to create a collaborative workshop. Our online workshop Indigo Mandalas (born of the original In Studio workshop last year) was the first internationally collaborative online workshop as far as I know.  We continue to inspire and draw on each others experience and interests using the internet & media, learning as we grow.

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Secondly, the Silk Study Tour to Japan is filling nicely.  We only have 4 spots (out of 20) left so,  if you think a trip to Japan to see silk sericulture, beautiful textiles, a natural dye workshop and more are in your future for May of 2013-contact me soon.  We never really know if we will repeat this tour-so far our third biennial tour. Life has a way of keeping us on our toes and in the present which is a good thing and keeps up from putting off those things that we really want to do but somehow don’t. More and more I realize that today is the day!   Click the link for details and feel free to contact me if you you have any questions at all. I’m getting excited all over again.  New things await us in Japan every time we go!

What if progress means something else?

Recently, I have been doing some reading and becoming familiar with the terms anthropocene and holocene eras as discussed in the recent issue of the Hedgehog Review. The current Summer issue, entitled Sustain-Ability poses such questions.

These are the sorts of things that I wonder about while I am working. The concept of thriving between scarcity and abundance. Of what sustainability means in these modern times.

These are seeds (ideas) that grow. And ideas plus action on those ideas make for change and growth. Like with seeds, the addition of water and nutrients yields a harvest.   Understanding history is essential, trajectory can be planned and altered I think.

But I need to get to the seed (heart, center, beginning).  Perhaps it’s a day for mandalas.

Yes, I think so.

novice mandala on silk organza