Category Archives: museums

from Journey to Odyssey

Gosh, has it been that long?  The first quilt Journey started here. Further photos from the wayback time machine here on Flickr. And it has been a journey that has developed into an Odyssey. Journey was the original mooncloth.

Sometimes it’s funny to go back and read an old post.  Notice how some things change and others remain the same.  Like how I am still not a quilter.  Blogging for over 10 years now and there are so many posts I still enjoy going back and re-reading- as a reminder. Others not so much- but still a good reminder.

In a much more recent post, I showed you how I was binding the edge of the test mooncloth Under One Moon in a little video. A couple of pics of the semi-finished piece:

This was sent off as a gift with a hope of continuing.  Some thread and a needle included.

Continuing on with the larger one I’m calling Odyssey, I’m realizing how much I like the feel and drape of this cloth in my hands as I stitch on it.  And right now as I head towards Quilt Festival I also realize that about 90%+ of the fabric I see there is not fabric that I would want to hand quilt with. Of course quilting began with the reuse of scraps from clothing and household textiles that lived previous lives and had a softness built into them.  Fabrics now are made for machines with tight weaves, bright colors, and slick finishes.  This makes them harder to push a needle through by hand.  And less desirable to hand quilters. I don’t know how others feel about this but I will be noticing next month at the festival and wondering about it more.

I hope I can get this one finished in time.  Or near to-at least in a way that it can be continued on the road. Late afternoon light…
mooncloth odysseySeems it’s a Nine patch.  Just turned out that way.

And in workshop news… the upcoming indigo workshop at the Japanese American National Museum is going to be a little different.  We will be making some small fermentation vats that folks can take home and continue with.  We will also be using the pre-reduced indigo and doing more shibori.  Perhaps you want to explore doing some more detailed stitched shibori on larger cloth?

Workshop details and registration are on the museum site. Saturday and Sunday October 8-9

all cloth and thread dyed in the fermentation vat.  mostly rescued fabrics. silk and cotton threads.

 

 

 

summertime, and…

I’m redoing my indigo fermentation vat this weekend.  It’s been a while in coming.  I emptied it out (25-30 gallons) about 2 months ago when I was redoing a fence line that it sat along and it needed to be moved.  At  the time I was also having some issues with fruit fly larva in the vat and wanted to have a fresh start and see if I could solve that issue.

The vat will take at least a week to ferment to a usable state and in addition I need to receive an order of ground indigo from Cheryl at Aurora Silks.  Coincidentally, she is having a sale on the 1 Kilo size ground natural indigo and offers free shipping.  I only had 4 oz on hand so made the vat up with that to get it started and will add the rest of the indigo when it arrives in a couple of days.

I am adding a fine mesh cover to the top of the vat since the lid to this container is not a complete seal.  Additionally, I am making a large net bag to drop into the vat while dyeing to keep all the organic materials and sludge to the bottom and away from the cloth as I work.  It’s really only an issue when working with larger open weave fabrics which I seem to use a lot these days.  It saves having to pick out the particles by hand or resort to lots of water wasting rinsing.  Water is precious here.

When I disposed of the old vat I balanced the ph with some citric acid down to about 7 and used the liquid on the ornamental drought tolerant landscaping.  The rest of the sludge in the bottom I added to the compost and was ready to start again. This vat had been in use for 4-5 years.

I am adding some video of the process of this new vat to the student forum for the online indigo workshop I have in my shop.   Here is a little bit of day two progress…

August 6-7 is the final summer indigo workshop at the Japanese American National Museum. Signups are through the museum here.
Last time this is some of what participants did…
IMG_2601

And likely,since Jude had been busy with moons, folks have been ordering the moon assortments which has kept me and my studio helper hard at work…
IMG_2590

Summertime, and the livin’ is easy.

I get letters…

It was a great weekend at the Japanese American National Museum.  There were several returning students but the majority were new to both dyeing and to shibori in general. It is always a pleasure to introduce people to both.  Most indicated they will sign up again for one of the upcoming shibori workshops featuring indigo in June  and August (contact museum for reservations).  The force is strong in shibori…

Participants were fortunate to be able to see the last day of the exhibit “Two Views” featuring photographs by renowned 20th-century photographers Ansel Adams and Leonard Frank who each captured distinctive views of the Japanese American and Japanese Canadian incarcerations. I had seen it previously and encouraged everyone to take a break and go through the exhibit.

Early on Sunday I had the opportunity to view the other exhibit “Making Waves” before the museum opened to the public. It was really too much to take in in the amount of time I had- I spent a scant 30 minutes and knew I couldn’t do it justice so will go back before it closes the end of June.

In other news, I am feeling much better! The garden is blooming, vegetables growing. I also had a chance to see the current exhibit at the Mingei International Museum in San Diego recently.  (Thanks to Nadja for the hospitality!) One thing I was curious about was the attribution of this piece on display.

shibori yukata IMG_1862 IMG_1863
Obviously shibori dyed but yet annotated as printed.  Unless I am missing something…  I could see the needle marks. Anyway…there were some fabulous pieces there, like this detail from a fisherman’s raincoat woven with reed and seaweed.
woven reed and seaweed

I came home from the weekend to find a lovely letter from a customer. Honestly, I have to say this sort of thing keeps me going at times. I know that making things by hand is an incredibly personal and worthwhile endeavor. Sometimes a journey of the soul. Please teach any children in your realm this valuable gift.
i get lettersnow I’m crying…xo

Museum Ethics 101

You know I don’t want to have to go here again. You do. But Here We Are. Once again.

Let’s restate this, o n e  m o r e  t i m e.

If you are teaching a class, use your own work to sell or market the class. Your work. Not someone else’s. Doing so is unethical and fraudulent. If you are a museum, make sure the images you are using to sell these classes are the works of the instructor you have hired.

In this day and age you cannot simply say you “didn’t know”, you “thought it was OK”, or that “it wasn’t my responsibility”.  Your desire to “pretty up” your website does not supersede copyright infringement laws.

I thought a museum was the caretaker of art, artists, and artworks. If not museums, then what is your contribution to the art world? What happened to being a good citizen of the art community?

Here is a good set of rules to go by:

You stole an image, used it fraudulently for commercial purposes, and made money from it. You used it on your website to sell workshops. You posted about it all over the web and your various social media sites.

The United States statutory damages for copyright infringement are set out in 17 U.S.C. 504 of the U.S. Code. The basic level of damages is between $750 and $30,000 per work at the discretion of the court.  Isn’t it easier and more cost effective to use your own work?

What?  You don’t have any credible work to show? No work worthy of museum presentation?   Ethics people!!  Do they teach you nothing these days??  Is this how you wish to be known, as someone who steals the work of others?

A letter has been sent.  Screenshots taken. Requests made. Their response?

We’re “looking into it”.

What should happen?
I’m just wondering…

Remember Before?

don't worry- the copyright watermark is embedded in the metadata -from the indigo mandala workshop with Richard Carbin and Glennis Dolce

don’t worry- the copyright watermark is embedded in the metadata
-from the indigo mandala workshop with Richard Carbin and Glennis Dolce

Before is now a new category.

Remember Before? When people and institutions had integrity, when parents taught their children well, and children listened and remembered? Remember a time of due diligence and responsibility? It is getting harder to remember this time.  It seems a far-away land, a place of fairy tales and make believe. Are we able to return to the Time of Before? How did we come to this place?

Money.

Ahh…that’s it.  It happened when Money became King and Everything became Free, that’s when we arrived here.  Not Free(r) mind you.  Just Free for the Taking.  Free as long as you aren’t caught.

There is a situation brewing. Before things get ugly, Time will be allowed for the Right Thing to Happen.

Comments here are turned off for now. Now is not the time for conversation. It is the Time for Action!