Category Archives: mandala

pressing on… indigo and other stuff

On this hot and muggy Sunday I finish up a large order of the shibori ribbon and wonder. Often when I wonder about what I am doing I take to the vat and gain some perspective.  Besides, I have a couple of workshops ahead of me here-3 that involve indigo and need some wondering and planning time.

today the natural vat has a good coppery sheen but little flower. however, it is dyeing well

today the natural vat has a good coppery sheen but little flower. however, it is dyeing well

Starting off with some moons on old tattered asa (hemp) from Japan got me thinking about what ties us all together on this little planet we named Earth – as well as what tears us apart. 

tattered moon- somedays i feel just like this and am in need of a little mending

tattered moon- somedays i feel just like this and am in need of a little mending

I figure I need to order 30 yards of cotton scrim for my workshop in Houston October 26- done and crossed off the list.  The rest of the fabrics to be used are remnants and scraps I have been collecting of some very lovely old and reused fabrics brought back from Japan.  We will dye them in indigo and apply different techniques- shibori mostly, as well as use our imagination before stitching them to the indigo dyed scrim.  Kits will also include swatches of vintage kasuri, katazome, and shibori.  I will have several very nice vintage boro textiles on display for students to study as well as a selection of books and photos from my recent visit to the Amuse Boro Museum in Asakusa, Japan.

workshops start with me creating a new sample- even if I have taught the class before- I want to be very familiar with it and add to previous knowledge I  taught this class at the JANM over a year ago

workshops start with me creating a new sample- even if I have taught the class before- I want to be very familiar with it and add to previous knowledge
I taught this class at the JANM over a year ago

Pressing on, I make my sample by my own hand, I cut the fabrics, collect the swatches.  As I dye the new sample I think about the room that I will be teaching in, the number of students, the problems that will be encountered by restrictions of such a setting and must be solved before anyone walks through the door to make things go smoothly and find success for all who gather that day in that room. I aim for a version of perfection knowing full well that there will be less than that achieved but aiming high is where I like to begin.  I am already looking forward to teaching this class and its myriad lessons.

My class is called Indigo dyed and Boro Stitched and can be signed up for by going to the Quilts Inc. site for the Houston International Quilt Festival.  The class is # 117  on Monday Oct. 26, 2015 in the online catalog.

I am teaching two other classes there as well- Shibori Mandala Magic on Silk (class #217) and Splendid Silk Shibori Poinsettias (class # 611).
The Mandala class is an outcome of working with Richard Carbin and combines the folding techniques I learned from him with a completely different method of resisting and applying the dyes.
Richard’s presence will be felt in the vintage silk fabrics we will use which were collected by and purchased from him.

The Silk Shibori Poinsettia class is a fun Friday evening class- a good sit down and relax class at the end of a busy week.  Many lovely pieces are sure to be made as gifts for friends and family on this night.

I tried to upload an image of a great little boro piece I brought back from Japan but WP is being fussy right now so it will have to wait until later.  Until then, I’ll add a couple of photos of something I made the other day just to satisfy a need I had-a small bag that snaps open by pinching the sides and holds all I need. I used some obishin between the cloth layers.

It’s raining again now- hardly can believe it! It has been such a gift.  I have somewhere I’m supposed to be so until later-

mata ne!

things flow through

i have always liked figuring things out.  a production run is like a puzzle of sorts.
one must figure out and streamline the entire process.  thinking about such things as efficiency, energy, materials. the order of things.  and most importantly, the FLOW.  beautywood

the flow can refer to many things- the physical space in which i work-allowing me to move through my workspace without hinderance.  the flow of energy as i choose and mix the colors, prepare the silk, thinking several steps ahead of myself so as to maintain that flow.

the flow of work in and out of here as orders come and go, the flow of communication with all of those who email,comment,ask,etc..the flow of paperwork, money, and of course time.

but most of all i enjoy the process of transition. of taking something rather plain and mundane (although i can say that the miracle of the silkworm is anything but mundane!) and turning it into something else by hand.

so, lots of shibori ribbon being made here at the moment. if i have overlooked an email, been tardy in sending you something promised-please send me a little reminder nudge and accept a proforma mea culpa from me.  i appreciate your patience.

in all this busyness, i have quite forgotten to post here about the upcoming workshop with Richard!

speaking of flow. one also needs to refill the vessel and when Richard and I get together for a workshop that is part of the intention- to give you lots to wonder about- to get your flow going-or back into the flow.
good grief…in my mind i had done it!  but alas no- just on Facebook and constant contact. there are still a couple of spaces.  and several requests to Skype/broadcast the workshop which we will be accommodating as well (figuring this out now).  this workshop will combine itajime AND mandalas. you will learn both in the first two days.  on the third day you can work on whichever one (or both) is moving you-and get into your own flow.  patterns of time and space

of course we will be working on the process, the technique, of folding and dyeing and resisting-but also larger concepts of time and space in regards to patterns.  patterns are everywhere-in nature and in life.  sometimes you need to look at the bigger picture to see them.

-some of Richard’s recent work-it just keeps on getting better and better (of course). he recently completed his first continuous 10 meter cloth which is slated to be make into a summer yukata. now THAT’s impressive!
the amazing itajime of Richard Carbin

and just a reminder-  have a 2 day  indigo workshop coming up at the Japanese American National Museum Feb 1 & 2.  We will be working on shibori and indigo and creating a boro-esque indigo scarf from our bounty.  Call the Museum to register- 213.625.0414



year end announcements…

I am tying up some loose ends on things that have been in the works around here for a while.  Everything takes longer than expected it seems-especially around the holidays when there are lots of comings and goings.

Today the wind died down a bit (not completely) but the surfers were devoted to getting into the water which leaves me in complete and blissful silence to work on these unfinished details.


First- the In Studio Workshop with Richard Carbin and myself  is available in the shop. Just click here to visit the listing and read through it carefully. If you have any questions,  just use the contact form or email me.  Leaving a comment here is OK too- I can reply privately via your comment.

arashi shibori    ++++  mandalas  ===?????  

I’m excited to collaborate with Richard again.  Ours has been an wonderful pairing of interests and talents. We met virtually via Flickr several years ago becoming fans of each others work.  Richard is an ex-pat living in Nagoya Japan with his wife and two boys. In June 2009 when Phil & I visited Nagoya for the Arimatsu Shibori Festival, we made a pact to meet up and get to know each other better and in person. We visited late into the night and although our work is completely different we shared a passion for Japan, silk, and dyeing.  Afterwards, we continued getting to know each other online via Facebook and via email and decided to create a collaborative workshop. Our online workshop Indigo Mandalas (born of the original In Studio workshop last year) was the first internationally collaborative online workshop as far as I know.  We continue to inspire and draw on each others experience and interests using the internet & media, learning as we grow.

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Secondly, the Silk Study Tour to Japan is filling nicely.  We only have 4 spots (out of 20) left so,  if you think a trip to Japan to see silk sericulture, beautiful textiles, a natural dye workshop and more are in your future for May of 2013-contact me soon.  We never really know if we will repeat this tour-so far our third biennial tour. Life has a way of keeping us on our toes and in the present which is a good thing and keeps up from putting off those things that we really want to do but somehow don’t. More and more I realize that today is the day!   Click the link for details and feel free to contact me if you you have any questions at all. I’m getting excited all over again.  New things await us in Japan every time we go!

a few announcements-

First- I forgot to mention that the daily dyer subscription will cover the time during the upcoming Silk Study Tour to Japan. So the added bonus is that if you sign up for the full 6 months you will get to see a bit of the behind-the-scenes tour.  Sometimes dyers have to go to Japan!  We are gathering a great group.  There are still a few spots open so if you have been imagining yourself in the land of the rising sun…come on along! Not that you need a little tempting or anything but here is a fun flickr set of photos of past trips- and a little video just for fun…

Next- there will be a new in-studio workshop announcement next week. Dates look like they will be end of January/ early February.   It will be a combination workshop featuring Richard Carbin’s mandalas and my arashi shibori techniques.  Day one will be mandalas with Richard and myself (assisting) and day two will be with me learning arashi shibori techniques and Richard assisting .  Day three will be a free dye/play day to practice some of the skills you have learned.  We are still working out the details but you can sign up for day one, day two, day one & two (a little discount), and day three will be reserved for only those who have taken day one or two or both (both days will get you a nice discount on day three).   We will work with procion (Richard’s fave), colorhue, and acid dyes and even the indigo vat.  It will be limited to 6 people each day. I’m just getting things set up so I can list it in the shop sensibly. So much going on right now.  Does it ever slow down?  I wonder…what if we combined arashi and mandalas….

arashi shibori



who knows?



What if progress means something else?

Recently, I have been doing some reading and becoming familiar with the terms anthropocene and holocene eras as discussed in the recent issue of the Hedgehog Review. The current Summer issue, entitled Sustain-Ability poses such questions.

These are the sorts of things that I wonder about while I am working. The concept of thriving between scarcity and abundance. Of what sustainability means in these modern times.

These are seeds (ideas) that grow. And ideas plus action on those ideas make for change and growth. Like with seeds, the addition of water and nutrients yields a harvest.   Understanding history is essential, trajectory can be planned and altered I think.

But I need to get to the seed (heart, center, beginning).  Perhaps it’s a day for mandalas.

Yes, I think so.

novice mandala on silk organza