Category Archives: indigo

and continuing…

This is what we do. Continue. Accept change. Adapt. Create and wonder. Make change. Be change…peacefully.
Today…

fermentation vat-about one year old…it’s a kind old vat that has been very forgiving. I kept my last one for about 4 years.

I add this here in case you are interested in why native plants are imperative for insects. I did not know HOW imperative until I read this book. In the future, I will be replacing any drought tolerant alien plants with natives. It seems obvious, but even though I’ve been gardening for decades, there is always more to learn and wonder about. Also available on Audible if you have unused credits. Just a few monarch chrysalis’ left here. the ladybug nymphs have pupated (there were 100’s!!) and emerged as ladybugs, and the praying mantises have mostly gone off to create their ootheca. Still seeing beautiful swallowtails though.

The praying mantis on the sunflower was there for around a month. One night Phil found her eating one of her male suitors. The next morning she was mating with (perhaps) a preferred choice. They were there the entire day and by evening only she was left and finally crawled away. I’m only seeing females in the yard now. Maybe all the males became snacks! I miss seeing her there everyday!

Also today, I worked on organza for the upcoming flower workshop kits. Got the fabric hemmed, dyed, ironed and wired. Next I will pleat, discharge, and dye it. I’m working out the materials for two different kits. I hope to have everything ready for the shop in about a week. A couple of the kits will be indigo dyed.

Captain, another cat who doesn’t live here (but thinks he does) has lately taken up millinery work at the flower making table.

No photos but my grandson was by today and we made “garden soup”. If you want the recipe:
-mint leaves
-sweet red mini bell peppers
-pomegranate arils
-basil leaves
-lemon grass
-dirt to taste
Mix all in a bucket with garden trowel. Enjoy!

moon circling

The past few days have had me back at the indigo vats working on new sets of moons. The only vat of the three that didn’t need reviving was the fermentation vat, which had a nice coppery surface and was dyeing beautiful blues.
Cleaning up around the studio I found a couple of base cloths that I had dyed moons into and had set aside for myself to play with on a rainy day. Well, the rain never did come but I craved a little needle time so I threaded up and got to work. It was quiet peaceful work-just going along with it. I never plan them out ahead of time- just let the cloth take the lead.
I finished off the little moon cover for the buckwheat pillow that had been looking kinda shabby. It’s an envelope style so the cover can easily be removed. The back are two pieces of old sturdy kimono cloth. I love these things and much prefer them to any kind of foam pillow insert. They just have a great comforting feel.
Next I had an old feed sack that had a wonderful repair on it- I dyed a tattered moon over the repair. These are treasured and useful scraps, the scraps of our lives. As we work to put our heart and souls back together after this past year and a half, I’m feeling pretty tattered myself these days and stitching these blues seems to wash away some of the sorrows.
Circling of Moons can be considered a series of sorts. I have a number of them started around here in various stages of completion. Various moons, various cloth, but mostly indigo. The ones that aren’t indigo are natural dyes. I’m grateful for some of the stitching techniques I learned from Jude- especially what she calls the “glue stitch”. I use that extensively to stitch the frayed raw edge pieces to the base cloth. I fray them enough first so they won’t unravel more and stitch them down with these tiny stitches. You can barely see them and probably can’t in a photo. Later I add the running stitches with thicker thread to ask your eye to travel with me around the moons. I want you to meander and wonder as you look at these pieces. To take a little trip.
Someone recently said to me, ” I have a sewing machine but just don’t know where to start”. I say, start anywhere! Start with a needle in your hand- sit in your favorite chair or the kitchen table. Gather some bits of cloth- cut up old clothes- go to the secondhand store and get some old cotton cloth. (skip the poly!) No machine needed. You can always unstitch something if you really can’t live with it but just let things develop. YOU will develop with practice.
I also did a couple of short videos that were requested from participants in the recent tekumo workshop. One had to do with machine hemming using a hemming foot, and the other with wiring the edge of a hemmed silk piece. You can see them on the FB studio page by scrolling down a few posts.

Late last night I took a 2 hour zoom tour of a sericulture farm located in the Kofu Basin in the Yamanashi Prefecture of Japan. It was quite interesting. Probably the largest sericulture operation I’ve seen so far in Japan. He said they raise 160,000 cocoons at a time there and grow them from seed. Most of the sericulture farms now get the silkworms in the 3rd-4th instar from the local collective and raise them on mulberry from that point to cocooning. Here’s a few links for my “silky friends” to enjoy…


Silky moth friends at Ashizawa Sericulture
And speaking of circles, Circle of Silk is a lovely story of silk sericulture hanging by a thread.
And also, a video on silk thread reeling by my friend and sericulturist in Annaka, Nobue Higashi whom we visit with on the Silk Study Tour to Japan. Enjoy!

Circle back

Has it been a month and a half since i blogged here?? Is that possible? This might be the longest “dry spell” here since i started blogging sometime in 2006 (maybe I’m just giving you and myself a break).

Lots going on really- I should probably break this post up in chapters, we’ll see. In brief, the summer garden has kept us well fed and busy with it’s bounty. I’ll add an annotated gallery of photos in this post. This year the garden seems like it is in perfect harmony with itself. Lots of insects keeping each other in check. Fun to watch.



The tekumo shibori zoom workshop has concluded and students are working on their own with posts on the group blog to guide them, a place to post their own work and ask questions. That is really what has kept me pretty busy. Lots of technical challenges. Multiple cameras, multiple devices, recording, lighting and audio! Jeeze- and all I wanted to do was teach you some shibori. I do miss in person workshops. I was fortunate to have a student volunteer to co- host the sessions- Thank you Komo!! She also took attendance and kept the chat questions going when I was busy presenting in addition to making me some good spreadsheets. Great fun though- a fun roster of exceptional people- some whose path I have crossed variously in the past and some new friends- all looking to learn and get creative!

Part of the class was about creating the fabrics, learning and practicing tekumo, but the end of the class was about using the fabrics you created- in any way whatsoever. One of the pieces I made from class demos for purposes of exampling what one could do, was an indigo wall hanging. I really had a good time making it and thinking about the elements of it. Using pieces I made as demo pieces was part of that fun. At a certain point I let these pieces evolve. I try not to have many pre-planned ideas or expectations as to their final outcome. Often, they are made over the course of several weeks and while that process is happening, life occurs. Natural disasters, loss, rebirth…things one contemplates while one stitches and creates. It ended up as a very tactile piece and one that really should be touched to fully experience it.
I added it into the shop here.

I’m also working on more silk organza tekumo pieces as well as a 2 hour make-along zoom class to make the organza flowers. If you were in the online workshop and made the fabric, use that! If you just want to make one and want to order a kit, I’ll have that available too!
There’s a list developing for a second online tekumo shibori workshop so if you are interested, let me know and I’ll add you to the list.

And for those of you still waiting for the Silk Study Tour to Japan 2022 signup email, I’m hesitating a bit until I see what direction the pandemic is taking. In the meantime, stay safe, masked and vaccinated so we can meet again!
Here’s a little video that Hirata san made of a new restaurant in Kamakura-I want to try it out next visit!

uh oh…

I learned a lesson (well, probably more than one) recently when I casually mentioned to a friend that I had been keeping an eye out for a small floor loom, cheap. There was no rush and just like most things I was willing to wait for something to just come my way. The timing was right and this friend had seen one at a second hand shop and went back to check it out again. I’ll spare you the details but after texting me a few photos and negotiating a very low price, she had it delivered to me! It needs some cleaning up and a little refurbing but nothing really drastic that I can see. Another weaver friend approved of the photos and the price and sent them along to her friend who came back with a very good and detailed process to get this cleaned up and back in useful condition. Thank you Janice and Joe!
Lesson: Be careful what you wish for and what you casually mention to Carolyn!
There are no markings on this loom so maybe a homebuilt piece. The footprint is about 30″x 32″ and will fit nicely into the space where my son’s vibes now occupy (hint, hint). Vibes will be moved upstairs…
Any comments or suggestions from weavers welcomed! What I am aiming for in the beginning is to weave some sakiori.

Recently I saw a video on Vimeo that showed Hiroshi Murase demonstrating te kumo shibori and I saw something in his hand movements that caught my eye and opened up a more efficient way to do tekumo. I was going to link the the video here but it appears to have been taken down (it was previously public). I saw it in an online advertisement for the WSN/Slow Fiber workshop coming up where this technique will be covered. Looks like it would be of interest to anyone who wants to practice this particular technique. I have taught this technique in workshops at the JANM but I never felt I was really good at it. I could accomplish a good end result but I always felt that I was not being very adept or efficient while doing it. So after seeing his technique, I knew what I was missing! I have been practicing it all week and returned to do some of the work I did way back then but had decided it was too time consuming (and annoying) -at least the way I was doing it before. I then went in search of another video to show this technique and discovered that the Shibori Museum in Kyoto has been very busy during the pandemic producing shibori videos- they are so very interesting! Here is the one on tekumo. Check out the rest of their channel! It’s pretty amazing! I spent a whole day watching and catching up on the videos there that I had not seen.

Here are a few of the early results…

I am experimenting with creating more textural pieces- I really have always been drawn to shibori for the sculptural aspects (hence all the pleating I’ve done over the years) and the silk organza just loves to be shaped!
I also pleated up and dyed some new ribbons for the shop…added back the scrap bags too-I hadn’t realized they have been out of stock.

Milo and Neko chan

It’s been 15 years here on the blog and almost just as long Milo the cat has appeared here and there. I went back and searched posts (he started appearing in early 2008) and found many photos and mentions that even I had forgotten about. He has been a steadfast companion all this time and during this past year he even insisted on making appearances on zoom too. It was with a heavy heart that we had to put him to sleep a couple of weeks ago. I was just too sad to post about it and even now… we miss him dearly.

On an upbeat note, we got our second vaccination last week and all was well-even without any side effects at all other than a sore arm for one day. May 5th will be our two week mark. I am hoping that more and more people choose to get vaccinated so we can begin to congregate more and see fewer people fall ill. I’ve barely seen my nearby grandson who will turn two next month this entire year. I know many of you have also missed seeing dear ones. While people in many other countries are literally dying for a vaccine, people here are saying “no thanks, I’m good”. Astounding. Here in LA, even the police are only 50% vaccinated (while having access for months now) leading one to believe they are choosing to remain unvaccinated while working with the public! Even Japan seems determined to have a summer olympics against all reason with only a 1% vaccination rate and rising infection rates.
And India! Such suffering…

Ok…moving on.

Over the past couple of weeks I have been going through some of my collected Japanese fabrics as well as cleaning out a cupboard or two. In one of the cupboards I found an old hand stitched cat doll my grandmother had made. It is so basic, yet with a lot of personality. Made with what looks like a cotton toweling and red thread it seems to have been an exercise in hand sewing practice. The face and her name are drawn on with a (now faded) marker of some sort. Interestingly, in one place where the stitching came undone the material that was used to stuff the piece was showing. It is stuffed with women’s nylons. Since nylons were not available commercially to women until around 1940, I had to reassess who/when this little cat was made. So either my Nana made this for my mom (maybe a class?) or my mom made it and for some reason my Nana’s name was written on it for identifying purposes. My mom would have been around 10 in the early ’40’s. Nana was born in 1901. Both Nana and mom loved cats. This little guy is probably about 80 years old…

Back to the fabric sorting/organizing and I wondered…what if I made a little cat based on Nana’s cat? So I did. What if I made one for my grandson with some photos and a story? What if I made a pattern and a kit with instructions using some of the Japanese fabrics I have? And so it is… a quick and fun little project for a child or just the child inside us all. Added to the shop here.

in the air…

Lots of thoughts rumbling around here since the last post. This is gonna be a longer post, so settle in.

various tomato seedlings transplanted up and getting a bit of a slow start due to cooler weather but it’s warming up now.

Spring is definitely in the air. And so is hope in many quarters. Spring always is in the very heart of a gardener and I’m no different. Like Spring seasons, life is slowly changing and renewing. Many people are getting vaccinated, getting out and adjusting to what currently is. Just being here is good. In fact, quite wonderful.

Hirata san sends me photos of the beautiful cherry blossoms in Kamakura and I’m having hanami natsukashii (cherry blossom viewing yearnings)…here are a couple to get you in the mood. We have our itinerary for the Silk Study Tour set for 2022 and are looking forward. The photos below show the new cherry trees approaching the Hachimangu shrine. It is just gorgeous with all the trees in bloom! This approach was reworked just a few years ago and is a lovely walk down the center of the main street.

I’ve struggled to post often this past year, instead letting thoughts congregate a bit before getting them written into the ether. That doesn’t mean that they are more clearly expressed with the passage of time, sometimes I think it is quite the opposite! Too many thoughts blend, are forgotten and so on, but today felt right so here we are. Sometimes I take short notes for the blog on my phone to remind me of something I want to write about and sometimes I don’t, letting the thought return like a butterfly to its host plant if it works out that way (speaking of butterflies, the caterpillars of the clouded sulfers have gone somewhere to pupate, I know not where) and the praying mantis oothecae should be hatching any second (haven’t seen the babies yet).

Fresh on my mind right now are my beader friends in the Czech Republic (CR) who write me that they are suffering greatly from their government’s misconduct and irresponsibility in regards to COVID. I felt so sad hearing her description of their situation there. Vaccines are extremely limited, and lockdowns are very strict beyond what science would rationally dictate. People feel stifled and rebellious and somewhat hopeless. They look forward to a new election in October, she says.

“forbidden to move out of our districts, forbidden to work and not compensated, forbidden to socialize, forbidden to breath without a mask even if there is nobody around us in a 100 metres range(328 feet), forbidden to leave our homes between 9pm and 5am… and god knows how long til the end, because the government has literally NO PLAN”

I know she won’t mind my sharing her words here anonymously. I can be so absorbed in my own world here, listening to others broadens my perspective. I love that we have become long distance friends sharing our worlds. At the end of our conversation I shared the music of Joan Armatrading (a long time favorite of mine). I’ve been listening to her music today in the studio after Maura in India (Mustard Seeds Kolkata) featured a song on her FB post this morning.

Seems we lost a number of writers in March, notably Beverly Cleary(104), Norton Juster(91), Larry McMurtry(84), and Marianne Carus(92). My kids and I enjoyed their work and say a fond farewell, having left us with many good reads.

My heart was warmed by a message/conversation received from the mother of a son who credits me with far too much- but as we say, we never know what good a simple act of open-heartedness can give rise to. She credits me with reaching out to him as a young teenager who was struggling greatly and saving his life but it was her perseverance and love that brought him to meet me at a show in Houston (they lived in IN) and to encourage his interest in textiles and art. It is to his credit (and hers) that he graduated with a degree in art and is now teaching art in a HS in CO and just got accepted to grad school. He is out and doing what he loves, being who he is. How can you not love that?

It’s haru basho in sumo right now and today is the final day. We enjoy watching sumo here (I love looking at the silk gyoji costumes with their jaquard weaves and wonderful color combinations) and love watching both the juryo and makuuchi divisions. In a lower division called sandanme one of the rikshi (Hibikiryū) suffered a horrible injury perhaps resulting in paralysis (yet to be determined). The resulting uproar over treatment of rikshi injuries has resumed in sumo and is very justified. If you follow sumo, you know what I am talking about. Japan needs to step up. Tradition is one thing, humane treatment of rikshi is another.

Here in CA people over 50 are eligible for vaccinations April 1 and everyone over 16 is eligible April 15. Some areas have already opened to over 50 and we just received our first vaccination here. We still need #2 in 21 days plus a waiting period but progress is happening and workshops will again begin this summer! I am noticing how it is affecting my mental well being today. I feel inspired and more alive. I hope you are taking advantage of vaccinations in your area so we can all move ahead with safety and more peace of mind. This is a time to consider the future and reinvent many things.

Speaking of the studio, my recent post on the paid blog was quite interesting (apparently only to me-haha) yet I’m not sure if subscribers are reading regularly. Makes me wonder about that path. I won’t be doing this again, methinks. All posts there are password protected unless you subscribe but I thought I would “unprotect” this one to share here. It’s about indigo and madder and what I am making now… moonfire! March moons are all about madder and indigo. Today is the full moon as well as a shop update. Moonrise last night was spectacular here. Are you watching where you are?

I also was listening to a video I came across that resonated with me by George Monbiot who promotes “feeding the world without devouring the planet “. This also applies to textiles and clothing which continue to be a resource problem. As the planet goes, so go we. We survive by walking a fragile line of coexistence with nature. The planet will outlast us surely, but by how much? That is up to us.

In the meantime, I continue to dye. I have been dyeing madder and indigo. On a frustrating note, my aquarium heater in the indigo vat is out of commission again. I think that the high pH just does it in and results in its early death. They seem to last less and less time these days (this one just 5 months). Maybe this is the answer? Pricier than replacing the heater but…less wasteful if it lasts a couple of years. The weather is heating up now (81 degrees today) so a heater for the fermentation vat won’t be needed soon. I have been sorting through old cloth and over-dyeing in both indigo and madder to create some interesting cloth sets for the shop. Moonfire sets are also available there. A little diversion is always fun. I love how madder complements the indigo. I can imagine the projects that will be made from these cloth sets. From my imagination to yours…

and in the end, a look back to an older post.

The wisdom of the cloth

There is something ultimately satisfying to me when I use old cloth. Especially cloth that has been previously reused-who knows how many times? The feel of it is different, the smell of it, the texture…the memories it holds. Old cloth has lots to wonder about.

Then there is the variety of the cloth. The various weaves, the fiber itself, and the skill of the weaver, the dyer, the thread maker. The cloths original intent or purpose and ultimate uses is also something to wonder about.

sorting and wondering

Today I sorted through another bundle of old Japanese fabric, all previously reused and dismantled from its former use-kimono, yukata, futon cover and more. I love things made from these old fabrics. That someone felt the cloth was precious enough to mend and then use again in something else- is enough for me to continue treating the cloth with the same respect and frugality.

As I ironed, picked threads, and lint brushed the various fabrics, I ran my fingers over each piece wondering.
Who made it? What had it been? What could it become? Japanese narrow woven cloth and the way it was used lent itself to being easily taken apart and reused after laundering. It is a testament to how cloth was valued. Mottainai! (Don’t waste!)

I see the worn and threadbare parts, the patched places, and the edges as the wisdom of the cloth.
They are there to instruct me, to show me the way. I study all the parts of it. I look at the stitches of the patches, the selvedges. I pull a few weft threads and look at them under magnification. I imagine the journey the cloth has been on – from plant or animal up to the point where I now hold it in my own hands, generations later.
In whose indigo vat was it dyed? Did this lovely katazome here serve an early 1900’s merchant family? Had this bolt or strip of cotton katazome been a wedding gift? This boro bit here later used for a layer of a futon cover for cold nights? Who raised the silkworms and warped the looms with the homespun threads? Did the shibori come from Arimatsu or Narumi? Through the passage of time and many hands I’m left with so much to wonder about as I imagine what I (or you) will do with this cloth.

The ancestors of the cloth speak to me as I run my fingers over the surfaces, identifying each textile technique as I prepare a new batch of takaramono treasure packs for the shop-kasuri, shibori, katazome, shima (woven stripes), plain dyed cloth. Some of it is very durable and some now quite thin. It all feels good in my hand and ready for a whole new “becoming”.
The new takaramono packs are now in the shop here.
Here’s a few ideas of things I’ve made-a couple are still available in the shop.

windy day

Recently I did a little bit of hinode (sunrise) pattern shibori for moons. I like the contrast of that pattern -sunrise with the moons. I added some arashi to it as well and new moons are in the workflow.

Yesterday I spent a little time repairing my gravity fed steam iron. Fortunately, I still had my old one and was able to take a part off it that rescued the newer one- at least for the unforeseen future. A different part had broken on that but I had saved it “just in case”. Now I can reasonably get rid of the older one with less guilt. This is my third one of this model (Sapporo 527) over the course of about ten years or so. I do a LOT of ironing with the silk so I have worn out the steam button on the previous ones. They are still the best ones for what I do and still affordable. Not the iron for everyone though so if you are looking at them make sure it suits your needs.

back in business now! it always feels good to repair rather than replace.

The weather has been wonderful for spring gardening and planting so I did a bit of that before we get more rain tomorrow. Always thankful for rain here.
Inside, I have been busy with a couple of needle projects. I finished one last night.

Milo thought this was a “fish filet”. But no, Milo. And BTW- who was the cat bandit that destroyed the newly potted catnip plant hmmmm?
hardly any of it left. a few forlorn roots and a stub of green. will see how it goes…

Back to the “fish filet”. It’s actually a koi nobori for Children’s Day (sorry Milo). I’ve wanted to make something like this for a while and I was recently inspired by a pile of indigo scraps from making the last batch of takaramono treasure packs I listed in the shop. (those are all gone but I’m working on a new batch). I wanted to make something using odd bits of fabric as another example of what you can do with bits and pieces.

Coming back to this post this morning to finish it up I read my email and see that the Paper Source chain of stores (the one that purchased the bankrupted Papyrus chain barely a year ago) is itself claiming Chapter 11 bankruptcy. Reported by Craft Industry Alliance here, small makers and vendors are banding together to support each other by asking customers to buy directly from them as well as the other remaining smaller stores that they supply. It seems clear from the reporting that Paper Source placed
“non-ordinary course of business orders immediately before filing for bankruptcy”. This is fraud. I hope that these small makers and vendors get relief but somehow I doubt it.
Paper Source is owned by a major private equity firm based in Bahrain. The majority of the vendors they screwed are small women owned/ family businesses. You may have one of these stores in your town. You can check this IG thread to find direct access to some of the affected vendors.

today is all about silk…

Today, I was distracted by silk and a new silk device I purchased from Two Looms Textiles-a tsukushi. They had acquired one some time back and were not using it so contacted me as a potential foster parent for the item. Happy to adopt and try it out! It arrived yesterday.

The first thing I did was to make some silk mawata caps. That did not go so well as I usually make the square mawata using my stand but from researching a bit saw that caps are preferred for making yuki tsumugi ito. Not a complete disaster but not exactly caps. Practice needed just like I did for the mawata.

I used them anyway for my first practices. The thread was too thick but I carried on. I found some caps I had brought back from Japan and tried them.

Much better! Fluffed them all out like I had seen online. I find there is a trick to putting them on the tsukushi so you can easily pull the fibers out to the desired thickness. The think with yuki tsumugi is that it is not twisted- it’s basically pulled out and sealed with spit. In the end, i was using a bowl of water as that seemed better.

I am not interested in ultimately making super fine threads like those which are used in the beautiful yuki tsumugi fabrics from Japan but something quite rougher and folkier like the fibers used to weave this bolt of cloth… yeah it’s a dream. But if you don’t dream, then what?

Here is another link I found.

Meanwhile in the garden, will be transplanting the tomato seedlings next week into 4″ pots. And, my seed potatoes arrived so I am preparing the raised bed where they will be planted. Will add some pole beans to the same bed when it’s time. (note to self, start seeds!)

three kinds…

and in the background of course….moons. I think I am going to make some special sets using only that fabulous silk cloth above. Like jude commented, the indigo is in love with that cloth.

( and by the way…the Daily Dyer is having an issue with my mobile app uploaded posts. Please be patient. I will reload that last post for the third time sometime tonight)

let your creative wonder grow roots

Today I was planting more seeds. I got to thinking about the growing roots. The snap pea seeds I planted last week have sprouted and are forming their first roots. Roots are essential to the growth of the seed and the eventual plant it sprouts. I water the seeds, put them in the sun during the day, take them inside on cold nights, move them to bigger containers when they get too large, and weed out the weak or unwanted plants.

And so it is with wonder and creativity. Once I have been exposed to the seeds of creativity or inspiration, I cultivate that creative wonder in order for it to take root. It’s easy to skim the surface of something (and I’ve skimmed many ideas, techniques and processes) but once I develop enough wonder about something to the point that it starts to take root I want to move forward in a way that continues to develop those roots and lets it become much more. And that requires fertilizing and cultivating those roots with more wondering and practice. The more roots something grows, the stronger it can become.
Not everything takes root. But everything I learn along the process carries me forward. Some things I choose not to cultivate in the moment-I may come back to them another time. Things need time to generate roots and grow.
But enough …. meanwhile in the garden-

Moving from garden to studio…

A few posts ago I showed you some jeans i had refresh dyed in the indigo vat and repaired. That led to a friend dropping off some old pants he wondered if I might be interested in doing something with them. Only one pair was really of interest to me but seems like quite the project!

Now, I’m not quite sure how they came to be in this condition but I’m suspecting the garment industry had a hand in it. I’m going to give them a couple of dips before I put them in the mending pile. I might be up for the challenge. Thinking on it.

Meanwhile, I posted this ol’ moon today and although it is long sold, I received a very special request for one like this. I will make it with intentions of holding on.

-the complicated simplicity of disappearing

Over on the Daily Dyer, I explained the making of these pocket squares for a special order. Indigo on silk satin. One is double arashi, the other triple. having them in hand is akin to playing with a slinky- mesmerizing.

Other goings on in the studio involve completing a shibori ribbon order for a customer in the UK and doing some indigo dyeing of vintage fabrics.

Shop Update Alert!

AsiaDyer (aka Richard) and I have collaborated on a plan to relieve him of some of his growing pile of “cloth with character” (aka imperfect and assorted). This involves lots of sorting on both our parts, shipping from Japan, and in some cases overdyeing to get it into some really lovely and fun packages for your projects. Each pack contains one moon and some indigo thread to get you started. The packs include katazome, shibori, kasuri, stripes, and solids. The end result is a takaramono (treasured items) pack of inspiration for your creative wonderings. Pair it with a pack of solid indigo shades dyed in the fermentation vat and you have a project in the making. in the shop here.

In kitchen news, I have been the fortunate picker of my neighbor’s orange tree. They don’t use them and they are just now finishing their season (started in December). This week I made orange marmalade for everyone and also am making a jar of orange liqueur. Most recipes tell you to use the peel and slice the oranges but my method is simple…from a friend in Poland.

We spent a week worried about Bella- our aging dog. She’s better now after a couple of vet bills- haha. Getting older isn’t for sissies no matter person or creature. Milo the cat is still hanging in there but the time is coming. I’m spoiling him rotten right now.

There’s more, but enough for now…