Today is the full moon and a February moon- the Snow Moon. And coincidentally, we had a cold snap that brought hail and snow locally here yesterday (Pasadena!). Last week it was 90! Check this out! I’ve been working on finishing up the February moon circle subscription sets and along the way I took some photos to document the fabrics and some of the process. This month’s main moon is indigo dyed on some very old kanoko silk shibori. This was already partially deconstructed when I found it at a temple sale. Only the lining had been removed.
just a few shots of the work table- plus a test dip into the revived fermentation vat oxidizing… looks like it’s fine! It was in the upper 80’s and even 90 one day so I got the ferm vat back in shape. Now it’s cold again!
I was looking around online for old images of something and I came across this site which was a lot of fun. I’ll go back later to enjoy more. This particular image about washing kimono might interest you. Enjoy and wonder!
Somewhere I recently read that 90% of writing is rewriting. This often rings true when I’m writing blog posts. I stop and start, sometimes by design, sometimes by circumstance. Often times when I go to hit the “publish” button and I see the number of revisions I’m shocked! Some of the revisions are minor of course, a word or two here and there, a punctuation or spelling correction, or just an adjustment to make if feel better as the words roll by. Other times, it’s as if I started out with one idea and end up with a completely different post for one reason or another. Some posts are completed in one sitting, others are written over the course of several days. I never know which it will be once I’ve started.
Sadly, I’m attending a service today for a man named Bill Pearl who for 20 plus years was the journalist with the most integrity in our city. He was mostly ignored by local government as he didn’t write what they wanted him to-but the people loved him and it is very obvious by the many, many outpourings of love and stories written online in his memory. He kept politicians accountable and residents informed as best he could. He always asked us to think about the who, what, when, and where of a story. Should you wish to spend a little time learning about our friend Bill, you can go here, and here.
Many times while I’m working I write clever blog posts in my head, fully meaning to write them very soon. Unfortunately (or fortunately), they usually disappear from my mind before I get back to the keyboard. If I’m lucky, I stop what I’m doing for a second and jot a voice note into my Notes app for later retrieval. If I’m further fortunate, I can actually remember what I meant to write about from that note! Ahhh… so goes blogging. At least the way I do it these days. I really don’t know how Bill managed it all these years…
Recent days have had me preparing & shipping out the kits for the upcoming Komebukuro Treasure Bag workshop starting on the 20th. That reminds me…I need to go into the shop and halt all kit sales. I won’t have time to do any more to be mailed out in time before the workshop. BUT- you can still sign up for the workshop and use your own materials. In fact, there are people who only do the workshop and don’t order kits which is just fine. I love to see what fabrics they choose to use. If you sign up for that there is a materials list you can download and work from. Workshop Only Link
In dyeing the linings for this set of kits, it was easy to see that one piece of lining evaded my poly detector. I thought I had done burn tests on all of them. This is kimono lining that I later (after dyeing) I applied a lightweight fusible to before cutting into the 6″x6″ squares.
I originally thought I would include a slug of un-disassembled but (indigo dyed) silk lining just for the fun of having the participants see how it is before taking it all apart but I changed my mind after remembering how a few struggled with stitching the silk without a fusible. So I dyed, washed, ironed, applied the fusible and pre-cut the squares for ease of handling. The silk lining can also be tricky to cut if you aren’t set up for it and I don’t like participants to become frustrated with the project. It was a bit more work for me but better than having everyone have to fuse and cut their own. I try to improve each time and take what I notice from the past and move ahead.
Later today, I have a monthly check in with Ann Wasserman with past students of her quilt restoration workshops. (She’s got a new workshop in signup stage if you are interested in checking it out.) It’s just a zoom check in to see what everyone is working on and how they are doing with their restorations (I only have a little progress to report myself) and I’m looking forward to seeing what they’ve been up to. (Ok, so in the meantime the check-in with Ann and group happened. Saw one gal from my session and the rest seemed to be from the prior session. Shares of repair projects all around with one pretty extensive project that took a year to complete. Lots of tiny pieces in that one. It was fun to see the excitement around the completion of it! Maybe the most interesting conversation was about the rescuing of the records of the California Heritage Quilt Project. One of the women in the group has stepped up to rescue the records and the project. Many other states have State quilt registry projects which I learned about in Ann’s class. Some state groups have published books about them. The California group is just trying to get itself back up and running so if anyone here has the interest and time, please contact them!) Over on Twitter (which I don’t think many readers here engage in) I have been following some great historical costume and fashion accounts. Oh my! Some of the items shown are so amazing I need a fainting couch! Also, some of my favorite Japanese sericulturist accounts are starting to contemplate their spring silkworm rearing. Will I raise silkworms again this year? I don’t know. Right now though, there has been a good amount of unexpected snow in the Kanto region. The photos of snow in Kamakura, Yokohama, and Tokyo are beautiful and make me nostalgic for the winter snows of my childhood there.
Japan… I get emails asking about the Japan tour. With omicron rising, it’s doubtful to happen this spring. I will consider the fall if things settle down. Please sign up for the constant contact newsletter via the top link in the sidebar here. That’s the best and easiest way to stay informed on the tour. If you email me or ask to be added to the list on a social media thread, I might not get to it. Just being honest…
My son and his new wife are quarantined in Taiwan for three weeks. Like Japan, there are no tourist visas but she is a Taiwanese citizen and they are visiting family once they get through the quarantine period which is very strict. Their all time number of Covid cases is only 17,000. They are serious about maintaining their low exposure to the virus. Currently the biggest complaint is that there is too much food being delivered!
We won’t restart the tour to Japan until it is safe to do so.
There’s more but must get on with it now. Stay safe out there…check on your neighbors and friends.
Now that the holidays are over, and the sun is back out after some very much needed rain, I’m back to finish off the mystery of the silk fabric from the obi I was deconstructing here. As you may or may not recall, there was a question as to whether the sateen silk backing of this obi was a cloth woven of silk and paper which would have been very rare. I sent a bit to my friend Velma who makes shifu and she pointed out that she could not detect any “seeds” in the weft threads as she unwove them. The seeds would be where “the strips are joined in one continuous thread by tearing a small tab of paper from the connecting strip above two threads. This tab is rolled in the same direction you intend to spin the thread creating the “seed”. This seed is one of the most notable characteristics of paper thread, and forms a unique pattern in the final woven cloth.” See here for attribution of this explanation and more about shifu.
I too had unwoven a bit more of the weft and looked at it more closely seeing that the fiber did actually look more like a cotton or hemp than paper. I did another burn test on the warp just to make sure and it really did smell like cellulose and not protein fiber-confirmed!
I also received back a reply from the Kyoto Shibori Museum who sent me the following interesting reply: “It looks like an obi made a long time ago.The Japanese embroidery is very beautiful, and I think it’s hard to see anything like this now. The red stamp part is usually stamped with the weight of the fabric, the name of the manufacturer, the place of origin, etc., but it cannot be identified here. The kanji woven into the silk can be read as KAMI GO. It could be the name of the manufacturer/weaver or the title given to this particular obi. KAMI means God and GO is the name of an ancient Chinese country. Japanese kimono is also called GOHUKU, but it means the kimono that GO people came to when the shape of the kimono came from China to Japan.“ The best guess at a date would be late Meiji- early Showa. So around 100 years old.
I have been wondering what fabric I would use for the January Moon of the Month Circle. To begin the year and the Moon of the Month Circle, I will be sending both moons using this beautiful obi silk lining. Can’t wait to get to the vat and make them!
A couple more projects claimed the workspace in December. first, a not so auspicious t-shirt quilt I have been threatening/promising to make for my son trevor going on ten years now! When he went off to college and cleaned out his dresser, there were a lot of favorite t-shirts going back even to co-op preschool days. There were memories from music camps, summer camps, marching bands, favorite pokemon,surf and skate brands, and even their own rock band from when they were kids. I had cut out the graphics and backed them with a lightweight fusible and there they sat, stacked and ready to go. Over time he added a few more from college music groups, shinkendo, and Japan. As I cleared out some of the workspace I decided that THIS was the year I would finish it. I spent two days stitching them together, backing, quilting (by machine), and self binding it. Done! It’s a fun ride from preschool through college in addition to being a utilitarian quilt made with recycled fabrics. The first photo he sent me of its use had a big fluffy cat sitting on it- success!
The other project is still ongoing but I think I solved a dilemma that had been plaguing me for a while. I made this piece -a bit of an ode to fabric scraps and stitches and wasn’t sure if or how I wanted to back it. I always like the back of a stitched work-maybe just out of my own curiosity. But this has sat there feeling a bit unfinished and finally it ended up sitting next to some lovely old red lining silk. The jacquard pattern woven into the very very fine red silk are beautiful cranes with florals and vines. This auspicious pattern was probably for a wedding kimono lining or some other important kimono lining. It’s a full bolt but disassembled and stitched back into a continuous length. I decided I didn’t want to cut it to fit the width of my piece- it would ruin the full pattern. So I decided to stitch it into a tube at the proper width to stitch the lining to the back of my piece. This way, should someone ever want to reuse this beautiful silk, all you would have to do would be to unstitch it. Kind of like a kimono. Something from the Amuse Boro Museum rings in my head at times like this.
The sun has come out here and is drying the outdoor workspace after all the rain. The snow has covered our local mountains and the new year begins with this wonderful view and hope for a year of drought recovery. About a million poppy seeds and bachelor buttons have sprouted in every nook and cranny in the backyard!
I thought we might enter the 2022 New Year with a confidence and vitality that would enhance our well-being and allow us to look back on the past two pandemic years with a certain gratitude and commitment that we could go forward with lessons learned for the future.
Hmmm…that was around mid October. Yes, I’m an optimist!
Now, it is clear the better thing to do at the moment is to admit that we are not quite ready for that yet and to step into the New Year a bit gingerly, with a commitment to looking out for each other and continued determination to adjust to things as they come at us.
Here and there over the years on this blog (entering my 17th year now!) I have committed to a word at years end, and the word that I am thinking of a lot these days is an old and good friend of mine…
P E R S E V E R A N C E
Now this old friend has carried me further than any other word I can think of in these sorts of situations and is often well paired with other words…
love P E R S E V E R A N C E hope P E R S E V E R A N C E compassion P E R S E V E R A N C E trust P E R S E V E R A N C E kindness P E R S E V E R A N C E time P E R S E V E R A N C E understanding P E R S E V E R A N C E peace P E R S E V E R A N C E community harmony 2022
There have been many occasions missed, rerouted, and cancelled this past year. There have been deaths, illnesses, pain and sorrows. Too many sorrows for sure. But there have also been births, unions, and celebrations too. We persevere. While 2022 will continue offering us challenges, we can and will rise to meet them. We really have no other choice do we? Perhaps the most important thing we can do is to maintain harmony.
For the New Year, I have a couple of new projects I am working on as in-person gatherings are still on hold. One is a textile talk series over zoom that will (mostly) be about the Japanese textiles I have collected over time. I am sorting and organizing that at the moment. This was suggested to me by a couple of people and most recently my friend Janet in one of the online classes where I went off the rails talking about some of my Japanese textiles. I received several emails telling me how much they enjoyed that spontaneous part of the workshop. OK-I hear you. I appreciate the suggestions and the feedback. Because in the end (and the beginning!), it really IS about serving the needs of customers and those that are interested in what I do. This thought of service and commitment I carry forward into the New Year. Thank you!
The other offering I am doing is a Moon of the Month Circle. It’s a subscription item to receive 2 moons a month. These will be made using some of the fabulous cloth here and each months moons will have a note about the fabric, the dye, and whatever other story the cloth wants to tell. The two moons will be sent out first class mail tucked into one of my MoonMate photo cards. Let the moon guide your inspiration! The moons continue to be one of my most loved shop items and making a subscription item with them will help me even out the making of them as well as make my income stream more predictable in unpredictable times. Of course you can still order the separate sets of moons but these will be a bit different than what you get in those sets. Use them in stitching, journaling, and multimedia projects, gift a subscription to a creative friend- let the moon be your inspiration!
I post this image here as I found it fascinating. As I understand it, placing the signatures in this circle presented the traders as equals, so no one person would be targeted for recriminations as a result of the request. The unity of a circle. The protection of many by the circle. Just something that make me think and wonder…
Welcome to 2022 friends…may we all look up at the same moon in peace, love, harmony AND perseverance! Omedetou tomodachi sama! Glennis
Lots of dye work going into the upcoming workshop kit materials. Like this selection of silk linings that were dyed yesterday for the komebukuro kits. Dyed using the indigo fermentation vat and a marigold dyepot for blue and gold linings. Of course I couldn’t resist doing a little bit of green since I had those colors going. I originally thought I would use the pomegranate dyepot but it wasn’t looking as gold as I wanted. So I decided to use it for the drawstrings and cording instead.
Interestingly, the two greens were produced with the same silk and the same dyepost/vat but the order of operations was reversed. Blue over gold and gold over blue (the more olive green) created two completely different greens. A green themed komebukuro was not planned but I might just have to put together fabric for one of those-just so I can use those delicious greens.
I am using some really nice brown linen (acquired somewhere long ago/can’t remember where) for the upper band on the bags. I liked it so much on the brown version I decided to overdye it in indigo for the blue bags. It dyed a very dark/almost black blue. It will make for a nice background for anyone wanting to do sashiko stitching there and a good dark contrast for the indigo bags in general.
The “Fall” weather turned to Summer again today, likely hastening the ginko trees turning to gold. Upper 80’s low 90’s for the next few days. I really can’t wait for the leaf drop. so much beautiful mulch will blanket the garden but a couple of weeks standing under the golden ginko tree is really something to look forward to. I’ve been enjoying the photos posted online of the fall leaves turning from around the world! In Japan, we always enjoyed taking a ride on the skyways, no matter the season. They even have special busses for fall leaf viewing that take you the most beautiful locations.
And of course I’m still working on organza dyeing and pleating. There are two cats that don’t live here (and don’t like each other) constantly trying to vie for the top assistant position.
Also, please give a visit again to the Kyoto Shibori Museum youtube video page and this video. It is beyond describing what they did to accomplish this major piece of shibori.
I am really starting to look ahead to next year’s Silk Study Tour.The 2021 Silk Study Tour to Japan has now been rescheduled for May 11-26 2022. It’s looking promising finally! We are still waiting for Japan to open up to tourists again and to respond to whatever protocols will be in place. It’s so hard to anticipate what they will be, but it does look like we are moving in the right direction. As a reminder, all participants will be required to be fully vaccinated at the time of acceptance into the tour as well as meet all travel restrictions, mandates, and requirements in place by both the US and Japan at the time of travel. I will be sending out the official notice by the end of this month with applications. The way to get on this email list is to sign up here. If you have emailed me and asked me to be put on the list, I have likely directed you to this email signup. (I may have missed a few…) If you had signed up to receive info on the 2021 tour, you will still get the 2022 tour email. you don’t need to sign up again. If you can’t remember or have a new email- DO sign up again. It will filter out duplicates (or tell you you are already on the list).
The Shiborigirl Social Media Report…
As those of you who make a living (partially or completely) by making, teaching, and selling know, social media is a necessary part of what you do (or perhaps need to do more of). I am always in the position of needing to do more of it and really not finding enough time to do it! But if I don’t, sales and signups show it. Maybe you are in that position as well. (Or maybe you are a customer and are worn out from being marketed to!) Maybe this part of the post won’t be of interest to you but here are my latest thoughts on what it takes to remain viable in the current environment. –keep writing your blog (or get one started now!) this is the best advice I have to give really. I’ve said this all along and I’ve never stopped. I started in 2006 and have regularly blogged ever since. Yes, there have been some times of lesser blogging (especially during times when I was attending to subscription blogs, teaching or traveling) but this is the best way to stay connected to your circles of interest. A blog is a great timeline and window into what you do in photos, videos and words. It remains there forever and you and readers can reference past posts anytime. My favorite people are from the blog and through their blogs as well. We have some very long term relationships here. I love that people can add my blog to their readers or sign up to receive my posts via email. It’s not filtered by a platform algorithm. I use WordPress and there is really much more it offers than what I can use. -Have a website (of course) and your own online shop Make it as simple or as complicated as you want (simple is best for me but still seems complicated!). I have used etsy in the past but never exclusively or even majorly. I’m so glad I no longer use it as the way it has evolved just does not suit me at all. The whole “star seller” thing is atrocious. Your online shop (and even etsy) is just a virtual cash register and you need to lead people to it. Don’t expect any of them to do your marketing for you. -Have a way to collect email addresses & use this for newsletters! I’ve used Constant Contact for many years and it’s served me well. There are lots of options on how to do this but I like self sign up lists and have mine on the top right of the blog here. (don’t wear out your subscribers with newsletters though or they might just not read them) Use Facebook, Instagram, Pinterest, Twitter, TicTok, and the rest as you need or desire to. I use FB (both a personal page and a studio page). I use Instagram here and there. Most people love IG more than I do. I’m not really a Pinterest person but will use it as a way to point people to my website etc.. I don’t do TicTok currently-just too much for me at the moment although some people use it as their #1 SM site and do it very well. YouTube is also a great resource and I really should do more with it. No matter which platforms you choose, it’s important to engage with your followers and form relationships, to offer good and interesting content. To be giving more than you receive. You do need to understand the relationship of some of these platforms to each other as some don’t play nice with each other (ie FB & Youtube). I use my Twitter mostly for local politics but do have some fascinating people I follow and interact with there- sericultureists around the world, artists, textile museum folks, and others. Some people hate Twitter and Facebook and some love one or the other or both. Maybe one of the most important things I can say about SM platforms is that YOU can curate and control your experience. If you are seeing lots of content you don’t like- then change it! I haven’t even mentioned “boosting” or placing ads which is an art in and of itself. I dabble in it as I don’t have a lot of $ to spend on it and since my time to fully understand and make the most of it is limited I just do a small amount of it. Maybe the most difficult thing is to keep up with all the changes and updates to these platforms and how they will affect me and my business. It really is a full time job (that I don’t want) yet don’t have enough time for if I am going to get ANYTHING done in the studio! Of course Covid plays into all this and did I mention Zoom? I did in the last post and since then I have started doing some Facebook livestreaming on my studio page. After several trials and tribulations I mostly got it working the way I want it to- just giving a quick live video update on what I’m working on. I’m using a 2 camera view with some OBS software (OBS Studio is the one I like) that allows me to show you my work table plus my “talking head”. I do this so i can feel more present with you even though I’m using a virtual platform. -You can always set up a linktree that you can quickly post here and there when your website isn’t quite what you want. You can also set up various linktrees to serve different purposes. My linktree.
**NOTE** in doing this post I was checking links and found that one of the links in the sidebar which was supposed to be going to my Paypal account was actually going to various random people’s paypal!! Off to fix that now! CHECK YOUR LINKS FROM TIME TO TIME! I reported it to WP and took screenshots but WOW! Sorry to anyone who might have sent $ for the Moonmates series that I didn’t acknowledge!
Overwhelmed yet? I am… now to get back to the studio…
This is what we do. Continue. Accept change. Adapt. Create and wonder. Make change. Be change…peacefully. Today…
I add this here in case you are interested in why native plants are imperative for insects. I did not know HOW imperative until I read this book. In the future, I will be replacing any drought tolerant alien plants with natives. It seems obvious, but even though I’ve been gardening for decades, there is always more to learn and wonder about. Also available on Audible if you have unused credits. Just a few monarch chrysalis’ left here. the ladybug nymphs have pupated (there were 100’s!!) and emerged as ladybugs, and the praying mantises have mostly gone off to create their ootheca. Still seeing beautiful swallowtails though.
The praying mantis on the sunflower was there for around a month. One night Phil found her eating one of her male suitors. The next morning she was mating with (perhaps) a preferred choice. They were there the entire day and by evening only she was left and finally crawled away. I’m only seeing females in the yard now. Maybe all the males became snacks! I miss seeing her there everyday!
Also today, I worked on organza for the upcoming flower workshop kits. Got the fabric hemmed, dyed, ironed and wired. Next I will pleat, discharge, and dye it. I’m working out the materials for two different kits. I hope to have everything ready for the shop in about a week. A couple of the kits will be indigo dyed.
No photos but my grandson was by today and we made “garden soup”. If you want the recipe: -mint leaves -sweet red mini bell peppers -pomegranate arils -basil leaves -lemon grass -dirt to taste Mix all in a bucket with garden trowel. Enjoy!
The past few days have had me back at the indigo vats working on new sets of moons. The only vat of the three that didn’t need reviving was the fermentation vat, which had a nice coppery surface and was dyeing beautiful blues. Cleaning up around the studio I found a couple of base cloths that I had dyed moons into and had set aside for myself to play with on a rainy day. Well, the rain never did come but I craved a little needle time so I threaded up and got to work. It was quiet peaceful work-just going along with it. I never plan them out ahead of time- just let the cloth take the lead. I finished off the little moon cover for the buckwheat pillow that had been looking kinda shabby. It’s an envelope style so the cover can easily be removed. The back are two pieces of old sturdy kimono cloth. I love these things and much prefer them to any kind of foam pillow insert. They just have a great comforting feel. Next I had an old feed sack that had a wonderful repair on it- I dyed a tattered moon over the repair. These are treasured and useful scraps, the scraps of our lives. As we work to put our heart and souls back together after this past year and a half, I’m feeling pretty tattered myself these days and stitching these blues seems to wash away some of the sorrows. Circling of Moons can be considered a series of sorts. I have a number of them started around here in various stages of completion. Various moons, various cloth, but mostly indigo. The ones that aren’t indigo are natural dyes. I’m grateful for some of the stitching techniques I learned from Jude- especially what she calls the “glue stitch”. I use that extensively to stitch the frayed raw edge pieces to the base cloth. I fray them enough first so they won’t unravel more and stitch them down with these tiny stitches. You can barely see them and probably can’t in a photo. Later I add the running stitches with thicker thread to ask your eye to travel with me around the moons. I want you to meander and wonder as you look at these pieces. To take a little trip. Someone recently said to me, ” I have a sewing machine but just don’t know where to start”. I say, start anywhere! Start with a needle in your hand- sit in your favorite chair or the kitchen table. Gather some bits of cloth- cut up old clothes- go to the secondhand store and get some old cotton cloth. (skip the poly!) No machine needed. You can always unstitch something if you really can’t live with it but just let things develop. YOU will develop with practice. I also did a couple of short videos that were requested from participants in the recent tekumo workshop. One had to do with machine hemming using a hemming foot, and the other with wiring the edge of a hemmed silk piece. You can see them on the FB studio page by scrolling down a few posts.
Late last night I took a 2 hour zoom tour of a sericulture farm located in the Kofu Basin in the Yamanashi Prefecture of Japan. It was quite interesting. Probably the largest sericulture operation I’ve seen so far in Japan. He said they raise 160,000 cocoons at a time there and grow them from seed. Most of the sericulture farms now get the silkworms in the 3rd-4th instar from the local collective and raise them on mulberry from that point to cocooning. Here’s a few links for my “silky friends” to enjoy…
Has it been a month and a half since i blogged here?? Is that possible? This might be the longest “dry spell” here since i started blogging sometime in 2006 (maybe I’m just giving you and myself a break).
Lots going on really- I should probably break this post up in chapters, we’ll see. In brief, the summer garden has kept us well fed and busy with it’s bounty. I’ll add an annotated gallery of photos in this post. This year the garden seems like it is in perfect harmony with itself. Lots of insects keeping each other in check. Fun to watch.
The tekumo shibori zoom workshop has concluded and students are working on their own with posts on the group blog to guide them, a place to post their own work and ask questions. That is really what has kept me pretty busy. Lots of technical challenges. Multiple cameras, multiple devices, recording, lighting and audio! Jeeze- and all I wanted to do was teach you some shibori. I do miss in person workshops. I was fortunate to have a student volunteer to co- host the sessions- Thank you Komo!! She also took attendance and kept the chat questions going when I was busy presenting in addition to making me some good spreadsheets. Great fun though- a fun roster of exceptional people- some whose path I have crossed variously in the past and some new friends- all looking to learn and get creative!
Part of the class was about creating the fabrics, learning and practicing tekumo, but the end of the class was about using the fabrics you created- in any way whatsoever. One of the pieces I made from class demos for purposes of exampling what one could do, was an indigo wall hanging. I really had a good time making it and thinking about the elements of it. Using pieces I made as demo pieces was part of that fun. At a certain point I let these pieces evolve. I try not to have many pre-planned ideas or expectations as to their final outcome. Often, they are made over the course of several weeks and while that process is happening, life occurs. Natural disasters, loss, rebirth…things one contemplates while one stitches and creates. It ended up as a very tactile piece and one that really should be touched to fully experience it. I added it into the shop here.
I’m also working on more silk organza tekumo pieces as well as a 2 hour make-along zoom class to make the organza flowers. If you were in the online workshop and made the fabric, use that! If you just want to make one and want to order a kit, I’ll have that available too! There’s a list developing for a second online tekumo shibori workshop so if you are interested, let me know and I’ll add you to the list.
And for those of you still waiting for the Silk Study Tour to Japan 2022 signup email, I’m hesitating a bit until I see what direction the pandemic is taking. In the meantime, stay safe, masked and vaccinated so we can meet again! Here’s a little video that Hirata san made of a new restaurant in Kamakura-I want to try it out next visit!
I learned a lesson (well, probably more than one) recently when I casually mentioned to a friend that I had been keeping an eye out for a small floor loom, cheap. There was no rush and just like most things I was willing to wait for something to just come my way. The timing was right and this friend had seen one at a second hand shop and went back to check it out again. I’ll spare you the details but after texting me a few photos and negotiating a very low price, she had it delivered to me! It needs some cleaning up and a little refurbing but nothing really drastic that I can see. Another weaver friend approved of the photos and the price and sent them along to her friend who came back with a very good and detailed process to get this cleaned up and back in useful condition. Thank you Janice and Joe! Lesson: Be careful what you wish for and what you casually mention to Carolyn! There are no markings on this loom so maybe a homebuilt piece. The footprint is about 30″x 32″ and will fit nicely into the space where my son’s vibes now occupy (hint, hint). Vibes will be moved upstairs… Any comments or suggestions from weavers welcomed! What I am aiming for in the beginning is to weave some sakiori.
Recently I saw a video on Vimeo that showed Hiroshi Murase demonstrating te kumo shibori and I saw something in his hand movements that caught my eye and opened up a more efficient way to do tekumo. I was going to link the the video here but it appears to have been taken down (it was previously public). I saw it in an online advertisement for the WSN/Slow Fiber workshop coming up where this technique will be covered. Looks like it would be of interest to anyone who wants to practice this particular technique. I have taught this technique in workshops at the JANM but I never felt I was really good at it. I could accomplish a good end result but I always felt that I was not being very adept or efficient while doing it. So after seeing his technique, I knew what I was missing! I have been practicing it all week and returned to do some of the work I did way back then but had decided it was too time consuming (and annoying) -at least the way I was doing it before. I then went in search of another video to show this technique and discovered that the Shibori Museum in Kyoto has been very busy during the pandemic producing shibori videos- they are so very interesting! Here is the one on tekumo. Check out the rest of their channel! It’s pretty amazing! I spent a whole day watching and catching up on the videos there that I had not seen.
Here are a few of the early results…
I am experimenting with creating more textural pieces- I really have always been drawn to shibori for the sculptural aspects (hence all the pleating I’ve done over the years) and the silk organza just loves to be shaped! I also pleated up and dyed some new ribbons for the shop…added back the scrap bags too-I hadn’t realized they have been out of stock.
It’s been 15 years here on the blog and almost just as long Milo the cat has appeared here and there. I went back and searched posts (he started appearing in early 2008) and found many photos and mentions that even I had forgotten about. He has been a steadfast companion all this time and during this past year he even insisted on making appearances on zoom too. It was with a heavy heart that we had to put him to sleep a couple of weeks ago. I was just too sad to post about it and even now… we miss him dearly.
On an upbeat note, we got our second vaccination last week and all was well-even without any side effects at all other than a sore arm for one day. May 5th will be our two week mark. I am hoping that more and more people choose to get vaccinated so we can begin to congregate more and see fewer people fall ill. I’ve barely seen my nearby grandson who will turn two next month this entire year. I know many of you have also missed seeing dear ones. While people in many other countries are literally dying for a vaccine, people here are saying “no thanks, I’m good”. Astounding. Here in LA, even the police are only 50% vaccinated (while having access for months now) leading one to believe they are choosing to remain unvaccinated while working with the public! Even Japan seems determined to have a summer olympics against all reason with only a 1% vaccination rate and rising infection rates. And India! Such suffering…
Over the past couple of weeks I have been going through some of my collected Japanese fabrics as well as cleaning out a cupboard or two. In one of the cupboards I found an old hand stitched cat doll my grandmother had made. It is so basic, yet with a lot of personality. Made with what looks like a cotton toweling and red thread it seems to have been an exercise in hand sewing practice. The face and her name are drawn on with a (now faded) marker of some sort. Interestingly, in one place where the stitching came undone the material that was used to stuff the piece was showing. It is stuffed with women’s nylons. Since nylons were not available commercially to women until around 1940, I had to reassess who/when this little cat was made. So either my Nana made this for my mom (maybe a class?) or my mom made it and for some reason my Nana’s name was written on it for identifying purposes. My mom would have been around 10 in the early ’40’s. Nana was born in 1901. Both Nana and mom loved cats. This little guy is probably about 80 years old…
Back to the fabric sorting/organizing and I wondered…what if I made a little cat based on Nana’s cat? So I did. What if I made one for my grandson with some photos and a story? What if I made a pattern and a kit with instructions using some of the Japanese fabrics I have? And so it is… a quick and fun little project for a child or just the child inside us all. Added to the shop here.