Now that I got that last post out of my draft folder I move on….
Today is all about shibori….stands. Or you may consider them to be a “third hand” which is how I think of them. I have several and show you here. (I have a couple more stored in workshop boxes but they are lesser ones and one in fact was broken in a workshop and I have yet to see my way to repairing it (if possible).
I’ll start by showing you a video of how I updated the old one pictured above. As I recall, I acquired it on a flea market trip one year after the Silk Study Tour. Is needle was missing and the hook where it once existed completely rusted through, but still…
I am working my way back to offering some shibori workshops and the first one will be tekumo shibori using shibori stands with a shibori hook. For this to work, I had to create enough stands for everyone in the workshop to use and the next video is my simple design which costs less than $10 to make with odds and ends from the local hardware store.
It feels good to have rescued an old shibori stand and to also create a new version that is very affordable. Each has its pros and cons- the older versions can be used anywhere, whereas the new version needs to be used on a tabletop to which it can be clamped.
Unless you just started following this blog last week, you probably know that aside from shibori, dyeing and silk, my other pleasure is gardening. This post is NOT about shibori, or dyeing, but isn’t everything connected?
Summer vegetable gardening is in full swing here- picked the first zucchini and tomatoes last night and made a beautiful and delicious casserole with them for dinner. Had to use store bought onions and garlic but those are going to be harvested soon as well.
Something has been simmering in the back of my mind this past year as I watch the California powers that be (and that generally means the $$$ powers in real estate development who fuel politics) gradually chip away at any and all open space by filling our urban area with much denser spaces- both residential and commercial development, without creating a balance of open space like parks, preserves, and community garden spaces. Not only are they building denser multi story residential buildings, cities and the state are allowing- in fact encouraging, increased density on single family home lots with minimal open space required. As a home gardener for over 40 years, I feel this loss for future families and the environment. Gardening connects us to Nature, to our Earth, and maybe most importantly, to ourselves. It grounds us. As I wander in my little backyard oasis watching the birds, bees butterflies and other insects I wonder how much longer they will continue to have backyard habitats. A mindful gardener is a temporary keeper of the land they work, be it a small farm,orchard or a raised bed garden in their backyard or community garden. Small gardens are habitats for myriad birds, insects, and peaceful contemplation. A “habitat for the contemplative mind” if you will. Gardens provide food and beauty for ours and our neighbors tables.
I wonder what will happen when generations of humans have lost this connection not just to nature, but to the processes that teach us where our food comes from (and I don’t mean the grocery store-or even the farmers market)? Yes, we will probably (hopefullly) still take trips to visit nature on vacation, but will it be accessible out our back door or down the street? For many, it already isn’t there. And for many, vacations are something one dreams of.
I wonder how concerns for our environment will fare when people are disconnected from the soil that they can dig and run through their hand? What will be the tipping point for all this?
Even in urban areas like the one I live in, there are rivers (long ago cemented in) and wetlands (cruel fodder for continued oil extraction ($$$) and groups fighting for the very life and last breath of these valuable spaces. The local pols throw meatless bones in our direction hoping to satiate the majority through their next election funded by the very developers robbing us of these open spaces. Environmental Impact Reports (EIRs) are avoided by both developers and our city, in favor of lesser mitigated negative declarations assuring us that the harm they do won’t affect us….much. There are solutions- solutions that cost extra $money and mean less profit. Decades of promised river plans bulldozed by the very pols that 20 years ago, used those promises in speeches to voters that fueled their slick campaigns.
I can’t say where this ends…but I see people out walking in this very neighborhood pass by my house and I can hear them say “Wow! I’ve never seen how artichokes grow!” or “is that how onions grow?”. If only they saw the back yard…
Cheers to the following Long Beach groups and their continued persistence in tilling the soil in their dogged and valiant efforts to educate and preserve enough nature and environmental quality for us here in our urban city so future generations have access to nearby places where we can co-exist in partnership with the very thing that keeps us physically and spiritually grounded. CARP-Citizens About Responsible Planning “Promoting the quality of life in the City of Long Beach through involvement and education in the greater Long Beach area.” HUSH2/LBNF- Long Beach Neighborhoods First “To educate the citizens on environmental, social, and health impacts of policies and actions proposed by public officials or private entities on land use, transportation, and redevelopment efforts impacting our neighborhoods. LBRC-Long Beach Reform Coalition “The Long Beach Reform Coalition is a local, non-partisan umbrella organization and political action committee that promotes and supports public policies, laws, and candidates toward the goal of a transparent, accountable, and inclusive government.” RPC-RiverPark Coalition “Our vision is a healthier, happier environment for communities within the watershed of the lower Los Angeles River revitalization zone.” Long Beach Chapter Sierra Club ” Exploring and enjoying nature is a healthy, happy way to live.”
I know most of my readers here are not from anywhere near this local area but I do know that many of the places you come from are feeling the pressures exerted on your own local habitats and environmental quality of life. I hope that you have organizations in your cities, towns and regions standing up for Nature, our World, and that you choose to participate with your involvement as you can. All are in need of funding, participation, and assistance. Check out your local area groups and stay involved!
I learned a lesson (well, probably more than one) recently when I casually mentioned to a friend that I had been keeping an eye out for a small floor loom, cheap. There was no rush and just like most things I was willing to wait for something to just come my way. The timing was right and this friend had seen one at a second hand shop and went back to check it out again. I’ll spare you the details but after texting me a few photos and negotiating a very low price, she had it delivered to me! It needs some cleaning up and a little refurbing but nothing really drastic that I can see. Another weaver friend approved of the photos and the price and sent them along to her friend who came back with a very good and detailed process to get this cleaned up and back in useful condition. Thank you Janice and Joe! Lesson: Be careful what you wish for and what you casually mention to Carolyn! There are no markings on this loom so maybe a homebuilt piece. The footprint is about 30″x 32″ and will fit nicely into the space where my son’s vibes now occupy (hint, hint). Vibes will be moved upstairs… Any comments or suggestions from weavers welcomed! What I am aiming for in the beginning is to weave some sakiori.
Recently I saw a video on Vimeo that showed Hiroshi Murase demonstrating te kumo shibori and I saw something in his hand movements that caught my eye and opened up a more efficient way to do tekumo. I was going to link the the video here but it appears to have been taken down (it was previously public). I saw it in an online advertisement for the WSN/Slow Fiber workshop coming up where this technique will be covered. Looks like it would be of interest to anyone who wants to practice this particular technique. I have taught this technique in workshops at the JANM but I never felt I was really good at it. I could accomplish a good end result but I always felt that I was not being very adept or efficient while doing it. So after seeing his technique, I knew what I was missing! I have been practicing it all week and returned to do some of the work I did way back then but had decided it was too time consuming (and annoying) -at least the way I was doing it before. I then went in search of another video to show this technique and discovered that the Shibori Museum in Kyoto has been very busy during the pandemic producing shibori videos- they are so very interesting! Here is the one on tekumo. Check out the rest of their channel! It’s pretty amazing! I spent a whole day watching and catching up on the videos there that I had not seen.
Here are a few of the early results…
I am experimenting with creating more textural pieces- I really have always been drawn to shibori for the sculptural aspects (hence all the pleating I’ve done over the years) and the silk organza just loves to be shaped! I also pleated up and dyed some new ribbons for the shop…added back the scrap bags too-I hadn’t realized they have been out of stock.
It’s been 15 years here on the blog and almost just as long Milo the cat has appeared here and there. I went back and searched posts (he started appearing in early 2008) and found many photos and mentions that even I had forgotten about. He has been a steadfast companion all this time and during this past year he even insisted on making appearances on zoom too. It was with a heavy heart that we had to put him to sleep a couple of weeks ago. I was just too sad to post about it and even now… we miss him dearly.
On an upbeat note, we got our second vaccination last week and all was well-even without any side effects at all other than a sore arm for one day. May 5th will be our two week mark. I am hoping that more and more people choose to get vaccinated so we can begin to congregate more and see fewer people fall ill. I’ve barely seen my nearby grandson who will turn two next month this entire year. I know many of you have also missed seeing dear ones. While people in many other countries are literally dying for a vaccine, people here are saying “no thanks, I’m good”. Astounding. Here in LA, even the police are only 50% vaccinated (while having access for months now) leading one to believe they are choosing to remain unvaccinated while working with the public! Even Japan seems determined to have a summer olympics against all reason with only a 1% vaccination rate and rising infection rates. And India! Such suffering…
Over the past couple of weeks I have been going through some of my collected Japanese fabrics as well as cleaning out a cupboard or two. In one of the cupboards I found an old hand stitched cat doll my grandmother had made. It is so basic, yet with a lot of personality. Made with what looks like a cotton toweling and red thread it seems to have been an exercise in hand sewing practice. The face and her name are drawn on with a (now faded) marker of some sort. Interestingly, in one place where the stitching came undone the material that was used to stuff the piece was showing. It is stuffed with women’s nylons. Since nylons were not available commercially to women until around 1940, I had to reassess who/when this little cat was made. So either my Nana made this for my mom (maybe a class?) or my mom made it and for some reason my Nana’s name was written on it for identifying purposes. My mom would have been around 10 in the early ’40’s. Nana was born in 1901. Both Nana and mom loved cats. This little guy is probably about 80 years old…
Back to the fabric sorting/organizing and I wondered…what if I made a little cat based on Nana’s cat? So I did. What if I made one for my grandson with some photos and a story? What if I made a pattern and a kit with instructions using some of the Japanese fabrics I have? And so it is… a quick and fun little project for a child or just the child inside us all. Added to the shop here.
I’ve been meaning to do this for awhile now and after receiving several inquiries after the recent post I am getting it checked off of my list today. I am including here a new link for those who are interested in receiving the sign up email for the tour which I expect to go out in early June. Here it is!
The 2021 Silk Study Tour to Japan has now been rescheduled for May 11-26 2022. Please know that it will be a requirement of the tour to have been fully COVID19 vaccinated in addition to any other health requirements put in place by the Japanese government, the airlines, and our hired bus company. We will strictly adhere to all health requests of the host artisans, museums, hotels, restaurants, shops, and any other places to which we travel.
Hirata san (our Japan-side coordinator and guide) and I have been in frequent communication over the past year and are excited about organizing the upcoming tour. We have a new itinerary that includes some of the past favorites and a few new ones! Prices have not yet been confirmed as all that has to be redone in light of this past year.
Lots of thoughts rumbling around here since the last post. This is gonna be a longer post, so settle in.
Spring is definitely in the air. And so is hope in many quarters. Spring always is in the very heart of a gardener and I’m no different. Like Spring seasons, life is slowly changing and renewing. Many people are getting vaccinated, getting out and adjusting to what currently is. Just being here is good. In fact, quite wonderful.
Hirata san sends me photos of the beautiful cherry blossoms in Kamakura and I’m having hanami natsukashii (cherry blossom viewing yearnings)…here are a couple to get you in the mood. We have our itinerary for the Silk Study Tour set for 2022 and are looking forward. The photos below show the new cherry trees approaching the Hachimangu shrine. It is just gorgeous with all the trees in bloom! This approach was reworked just a few years ago and is a lovely walk down the center of the main street.
I’ve struggled to post often this past year, instead letting thoughts congregate a bit before getting them written into the ether. That doesn’t mean that they are more clearly expressed with the passage of time, sometimes I think it is quite the opposite! Too many thoughts blend, are forgotten and so on, but today felt right so here we are. Sometimes I take short notes for the blog on my phone to remind me of something I want to write about and sometimes I don’t, letting the thought return like a butterfly to its host plant if it works out that way (speaking of butterflies, the caterpillars of the clouded sulfers have gone somewhere to pupate, I know not where) and the praying mantis oothecae should be hatching any second (haven’t seen the babies yet).
Fresh on my mind right now are my beader friends in the Czech Republic (CR) who write me that they are suffering greatly from their government’s misconduct and irresponsibility in regards to COVID. I felt so sad hearing her description of their situation there. Vaccines are extremely limited, and lockdowns are very strict beyond what science would rationally dictate. People feel stifled and rebellious and somewhat hopeless. They look forward to a new election in October, she says.
“forbidden to move out of our districts, forbidden to work and not compensated, forbidden to socialize, forbidden to breath without a mask even if there is nobody around us in a 100 metres range(328 feet), forbidden to leave our homes between 9pm and 5am… and god knows how long til the end, because the government has literally NO PLAN”
I know she won’t mind my sharing her words here anonymously. I can be so absorbed in my own world here, listening to others broadens my perspective. I love that we have become long distance friends sharing our worlds. At the end of our conversation I shared the music of Joan Armatrading (a long time favorite of mine). I’ve been listening to her music today in the studio after Maura in India (Mustard Seeds Kolkata) featured a song on her FB post this morning.
My heart was warmed by a message/conversation received from the mother of a son who credits me with far too much- but as we say, we never know what good a simple act of open-heartedness can give rise to. She credits me with reaching out to him as a young teenager who was struggling greatly and saving his life but it was her perseverance and love that brought him to meet me at a show in Houston (they lived in IN) and to encourage his interest in textiles and art. It is to his credit (and hers) that he graduated with a degree in art and is now teaching art in a HS in CO and just got accepted to grad school. He is out and doing what he loves, being who he is. How can you not love that?
It’s haru basho in sumo right now and today is the final day. We enjoy watching sumo here (I love looking at the silk gyoji costumes with their jaquard weaves and wonderful color combinations) and love watching both the juryo and makuuchi divisions. In a lower division called sandanme one of the rikshi (Hibikiryū) suffered a horrible injury perhaps resulting in paralysis (yet to be determined). The resulting uproar over treatment of rikshi injuries has resumed in sumo and is very justified. If you follow sumo, you know what I am talking about. Japan needs to step up. Tradition is one thing, humane treatment of rikshi is another.
Here in CA people over 50 are eligible for vaccinations April 1 and everyone over 16 is eligible April 15. Some areas have already opened to over 50 and we just received our first vaccination here. We still need #2 in 21 days plus a waiting period but progress is happening and workshops will again begin this summer! I am noticing how it is affecting my mental well being today. I feel inspired and more alive. I hope you are taking advantage of vaccinations in your area so we can all move ahead with safety and more peace of mind. This is a time to consider the future and reinvent many things.
Speaking of the studio, my recent post on the paid blog was quite interesting (apparently only to me-haha) yet I’m not sure if subscribers are reading regularly. Makes me wonder about that path. I won’t be doing this again, methinks. All posts there are password protected unless you subscribe but I thought I would “unprotect” this one to share here. It’s about indigo and madder and what I am making now… moonfire! March moons are all about madder and indigo. Today is the full moon as well as a shop update. Moonrise last night was spectacular here. Are you watching where you are?
I also was listening to a video I came across that resonated with me by George Monbiot who promotes “feeding the world without devouring the planet “. This also applies to textiles and clothing which continue to be a resource problem. As the planet goes, so go we. We survive by walking a fragile line of coexistence with nature. The planet will outlast us surely, but by how much? That is up to us.
In the meantime, I continue to dye. I have been dyeing madder and indigo. On a frustrating note, my aquarium heater in the indigo vat is out of commission again. I think that the high pH just does it in and results in its early death. They seem to last less and less time these days (this one just 5 months). Maybe this is the answer? Pricier than replacing the heater but…less wasteful if it lasts a couple of years. The weather is heating up now (81 degrees today) so a heater for the fermentation vat won’t be needed soon. I have been sorting through old cloth and over-dyeing in both indigo and madder to create some interesting cloth sets for the shop. Moonfire sets are also available there. A little diversion is always fun. I love how madder complements the indigo. I can imagine the projects that will be made from these cloth sets. From my imagination to yours…
There is something ultimately satisfying to me when I use old cloth. Especially cloth that has been previously reused-who knows how many times? The feel of it is different, the smell of it, the texture…the memories it holds. Old cloth has lots to wonder about.
Then there is the variety of the cloth. The various weaves, the fiber itself, and the skill of the weaver, the dyer, the thread maker. The cloths original intent or purpose and ultimate uses is also something to wonder about.
Today I sorted through another bundle of old Japanese fabric, all previously reused and dismantled from its former use-kimono, yukata, futon cover and more. I love things made from these old fabrics. That someone felt the cloth was precious enough to mend and then use again in something else- is enough for me to continue treating the cloth with the same respect and frugality.
As I ironed, picked threads, and lint brushed the various fabrics, I ran my fingers over each piece wondering. Who made it? What had it been? What could it become? Japanese narrow woven cloth and the way it was used lent itself to being easily taken apart and reused after laundering. It is a testament to how cloth was valued. Mottainai! (Don’t waste!)
I see the worn and threadbare parts, the patched places, and the edges as the wisdom of the cloth. They are there to instruct me, to show me the way. I study all the parts of it. I look at the stitches of the patches, the selvedges. I pull a few weft threads and look at them under magnification. I imagine the journey the cloth has been on – from plant or animal up to the point where I now hold it in my own hands, generations later. In whose indigo vat was it dyed? Did this lovely katazome here serve an early 1900’s merchant family? Had this bolt or strip of cotton katazome been a wedding gift? This boro bit here later used for a layer of a futon cover for cold nights? Who raised the silkworms and warped the looms with the homespun threads? Did the shibori come from Arimatsu or Narumi? Through the passage of time and many hands I’m left with so much to wonder about as I imagine what I (or you) will do with this cloth.
The ancestors of the cloth speak to me as I run my fingers over the surfaces, identifying each textile technique as I prepare a new batch of takaramono treasure packs for the shop-kasuri, shibori, katazome, shima (woven stripes), plain dyed cloth. Some of it is very durable and some now quite thin. It all feels good in my hand and ready for a whole new “becoming”. The new takaramono packs are now in the shop here. Here’s a few ideas of things I’ve made-a couple are still available in the shop.
Recently I did a little bit of hinode (sunrise) pattern shibori for moons. I like the contrast of that pattern -sunrise with the moons. I added some arashi to it as well and new moons are in the workflow.
Yesterday I spent a little time repairing my gravity fed steam iron. Fortunately, I still had my old one and was able to take a part off it that rescued the newer one- at least for the unforeseen future. A different part had broken on that but I had saved it “just in case”. Now I can reasonably get rid of the older one with less guilt. This is my third one of this model (Sapporo 527) over the course of about ten years or so. I do a LOT of ironing with the silk so I have worn out the steam button on the previous ones. They are still the best ones for what I do and still affordable. Not the iron for everyone though so if you are looking at them make sure it suits your needs.
The weather has been wonderful for spring gardening and planting so I did a bit of that before we get more rain tomorrow. Always thankful for rain here. Inside, I have been busy with a couple of needle projects. I finished one last night.
Back to the “fish filet”. It’s actually a koi nobori for Children’s Day (sorry Milo). I’ve wanted to make something like this for a while and I was recently inspired by a pile of indigo scraps from making the last batch of takaramono treasure packs I listed in the shop. (those are all gone but I’m working on a new batch). I wanted to make something using odd bits of fabric as another example of what you can do with bits and pieces.
Coming back to this post this morning to finish it up I read my email and see that the Paper Source chain of stores (the one that purchased the bankrupted Papyrus chain barely a year ago) is itself claiming Chapter 11 bankruptcy. Reported by Craft Industry Alliance here, small makers and vendors are banding together to support each other by asking customers to buy directly from them as well as the other remaining smaller stores that they supply. It seems clear from the reporting that Paper Source placed “non-ordinary course of business orders immediately before filing for bankruptcy”. This is fraud. I hope that these small makers and vendors get relief but somehow I doubt it. Paper Source is owned by a major private equity firm based in Bahrain. The majority of the vendors they screwed are small women owned/ family businesses. You may have one of these stores in your town. You can check this IG thread to find direct access to some of the affected vendors.
Today, I was distracted by silk and a new silk device I purchased from Two Looms Textiles-a tsukushi. They had acquired one some time back and were not using it so contacted me as a potential foster parent for the item. Happy to adopt and try it out! It arrived yesterday.
The first thing I did was to make some silk mawata caps. That did not go so well as I usually make the square mawata using my stand but from researching a bit saw that caps are preferred for making yuki tsumugi ito. Not a complete disaster but not exactly caps. Practice needed just like I did for the mawata.
I used them anyway for my first practices. The thread was too thick but I carried on. I found some caps I had brought back from Japan and tried them.
Much better! Fluffed them all out like I had seen online. I find there is a trick to putting them on the tsukushi so you can easily pull the fibers out to the desired thickness. The think with yuki tsumugi is that it is not twisted- it’s basically pulled out and sealed with spit. In the end, i was using a bowl of water as that seemed better.
I am not interested in ultimately making super fine threads like those which are used in the beautiful yuki tsumugi fabrics from Japan but something quite rougher and folkier like the fibers used to weave this bolt of cloth… yeah it’s a dream. But if you don’t dream, then what?
Meanwhile in the garden, will be transplanting the tomato seedlings next week into 4″ pots. And, my seed potatoes arrived so I am preparing the raised bed where they will be planted. Will add some pole beans to the same bed when it’s time. (note to self, start seeds!)
and in the background of course….moons. I think I am going to make some special sets using only that fabulous silk cloth above. Like jude commented, the indigo is in love with that cloth.
( and by the way…the Daily Dyer is having an issue with my mobile app uploaded posts. Please be patient. I will reload that last post for the third time sometime tonight)
Today I was planting more seeds. I got to thinking about the growing roots. The snap pea seeds I planted last week have sprouted and are forming their first roots. Roots are essential to the growth of the seed and the eventual plant it sprouts. I water the seeds, put them in the sun during the day, take them inside on cold nights, move them to bigger containers when they get too large, and weed out the weak or unwanted plants.
And so it is with wonder and creativity. Once I have been exposed to the seeds of creativity or inspiration, I cultivate that creative wonder in order for it to take root. It’s easy to skim the surface of something (and I’ve skimmed many ideas, techniques and processes) but once I develop enough wonder about something to the point that it starts to take root I want to move forward in a way that continues to develop those roots and lets it become much more. And that requires fertilizing and cultivating those roots with more wondering and practice. The more roots something grows, the stronger it can become. Not everything takes root. But everything I learn along the process carries me forward. Some things I choose not to cultivate in the moment-I may come back to them another time. Things need time to generate roots and grow. But enough …. meanwhile in the garden-
Moving from garden to studio…
A few posts ago I showed you some jeans i had refresh dyed in the indigo vat and repaired. That led to a friend dropping off some old pants he wondered if I might be interested in doing something with them. Only one pair was really of interest to me but seems like quite the project!
Now, I’m not quite sure how they came to be in this condition but I’m suspecting the garment industry had a hand in it. I’m going to give them a couple of dips before I put them in the mending pile. I might be up for the challenge. Thinking on it.
Meanwhile, I posted this ol’ moon today and although it is long sold, I received a very special request for one like this. I will make it with intentions of holding on.
Over on the Daily Dyer, I explained the making of these pocket squares for a special order. Indigo on silk satin. One is double arashi, the other triple. having them in hand is akin to playing with a slinky- mesmerizing.
Other goings on in the studio involve completing a shibori ribbon order for a customer in the UK and doing some indigo dyeing of vintage fabrics.
Shop Update Alert!
AsiaDyer (aka Richard) and I have collaborated on a plan to relieve him of some of his growing pile of “cloth with character” (aka imperfect and assorted). This involves lots of sorting on both our parts, shipping from Japan, and in some cases overdyeing to get it into some really lovely and fun packages for your projects. Each pack contains one moon and some indigo thread to get you started. The packs include katazome, shibori, kasuri, stripes, and solids. The end result is a takaramono (treasured items) pack of inspiration for your creative wonderings. Pair it with a pack of solid indigo shades dyed in the fermentation vat and you have a project in the making. in the shop here.
In kitchen news, I have been the fortunate picker of my neighbor’s orange tree. They don’t use them and they are just now finishing their season (started in December). This week I made orange marmalade for everyone and also am making a jar of orange liqueur. Most recipes tell you to use the peel and slice the oranges but my method is simple…from a friend in Poland.
We spent a week worried about Bella- our aging dog. She’s better now after a couple of vet bills- haha. Getting older isn’t for sissies no matter person or creature. Milo the cat is still hanging in there but the time is coming. I’m spoiling him rotten right now.