There is something ultimately satisfying to me when I use old cloth. Especially cloth that has been previously reused-who knows how many times? The feel of it is different, the smell of it, the texture…the memories it holds. Old cloth has lots to wonder about.
Then there is the variety of the cloth. The various weaves, the fiber itself, and the skill of the weaver, the dyer, the thread maker. The cloths original intent or purpose and ultimate uses is also something to wonder about.

Today I sorted through another bundle of old Japanese fabric, all previously reused and dismantled from its former use-kimono, yukata, futon cover and more. I love things made from these old fabrics. That someone felt the cloth was precious enough to mend and then use again in something else- is enough for me to continue treating the cloth with the same respect and frugality.
As I ironed, picked threads, and lint brushed the various fabrics, I ran my fingers over each piece wondering.
Who made it? What had it been? What could it become? Japanese narrow woven cloth and the way it was used lent itself to being easily taken apart and reused after laundering. It is a testament to how cloth was valued. Mottainai! (Don’t waste!)
I see the worn and threadbare parts, the patched places, and the edges as the wisdom of the cloth.
They are there to instruct me, to show me the way. I study all the parts of it. I look at the stitches of the patches, the selvedges. I pull a few weft threads and look at them under magnification. I imagine the journey the cloth has been on – from plant or animal up to the point where I now hold it in my own hands, generations later.
In whose indigo vat was it dyed? Did this lovely katazome here serve an early 1900’s merchant family? Had this bolt or strip of cotton katazome been a wedding gift? This boro bit here later used for a layer of a futon cover for cold nights? Who raised the silkworms and warped the looms with the homespun threads? Did the shibori come from Arimatsu or Narumi? Through the passage of time and many hands I’m left with so much to wonder about as I imagine what I (or you) will do with this cloth.
each set a little different, each one has some holes and patches. I’ve included a moon too, dyed on old cloth I’ve included a package of persimmon dyed cotton thread with each package.
The ancestors of the cloth speak to me as I run my fingers over the surfaces, identifying each textile technique as I prepare a new batch of takaramono treasure packs for the shop-kasuri, shibori, katazome, shima (woven stripes), plain dyed cloth. Some of it is very durable and some now quite thin. It all feels good in my hand and ready for a whole new “becoming”.
The new takaramono packs are now in the shop here.
Here’s a few ideas of things I’ve made-a couple are still available in the shop.
wallet handbags and wallet
scarves and bagspatchwork zakka sampler scarf cross shoulder bag doll komebukuro bag
I just ordered two packs. If there is any red or red orange I would love that. I like putting just a touch of that with the indigo. Thank you And thanks for your comment on Facebook earlier. Of course I will be taking hand stitching along to our new place. Im just starting to think about what to keep and what not to keep. And I have to give up my studio. So want small projects but am so attracted to bigger projects like dying and surface design. But oh well. I have lots of small things I love too. Being a Gemini I like a lot of things and am married to none. ♥️♥️♥️ N
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A little needle and thread on good cloth is so satisfying! Thank you for the order! I know just what I red i will add to yours!
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the wisdom of the cloth, a beautiful concept
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Glennis ~ This is such a beautiful, gentle post. Thank you for this calming moment.
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this post bubbled up to the top and here i just see this comment. perhaps cloth can provide some calm for you and also some “cloth wisdom”. xo
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always love seeing what you make out of the deep blue
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there is a lot of deep blue between here and there!
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