Yes, it is true! India Flint will be in Los Angeles to give a 3 day workshop (July 30,31,& Aug 1) at the studio and shop of Claudia Grau in Los Angeles. I don’t know Claudia, but she contacted me to let me know there are still a few spaces left and wondered if I knew anyone who might want to join the workshop. India’s west coast trip has her in the Santa Barbara area giving a workshop there as well but that one sold out rather quickly and hence the LA area workshop was quickly conceived. There really is not much time to ponder it as registration will close on Friday (this Friday!). I hope to attend as well although I will be just finishing up the Long Beach International Quilt Festival and the Houston Silk Exhibit planning team will be in town to meet so time is pretty booked.
For those of you who might not be familiar with India and her work, she is the author on two two books, Eco Color and Second Skin, both books on sustainable dyeing using local windfall to color cloth. She wanders and wonders wherever the trade winds take her, sharing her knowledge, experience, and methods with dyers worldwide. It is a rare chance to be able to have her in Southern California.
Speaking of books, I recently received a copy of a book called Shibori Recreated produced in Australia which features the work of 20 shibori artists, dyers, and makers worldwide. I was asked to participate in this project and found myself in the company of some others whose work I admire greatly- Hiroshi Murase, Yvonne Wakabayashi, and India Flint to name a few. I was also pleased to be introduced to the work of Sally Campbell and Barbara Rogers (among others), two shibori-ists whom I had not been previously aware. The choice of covers for the book (front and back), leave a little to be desired as they don’t convey the topic of shibori very effectively in my opinion. But I was interested in the content. Each artist was asked the same set of questions about their own work, shibori in general-past and present, and the future of shibori in terms of technology and this modern world, among other things. It was interesting to read the artists answers, in their own words, from such a broad and diverse set of folks whose work all focuses on shibori. I found there were several consistent themes running through the answers of many and thoroughly enjoyed reading through them. The only other caveat I would add is that the font style and size that was chosen makes for extremely difficult reading. An odd choice for a book that you want people to read and is actually worth reading. I think it might be a case of getting carried away with design and form over function. But all in all, I enjoyed it.
Back to the workshop- if you are anywhere in SoCal and want to wonder and wander a bit with India Flint, give Claudia a call, an email or click to the link to join in– I hope to be there to join you!