Tag Archives: workshop

things flow through

i have always liked figuring things out.  a production run is like a puzzle of sorts.
one must figure out and streamline the entire process.  thinking about such things as efficiency, energy, materials. the order of things.  and most importantly, the FLOW.  beautywood

the flow can refer to many things- the physical space in which i work-allowing me to move through my workspace without hinderance.  the flow of energy as i choose and mix the colors, prepare the silk, thinking several steps ahead of myself so as to maintain that flow.

the flow of work in and out of here as orders come and go, the flow of communication with all of those who email,comment,ask,etc..the flow of paperwork, money, and of course time.

but most of all i enjoy the process of transition. of taking something rather plain and mundane (although i can say that the miracle of the silkworm is anything but mundane!) and turning it into something else by hand.

so, lots of shibori ribbon being made here at the moment. if i have overlooked an email, been tardy in sending you something promised-please send me a little reminder nudge and accept a proforma mea culpa from me.  i appreciate your patience.

in all this busyness, i have quite forgotten to post here about the upcoming workshop with Richard!

speaking of flow. one also needs to refill the vessel and when Richard and I get together for a workshop that is part of the intention- to give you lots to wonder about- to get your flow going-or back into the flow.
good grief…in my mind i had done it!  but alas no- just on Facebook and constant contact. there are still a couple of spaces.  and several requests to Skype/broadcast the workshop which we will be accommodating as well (figuring this out now).  this workshop will combine itajime AND mandalas. you will learn both in the first two days.  on the third day you can work on whichever one (or both) is moving you-and get into your own flow.  patterns of time and space

of course we will be working on the process, the technique, of folding and dyeing and resisting-but also larger concepts of time and space in regards to patterns.  patterns are everywhere-in nature and in life.  sometimes you need to look at the bigger picture to see them.

-some of Richard’s recent work-it just keeps on getting better and better (of course). he recently completed his first continuous 10 meter cloth which is slated to be make into a summer yukata. now THAT’s impressive!
the amazing itajime of Richard Carbin

and just a reminder-  have a 2 day  indigo workshop coming up at the Japanese American National Museum Feb 1 & 2.  We will be working on shibori and indigo and creating a boro-esque indigo scarf from our bounty.  Call the Museum to register- 213.625.0414

じゃまた!

 

linkedin

a weird but short post.

for all those trying to connect with me on linkedin- I don’t do linkedin.

so all those unanswered requests will remain unanswered. sorry. it’s just too much.

I also understand that some or those requests are auto sent- another reason I don’t do linkedin.
but in other news-

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have a great holiday week with friends and family.
see you on the other side.
(plus, I’ll see you in Yosemite next year- the week of Sept 15th. )

booth 1620

being well prepared is half the victory

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arashi shibori on silk

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vintage kasuri and taiten

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some smaller bits

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materials for the indigo workshop

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Shibori ribbon flower kits

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Shibori ribbon, of course…

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indigo, always indigo

and thank you for the overwhelming response to my workshops. when they fill 2 times over  I understand they get to automatically repeat the class next year.  that would be nice!

and…while I am leading the indigo workshop the very talented Mary Alice Sinton of Blue Bonnet Studio will be working the booth. Mary Alice is a certified teacher of both Traditional Japanese Embroidery and Japanese Bead Embroidery. She travels and teaches many classes. Come by and say hello!
Houston Quilt Festival 2013

gathering or collecting? (a workshop with Julia Parker)

Yosemite meadow-the Native Americans kept this area free from trees and saplings, it is now filled with trees that encroach on the meadow where materials and acorns were once gathered.

Yosemite meadow-the Native Americans once kept this area free from trees and saplings, it is now filled with trees that encroach on the meadow where materials and acorns were once gathered.

I am still gathering my thoughts here- it will take some time for them to settle in and find a place to live. but in the meantime, a few photos….

Among the very many wonderful pieces of wisdom shared at the recent basket workshop in Yosemite with Grandmother Julia Parker, her daughter Lucy, and granddaughter Ursula was the distinction between gathering and collecting.  Am I a gatherer or a collector?

Lucy explains the valley floor-how Yosemite indians tended it and kept it free of non native plants.

Lucy explains the valley floor-how Yosemite indians tended it and kept it free of non native plants.

Am I gathering things with intention of using them in the short term or collecting things to have them for some other reason-perhaps without a specific purpose?  Often we get caught up in the collecting of things-for various reasons.  But what if we only had what we needed now- in the present?  My, the world would look so much different!

bracken fern roots were carefully dug with a digging stick, dried and prepared for basketmaking.

bracken fern roots were carefully dug with a digging stick, dried and prepared for basketmaking.

sedge grass is used in many ways in basketry- here you can see sedge, bracken fern and milkweed

sedge grass is used in many ways in basketry- here you can see sedge, bracken fern and milkweed

detail of milkweed pod- the stalk is used.  these are different than the ones i grow-

detail of milkweed pod- the stalk is used. these are different than the ones i grow-

three generations- Ursula, Julia, and Lucy.  it was a beautiful experience.

three generations- Ursula, Julia, and Lucy. it was a beautiful experience.

Lucy demonstrates working with the willow under Julia's watchful eye.

Lucy demonstrates working with the willow under Julia’s watchful eye.

some of the participants finished baskets

some of the participants finished baskets-using twining technique. tule,willow and cattail. small example of a burden basket.

Other highlights of the three days include walking through the wonderful basketry exhibit with Julia herself (i’d provide you with a link but since the federal “government” is shut down there is no link!)  Just trust me- it was fantastic and walking through it with Julia and Lucy was really wonderful.  A special visit into the roundhouse where Julia and Lucy performed a special happy dance and song along with a blessing. Sitting outside under the trees making baskets while deer wandered through and hearing stories-priceless!

And on another exciting note- the first copy of Julia’s new book  , Scrape the Willow until it Sings  was delivered to her during the workshop.  We all got to look at it and it will be available soon from Heyday Books. It looks wonderful.  I had a copy of her previous book, It will Live Forever which is a wonderful introduction to not only acorn culture in Yosemite but also includes the baskets used to gather and process the acorns into food.  She graciously signed my copy.  She will be in San Francisco Oct. 20th for a book signing if you are fortunate enough to be able to go.

A basket can hold many things- food, objects, water-even thoughts and ideas. I gathered some cattail while I was at my friends cabin.  They are drying out in the driveway on top of the car (the dogs can’t get them there).

I intend to make a cattail basket when I return from Houston mid November-and fill it with memories from this time.  To use in the garden- a gathering basket. We all gave away our first baskets as tradition dictates.

There is a lot to do now to get ready for Houston.  I don’t even know where to start today….

just somewhere i suppose.

marking time

Seasons mark time like nothing else.  The visual signs all around us are unmistakable.

fall

persimmon

-the feel of the air in the morning and again in the evening. Sounds also turn the corner into fall.

And here at my desk I also must mark time.  The time that orders must ship, the time that show prep begins and materials must be sent off.  Schedules for next year are already filling in.  I do that as if I know how things will be when that time rolls around.  I laugh.  Ha!  What if?  We don’t know at all but here we are making plans.
The world seems so uncertain.

Just in case,  Richard and I are planning a new in-studio workshop (details coming), I’m planning dates for shows and other workshops in the new year.  And also a couple of trips are in the works.  I’ve been asked to coordinate two adventures in Japan next Spring. One is a private group of friends returning to the past in a way- sharing old memories and getting to know each other again in the present.  A reunion tour.  I hope to make it a very special time for all.
The other, is coordination of a short extension tour for Maggie Backman‘s Cross Culture Tour.  I have to say, when and if I get to be Maggie’s age, I hope I have her enthusiasm, energy and spunk.  This is an idea she has had for some time now.  It grew out of her love for sharing Japan, silk, and learning with others.  For quite a number of years now we have realized that while we are introducing gaijins (foreigners) to Japan through our own “Silk Road” via the Silk Study Tour to Japan, there were an equal number of Japanese who were interested in what we were doing.  And while Maggie was bringing in teachers from Japan to teach in the Silk Experience classroom at the Houston Quilt Festival and while Japanese visitors to the show were signing up for silk classes…she wondered…

-what if…? What if she organized a tour that combined US teachers and Japanese teachers and included both Japanese and American/foreign students in a bilingual workshop in Japan.  So here is what she has put together:

Cross Culture Tour to Japan

My job is to lead and coordinate the tour extension but I will also be around to lend a hand when needed during the workshop portion.  The US teachers are Katrina Walker and June Colburn.  Japanese instructors are Masako Wakayama and Noriko Endo.

So take a look and wonder…and imagine marking time between now and then.

summer indigo dyeing blues

I know that many of you are finally coming into your spring – with things warming up, plants budding out; gardening and planting might be on your mind.  As you get some of that done and look forward to summer are you considering some indigo dyeing?

indigo flowering 4/30/13

indigo flowering 4/30/13

If so, you might consider taking my online indigo dyeing class “Let’s Dye with Indigo“.  Now is a good time to consider starting your vat as the weather warms up.  I just started a new 40 gallon natural fermentation vat and within one week it was already producing beautiful blues.  My class consists of two parts- the 5 lesson workshop plus the student forum. Both are very informative.  You can easily jump from one to the other through links in the sidebar of each.  Four (4) types of vats are explained and maintained.  You choose which one is right for you.

adding the wetted out indigo into the new vat

adding the wetted out indigo into the new vat

Although this workshop covers 4 different vat types, continuing posts will focus on the fermentation vat. There have been a lot of things fermenting around here over this past year. Many having to do with how we go about our lives- what we add to it and what we take away from it; the marks we make, the marks we leave behind, perhaps leaving no mark at all!  Fermentation has produced many of the best things we can enjoy in life- wine, beer, miso, bread, yogurt, cheese, pickled vegetables and so much more (even compost!).

Fermentation is a cellular process that occurs in an environment lacking oxygen that converts organic matter into simpler compounds and releases energy as a result (along with the byproduct of many delicious and useful things).

Pretty cool huh?  Simplifying organic matter to create energy and other good things.  I’m gonna stick with that.   I’ll also be adding posts about growing and using indigo as well.

So let’s continue to dye indigo by fermentation this year.  Let’s Experiment. Let’s Wonder. Are you in? If so, sign up here:

Let’s Dye with Indigo-online workshop

Why should you sign up now?  For “This Week Only” (sounds like an infomercial!) I am adding in the Shibori Techniques on Silk -Self Study Online Workshop (usually sold separately for $25). The principles in the shibori techniques class can be applied to your indigo dyeing as well. This sale will be available only until this Saturday   – giving me enough time to add you into the class before the Silk Study Tour to Japan departs. So both classes for the price of the indigo class.  A sort of Sayonara Sale!

the daily dyer preview

Additionally, if you have been a part of my series the daily dyer for the past 5 months, you know we are entering the final month which will be broadcast from Japan.  Thank you to all who have participated in that little experiment- I hope you have found some of it useful or at least entertaining.  This last month should prove to be an exciting month.  I have decided to continue there as well and will be offering  two options for the daily dyer in the shop:

option one: continuing. for original subscribers only. this will secure your subscription through the end of the year.  cost is $35

option two: new subscriber. here you will get access to the full year; the upcoming Japan Silk Study Tour posts and whatever lies beyond that.  the past, the present, and the future. cost is $95.

Sign up in the shop here.

giving new life to old silk

once upon a time there were many many kimono. some were worn daily, some were worn for special occasions and when they needed cleaning, they were taken apart, cleaned, then sewn back together.  as time passed, many of these kimono were no longer being worn. the outer fine colorful silks were often stripped of the inner linings and resold to be remade into other things. but the lowly inner lining silks-though also fine, but often plain and with little pattern or color, were set aside (if not discarded!) since no one knew what to do with them.

Richard has been collecting them and remaking them into his beautiful silk mandalas.  he is here once again to give a workshop and for the past couple of days we have been preparing things.  today, we took some pieces out to get a few photos and some video for the daily dyer.

mandalas group

my, they looked glorious! so alive & revivied.

detail mandala

for this workshop, we decided that we wanted to concentrate on using some of these silks and show what can be done with them . we will be using them freely both for the arashi  and the mandalas.  if they don’t start being used, they are simply going to be discarded.   silk was used as a form of currency at one time, so it is interesting to me that something that was once so highly valued is now being cast away.

i like the intention of these pieces we are making.  some of the silks are quite old.  they were important enough to have been saved by someone all this time.  some appear to be hand loomed, even hand spun!  imagine throwing that away.  some are simple but perfect for dyeing.  some have spots or stains. all are unique in various ways. most of the blemishes were no longer noticeable once they were dyed.  my favorites are the ones where you can see the slubs, tyoffs and the uneven tensions from the weaving. like these-

there was more than enough for the workshop so i spent some time today sorting and ironing and packaging up some to put into the shop.

i like that we can use this silk from the past in our work today. i can learn things just by looking at it! and some of it is here now in the shop.