this silk started out white, like winter snow
then it became dark-like midnight
lights and darks, hills and valleys formed
and greens in many shades and hues swept across the land.
i have always liked figuring things out. a production run is like a puzzle of sorts.
one must figure out and streamline the entire process. thinking about such things as efficiency, energy, materials. the order of things. and most importantly, the FLOW.
the flow can refer to many things- the physical space in which i work-allowing me to move through my workspace without hinderance. the flow of energy as i choose and mix the colors, prepare the silk, thinking several steps ahead of myself so as to maintain that flow.
the flow of work in and out of here as orders come and go, the flow of communication with all of those who email,comment,ask,etc..the flow of paperwork, money, and of course time.
but most of all i enjoy the process of transition. of taking something rather plain and mundane (although i can say that the miracle of the silkworm is anything but mundane!) and turning it into something else by hand.
so, lots of shibori ribbon being made here at the moment. if i have overlooked an email, been tardy in sending you something promised-please send me a little reminder nudge and accept a proforma mea culpa from me. i appreciate your patience.
speaking of flow. one also needs to refill the vessel and when Richard and I get together for a workshop that is part of the intention- to give you lots to wonder about- to get your flow going-or back into the flow.
good grief…in my mind i had done it! but alas no- just on Facebook and constant contact. there are still a couple of spaces. and several requests to Skype/broadcast the workshop which we will be accommodating as well (figuring this out now). this workshop will combine itajime AND mandalas. you will learn both in the first two days. on the third day you can work on whichever one (or both) is moving you-and get into your own flow.
of course we will be working on the process, the technique, of folding and dyeing and resisting-but also larger concepts of time and space in regards to patterns. patterns are everywhere-in nature and in life. sometimes you need to look at the bigger picture to see them.
-some of Richard’s recent work-it just keeps on getting better and better (of course). he recently completed his first continuous 10 meter cloth which is slated to be make into a summer yukata. now THAT’s impressive!
and just a reminder- have a 2 day indigo workshop coming up at the Japanese American National Museum Feb 1 & 2. We will be working on shibori and indigo and creating a boro-esque indigo scarf from our bounty. Call the Museum to register- 213.625.0414
Today I gave as special workshop for the docents at the Long Beach Museum of Art.
30 people in a small basement room for 75 minutes.
Slideshow and videos then on to the Shibori.
Ahhh… my last post of the year. I’m just going with the flow…
I sat down with a length of silk shibori ribbon some beads, a few pearls, a shell or two, some silk and before long a tide pool began to form…I just went with the flow.
Before long, an anemone appeared and a starfish crawled out from beneath some seaweed. The moon in the form of a shell (found on a walk along Hayama beach) turned the tides and the current swept sparkling bubbles of air along on the adventure. A bright star appeared reflected in the calm of one of the pools before waves washed over and changed the composition. Seaweed grasses formed along the edge and swayed with the tidal surges altering my view of this seascape moment by moment.
I want to extend many thanks to so many people who traveled along with me this past year. From indigo and silk, to Japan and back, from show to show, over the internet via all the social networks and email, through workshops here and there, to the folks at the Japanese American National Museum- my, this list could get pretty long! Through yards and yards of silk shibori ribbons I have come to know so many more of you and your myriad talents and passions. Thank you.
Of course there are friends whispering to me in the background like Jude and Dar, and Richard, and Donna, Velma and Wendy, and Kathleen in SF, Fumiko in Japan and so many more of you who put your whole self into this thing called life and making.
Of course I add to that gratitude thanks to Phil who puts up with the daily shibori report -speaking of going with the flow of things around here- and having to move shibori off the keyboards, the drums and the pan on a daily basis. As I write this he and Trev are off surfing during his break from grad school. And to the boys- thanks for being the people you are which allows me to be me and not worry (too much) about you as you find your way in life.
Believe we must-in ourselves and in others worth believing in.
So as the tide ebbs and rolls out on 2013, and 2014’s New Year’s tides surge and swell, I say- go with the flow- become part of it, let it carry you along, be swept away by your passions into a New Year of love, compassion and caring for our world and everything within it.
I don’t know.
But I did finally finish this piece. I had to. Some things just can’t be left undone.
He asked me if it was too late to send a thank you card.
I said “it’s never too late to say thank you. or to say I’m sorry-or I love you for that matter.” It’s really a gift to yourself.
Family new and old gathered ’round here these past few days. As far as I am concerned, whoever graces our table at Thanksgiving is added to the list of “family”. My “family” is really akin to a crazy quilt. Made by hand of the finest and scrappiest of materials. Wouldn’t have it any other way.
As far as this piece goes, it goes way back to 2007 when Karren Brito started a makiage challenge on flickr and I was learning discharge. It was just a practice piece. It resurfaced from time to time and I wondered about it here and there. At one point I decided to practice some quilting on it so I discharged some black seam binding with the arashi technique.
At some other point it resurfaced again and I started doing some hand stitching on it. Eventually, the binding and the quilted part were reunited and half the binding was stitched on. A couple of years ago it surfaced again and I started hand finishing the binding. This past summer it made it’s way into my Yosemite bag and I finished the binding.
Yesterday, I stitched on a couple of hangers to the back and cut a stick onto which to mount it. Finally. Done. Only took 5 years.
Seems I’m in this for the long haul.
being well prepared is half the victory
and thank you for the overwhelming response to my workshops. when they fill 2 times over I understand they get to automatically repeat the class next year. that would be nice!
and…while I am leading the indigo workshop the very talented Mary Alice Sinton of Blue Bonnet Studio will be working the booth. Mary Alice is a certified teacher of both Traditional Japanese Embroidery and Japanese Bead Embroidery. She travels and teaches many classes. Come by and say hello!
Houston Quilt Festival 2013