Tag Archives: mandala

things flow through

i have always liked figuring things out.  a production run is like a puzzle of sorts.
one must figure out and streamline the entire process.  thinking about such things as efficiency, energy, materials. the order of things.  and most importantly, the FLOW.  beautywood

the flow can refer to many things- the physical space in which i work-allowing me to move through my workspace without hinderance.  the flow of energy as i choose and mix the colors, prepare the silk, thinking several steps ahead of myself so as to maintain that flow.

the flow of work in and out of here as orders come and go, the flow of communication with all of those who email,comment,ask,etc..the flow of paperwork, money, and of course time.

but most of all i enjoy the process of transition. of taking something rather plain and mundane (although i can say that the miracle of the silkworm is anything but mundane!) and turning it into something else by hand.

so, lots of shibori ribbon being made here at the moment. if i have overlooked an email, been tardy in sending you something promised-please send me a little reminder nudge and accept a proforma mea culpa from me.  i appreciate your patience.

in all this busyness, i have quite forgotten to post here about the upcoming workshop with Richard!

speaking of flow. one also needs to refill the vessel and when Richard and I get together for a workshop that is part of the intention- to give you lots to wonder about- to get your flow going-or back into the flow.
good grief…in my mind i had done it!  but alas no- just on Facebook and constant contact. there are still a couple of spaces.  and several requests to Skype/broadcast the workshop which we will be accommodating as well (figuring this out now).  this workshop will combine itajime AND mandalas. you will learn both in the first two days.  on the third day you can work on whichever one (or both) is moving you-and get into your own flow.  patterns of time and space

of course we will be working on the process, the technique, of folding and dyeing and resisting-but also larger concepts of time and space in regards to patterns.  patterns are everywhere-in nature and in life.  sometimes you need to look at the bigger picture to see them.

-some of Richard’s recent work-it just keeps on getting better and better (of course). he recently completed his first continuous 10 meter cloth which is slated to be make into a summer yukata. now THAT’s impressive!
the amazing itajime of Richard Carbin

and just a reminder-  have a 2 day  indigo workshop coming up at the Japanese American National Museum Feb 1 & 2.  We will be working on shibori and indigo and creating a boro-esque indigo scarf from our bounty.  Call the Museum to register- 213.625.0414

じゃまた!

 

giving new life to old silk

once upon a time there were many many kimono. some were worn daily, some were worn for special occasions and when they needed cleaning, they were taken apart, cleaned, then sewn back together.  as time passed, many of these kimono were no longer being worn. the outer fine colorful silks were often stripped of the inner linings and resold to be remade into other things. but the lowly inner lining silks-though also fine, but often plain and with little pattern or color, were set aside (if not discarded!) since no one knew what to do with them.

Richard has been collecting them and remaking them into his beautiful silk mandalas.  he is here once again to give a workshop and for the past couple of days we have been preparing things.  today, we took some pieces out to get a few photos and some video for the daily dyer.

mandalas group

my, they looked glorious! so alive & revivied.

detail mandala

for this workshop, we decided that we wanted to concentrate on using some of these silks and show what can be done with them . we will be using them freely both for the arashi  and the mandalas.  if they don’t start being used, they are simply going to be discarded.   silk was used as a form of currency at one time, so it is interesting to me that something that was once so highly valued is now being cast away.

i like the intention of these pieces we are making.  some of the silks are quite old.  they were important enough to have been saved by someone all this time.  some appear to be hand loomed, even hand spun!  imagine throwing that away.  some are simple but perfect for dyeing.  some have spots or stains. all are unique in various ways. most of the blemishes were no longer noticeable once they were dyed.  my favorites are the ones where you can see the slubs, tyoffs and the uneven tensions from the weaving. like these-

there was more than enough for the workshop so i spent some time today sorting and ironing and packaging up some to put into the shop.

i like that we can use this silk from the past in our work today. i can learn things just by looking at it! and some of it is here now in the shop.

 

year end announcements…

I am tying up some loose ends on things that have been in the works around here for a while.  Everything takes longer than expected it seems-especially around the holidays when there are lots of comings and goings.

Today the wind died down a bit (not completely) but the surfers were devoted to getting into the water which leaves me in complete and blissful silence to work on these unfinished details.

workshop

First- the In Studio Workshop with Richard Carbin and myself  is available in the shop. Just click here to visit the listing and read through it carefully. If you have any questions,  just use the contact form or email me.  Leaving a comment here is OK too- I can reply privately via your comment.

arashi shibori    ++++  mandalas  ===?????  

I’m excited to collaborate with Richard again.  Ours has been an wonderful pairing of interests and talents. We met virtually via Flickr several years ago becoming fans of each others work.  Richard is an ex-pat living in Nagoya Japan with his wife and two boys. In June 2009 when Phil & I visited Nagoya for the Arimatsu Shibori Festival, we made a pact to meet up and get to know each other better and in person. We visited late into the night and although our work is completely different we shared a passion for Japan, silk, and dyeing.  Afterwards, we continued getting to know each other online via Facebook and via email and decided to create a collaborative workshop. Our online workshop Indigo Mandalas (born of the original In Studio workshop last year) was the first internationally collaborative online workshop as far as I know.  We continue to inspire and draw on each others experience and interests using the internet & media, learning as we grow.

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Secondly, the Silk Study Tour to Japan is filling nicely.  We only have 4 spots (out of 20) left so,  if you think a trip to Japan to see silk sericulture, beautiful textiles, a natural dye workshop and more are in your future for May of 2013-contact me soon.  We never really know if we will repeat this tour-so far our third biennial tour. Life has a way of keeping us on our toes and in the present which is a good thing and keeps up from putting off those things that we really want to do but somehow don’t. More and more I realize that today is the day!   Click the link for details and feel free to contact me if you you have any questions at all. I’m getting excited all over again.  New things await us in Japan every time we go!

What if progress means something else?

Recently, I have been doing some reading and becoming familiar with the terms anthropocene and holocene eras as discussed in the recent issue of the Hedgehog Review. The current Summer issue, entitled Sustain-Ability poses such questions.

These are the sorts of things that I wonder about while I am working. The concept of thriving between scarcity and abundance. Of what sustainability means in these modern times.

These are seeds (ideas) that grow. And ideas plus action on those ideas make for change and growth. Like with seeds, the addition of water and nutrients yields a harvest.   Understanding history is essential, trajectory can be planned and altered I think.

But I need to get to the seed (heart, center, beginning).  Perhaps it’s a day for mandalas.

Yes, I think so.

novice mandala on silk organza

 

collected folk fabrics-indigo, kasuri, hemp and more

backside-silk floats across two flowers

I wanted t0 do a little post on some of the fabrics I brought back with me from Japan.  The first one is a bit of a curiosity to me which is why I bought it at one of the temple sales I wandered through. I’m sure this technique has a name and a history but since I had never seen it ( or noticed it) before, I was quite unaware of it.  At first I was drawn to it because of the indigo, next by the hemp, and also by the subtle pattern woven into it. Then I noticed that it was also embroidered with silk here and there.  Not only that, but what I saw as embroidery seems to actually have been added into the design as it was being woven.  There are large floats across the back too.  What is this called?  Is it common?  I like so many things about this fabric.  I like the uncommon pairing of the course hemp and the lustrous silk.  Perhaps John Marshall might know- or a weaver passing through…

asa (hemp) weaving indigo

The light flowers, stems, and leaves first appear as if they could be katazome, but no.  The back side shows the motif as darker than the ground.  A form of kasuri?  Or just a kind of double weave floating the lighter weft over the darker warp threads. I just don’t know.  Again, a question for a weaver to answer.  And then with the silk.  a soft handspun yarn lightly dyed -perhaps with madder.  Three pieces  of this I dug out of a pile of things under a table, appear to be an old obi.

Then there was this-

cotton or linen warp, silk weft kasuri

~this was found at the same flea market where I found the zakuri. the seller had several fine textiles.  Makoto bought one especially nice boro kimono for his wife.  This was in his scrap box (where I shop!) and I loved the color and the two way kasuri pattern.  The warp is a fine black cotton and the weft a lovely orange slightly slubby fine silk.  A great combo.  He had several pieces and I bought only two and had regrets by the time I got home for not buying it all.  To our surprise, the next day we saw him again at a different temple sale and I asked if he had brought it with him and he dug it out of a box and I bought the rest.  So 5 pieces in all-a kimono that was taken apart for cleaning and never put back together.  I love that about kimono.  The making of them does not require cutting into the fabric except for length and in the end you can dismantle the piece and use it all over again.  What plain and common sense!

kasuri detail

Walking back to the train one day I came upon a small street where a few vendors had thrown down some tarps with kimono and fabric piled onto them.  I picked up a couple of things-

The one on the left (partially shown) is a shibori noren. Likely made or at least tied in China. The other one seemed more possibly Japanese. I liked what I saw in it.

Two kasuri jackets or possibly summer weight yogi (for sleeping) – both in great condition.  All hand sewn.  Each use different cotton kasuri fabrics.  A couple of small seam repairs and I may put one of them in the shop.  It’s quite small.  But the fabric is wonderful.

I’ve saved the best for last-

komebukuro-sack for offering rice at the temple for special religious ceremonies

~this particular one appears to be quite old and with many boro patches.  It employs various homespun cotton fabrics and the rope appears to be handmade from hemp fibers. Also quite large-12 x 20″ at least.  The inside is more interesting than the outside-you can better see the patchwork. I would guess this one to be from the Meiji era (1868-1912). I appropriately found it at a temple sale.  A few more pics of it:

inside full view-1

more inside detail

edge detail and rope

bag bottom inside

outside view 2

another outside view

And today, while silk was steaming on poles, I dyed up the mandalas I exampled in the online workshop-

indigo mandala with itajime on cotton organza

that’s all I can manage right now-whoops, except for this:

itajime indigo on hemp- table mat and coasters

Took this for a test drive and liked it-fabric is some hemp I found along with the komebukuro and I’ve backed the coasters with a little hand stitched kasuri. They’re reversible. Moons of course. I keep wondering why we can’t have hemp in this country…it’s just such a practical enduring fabric.

whoops- almost forgot the silk-some kimono lining silk rescued and indigo dyed-

kimono lining silk indigo dyed

There is a shop update in the near future.

wow! back from Japan and catching up-

zakuri

zakuri gears

zakuri maker mark- from Omiya

What a time I had!  So much to tell and so busy with things to catch up on.  Not to mention the Mandala Workshop which is posting and uploading as I write this.  Back and forth on two blogs- multitasking…

OK- a few high points just to get things started:

I was very lucky and found an Edo period zakuri. (Edo was the shogun period when Japan was ruled by the Tokugawa family, 1603 to 1868.)   This is a silk reeling machine all handmade out of wood-even the gearing!.  There were literally thousands of them made in the later part of this period for the purpose of encouraging the cottage silk reeling industry in Japan-according to Michel Cook of Wormspit. Mine is in quite excellent condition and was found in a flea market at a very fair price.  I have to mention that before I arrived in Japan my intention was to find one of these.  I didn’t know if I would succeed- I didn’t even know what they were called!  But I had seen them in museum displays on earlier Silk Study trips to Japan.  Seeing as I am collecting a fair amount of my own hand raised cocoons I really wanted to have one- for practical purposes-reeling my own silk.

My friend Makoto likes to visit flea markets on the weekends looking for various things and so the day after I arrived in Kokubunji, we went to the first of 4 markets I was to visit during my remaining stay.  At the very first one, at the very front of the market, there it was!  I was kind of astonished.  I thought, maybe I better walk around a bit and see if there are any more to compare it with.  It was front and center in the small space of an older fellow who also had some other nice and quite interesting items (but no textiles).  I decided to wander the rest of the market first wondering if I would find another.  I did find a few small boro pieces and saw some other very nice textiles quite out of my budget but no more reeling machines.  I went back to the fellow and asked if there was a rocker arm which seemed to be missing. To my surprise- he dug around and came up with it! We bargained a wee bit but since it was such a fair price I accepted his first offer of  サビスです(a sort of complimentary service of a price reduction).  Makoto also found a very nice porcelain piece for his collection and a good indigo kimono with hand loomed cottons and a bit of boro.

Fortunately as well, I bought it because I did not see another one of any sort at any of the remaining markets or temple sales I ended up visiting.  I suppose it had been waiting for me.  Since I had traveled lightly to Japan I was able to find a box and boxed it up as my second bagage to return home at no extra cost. It arrived in fine shape and there are 1000 silk worms finishing up their cocooning  in egg cartons on the bench next to the piano…(i’ve decided that the silkworms prefer piano to drums, which are in the other room-always improvising around here…)

 

i like the music book on the piano- improvise. kind of a mantra around here…

Speaking of silkworms- “cat momma” Delia and sons did a great job of watching over the silkworm farm in my absence and upon returning they are all mostly spinning-some done and a few last ones just getting into it.  I am hoping to try a little fresh reeling with some of them…Thank you Delia!

So here’s a little video from today-

 In other news, mom survived my absence. My sister checked in with her while I was away. Only (??) 2 other mobiles burned down in the park in the past 10 days- no one was hurt apparently.  They last one she reported to me tonight that they ate pizza while watching the firemen respond-there are a few other hoarders in the ‘hood but rumor is that they were “cooking incidents”. Also, her longtime cat Mr. Orange died while I was gone. He was showing some signs of something before I left so we set the mobile vet up to go for a visit-  he had a “mass” and had to be put down. Yay for mobile vet services- a great help! After that sadness, someone presented her with two small kittens. Oh dear! Will keep on top of this one. She also managed to screw up her banking so have implemented strict restrictions on that after sorting things out. So, for the moment, peace has been restored!

Tomorrow, the garden will be surveyed and dealt with.

a quick mandala dyeing workshop post

Richard Carbin (aka AsiaDyer) is still here and we are still busy but I wanted to get a few photos up from the workshop before we get going here today. Also we have put a few things into the bigcartel shop just to get the day started.

This post will be photo heavy and text poor as we are both itching to get some work done- also there are orders to ship that have sat a bit longer than usual so must get them rolling too. We spent 2 days prior to the workshop practicing and working out further details in person…

so, without further ado…
we welcomed folks to the workshop with a little display out front- just to let them know they were in the right place and to entertain any passerbys.

welcome to the mandala workshop

under richard’s tutelage, i did a practice piece on silk kimono lining with colorhue dye. learned a lot!

my first mandala

here, richard is trying out the colorhue on silk noil- his expertise is procion MX dyes on cotton. playing around…

richard and colorhue and silk noil


richard does his thing on cotton lawn with procion

my silk organza mandala


me doin’ my thing with richard’s technique…you know me…can’t keep me away from the silk or the indigo. i think i’ve successfully infected richard with the indigo blue bug…

and here is the next thing we did with indigo…he was hooked!

obviously, a quick learner...

fast forwarding… we jump into the workshop

richard explains a bit

folding


tying


dyeing


karleen dyes


first day small mandalas get a review


and into day 2…

karleen's big mandala


barry's large mandala


linda's big mandala


we ended the workshop by collecting up, ironing and looking over all that had been done. we worked large and small scale, with cotton and silk, with mx, colorhue, and indigo and sent more mandala energy out into the world!

looking things over


interestingly, this video on Carl Jung’s patient’s artwork appeared that same day.

I will finish up here with a teaser of indigo we have just loaded into the big cartel shop. Richard is already deep into the indigo vat this morning and i am dyeing to join him!!

Considering the core of beauty

Is it seriously the end of January? I have been remiss…but busy at other things. Shibori things, indigo things, workshop things, organizing things, sales tax things (ick!), among other things. Those of you signing up for the online indigo workshop that starts in march- many thanks. You will receive an email mid February discussing what materials to begin gathering.

We are also having some company this week…some busy hands who were helping me sort ribbons into color piles this morning as I stitched some shibori ribbon flowers for an order. A simple beauty as he discovered each color and opened and closed the pleats. Later on, we did some painting. He keeps his mom very busy and anyone else in close proximity!

The 2 day indigo workshop at the JANM was a real treat- a great group as usual. Some very beautiful fabrics were created. Photos and more on that later in a separate post but there is one more workshop coming up at the JANM March 3-follow the link to sign up.

But the really exciting news is that my friend from Nagoya-Richard Carbin, mandala dyer extraordinaire is coming to teach mandala dyeing at my studio in Long Beach Feb. 18-19. This will be a real treat. The workshop is limited to 4 people as it will be hard to manage more right now. You can read more about the workshop and sign up here.
Here is a small selection of Richard’s mandala work:

Richard and I became fans of each others work via Flickr several years ago and more recently on Facebook. Richard is an ex-pat living in Nagoya Japan with his wife and two boys. Last May when I visited Japan for the Silk Study and the Arimatsu Shibori Festival, we made a pact to meet up and get to know each other better and in person. We visited late into the night (you know how dyers can be…) . He has a unique talent with techniques he has developed over many years and will be teaching his mandala dye technique here in my Long Beach workspace next month. I will assist and add indigo to the mix along with some other surprises.

Way back then I was taken by the beauty and skill of his dye work. I have been doing some thinking lately on beauty and I believe it is at the core of what we tend to think of as art. No matter what name we give it, we humans seem to have a need for it-whether we observe the beauty around us or whether we create it. Beauty calms us, it can capture timeless moments and asks us to slow down and observe. Beauty speaks to a higher order, is captivating, and allows us to see into the heart of things. Richard’s mandalas are like that to me- like I am looking into the core of beauty.
(Check out more of Richard’s work on Flickr here.)