Well, it’s back to SF on Thursday. Today I was ironing (silk artists know this job well) with the TV on TMC and I caught an early interview of Woody Allen by Dick Cavett. The interview took place following the release of his film “Take the Money and Run”. I have been a Dick Cavett fan from way back and have seen just about every Woody Allen film made. Seeing the two together was unique. Woody Allen’s film “Play it Again Sam” was originally meant to be filmed in NYC but was but moved to San Francisco when New York film workers went on strike in the summer of 1971. Which leads me to why I am connecting the two…

That is where I am headed again on Thursday to do the show at Fort Mason- Celebration of Craftswomen.
The Celebration of Craftswomen is San Francisco’s largest holiday fine crafts retail fair, and the largest event celebrating the craft of women in the nation. The event is sponsored by and is a benefit for The Women’s Building, a community service center serving women and girls in San Francisco.

This is kind of a big deal. This is a juried show and from what I understand, a very good one. Begun in 1979, the show had only 22 artists. The show has expanded and moved locations several times before settling in it’s current location at Ft Mason. Since its inception, the Celebration of Craftswomen has been a benefit for The Women’s Building, a multi-cultural community center where women and girls achieve self-sufficiency and pursue their dreams. I’m looking forward to participating and learning more about their programs and to gaining a new audience for my work.

In other studio news, I have been basically working like crazy. Making some new and exciting discoveries as I furiously make inventory for the show. Now, I can’t wait to get back and implement some of my new ideas- isn’t that always the way?

While I’ve been madly making pleated scarves, one of my sons has been sewing beads on feathered tips. I’m proud to say he’s quite adept with a needle in hand- guess it comes with the territory of being my kid. He was spinning, knitting, weaving and quilting since grade school. He really only does music these days but when his car needs work and scarves need beads we work a deal.
The photos here are some of yesterday’s work-sans beads- they were sewn on after I took the photos. The recent full moon provided a lovely sky under which to work my color magic. A warm moonlit night, the scarves were dry by morning.

I am currently in San Francisco at the SF Bead and Design Show at the Hotel Whitcomb.

The Hotel Whitcomb located in Downtown San Francisco—1231 Market Street, San Francisco, California 94103. The hotel’s telephone number is 415-626-8000, and the website hotelwhitcomb.com. Built in 1910, Hotel Whitcomb is an elegant boutique hotel that is a fine example of 19th century Edwardian architecture, with elegant Art Nouveau stained glass windows and hand-painted Moroccan tiles, which suggest its la belle époque heritage. The Hotel Whitcomb is an ally member of the “Green” Hotels Association. Public transportation is easily accessible with BART stopping right at the front entrance (bart.gov), along with trolley cars and Muni busses (sfmuni.com). Valet parking is available at the Hotel Whitcomb for $7 a day.

Also you can visit my website- for more dates and info.

Lest you think I have not been working and thinking, thinking and working- let me set you straight. Orders shipping out, dyeing, preparing for November shows and some pretty awesome reading among other things going on here. Finished reading “Outliers“while I was in TX and was rewarded with confirmations of many things I previously subscribed to (the 10,000 hour theory) but am far less eloquent than Malcom Gladwell is at verbalizing or writing about. He has some very interesting ideas and stories to tell that illustrate why certain people come to be very successful. He explains that we tend to focus on the individual themselves, rather than the circumstances of time, place, and opportunity surrounding the individual. An easy, fun and great read.
Secondly, I received my copy of Hans Abbing’s book “Why Are Artists Poor? The Exceptional Economy of the Arts”. I nearly snatched it out of the FedEx delivery guy’s hands. Well, metaphorically speaking, I was an eager beaver and know ahead he will be preaching to the choir on this one, but once again looking for some very eloquent, researched and well organized thinking on the subject. He is an artist AND an ecomomist- go figure! A rare bird indeed! This book is taking me a bit more time as it is somewhat more academic but he has some really provocative and brilliant thoughts on the economy of art and myths that we seem to insist on furthering-and not to our own best interest.
And in my stumbling ’round the internet on the subject, I came across this guy whom I found very interesting and you might too. Should you have any gifting needs for chess enthusiasts in your life he has some pretty cleverly funny chess t-shirts in addition to his painting which I found I liked very much. His blog is excellent in my opinion. Watch his video on the location of his studio.

A link to all his YouTube channel is located here- be prepared to spend a little time.
Then on to another topic- copyrights- and this story which Neki at moveable feast alerted us to on FB. In addition to a small donation, I offered to send one of my large shibori scarves to anyone of my FB contacts or blog readers who purchased one of his firepits before Nov. 7th (apparently the deadline for his next court date).
And now I share with you a most amazing exhibit of a painter whom was formerly and completely unknown to me- Charles Burchfield.

Today was a planned “day off” for me and my guy so we headed to the Hammer Museum in LA to take a look at the much ballyhooed Crumb exhibit- an illustrated version of the complete book of Genesis. This exhibit is getting a lot of press here and after seeing a special on Crumb himself a few years back I was interested in checking it out. Upon entering the gallery, there was a free tour getting underway (which we declined to join) but the docents voice was so annoying and being unable to tune it out we decided to step out and return after the tour was over. And am I ever thankful for that annoying docent tour! We wandered over to the next gallery where we discovered the Charles Burchfield exhibit. It was amazing! The first gallery showed a collection of his early works 1917-1920 I believe, and included the above painting. A watercolorist, he apparently painted a large volume of work during this, his early period (my personal favorite). His use of black was wonderful, and a great graphic contrast in all the pieces in this group. To learn more about his three distinct periods you can go here. The story is fascinating. One of the things I really loved about this show was that there were so many notes about each piece in the artist’s own words. I really felt as if I got to know him through this exhibit. Perhaps more so than any other artist’s show I have ever seen. This one will stick with me for a long, long time. There also are examples of some of his commercial work as a wallpaper designer and greeting card illustrator- as well as some of his personal thoughts on effects of that on his personal work.
Phew! After a brief break, it was off to the Crumb exhibit again which itself was an exhaustive effort. The sheer volume of illustrations is enough to knock you over not to mention viewing the subject matter in comic book illustration form. I could only take so much.
I want to thank the LA Times for their over the top promotion of the Crumb show which led me to find a new painter, Charles Burchfield, to add to my list of favorites!
So, tomorrow it is back to shibori, silk, dyeing and experimenting. Preparing for my SF shows and more. I have a class that needs filling at the SF Bead & Design show- you can go here to check that out and register online.

Wow! What a week- although it’s been more than two since I last posted here.

I won’t belabor the issue but will say the show was a great success on various levels.
Some of the highlights included:

My shibori techniques workshop was a pleasure- overfilled actually and although the main complaint seemed to be that the room was too cold – I was too busy and didn’t even notice it! The other complaint I heard from a couple of gals was that it was hard to follow some of the demos I was doing while they were stitching up their makinui, makiage, and orinui samples. I wanted them to get in as much as possible in their 3 hours and so was demo-ing up front and walking around with samples as I dyed them to get more ideas in front of them for the next stage of the workshop. 3 hours is an awfully short time to cover shibori but my idea is to expose the participants to a variety of possibilities and let them take it from there. In general though everyone was very pleased and many of them came down to visit me in the booth to tell me how much they enjoyed the class and how accessible I had made shibori dying. Perfect!
I will work on making it even better next time.

Despite getting stuck on the 59 North coming in to the show on Thursday (a 20 minute drive turned into an hour and 10 minutes due to a major accident) I arrived for my lecture a mere 10 minutes before it was to start. Yikes! And the wrong equipment had been delivered for the slideshow- the attendant quickly rectified that ( Quilts Inc Ed staff is fantastic!) and I spread my samples out and started talking. Phew! I felt a bit scattered but was told it didn’t show- you know me, I can talk quite a while about shibori… but what I really wanted to get across was the idea that we have so much to learn from traditional crafts people that can be translated into our contemporary works and that although it takes a bit of effort to make these connections with international artisans it is so much easier now with the internet and all that we have access to these days. Of course I shared many stories of the trip to Japan and the artisans we met – the hour was almost up before we got to the slideshow. I have more I would like to do with this topic and am letting it brew and steep in my mind….

Many thanks to Katrina for covering my booth that morning while I made my way down after the lecture and also while I dashed off to do a “meet the teachers ” presentation on the show floor for 30 minutes that same morning.
(thanks Katrina!!)

Another highlight was that I got to meet my FB friend Elaine Lipson! Now how fun is that? She is a writer and book editor for Interweave Press and the instigator of Slow Cloth- having come out of the natural foods industry and writing on the slow foods movement there. You might know her as the writer behind her blog, Red Thread Studio. We had a great dinner at one of my regular Houston stops The Black Labrador and were able to include Katrina Walker (who teaches sewing with silk) and my friend Jennifer from Atlanta who is known for globe trotting in search of fabulous textiles and trims. Quite an inspired evening!

We also had a little “mini-reunion” of our Japan tour group. There were 7 of us attending the show and what fun to see their faces again! Shouting out here to June, Maggie, Brenda , Mary Alice (and crew), Helen, & Katrina- let’s do it again sometime!!

I know this is turning into a rather long post but here I sit Saturday morning with HEAPS of work ahead of me (thank goodness!) and the possibility of getting back to do another post over the next week rather dim. So this may be it for a while and before these thoughts fade into the past I best get them out now.

Crazy quilters are getting into the action with my ribbons and Barbara from Roses on the Water made some lovely things with the shibori ribbon she picked up at the show. Crazy Quilters Online Magazine will also feature an article on my ribbon and shibori work in the next issue (online only) that comes out tomorrow or Monday I’m told. Thanks Julie!
One of my favorite crazy quilt teachers, Julie Craig, is also carrying the ribbon in her shop- Attic Heirlooms. She doesn’t have a website but is located in Wichita KS at:

2129 S Lark CT
Wichita, KS 67209-1252(Wichita, KS Metro Area)
Phone: (316) 265-4646

I also made a little “splurge” purchase at Carola Pfau’s textile booth which was all too conveniently located a mere 3 booths away down the aisle. She has some delicious hand spun and hand woven linen (eastern european and pre WW2). It’s about 22″ wide and I bought a 2 yard piece to do an indigo wall panel- hope I don’t mess it up! It should suck up that indigo like crazy!
I also bought a nice little haori that had an intriguing shibori pattern in indigo on it. All creamy silk jacquard with a touch of indigo makiage motifs capped off from the ground fabric. The makiage motifs even have some kanoko designs in the centers. I love makiage and its possibilities!

I included the label image which is from the Daimaru Kyoto “depato” . It has a rich history and actually started off as a kimono textile and dry goods shop in 1717. The Japanese have a long history of retailing and they are famous for their department stores.
According to one online source:
“Daimaru is one of the most eminent department stores in Japan. Osaka has two branches of this department store; one is in; Shinsaibashi and another one is in Namba.The history of Daimaru traces back to O-Mojiya, a dry goods story in Kyoto which was established by Shimomura Hikoemon Masahiro in 1717.The name ‘Daimaru’ was first used to name to store in Nagoya called Daimaruya and it was inaugurated in 1728. Daimaru was the greatest retailer in Japan for many years in the 1960s.”
I have no idea of the age of this piece but it must be fairly recent (mid 1940’s-1970’s).
I could keep going but must get to work now- the musicians are all out touring and I have the place to myself for the week!!

Upcoming events are posted on my Facebook fan page too- join up if you like! Click on the “events” tab at the top.

Forgot to mention- the quilt exhibits were great too- you can see some of them here. For video tours of the show- go here!

WordPress was acting punky last night when I wanted to post up a couple of new slideshows so I put them up on Flickr instead. I don’t have time to repost here so you’ll just have to trip over there for the ride.

Also, here is a few pics of the indigo ribbon and how it came out-

So much to do- procrastinating now…

Making up a few new samples for the Houston show (booth 728!-come see me!)-

Yesterday on facebook I asked for some color selections and two people spoke right up. One was Louise Green from Louise Green Millinery and the other was Jude from Spirit Cloth.

Louise suggested chestnut brown to go with my olive, burgundy for the black, and gunmetal with the ecru. The brown could have been darker as could have the gunmetal (it’s more of a pewter) but they both are very nice. The black and burgundy is great but I think my favorite was the simple discharged olive with no over dye. Will get photos tomorrow but in the meantime, I did photograph Jude’s suggestion of indigo over the gold. I revived the vat one last time before I leave and here is a little slideshow of the process. I did 6 dips with a good rinsing between each after letting the indigo oxidize completely. You will see a photo of the unoxidized (looks greenish) pole and then one of it when it was done oxidizing (bluer).
Just got done steaming it so it won’t be unwrapped until tomorrow. It’s 10 pm here and I just finished cleaning up out in the outdoor studio under clear skies and moonlight.
This is sure be a special color when it comes off the pole tomorrow!

Tig has been helping me with the packing for Houston and finally the first 4 boxes are done! It’s most of it which includes all the set up stuff, flooring, most of the inventory,and the materials and kits I need for my workshop. Phew! Even Tig was glad this part is done. She even found a box just her size and wanted to go along with to show off her pretty shibori tiger stripes.

I was taking a photo of Studio Beads new order when tig decided she needed a new head shot for her portfolio (you know, Hollywood is only about 30 minutes from here on a good day).

all shipped out

50 yards assorted cuts

inching along...

You might say that could be me in the photo above, inching along in my preparation for Houston show. I am making progress but at the same time so much to do! I have dyed up so much lovely ribbon but darn if people don’t just keep ordering the stuff! I’m gonna be setting a cutoff date soon on when I will stop shipping. Probably by Monday the 5th- be advised! Won’t ship again until after the 20th of October.

As I was working these past few days I started thinking (uh-oh..) about my product and what exactly it is I am selling. Yes, of course I am selling silk shibori ribbon (speaking only about the ribbon now) but what is the ribbon really? One silky yard of lovely color, pleated, undulating cool silk made with the spit of a worm. It represents perhaps the promise of something beautifully crafted by hand, some free time to create, a gift, a challenge, a little piece of something to inspire. It’s a little piece of me too, in a way. A piece of my story, my persistence,
my desire to make and to create. My desire to spread that and infect more people to take a little adventure into creativity. I’ve become an adventure capitalist! So come on among- join the adventure. Come on by and see me in Houston at the International Quilt Festival (Oct.13-18) in booth 728 where every inch is an adventure!

My shibori workshop has been sold out for some time (as have many of the Silk Experience workshops-look for a surge in sewing with silk!) but I have an open lecture on Thursday morning -come on by! (New shibori workshop scheduled in LA at the Japanese American National Museum March 27, 2010-contact JAMN for info-limited to 25.)
Back to it- getting ready to ship my booth stuff…

OK. Once more we have some scrap bags- been bagging up things for the Houston show and decided to put a few up for sale for those of you who can’t be there. Each bag is color sorted and has 3-4 yards worth of assorted silk shibori ribbon cuts (ribbon only no yardage/or cutter scarf cuts) – a great deal at $20 each. Perfect for flower work, crazy quilting or just embellishing. Available on my etsy site- call out your color #’s in the “comment to seller” section as before.
This worked pretty well last time- I will keep updating the #’s sold. I can’t list each one separately or I’d have to charge more and who needs that?
Enjoy!
SOLD SO FAR: #08,01,

bags shown here are 12 x 12 and include an assortment of silks and ribbon- all hand dyed of course. just odds and ends, bits and pieces, fun stuff. several bags have complete scarves in them- can be worn or used as cutters!