Category Archives: where to find my shibori

silk shibori ribbon

Ahh….the first Monday of 2014!  And it starts off with a bang!

the original silk shibori ribbon

the original silk shibori ribbon

About my silk shibori ribbon-many folks are asking and wondering…

It was 2006 when I first started practicing and learning shibori techniques. Having closed my porcelain company of 30 years, I wanted a new challenge and a new product to make and sell. Something to continue to sustain me over the next many years. Something highly artistic, beautiful, creative, something that would excite and inspire others to make and create-I know how making can be so very strengthening both mentally and physically. I wanted to continue to be part of that but in another way.  I looked for a way.  After practicing the arashi shibori technique daily for about 6 months, I wondered.  I wondered if one could make ribbon with it.  I had never seen it done so I started searching the internet.  Nope!  Not one image or one mention anywhere that I could find.  I searched extensively.  Excited, I found a little bit of silk ribbon I had nearby and wanted to wrap it. Around what? Looking around me I grabbed a pencil.  Wrapping the ribbon around it my eyes scanned the room for something to wrap it with- some thread.  I ran downstairs ( I had been in the bedroom with my bathrobe still on) and went outside and poured some dye over it.  Steaming and drying it I opened it up- Shibori Ribbon was born-really way to small and thin and not all that beautiful.  But the beauty was in the eye of the beholder, me- and I could see all the glorious possibilities.  So it has been a long and interesting path.  Littered with miles of beautiful silk and more.

Special thanks to all those who have been teaching and using the ribbon in their classes not just this year but in all the past years since I first came up with this crazy idea. My special thanks goes to the much loved Sherry Serafini who has spread her inspiration and the shibori ribbon all over the world.  More thanks to the talented Melanie Dorman who passed on in 2012 and who introduced me to beaded needle weaving and embroidery while we sat back to back at our tables at the Pasadena Bead and Design show some years ago.  I was fascinated with her work and she with the ribbon. I think she was the first to see and show me its potential in regards to beaded embroidery work and designed several pieces and classes with it. I was saddened-even shocked, when I went to contact her about something last year and discovered her passing- a reminder…we are here only for the blink of an eye.   Adele Sciortino did her part with it in the doll world and introduced it to many doll makers. Art quilters found the ribbon at the quilt shows and put it to work in many inventive ways. It was a pleasure to have them come to the booth and tell me that their quilt entry with the shibori ribbon made it into the show.  Crazy quilter Julie Craig of Attic Heirlooms(no website) along with Judith Montano both saw the ribbons potential when I first introduced it at the shows 6 years ago. Kate Tracton (also a Shibori GIrl) found it and made some lovely necklaces with it and her handwoven focal beads. Jude’s words and musings and of course Wendy who keeps a little pile of the ribbons in her therapy room and adds her wisdom to it as she heals.  I could fill a whole page with such examples.  I thank you all. It is an exquisite privilege to have something I make be part of something you make or do.

Now, entering 2014 there are many, many folks out there enjoying the possibilities and wondering. There are many shops- both online and on the street selling my ribbon. There are two Authorized Etsy resellers of my ribbon who are putting it into the hands of many more creative folks-Michelle, who has been at it for several years now and Lisa who just discovered it late last year and doing a great job getting the word out.  This is putting the silk shibori ribbon in the hands of so many creative folks who are dreaming and wondering up so many possibilities.  I am overwhelmed!  I really couldn’t ask for more shibori love than that.

So it has been a good year and I look back at the slow and manageable uphill burn of the ribbon which makes life around here even possible. I intend as a result of the increasing demand for the ribbon, to be spending more time making the silk shibori ribbon than ever before. I like that it is also helping to support others who resell the ribbon as well as those using it to make things that they in turn sell.

I have been informed that there is someone copying the idea on etsy.  I have been approached by a very large company who wants to “blow it up” and eventually have it made in China.  No. It is true, there will be copyists- in it for the momentary buck or two.  But in the end I will still be here.  Know it.
One at a time and everyday- like I said in the beginning of this big adventure.

Now back to the poles. And speaking of poles, Keep warm out there friends.  I know some of you are withstanding record cold spells.  Janice just emailed me that it is -37 outside her studio in the woods right now.  Stand strong-and STAY WARM!

 

booth 1620

being well prepared is half the victory

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arashi shibori on silk

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vintage kasuri and taiten

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some smaller bits

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materials for the indigo workshop

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Shibori ribbon flower kits

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Shibori ribbon, of course…

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indigo, always indigo

and thank you for the overwhelming response to my workshops. when they fill 2 times over  I understand they get to automatically repeat the class next year.  that would be nice!

and…while I am leading the indigo workshop the very talented Mary Alice Sinton of Blue Bonnet Studio will be working the booth. Mary Alice is a certified teacher of both Traditional Japanese Embroidery and Japanese Bead Embroidery. She travels and teaches many classes. Come by and say hello!
Houston Quilt Festival 2013

tiny shop update…

pincushion and thread

pincushion and thread

in the shop

and just a small collection of indigo and pomegranate dyed bits.  something for a small experiment.

for someone wanting to try something new.  all on old cloth.

pom and indigo set

pom and indigo set

available here

i am figuring out how to dye with these two separately and together.  and what kinds of cloth works best.

and everything else.  here is a piece of old silk – silk warp and bast weft.  this may be the most favorite thing i have ever dyed so far.  the silk floats in the jacquard pattern look like spun gold. there’s a bit of it in the fabric collection…but i had to keep a scrap for myself.

pom and indigo old silk

pom and indigo old silk

and speaking of time…

When in mid August I saw pumpkins stacked outside the grocery store here and orange frosted cupcakes and pumpkin cookies encased in plastic containers upon entering the store I wondered if perhaps I had somehow missed a month or two.   But no, it was still August. Really- Halloween already? Won’t those  pumpkins be rotten and the cupcakes stale by then?  One does wonder.

arashi shibori now

But now here I am not exactly marking time but struggling to organize it.  Realizing that reminding you to think ahead if you desire to order a large scarf for yourself or as a gift for the holidays would actually be a good idea.  This way, I can get a handle on how to better organize my time and material purchases in addition to not taking on more work than I can actually create. I really do hate to disappoint and don’t like to do “rush” orders.  So I was thinking, how best to accomplish that…

And here is what I came up with.
(a reservation system of sorts…)

 You can order your own custom colorway of course by emailing me an image or two that include the colors you like or, if you have had your colors “done” send me an image of the set of swatches from that. Here are a few recent pieces to give you an idea…

I will be taking reserves for no more than 25 between now and Nov. 25th.
Let’s see how this works.

looking from the inside out

just a view of what doing a show can look like from the inside

Mt Rainier from the room (over the freeway) at the extended stay in Fife

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we were instructed first thing at the desk not to leave personal items in the car. apparently, break-ins are rampant here.
inside the room though all was good.

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a small kitchen so we don’t have to go out much. I await Katrina’s arrival. We are sharing expenses and so forth.

later, we have hauled most of our stuff into the room and are settling in for the week of teaching and vending.
the room is filled with sewing machines, dye, kits, electronics, fancy irons and more.

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this is while we are still organized.

it’s less glamorous than it sounds but we are READY- almost. booth set up starts in one hour.
またあした、!

silk shibori ribbon shop update

yes, i did get it done today- mostly.  aside from making the actual ribbon, there’s the sorting, cutting, choosing the combos, photographing, uploading, naming, photoshopping in the color names/titles, uploading and listing. phew!

in the shop now.  and thank you!

arashi ribbon

oh, and a really lovely scarf too…

arashi sea dragon

arashi sea dragon

some more indigo moons made it there also…

arashi shibori now…

just a quick post to show you a couple of new pieces.  when i began them i had in my mind’s eye what i wanted-almost.  lots of what i do is like that.  i have it about 80% worked out in my head.  the last 20% comes as i am working on it. i learned a lot making them.

i’m looking forward to making more of these in other colors.  that will have to wait for mid november though.  i’m adding these to the shop  as shown and you can order the make me one option and we can talk about colors.

this is arashi shibori now.

Online Silk Shibori Techniques workshop

I thought I would remind folks newly interested in learning shibori techniques that my original online shibori techniques workshop is still available in my online bigcartel shop.  It has been there for over a year now  since I originally posted it- many have taken it.  After the first initial run of the class I reworked it into a self-study class for a very fair price of $25 (that’s $5 per lesson!).

Here is the intro to my online shibori workshop:

The beauty of shibori is that it was created in a much simpler time, yet resulted in some stupendous fabric designs and possibilities. It was created out of ingenuity and a desire to have decorative fabrics for the masses. You don’t need a lot of fancy equipment to make yourself some basic shibori fabrics. In fact, most of what you need can probably be found in your kitchen, your garage or just hanging around the house.

As an anniversary of sorts, I am going to include a 20 minute skype call with the purchase of this class through the end of October.  You can use this call for a review of your work at the end of the class, for one-on-one help on a particular technique, or just to chat.

It’s always a pleasure to encourage creativity and wonder through shibori. Shibori is good for that. It encourages problem solving and original thought-I think that is what drew me to it in the first place and has continued my interest. I am also going to go on into the class and update a few things, perhaps add a little here and there as well.  It’s been a while since I checked in over there.

As always, the online class is always there for you regardless of timezone and time of day. No commuting necessary.  There for you when you are there and ready to check in.  No roll call needed, and you’re never late to class!

My other online classes include:

Let’s Dye with Indigo!

and

Indigo Mandala Workshop with Richard Carbin and Shibori Girl

I give you the techniques and you make it your own! You can be assured that the images I post here, on my flickr, and in my classes are of my own work (unless noted) and not of the work of others. Some examples include:

bone to pick…

simply skip this post if you are not interested in hearing some critical thoughts on making and selling your work at trunk shows.

say what? did you say bone?


so, here’s the story-

I was recently invited to do a trunk show at the Huntington Library for the re-opening of their famous Japanese Garden which has been under restoration this past year. I was excited! A great match-up between my work and the event which doesn’t present itself very often. I was honored to be asked. I love the Huntington and was looking forward to visiting the newly renovated Japanese gardens anyway.

Of course there was a hitch…they want 50% of all sales. Now you might think that sounds good to you, but if you make a living this sort of thing you realize that you will likely loose money doing this. It’s one thing to sell your items outright at wholesale (50% off retail) to a shop or gallery for that price because they are committing to buying the merchandise (and likely meeting a minimum order), they are doing the display, the sales and everything else in regards to moving your merchandise (which is now theirs!).

But in this trunk show situation, you the maker, are creating a collection of work for the event. You pack it all up, create a beautiful display for it, and stand there all day with it selling, demonstrating, and answering questions- among other things (like packing up everything that didn’t sell at the end of the day, creating an invoice for them of what sold and submitting it so you can wait several weeks to get paid-oh and NOT working in your studio on other things for that day)). So in effect, the museum shop’s only commitment is a couple of fold up tables they set up outside their shop, the ringing up of the sale and some museum bags to put the merchandise into. There is no commitment to the merchandise, no inventory for them to manage, no extra staff to hire on for the event (i guess my time is free?).

After a number of emails back and forth with the staff there it was suggested that I just increase my prices 30% to cover the difference between what I wanted and what they were willing to give. Nice one. I pointed out to them that this would increase a $185 item to $240 and I didn’t think it would be salable at that price in addition to the fact that their customers could actually go online and see that they had been overcharged which would reflect poorly on us both. Their answer? Non- negotiable. Other artists do it. Hmmmm.

No deal. Too bad. Had to turn it down. Very disappointing. I was told that in the past that artists/makers received a better % but a year or so ago they changed it to 50%/50%. I suppose we are just to be thankful for the opportunity to support the museum. I guess I’ll support it the old fashioned way by just visiting every now and again. They do have a free day each month and you can access tickets by going here.

I write this here because I think it is of value to point out the fallacy of their thinking and what always feels to me like artists/makers being taken advantage of because there is always someone else down the list that is willing to settle for this sort of nonsense. Admittedly, it’s usually not full time professional artists/makers but I believe it brings us all down in the end.

But I will still enjoy visiting the renovations at the Japanese Garden when it re-opens in late March.

By the way, the upcoming workshop at the Japanese American National Museum is this Saturday Mar 3 from 1-4 PM. We will be working on silk in color and focusing on itajime.
You can call the museum to sign up at 213-625-0414.

Also, this is a last call for those who want to join in on the online indigo workshop which begins on Monday. Looks like we have over 15 countries and 25 states represented in the class so far. I’m excited about what we all be able to learn from this!