Category Archives: indigo

things flow through

i have always liked figuring things out.  a production run is like a puzzle of sorts.
one must figure out and streamline the entire process.  thinking about such things as efficiency, energy, materials. the order of things.  and most importantly, the FLOW.  beautywood

the flow can refer to many things- the physical space in which i work-allowing me to move through my workspace without hinderance.  the flow of energy as i choose and mix the colors, prepare the silk, thinking several steps ahead of myself so as to maintain that flow.

the flow of work in and out of here as orders come and go, the flow of communication with all of those who email,comment,ask,etc..the flow of paperwork, money, and of course time.

but most of all i enjoy the process of transition. of taking something rather plain and mundane (although i can say that the miracle of the silkworm is anything but mundane!) and turning it into something else by hand.

so, lots of shibori ribbon being made here at the moment. if i have overlooked an email, been tardy in sending you something promised-please send me a little reminder nudge and accept a proforma mea culpa from me.  i appreciate your patience.

in all this busyness, i have quite forgotten to post here about the upcoming workshop with Richard!

speaking of flow. one also needs to refill the vessel and when Richard and I get together for a workshop that is part of the intention- to give you lots to wonder about- to get your flow going-or back into the flow.
good grief…in my mind i had done it!  but alas no- just on Facebook and constant contact. there are still a couple of spaces.  and several requests to Skype/broadcast the workshop which we will be accommodating as well (figuring this out now).  this workshop will combine itajime AND mandalas. you will learn both in the first two days.  on the third day you can work on whichever one (or both) is moving you-and get into your own flow.  patterns of time and space

of course we will be working on the process, the technique, of folding and dyeing and resisting-but also larger concepts of time and space in regards to patterns.  patterns are everywhere-in nature and in life.  sometimes you need to look at the bigger picture to see them.

-some of Richard’s recent work-it just keeps on getting better and better (of course). he recently completed his first continuous 10 meter cloth which is slated to be make into a summer yukata. now THAT’s impressive!
the amazing itajime of Richard Carbin

and just a reminder-  have a 2 day  indigo workshop coming up at the Japanese American National Museum Feb 1 & 2.  We will be working on shibori and indigo and creating a boro-esque indigo scarf from our bounty.  Call the Museum to register- 213.625.0414

じゃまた!

 

onward…

Some random pictures as I prepare for the show coming up.

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Pomegranate and indigo on various cloth -a new boro-esque scarf in the works

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remember those porcelain bits with edges softened by the sea? some wristlets in the shop.

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and one more finished and sent off…

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prepping fabrics and materials for the indigo workshop in Houston (booth 1620).

just a glimpse.
onward.

tiny shop update…

pincushion and thread

pincushion and thread

in the shop

and just a small collection of indigo and pomegranate dyed bits.  something for a small experiment.

for someone wanting to try something new.  all on old cloth.

pom and indigo set

pom and indigo set

available here

i am figuring out how to dye with these two separately and together.  and what kinds of cloth works best.

and everything else.  here is a piece of old silk – silk warp and bast weft.  this may be the most favorite thing i have ever dyed so far.  the silk floats in the jacquard pattern look like spun gold. there’s a bit of it in the fabric collection…but i had to keep a scrap for myself.

pom and indigo old silk

pom and indigo old silk

Indigo fermentation vat

So if you want to really talk sustainable here’s something for you.

Handmade lace from France -probably 70 to 75 years old.

Dyed of course in the indigo fermentation vat.
I wonder how many people in the US are using a fermentation vat year round.

Of course, indigo looks great any time even when it’s not trendy.

By the looks of what I see there, I’ll be looking forward to when the trend wears off and we can get down to real indigo.

 

doing nothing is harder than doing something

a place to rest your mind...a distant shore

a place to rest your mind…a distant shore

Letting things fall into place or even fall apart before taking action can be one of the most difficult things to do. I am in that situation at the moment-and so far have resisted action. I realize that what I can do or want to do to alter the situation likely won’t have the intended result. Wanting to “do” something is culturally ingrained in us it seems. At least then we can say we “did our best” or “tried”. It might shield us from criticism or guilt. A wait and see approach is not highly valued these days. We are penalized for seemingly “doing nothing”.

An interesting study regarding soccer titled “Action bias among elite soccer goalkeepers: The case of penalty kicks” explores the emotional reactions to action vs. inaction.

While that might seem somewhat offtrack here, I makes me think of the differences between “instant indigo” and the fermentation vat. The fermentation vat gives me time to process the next move. To wait and see. To build upon what previously was. A chemical vat can be zapped back into action quickly while the fermentation vat needs time. Time to wait and see…

So while I let things fall apart a bit, I’ll be “doing something” out at the vats.